{"product_id":"blackmagic-design-hyperdeck-studio-hd-pro","title":"Blackmagic Design HyperDeck Studio HD Pro","description":"\u003cdiv\u003e\u003cdiv class=\"productDescription_UbV5SNP5Eo\" data-selenium=\"overviewLongDescription\"\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eFor this model, the \u003cb\u003eBlackmagic Design HyperDeck Studio HD Pro\u003c\/b\u003e is a revised 1 RU file-based deck that incorporates the same operation and control of professional tape decks in an electronic configuration. This version updates the previous HyperDeck Studio versions with several features such as 6G-SDI compatibility, two added SD medium slots, USB Type-C capture output, timecode source and feed, Ref source and feed, a redesigned jog\/shuttle wheel, Gigabit Ethernet, and a speaker on the front.\u003cbr\u003eThe Studio HD Pro records uncompressed footage with 10-bit 4:2:2 color through either ProRes or DNxHD codecs, as well as the H.264 encoding format. With two SSD ports and two SD medium slots, you can capture almost endlessly as one SSD becomes full, capture automatically keeps on to the other, and the SD medium slots are additionally hot-swappable. The Studio HD contains one 6G-SDI source, two 6G-SDI feeds, a loop-through SDI feed, a dedicated SDI monitor feed, and there's additionally one HDMI source and one HDMI feed that can all feed up to DCI 4K. The ports autodetect the feed and will refine to the SD, HD, or 6G-SDI configuration source. The 3-pin XLR timecode source and feed enable you to sync timecode with other devices, and it additionally enables you to daisy-chain with other devices to produce a timecode sync chain.\u003cbr\u003eThe Studio HD Pro is a 1 RU rack-mountable device, with built-in rack mount ears. It contains illuminated front interface control and a heavy jog\/shuttle wheel for analog scrubbing. RS-422 control is supported for outboard control through the Ref source and output ports. The USB Type-C port enables you to capture to outboard disks, and you can additionally use it to plug into a PC to use as a source for a web stream. A built-in LCD on the front panel permits you to monitor the footage and screen timecode and transport details.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eproduction Broadcast Deck\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe new HyperDeck Studio recorders deliver been totally redesigned with dozens of new incorporates. The enhanced versions have new broadcast-style front interface controls and more links on the rear interface. The LCD screen accommodates both light and dark settings, plus the transport control keys are stronger with a firm professional feel. The Pro versions function a weighted, precision-machined search dial whose cushioned rubber finish sits comfortably beneath the touchscreen. Plus the search dial integrates an active clutch, only like a conventional broadcast dec. With dual media ports, you can change cards eliminating interrupting capture. The enhanced models even incorporate a front headphone link and speaker.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eMastering Recorder: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eAll versions capture to H.264, ProRes, and DNx files, so are well suited to capture broadcast masters. You can even use PCM or AAC audio. You get everything needed to transmit shows to broadcast teams and for uploading to YouTube.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eISO recording production flow\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eAll versions function timecode and reference generators, with feeds to loop to other HyperDecks. This means you can build a rack of HyperDeck studios for ISO camera capture, allowing multi-cam editing after live productions. You can even sync bodies to the SDI feed and the SDI source has shot sync.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eDigital Signage: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHyperDeck Studio is well suited to digital signage as all versions have HDMI feed for connecting to large display TVs and projectors. The built-in sync generator lets you bring together several HyperDecks for large multiscreen footage walls. There's even FTP for file upload and a protocol for off-site control.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBroadcast Archive: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHyperDeck Studio allows all SD and HD standards so it's excellent for archiving old television shows from broadcast decks such as Electronic Betacam, Betacam SP, 1\", U-matic, and VHS. You can even capture directly to H.264 to maximize capacity. For analog decks, only attach a Mini Converter Analog to SDI.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBright Color LCD Status Display: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHyperDeck Studio provides traditional deck-style transport controls, comprising a search dial for jog, shuttle, and scroll. The space-efficient LCD shows timecode and transport details, plus a full-color thumbnail preview of the current mount in capture or playback. It additionally displays information about each card's capture status, along with footage format, shot rate details, and audio levels, all on the identical display. The LCD incorporates monitoring for footage, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style settings with the built-in LCD display makes HyperDeck Studio incredibly fast to use and very simple to learn.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eTraditional Broadcast Deck operation\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHyperDeck Studio incorporates a conventional broadcast-style control interface that's very fast to use. Simply push the capture button and you instantly start capture the footage source to a file. You can additionally change the capture file configuration from the menu. There are transport control keys for playback, rewind, fast ahead, previous mount, next mount, and more. The Pro versions deliver a machined metal search dial that accommodates shuttle, jog, and scroll so you can locate clips fast. Any control pressed on the front interface is sent to the rear RS-422 off-site feed for looping control to several HyperDecks. The Plus and Pro versions also incorporate a front interface speaker and headphone socket for live audio observation.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eSupports SD Cards, UHS-II Cards, or SSDs: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eAll HyperDeck Studio versions support capture to common SD cards and UHS-II cards so you don't need expensive custom media. However, the Pro versions additionally add two SSD ports so you can use two distinct kinds of media. SD cards and SSDs are the strong choices for broadcast media since they are small and very affordable. when through H.264, the files are so incredibly small you get very long captures even on more compact low-cost cards. Plus, you can even capture to outboard USB disks. With H.265, you can capture up to 58 hour period in 2160p60 Ultra HD or up to 157 hour period of H.264 capture in 1080p59.94 on a 1TB medium. That's over 6 days of capture in HD through a one 1TB card.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eDual Media Slots for Nonstop recording production flow\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eAll HyperDeck Studio versions feature dual media ports for nonstop capture. When the capture card becomes full, capture automatically keeps onto the next medium. That's perfect whenever capture long live events since you can \"hot swap\" a full medium for an empty medium while capture continues in the other slot. Every slot has a status indicator to show which medium is being employed, either red for capture or green for playback. Plus all versions now feature very long file captures to a one file for simple file spread. HyperDeck Studio is readily repairable with each card slot through an individual PCB assembly that can be replaced if it ever becomes worn output from heavy use.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eRecord to External USB Type-C Media Disks: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eIf capture to other kinds of media is needed, the USB Type-C scaling port lets you plug in an outboard flash disk for capture. USB Type-C flash disks deliver unlimited capacity since they can be physically broader than a SD medium or SSD. Recording straight to an editing disk array removes the need for a separate copy before post-production. Move the disk to the computer and begin editing immediately. You can even attach a Blackmagic MultiDock 10G that has 4 standalone SSD media ports, so you can attach compatibility with SSD media to the HyperDeck Studio Mini and Plus versions. There are additionally menus for managing outboard disks on the built-in LCD.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePractical Notes: H.264 Files and Popular ProRes, DNx,\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHyperDeck allows the primary widely chosen codecs in use today. All versions incorporate DNx and ProRes file formats. However, all versions also incorporate H.264 in fidelity levels up to full 10 bit 4:2:2 whenever capture in NTSC, PAL, 720p, 1080p and true 1080i interlaced formats. That means you get tight 60:1 to 285:1 encoding ratios for very small files at full broadcast fidelity. Plus you can choose uncompressed PCM audio, or even AAC audio whenever uploading files to YouTube. All versions compatibility both ExFAT and HFS+ disk formats and long-duration one file captures. The Plus and Pro versions even compatibility ProRes 4444 enabling fill and principal playback.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eenhanced Broadcast Connections\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eDepending on the version HyperDeck Studio features numerous video and audio links such as 3G-SDI, 6G-SDI, or 12G-SDI. All versions incorporate HDMI for connecting to televisions and projectors. There's even a purpose-built SDI observation feed on the Pro and Plus versions with on-screen status. The Pro and Plus versions include two SDI feeds so you can play ProRes 4444 files, enabling simultaneous fill and key feed for keying in live workflow switchers. The onboard timecode and reference generator links can be looped to sync several units for ISO recording. All versions even incorporate AC and locking DC power.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eChoose 3G-SDI, 6G-SDI, or 12G-SDI Models: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eWith multi-rate SDI, you get compatibility for the most popular footage standards. The SDI and HDMI links will automatically switch footage standards, so accommodate SD, HD, and Ultra HD formats depending on the version. SD formats incorporate NTSC and PAL. 720p HD standards incorporate 720p50 and 720p59.94p. 1080i HD interlaced formats incorporate 1080i50 and 1080i59.94. 1080p HD formats incorporate 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. HyperDeck can even compatibility 1080PsF formats. HyperDeck Studio additionally handles level A and level B whenever running HD footage at 3G-SDI rates.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eKey signal feeds for Broadcast Animations and Fill\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe HyperDeck Studio Plus and Pro versions can play ProRes 4444 HD files to the two standalone SDI fill and key feeds. That means you can use HyperDeck Studio as a graphics mount player for broadcast animation since the ProRes 4444 file's alpha channel will be without manual intervention converted to the key SDI feed for real-time keying in a live workflow switcher. Imagine running animated lower-third titles and stingers with principal channel feeds for incredibly clean multilayered titles. Plus, switchers such as Blackmagic Configuration ATEM versions connect to HyperDeck Studio through Ethernet to trigger playback synced to transitions.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eUSB Webcam signal feed for video signal Software\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eFor compatibility with numerous computer software, HyperDeck Studio contains webcam support through the USB link. If you're not capture to an outboard USB disk, you can plug the HyperDeck USB link directly into a PC to get live footage into any footage software. The PC is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast-quality footage source. That guarantees full compatibility with any footage software and in full definition 1080 HD fidelity. HyperDeck Studio's USB webcam function works with any footage software comprising zoom, Microsoft Teams, and Skype, or get live broadcasting with Open Broadcaster, XSplit Broadcaster, and additional.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eMonitoring 3D LUTs and enhanced HDR Support\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eYou'll be prepared for the latest feature film processes with support for enhanced HDR standards. All HDR status details is embedded into the SDI links so downstream hardware can detect whenever HDR files are played. When capture, the SDI and HDMI sources will additionally automatically detect HDR footage standards and then tag the files with the correct HDR details. Stationary metadata PQ and HLG formats are handled matched to the ST2084 conventional. Plus the front interface LCD has a wider colour gamut for both Rec. 2020 and Rec. 709 colour spaces. HyperDeck Studio Plus and Pro versions even enable you to load a 3D LUT into the observation feed to attach looks or to convert cinematic to footage gamma.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eIncludes production Multi-Channel SDI sound\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHyperDeck Studio incorporates professional multi-channel SDI audio for capture up to 16 channels. When capture from the SDI source, you can choose in the menu to capture 2, 4, 8, or 16 channels of audio in real time. There's extra room on the SDI observation status overlay, which permits the audio meter screen to show the quantity of channels you deliver enabled all at the identical time, and the audio meters will show 2, 4, 8, or 16 channels simultaneously. The audio meters are developed to use the correct ballistics, and you can change between distinct VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a footage recorder, as it additionally has quality sound.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eIncredibly Fast Network File Transfers: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eAll HyperDeck versions enable media files to be uploaded from a distance, through simple FTP client applications. For remote deck control, all versions use an simple to learn text-based protocol, so you can use a simple terminal application such as Telnet to test control commands. Simply log into the HyperDeck and then type \"play\" or \"capture\" and it will execute the command. If you bring together the control protocol and file transfers with a HyperDeck linked to a large USB Type-C disk array, you get a fantastic broadcast server for ingest, media handling, and play output.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eTraditional RS-422 Broadcast Deck operation\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe most popular control link employed on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is employed on almost all broadcast equipment. HyperDeck Studio provides wide protocol compatibility so you can connect it straight to broadcast systems. It additionally accommodates extra commands for the Enhanced Media Protocol for managing disk recorders. Whenever designing RS-422 control solutions, you'll know you're linked to a HyperDeck Studio whenever you see the ID 0xF0E0 in 30\/60p, 0xF1E0 in 25\/50p, or 0xF2E0 in 24p. The full location of compatibility remote commands are supplied in the instruction manual and you can install this from the compatibility page of our website.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePractical Notes: Sync Generators and Built-In Timecode\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eWith a timecode and sync generator constructed into all versions, you can stack several units for electronic signage or multi-channel capture. Each HyperDeck has dedicated feeds for reference and timecode, immediate from the onboard sync and timecode generators. The generators \"no-cost run\" unless reference or timecode is linked to the sources, and then generators will lock automatically. This means you can loop from HyperDeck to HyperDeck to produce perfectly timed array or recorders.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBlackmagic OS: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe novel Blackmagic OS has been developed for high-performance film and broadcast devices and it manages all controls on HyperDeck Studio. Only Blackmagic OS delivers instant power on whereas including powerful functions such as LCD with footage, timecode, and audio metering, observation with overlays, menus, fast networking, multi-disk media handling, 3D LUTs plus localization. The onscreen LCD menus incorporate settings to configure your HyperDeck Studio, plus the menus currently support both light and dark setting.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eLocalized for 13 Popular Languages: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHyperDeck Studio allows several languages so you don't need to learn a new language only to use it. You get compatibility for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages. Whenever initially energized on for the first time, HyperDeck Studio will screen an initial language selector; the LCD interface also lets operators switch languages later from the next stage. Once a language is chosen, the LCD menus will change, plus the overlays on the SDI observation output will additionally change to the chosen language. All this means HyperDeck Studio is well suited to doing operate anywhere in the world.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eStreaming Sites and Use All video signal Software\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHyperDeck Studio records files that are compatible with virtually all post-production applications. Plus, if you capture in H.264, you can upload files from HyperDeck Studio direct to broadcasting services such as YouTube, Facebook, Vimeo, Twitter, and additional. You can use widely chosen editing applications such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, or Avid Media Composer since HyperDeck uses the identical file formats employed in post-production. Even VFX applications such as Fusion and Adobe After Effects operate with the files. Since HyperDeck records to disks formatted on computers, you can simply fitting the disk on any PC and start editing eliminating needing to transcode or convert the files.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBuilt-In Redundancy Keeps You on Air: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eSerious broadcast teams need redundancy since it increases reliability. HyperDeck Studio incorporates redundant provides to help maintain you stay on air. With dual media ports on all versions, and the Pro versions having 4 media ports, you can stay on air, even if one of the ports becomes damaged. Plus with the HyperDeck Studio HD Mini version you get 3 totally separate recorders in a one rack device, while the HyperDeck Studio HD Plus version enables 2 independent recorders in a one rack unit. All HyperDeck versions incorporate both AC and a locking DC power link, so you use the DC link with an outboard battery pack for redundant power.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eDesigned for Both Portable or Rackmount operation\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eWhenever you need a portable broadcast option, the HyperDeck Studio HD Mini version includes most contains miniaturized into an elegant 5\" wide space-efficient configuration that's only one-third of a rack device wide. That means you can integrate three recorders in a one rack device. Only use the optional Teranex Mini Rack Shelf and you can fitting the three units side by side, then bolt it into a conventional hardware rack. Or you can bring together HyperDeck Studio Mini with other modules, such as a Teranex Mini Analog to 12G-SDI to convert the source from analog to SDI, all in the identical rack which is well suited to archive operate. HyperDeck Studio HD Mini looks great whenever it's not rack-mounted and simply employed by itself on a desktop.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePractical Notes: Cameras and Compatible with Switchers, Disk Docks,\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThere's an extensive selection of Blackmagic Design devices you can use with HyperDeck such as switchers, bodies, and broadcasting solutions. As the Mini and Plus versions don't incorporate SSD ports, you can attach a Blackmagic MultiDock 10G to use regular SSDs, enabling compatibility with media from other HyperDeck versions. HyperDeck Studio will manage all the disks for you and without manual intervention capture to disks in the MultiDock. You can even use the MultiDock with the HyperDeck Studio Pro versions just to attach extra SSDs for longer capture times. HyperDeck Studio is additionally a perfect mastering recorder whenever used with ATEM switchers, a mount player with fill and principal, or looped on switcher sources for ISO capture.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45796068884533,"sku":"HYPERD\/ST\/DFHP","price":4140.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/hyperd-st-dfhp.jpg?v=1784891980","url":"https:\/\/bsn.com.pk\/products\/blackmagic-design-hyperdeck-studio-hd-pro","provider":"Broadcast Systems Network","version":"1.0","type":"link"}