Panasonic AK-PLV100 4K CINELIVE 4K Studio Camera

Within its operating design, the Panasonic AK-PLV100 4K CINELIVE 4K Soundstage Camera from Panasonic brings together the operability of a soundstage camera with the capacity to use cine-style lenses for shallow depth-of-field looks. its VariCam heritage supplies capabilities such as a cinematic look, a V-Log profile, and dual native ISOs for nuanced acquisition in a selection of light levels. Fitted with a large-format 5.7K Super35 imager, this ARRI PL-mount camera can selector from cinematic 24p acquisition to broadcast-style 30p capture.
Developed for soundstage use, the Panasonic AK-PLV100 camera does not incorporate a recorder, instead it feeds footage via its LEMO SMPTE fiber optic, 12G-SDI, or 3G-SDI connectors. Panasonic AK-PLV100 acquires up to 59.94 shot rates and can feed 12G-SDI feeds directly from the body head eliminating the requirement for a CCU. Compatibility with 2/3" soundstage systems permits you to preserve a starting location of components that can be employed with distinct camera heads chosen matched to your desired feed.
Cine-Style Shallow Separation of FieldThanks to Panasonic AK-PLV100 CINELIVE 4K Soundstage Camera a 5.7K Super35 imager and 12G-SDI and ARRI PL optics fitting, the Panasonic AK-PLV100 CINELIVE 4K Soundstage Camera can produce cine-style shallow depth-of-field effects whereas maintaining the operability of a soundstage camera.Image-capture FeaturesDual native ISOs deliver high sensitivity and low noise.Panasonic AK-PLV100 V-Log creates footage feed with wide dynamic selection and a rich colour gamut.Simultaneous HLG/BT.2020 (4K setting) and SDR/BT.709 (HD setting) let you tailor your feed for a selection of displays.CCU-Free Basic OperationAble to be employed eliminating a CCU, the Panasonic AK-PLV100 CINELIVE 4K Soundstage Camera feeds LEMO SMPTE ST2110 and 12G-SDI footage directly from its camera assembly and only requires an optical-fiber link for return source, intercom source/feed, PTP synchronization, trunk out, and tally source.Options for 12G-SDI footage feed directly from the camera head incorporates uncompressed HD and UHD 4K with JPEG-XS  12G-SDI compression.Works with 2/3" Unit ComponentsCompatibility with Panasonic's 2/3" studio-camera configuration components permits the use of CCUs, ROPs, and other components. With this new concept for live workflow, you can choose a body head matched to the desired concept whereas using the identical system starting.Broadcast and Cinematic production RatesThe Panasonic AK-PLV100 CINELIVE 4K Soundstage Unit with 12G-SDI  LEMO SMPTE has a switchable  shot rate is to cinematic 24p/30p shot rates when using a 60p platform, enabling it to readily selector between a 24p/30p look and a standard broadcast 60p look.Picture MagnificationA electronic extender with signal-processing circuitry delivers 2x picture magnification for those pictures where you just can't get closer enough.Focus AssistFocus assistance comprising red peaking, magnification, and a focus square assists deliver fast, accurate focusing.Motorized ND FiltersThe motorized detailed, 1/4, 1/16, and 1/64 ND filters can be chosen on the camera or controlled from a distance.
Panasonic AK-PLV100  12G-SDI  and LEMO SMPTEAccess to built-in 12-axis colour correction and a linear matrix permits fine tuning of your image's colour tone and saturation.Skin Tone CorrectionCaptures beautiful, natural-looking skin thanks to wrinkle and tone correction with 12G-SDI feed.
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