{"title":"Video Recorders \u0026 Players","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eThis collection includes Blackmagic Design HyperDeck recorders, playback decks, control panels, capture cards, fibre rack accessories, and media offload hardware. Options range from compact desktop units to HD, 4K HDR, and 8K HDR systems for studio, post-production, and broadcast workflows.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAvailable features include SDI and HDMI recording, RS-422 deck control, PCIe video capture, rack-mounted fibre conversion, and high-speed media handling for URSA Cine cameras.\u003c\/p\u003e","products":[{"product_id":"blackmagic-design-media-dock-for-ursa-cine-12k","title":"Blackmagic Design Media Dock for URSA Cine 12K","description":"\u003ch1 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"productTitle\"\u003eBlackmagic Media Dock for URSA Cine 12K: Guide\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/05\/1712934029_1823582.webp\"\u003e\u003cimg class=\"size-medium wp-image-12648 alignright\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/05\/1712934029_1823582-300x300.webp\" alt=\"Blackmagic Media Dock for URSA Cine 12K\" width=\"300\" height=\"300\"\u003e\u003c\/a\u003e\n\u003c\/h1\u003e\u003cbr\u003eIn its primary imaging role, Immediately commence editing your URSA Cine 12K camera footage post-shoot with Blackmagic Media Dock for Ursa Cine 12K. This dock accommodates three Media Modules at its front, preserving swift access to media from multiple cameras. With four 10G Ethernet ports, it permits interfacing across four workstations to accelerate editorial and grading, while hot-swappable media modules avoid shutdowns.\u003cbr\u003eEffortlessly transfer media to your computer via the USB-C connector, while an HDMI feed supplies real-time observation of media status on a display. Compatible with cloud syncing services like Blackmagic Cloud, Dropbox, and Google Drive, the Media Dock integrates color LEDs indicating drive status—green for mounted and idle, red for busy writing. Key Attributes include accelerating post-production processes, hot-swappable Media Modules, high-speed 10G Ethernet ports, USB-C interfacing supporting Ethernet, real-time media status display via HDMI feed, and redundant power function.\u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790139154485,"sku":"DWCLDB\/DOCNMD03","price":8372.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1712934029_1823582.webp?v=1784715115"},{"product_id":"blackmagic-design-hyperdeck-shuttle-hd","title":"Blackmagic Design HyperDeck Shuttle HD","description":"\u003ch1\u003eBlackmagic Design HyperDeck Shuttle HD — Product Guide\u003c\/h1\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eBlackmagic Design HyperDeck Shuttle HD from \u003c\/strong\u003eadds a desktop shuttle to quickly and readily play back footage clips.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe HyperDeck Shuttle HD provides a compact design that permits you to run your HDMI footage in and out and connect to a computer or ATEM selector to control media playback through its large search dial and keys.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e It additionally contains a built-in teleprompter to apply any text files, eliminating requiring third-party software.\u003c\/em\u003e\u003cbr\u003eThe Shuttle HD runs Blackmagic OS, handles ProRes and DNx file formats, and it is compatible with a diverse group of editing software such as Premiere Pro, Avid, and DaVinci Resolve.\u003cbr\u003eIt can additionally be used to stream H.264 footage to broadcasting services such as YouTube or Vimeo.\u003cbr\u003eIt can be used to capture video through its SD medium slot or USB Type-C feed to an optional drive, or you can connect to the Blackmagic MultiDock to capture to several SSDs.\u003cbr\u003eThe Ethernet port provides outboard control and file transfers over a installation.\u003cbr\u003e\u003ch4\u003eMastering Recorder: Guide\u003c\/h4\u003e\u003cbr\u003eWith support for H.264, ProRes, and DNx files, you can capture true broadcast masters.\u003cbr\u003eYou can even choose between PCM or AAC audio.\u003cbr\u003eThat's great for higher-quality mastering whenever used with ATEM Mini switchers.\u003cbr\u003eYou get all tasks needed to send shows to broadcast teams and for uploading to broadcasting services such as YouTube.\u003cbr\u003e\u003ch4\u003eMedia Player: Guide\u003c\/h4\u003e\u003cbr\u003eThe large search dial lets you graphically browse your mount library, then you can use the previous mount control to cue the start of the mount.\u003cbr\u003eAfter playing, you can use the mount control to stop the playback at the end of the mount.\u003cbr\u003eATEM switchers can even off-site control HyperDeck Shuttle through Ethernet.\u003cbr\u003e\u003ch4\u003eTraditional Broadcast Deck operation\u003c\/h4\u003e\u003cbr\u003eHyperDeck Shuttle incorporates a control panel that's very fast to use, and the keys are similar to a conventional broadcast deck.\u003cbr\u003eSimply press the capture button and you instantly start capture the footage source to a file.\u003cbr\u003eThe large machined metal search dial handles shuttle, jog, and scroll so you can find clips fast.\u003cbr\u003ePlus, all deck control functions can be triggered from a distance using the Ethernet installation.\u003cbr\u003e\u003ch3\u003e\n\u003cem\u003e\u003cstrong\u003ePractical Notes: UHS-II Cards and HyperDeck Shuttle HD Supports SD Cards\u003c\/strong\u003e\u003c\/em\u003e\n\u003c\/h3\u003e\u003cbr\u003eHyperDeck Shuttle accommodates capture to common SD and UHS-II cards so you don't requirement expensive custom media.\u003cbr\u003eSD cards are the strong choice for broadcast media since they are small and very affordable.\u003cbr\u003ePlus, you can even capture to outboard drives via USB Type-C. When through USB disks, if you use a USB hub or Blackmagic MultiDock, you can even capture on several disks for nonstop recording.\u003cbr\u003eWhen through H.264, the files are so small you get very long captures even on more compact low-cost cards.\u003cbr\u003eThis means you can capture up to 157 hour period of H.264 in 1080p59.94 on a 1TB medium.\u003cbr\u003e\u003ch3\u003e\n\u003cstrong\u003e\u003cem\u003ePractical Notes: H.264 Files and HyperDeck Shuttle HD Popular ProRes, DNx,\u003c\/em\u003e\u003c\/strong\u003e\n\u003c\/h3\u003e\u003cbr\u003eHyperDeck Shuttle HD handles the most widely chosen codecs in use today, covering broadcast-quality DNx and ProRes file formats.\u003cbr\u003eYou additionally get space-saving H.264 whenever capture in NTSC, PAL, 720p, 1080p plus even true 1080i interlaced formats.\u003cbr\u003eThat means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast fidelity.\u003cbr\u003ePlus you can choose uncompressed PCM audio, or even AAC audio whenever uploading files to YouTube.\u003cbr\u003eHyperDeck Shuttle HD handles both ExFAT employed on Windows and HFS+ employed on macOS disk formatting standards, so disks can be mounted and read on both platforms.\u003cbr\u003eIt additionally allows capture long-duration events into a single footage file.\u003cbr\u003e\u003ch4\u003eoperation Connections and Video\u003c\/h4\u003e\u003cbr\u003eThe HDMI source can be connected to cameras and switchers such as ATEM Mini, and the HDMI feed can be connected to displays for presentations or ATEM Mini switchers as a long-form media subject.\u003cbr\u003eThe rear panel additionally incorporates a 12 VDC power source and a power supply is supplied. The 1 Gigabit Ethernet link enables control and off-site file uploads.\u003cbr\u003e\u003ch3\u003e\n\u003cstrong\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003eHDMI Compatibility: ATEM Mini Switchers\u003c\/h3\u003e\u003cbr\u003eWith built-in HDMI source and feed, you can connect to consumer cameras, displays, televisions, footage projectors, and even ATEM Mini switchers.\u003cbr\u003eThe HDMI links will automatically switch footage standards to accommodate both SD and HD hardware.\u003cbr\u003e\u003ch4\u003e\n\u003cstrong\u003e\u003cem\u003eHyperDeck Shuttle HD Built-In Teleprompter: Guide\u003c\/em\u003e\u003c\/strong\u003e\n\u003c\/h4\u003e\u003cbr\u003eWith such a large search dial, HyperDeck Shuttle HD can be employed as a teleprompter.\u003cbr\u003eSimply change to teleprompter in the capture menu and it will read standard RTF text files such as scripts, without requiring custom software.\u003cbr\u003eScripts can be written in simple text editors such as TextEdit.\u003cbr\u003eYou can move between several scripts with the previous and next mount buttons.\u003cbr\u003eIf you push both jog and scroll keys, you can live scroll the script such as a conventional teleprompter, as well as refine the size and font displayed.\u003cbr\u003eYou can additionally visit \u003ca href=\"https:\/\/www.blackmagicdesign.com\/ae\"\u003ehere\u003c\/a\u003e.\u003cbr\u003e\u003ch4\u003ePractical Notes: Streaming Sites and Compatible with Software\u003c\/h4\u003e\u003cbr\u003eHyperDeck Shuttle HD records files that are compatible with virtually all post-production software.\u003cbr\u003ePlus if you capture in H.264, you can upload files from HyperDeck Shuttle immediate to broadcasting services such as YouTube, Facebook, Vimeo, and Twitter.\u003cbr\u003eYou can use widely chosen editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, or Avid Media Composer since HyperDeck uses the identical file formats employed in post-production.\u003cbr\u003eEven VFX software such as Fusion and Adobe After Effects operate with the files.\u003cbr\u003eSince HyperDeck records to disks formatted on computers, you can simply fitting the disk on any computer and start editing eliminating needing to copy files.\u003cbr\u003e\u003ch4\u003ePractical Notes: Cameras and Compatible with Switchers, Disk Docks,\u003c\/h4\u003e\u003cbr\u003eAs HyperDeck Shuttle doesn't incorporate SSD slots, you can attach a Blackmagic MultiDock 10G to use regular SSDs, enabling compatibility with media from other HyperDeck versions, and HyperDeck Shuttle will manage several disks for you.\u003cbr\u003eHyperDeck Shuttle is additionally a perfect mastering recorder whenever used with ATEM switchers, since it has more capture formats, plus it's a great mount player for attaching pre-recorded clips into live workflow.\u003cbr\u003eFor more information click \u003ca href=\"https:\/\/bsn.com.pk\/\"\u003ehere\u003c\/a\u003e.\u003cbr\u003e[caption id=\"\" match=\"alignnone\" width=\"1000\"]\u003cimg class=\"size-medium\" src=\"https:\/\/images.blackmagicdesign.com\/images\/home\/plates\/2022\/hyperdeck-shuttle-hd\/hyperdeck-shuttle-hd-xl.jpg?_v=1649407605\" alt=\"Blackmagic Design HyperDeck Shuttle HD \" width=\"1000\" height=\"449\"\u003e Blackmagic Configuration HyperDeck Shuttle HD [\/caption]","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45794112634933,"sku":"HYPERD\/PTSHD","price":2079.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Blackmagic-Design-HyperDeck-Shuttle-HD-systec-international.jpg?v=1784818815"},{"product_id":"blackmagic-design-hyperdeck-extreme-4k-hdr","title":"Blackmagic Design HyperDeck Extreme 4K HDR","description":"\u003ch2\u003eBlackmagic Design HyperDeck Extreme 4K HDR — Product Guide\u003c\/h2\u003e\u003cbr\u003e\u003cdiv\u003e\u003cdiv class=\"productDescription_UbV5SNP5Eo\" data-selenium=\"overviewLongDescription\"\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003e\u003cstrong\u003e\u003cb\u003eBlackmagic Design HyperDeck Extreme 4K HDR \u003c\/b\u003e\u003c\/strong\u003efrom\u003cstrong\u003e \u003c\/strong\u003eadds a playback and capture deck to your broadcast soundstage, live production, or digital signage setting\u003cbr\u003eThe HyperDeck Extreme 4K accommodates up to UHD 4K footage and enables you to save H.265 files and apply 3D LUTs, onboard cache, and HDR support for footage playback.\u003cbr\u003eThe HyperDeck contains a 7\" capacitive touchscreen LCD display that offers a clean picture and controls, scopes, and observation utilities that you can control and configure with a swipe or a control press.\u003cbr\u003eIt incorporates 12G-SDI and HDMI sources and feeds, two CFast media slots for capture, and enables you to capture your footage stream to an optional disk through USB Type-C.\u003cbr\u003eIf you require to integrate streaming into your legacy workflow rack, the HyperDeck can be controlled through RS-422 as conventional broadcast decks.\u003cbr\u003eThe unit additionally provides a 3G-SDI monitor feed, component analog audio and footage inputs, 3-pin XLR sources and feeds, timecode I\/O, and reference I\/O.\u003cbr\u003eIts onboard media cache is upgradeable, helping prevent file loss when installed cards or disks reach capacity.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eUpdated HyperDeck: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHyperDeck Extreme 4K builds on the platform's established reliability with efficient H.265 files, an optional internal cache, 3D LUT capability, and HDR support.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eWith the capacity to capture up to native 4K in H.265, you get reduced storage costs and strong picture quality.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe large touchscreen maintains a perfect view of your capture as well as control over all deck settings.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePractical Notes: I\/O Formats and File\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eCapable The touchscreen Ultra HD HyperDeck handles H.265 and ProRes recording or playback across SD, HD, and Ultra HD standards through 2160p60.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eIt incorporates scopes and upgradable cache, plus SDI, HDMI, and analog footage.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003esource connections and Interfaces\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHyperDeck Extreme has an novel 7\" capacitive LCD touchscreen operator interface with deck settings as well as a large display to view your capture.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eIt integrates two media slots, 12G-SDI I\/O, HDMI I\/O analog links for archiving, USB Type-C outboard disk capture, plus a front panel speaker and headphone jack.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePractical Notes: Archiving and Live Production, Signage,\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eWith the unit's amazing versatility, HyperDeck Extreme is additionally great for live workflow as a master recorder, mount player, and for capture ISO cameras.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe analog sources allow you to capture from old videotapes, so legacy programming can be employed on the current broadcasting services or for use in editing.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eFor digital-signage workflows, HyperDeck Extreme pairs rapid 10G Ethernet media transfer with a straightforward remote-control protocol.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eYou can even use it as a focus area recorder as it incorporates HDMI, SDI, and analog sources with built-in scopes and 3D LUTs.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eConvert Legacy Programming for Streaming: Guide\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHyperDeck Extreme Control lets you connect to legacy broadcast decks, location an in and an out position, then edit.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eOnly attach HyperDeck Extreme and HyperDeck Extreme Control to every legacy deck to maintain them all archiving constantly with only one operator.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eIt's even possible to edit across formats by through Teranex Express to convert tapes from SD to HD in one step.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eYou can control an extensive selection of decks, such as Digital Betacam, 1\" C configuration, and Betacam SP.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eDual CFast Media: Guide\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eCFast media support enables you to capture to commonly provided flash memory cards.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe H.265 files are small enough to enable long captures on standard CFast cards.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003ePlus there are two CFast medium slots so you can swap out any full cards even during capture, allowing infinite length capture.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eCFast cards are well suited to broadcast since they are small, high-speed, and affordable.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePractical Notes: Legacy Analog and 12G-SDI, HDMI,\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHyperDeck Extreme incorporates an extensive selection of footage and audio links such as multi-rate 12G-SDI for SD, HD, and Ultra HD 4K devices.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe current 10G Ethernet is supplied for high-speed upload through FTP protocols.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHyperDeck even incorporates both AC and XLR power links.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eYou can additionally click \u003ca href=\"https:\/\/bsn.com.pk\/\"\u003ehere\u003c\/a\u003e.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBright Wide Gamut LCD and HDR compatibility\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBe prepared for the latest HDR processes with support for the current HDR standards with an extremely high-luminance screen with a wide colour gamut.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe built-in scopes even change to HDR scopes whenever working in HDR formats.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eFiles are tagged with the correct HDR information then SDI and HDMI sources will additionally automatically detect HDR footage standards.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eLocalized for Popular Languages: Guide\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eSeveral languages are completely supported so you don't requirement to learn another language to use it.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe interface supports eleven languages: Chinese, English, French, German, Italian, Japanese, Korean, Portuguese, Russian, Spanish, and Turkish.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eTraditional RS-422 Broadcast Deck operation\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe most widely chosen control link employed on broadcast decks since the early 1980s is the RS-422 protocol.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eOriginally developed by Sony, RS-422 is employed on almost all broadcast equipment.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHyperDeck Extreme integrates wide protocol support so you can connect it straight to broadcast systems.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eIt additionally allows extra commands for the Enhanced Media Protocol for managing disk recorders.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eCompatible: Controllers, Switchers, Converters\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eA wide selection of Blackmagic Design products is provided to use with HyperDeck Extreme, such as the HyperDeck Extreme Control for attaching traditional broadcast deck settings.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003ePlus, since it uses the industry-standardized RS-422 deck control protocol so it works with any broadcast deck.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eConnecting a Blackmagic MultiDock 10G enables standard SSD use and maintains media compatibility with other HyperDeck models.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHyperDeck Extreme is additionally a strong mastering recorder with the ATEM Constellation 8K, or for mount playback and ISO capture.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eFor observation, the Teranex SDI to HDMI 8K enables broadcast observation on a television, and it additionally has display calibration, 3D LUTs, and on-screen scopes.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003eYou can additionally click \u003ca href=\"https:\/\/www.blackmagicdesign.com\/ae\"\u003ehere\u003c\/a\u003e for more.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e[caption id=\"\" match=\"alignnone\" width=\"1000\"]\u003cimg class=\"size-medium\" src=\"https:\/\/images.blackmagicdesign.com\/images\/home\/plates\/2022\/cloud-store-pod\/cloud-store-pod-xl.jpg?_v=1649409751\" alt=\"Blackmagic Design HyperDeck Extreme 4K HDR \" width=\"1000\" height=\"450\"\u003e Blackmagic Configuration HyperDeck Extreme 4K HDR [\/caption]\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e ","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45795727179829,"sku":"HYPERD\/RSTEX4KHDR","price":12567.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/hyperdeck-extreme.jpg?v=1784886587"},{"product_id":"blackmagic-design-hyperdeck-extreme-8k-hdr","title":"Blackmagic Design HyperDeck Extreme 8K HDR","description":"\u003ch2\u003eBlackmagic Design HyperDeck Extreme 8K HDR — Product Guide\u003c\/h2\u003e\u003cbr\u003e\u003cem\u003eThe \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e \u003cstrong\u003eHyperDeck Extreme 8K HDR\u003c\/strong\u003e from \u003cstrong\u003e\u003c\/strong\u003e is an 8K recorder built around a large screen with standard touchscreen deck settings for viewing captures. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt additionally has hardware deck settings on the unit's left side and two CFast medium slots on the right. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIdeally, it would be employed together with the optional HyperDeck Extreme Control deck, which offers traditional deck control integrates with a built-in editor for automating the ingest of legacy videotape-based programming. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBoth deliver the identical 3 RU, half-rack width size and can be installed beside every other in a rack and combined into a conventional broadcast deck for a broad process.\u003c\/em\u003e\u003cbr\u003eThe HyperDeck Extreme 8K HDR integrates Quad 12G-SDI interfacing for 8K definition, analog links for archiving, and a USB Type-C Outboard Disk port, which can be employed to connect flash disks or entire disk systems such as the Blackmagic MultiDock 10G 4-slot SSD dock.\u003cbr\u003e\u003cem\u003eThere is additionally a slot for an optional M.2 PCIe NVMe cache medium, which eliminates dropped frames if your media becomes full or runs too slow. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe HyperDeck Extreme 8K HDR uses the space-saving H.265 codec but additionally accommodates ProRes 422 HQ, ProRes 422, ProRes 422 LT, and ProRes 4444.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e This means more compact file sizes plus compatibility with virtually all widely chosen editing software.\u003c\/em\u003e\u003cbr\u003eHDR standards are supported and the screen screen has a wide colour gamut to match.\u003cbr\u003e\u003cem\u003eThe display provides built-in observation scopes, and these can be changed to HDR scopes whenever working in HDR formats. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe HyperDeck Extreme 8K HDR tags files with the correct HDR information, and then SDI and HDMI sources automatically detect HDR footage standards. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eStationary metadata PQ and HLG formats are handled matched to the ST2084 standard. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe high-luminance LCD can handle both Rec. 2020 and Rec. 709 colour spaces. Because of the wide colour gamut, it can even accommodate 100% of the DCI-P3 configuration.\u003c\/em\u003e\u003cbr\u003eThe HyperDeck Extreme 8K HDR integrates an onboard 100-240 VAC power supply plus a 4-pin XLR 12V source for connecting an outboard power supply or battery, enabling for efficient soundstage or location use.\u003cbr\u003e\u003cem\u003e Blackmagic HyperDeck Working Configuration and Blackmagic HyperDeck software are provided as free downloads with the HyperDeck Extreme 8K HDR.\u003c\/em\u003e\u003cbr\u003eTwo HyperDeck Extreme 8K HDR units, or one device plus one HyperDeck Extreme Control, can be installed in a rack or console through the optional HyperDeck Extreme Rack Kit.\u003cbr\u003eFor more information click \u003ca href=\"https:\/\/bsn.com.pk\/\"\u003ehere\u003c\/a\u003e.\u003cbr\u003e\u003ch3\u003ePractical Notes: Archive and Ideal for Live Production, Digital Signage,\u003c\/h3\u003e\u003cbr\u003eHyperDeck Extreme is intended for live workflow as a master recorder, mount player, and for capture ISO cameras.\u003cbr\u003eThe analog sources allow you to capture from old footage tapes, so legacy programming can be employed on the current broadcasting services or for use in editing. Electronic signage in 8K is simple with HyperDeck Extreme as it has 10G Ethernet for fast media uploads, plus it integrates a simple off-site control protocol. You can even use it as a focus area recorder as it incorporates HDMI, SDI, and analog sources with built-in scopes and 3D LUTs. The scopes additionally help you QA masters to maintain compliance with broadcast standards before broadcasting and broadcast.\u003cbr\u003eConvert Legacy Programming for Broadcasting\u003cbr\u003eAs broadcasting services deliver become common, preserving cultural diversity via maintaining localized material is increasingly important.\u003cbr\u003eThe option is to get every country's legacy programs onto broadcasting services at an affordable cost.\u003cbr\u003eHyperDeck Extreme Control lets you connect to legacy broadcast decks, location an in and an out position, then edit.\u003cbr\u003eCombining the HyperDeck Extreme 8K HDR with the optional HyperDeck Extreme Control, and attaching the two to every legacy deck, enables constant archiving by only one operator.\u003cbr\u003eIt's even possible to edit across formats by through the optional Blackmagic Teranex Express to convert tapes from SD to HD in one step.\u003cbr\u003eYou can control numerous decks, comprising Digital Betacam, 1\" C configuration, and Betacam SP.\u003cbr\u003e\u003ch3\u003emedia playback Full Resolution 8K and Record\u003c\/h3\u003e\u003cbr\u003eQuad Link 12G-SDI permits capture and playback in full definition 8K.\u003cbr\u003eThe SDI links are multi-rate, so you can use Quad Link 12G-SDI to get compatibility with other 8K devices, or selector to SD, HD, or UHD through the single link 12G-SDI link.\u003cbr\u003eTo enable regular CFast cards to be captured at high-resolution 8K, HyperDeck Extreme uses modern H.265 files for 8K capture and playback.\u003cbr\u003eThis means HyperDeck Extreme 8K can be connected to the current 8K televisions and projectors. It additionally works well with ATEM switchers.\u003cbr\u003e\u003ch4\u003eLarge, Bright Screen for Easy Touch operation\u003c\/h4\u003e\u003cbr\u003eThe touchscreen screen offers dedicated keys for play, stop, and capture, and has a mini timeline for scrolling via your captures.\u003cbr\u003eYou can even picture swipe to jog.\u003cbr\u003eThe LCD incorporates a heads-up display of timecode, footage standard, media status, and audio meters.\u003cbr\u003eScopes, concentrate, and exposure assist can additionally be pulled up. Additionally, you can load and save 3D LUTs.\u003cbr\u003eYou additionally get immediate keys for transport control.\u003cbr\u003e\u003ch4\u003eDual CFast Card Slots: Guide\u003c\/h4\u003e\u003cbr\u003eCFast media support enables you to capture to commonly provided flash memory cards.\u003cbr\u003eThe H.265 files are small enough to enable long captures on standard CFast cards.\u003cbr\u003eWith two CFast medium slots, you can swap out any full cards even during capture, allowing non-stop recording.\u003cbr\u003e\u003ch4\u003eRecord Direct to External USB Type-C Media Disks: Guide\u003c\/h4\u003e\u003cbr\u003eIf capture to other media kinds is required, then the USB Type-C Outboard Disk port lets you plug in an outboard flash disk for capture.\u003cbr\u003eUSB Type-C flash disks deliver many benefits, such as the ability to capture to the identical disk you are through or editing.\u003cbr\u003ePlus, flash disks are fast and can capture high files rate formats that are too big for CFast cards, such as real-time ProRes in 8K.\u003cbr\u003e\u003ch4\u003eOptional Media Cache Eliminates Dropped Frames: Guide\u003c\/h4\u003e\u003cbr\u003eSometimes your media can fill before you change to a blank medium; or, if the medium is too slow, you can get dropped frames in your capture.\u003cbr\u003eTo eliminate this problem, you can install an optional PCIe flash disk into the HyperDeck Extreme 8K HDR to use as a capture cache.\u003cbr\u003eThis eliminates problems with CFast media or outboard disks, as the cache will without manual intervention take over and capture any material the media could not acquisition.\u003cbr\u003eEven if a card fills, capture will continue to the cache until it's swapped. The cache even lets you capture formats that are too fast for the media medium or outboard disk.\u003cbr\u003e\u003ch4\u003ePractical Notes: Legacy Analog and Quad Link 12G-SDI, HDMI,\u003c\/h4\u003e\u003cbr\u003eHyperDeck Extreme 8K HDR incorporates a broad variety of footage and audio links, including multi-rate Quad Link 12G-SDI for SD, HD, UHD, and 8K SDI devices.\u003cbr\u003eThe 12G-SDI feeds support fill and key whenever playing RGBA 4:4:4:4 files.\u003cbr\u003eA multi-rate HDMI port is provided for consumer televisions and footage projectors.\u003cbr\u003eFor archiving work, HyperDeck additionally has both well-controlled analog and hi-fi audio, plus timecode links.\u003cbr\u003eFor observation, there's a down-converted monitor SDI feed that incorporates overlays.\u003cbr\u003eThe USB Type-C link lets you plug in flash disks or disk arrays for capture.\u003cbr\u003eA 10G Ethernet is provided for high-speed upload through FTP protocols.\u003cbr\u003e\u003ch4\u003eBright Wide Gamut LCD and enhanced HDR Support\u003c\/h4\u003e\u003cbr\u003eYou'll be prepared for the latest HDR processes with support for the current HDR standards and a high-luminance screen with a wide colour gamut.\u003cbr\u003eThe built-in scopes change to HDR scopes whenever working in HDR formats.\u003cbr\u003eFiles are tagged with the correct HDR information, then SDI and HDMI sources will additionally automatically detect HDR footage standards.\u003cbr\u003eStationary metadata PQ and HLG formats are handled matched to the ST2084 standard.\u003cbr\u003eThe high-luminance LCD has a wider colour gamut, so it can accommodate both Rec. 2020 and Rec. 709 colour spaces.\u003cbr\u003eThe built-in HyperDeck Extreme 8K HDR LCD colour gamut can even accommodate 100% of the DCI-P3 configuration.\u003cbr\u003e\u003ch3\u003eBuilt-In Scopes Ensure Compliance to Broadcast Standards: Guide\u003c\/h3\u003e\u003cbr\u003eHyperDeck Extreme contains full onboard waveform observation so you can maintain compliance to broadcast standards whenever used on premium work.\u003cbr\u003eThe waveform display provides a conventional luminance (luminance) levels view of your source or playback feed.\u003cbr\u003eThe vectorscope display enables you to see the output level of colour at 100% SDI reference levels.\u003cbr\u003eYou additionally get RGB and YUV parade displays which are excellent for colour correction and checking for illegal levels.\u003cbr\u003eHistogram shows the spread of white to black detail in your pictures and highlights or shadowing clipping.\u003cbr\u003eThe built-in scopes can be overlaid on live footage or as a small picture-in-picture see at the top right of the scope.\u003cbr\u003e\u003ch4\u003ePractical Notes: ProRes Files for Wide Compatibility and Standard H.265\u003c\/h4\u003e\u003cbr\u003e8K has four times as many pixels as UHD, so HyperDeck Extreme 8K uses H.265 files for 8K capture to lower costs and make working with 8K files simple.\u003cbr\u003eH.265 files are extremely small and deliver a selection of 60:1 to 285:1 compression ratios.\u003cbr\u003ePlus, H.265 is currently supported on all major working systems. You can use H.265 for all 8K, UHD, or progressive HD formats.\u003cbr\u003eHyperDeck Extreme 8K HDR even accommodates ProRes 422 HQ, ProRes 422, and ProRes 422 LT for capture and playback plus ProRes 4444 for playback to fill and principal out.\u003cbr\u003eThis means files will be compatible with software such as DaVinci Resolve, Media Composer, Premiere Pro, and Final Cut Pro X.\u003cbr\u003e\u003ch4\u003eAnalog Audio and production Multichannel SDI\u003c\/h4\u003e\u003cbr\u003eHyperDeck Extreme 8K HDR handles professional audio for modern broadcast teams or archiving from older broadcast decks.\u003cbr\u003eWhenever working in SDI formats, you can capture 2, 4, 8, or 16 channels of audio in real time.\u003cbr\u003eFor capturing legacy programming, there are four XLR analog audio sources that let you capture all four channels from Betacam SP decks.\u003cbr\u003eYou can display through four on-screen audio meters with user-selectable VU or PPM ballistics.\u003cbr\u003eFor consumer devices such as VHS, DVD, and set-top boxes, there are immediate hi-fi audio sources.\u003cbr\u003eThe analog links have additionally been developed to low-noise and low-distortion broadcast specifications.\u003cbr\u003e\u003ch4\u003eFastest Networking: Modern 10G Ethernet\u003c\/h4\u003e\u003cbr\u003eWith 10G Ethernet, HyperDeck Extreme 8K HDR fits digital signage since off-site uploads are extremely fast.\u003cbr\u003eThe Ethernet uploads are much faster than CFast medium transfer speeds.\u003cbr\u003eYou can use Telnet to test control commands. Simply log into HyperDeck and then type \"play\" or \"capture\", and it will execute the command.\u003cbr\u003eTo upload media files from a distance, you can use FTP or even use simple FTP client software.\u003cbr\u003eWhenever the Ethernet protocol and FTP is employed with large USB-C disk arrays, HyperDeck Extreme becomes a broadcast server for ingest, media handling, and playout.\u003cbr\u003e\u003ch4\u003eTraditional RS-422 Broadcast Deck operation — Blackmagic Design HyperDeck — Product Guide\u003c\/h4\u003e\u003cbr\u003eHyperDeck Extreme 8K HDR incorporates wide protocol support so you can connect it straight to broadcast systems.\u003cbr\u003eIt additionally accommodates extra commands for the Enhanced Media Protocol for managing disk recorders.\u003cbr\u003eWhenever designing RS-422 control solutions, you'll know you're connected to a HyperDeck Extreme 8K whenever you see the ID 0xF0E0 in 30\/60p, 0xF1E0 in 25\/50p, or 0xF2E0 in 24p.\u003cbr\u003eThe full location of support off-site commands are supplied in the instruction manual and provided on the Blackmagic website.\u003cbr\u003e\u003ch4\u003ePractical Notes: More and Compatible with Controllers, Switchers, Converters,\u003c\/h4\u003e\u003cbr\u003eAside from the abovementioned compatibility with the HyperDeck Extreme Control, MultiDock 10G, Teranex Express, and broadcast decks, the HyperDeck Extreme 8K HDR additionally works as a great mastering recorder or for mount playback and ISO reordering with the Blackmagic ATEM Constellation 8K.\u003cbr\u003eFor observation, the Teranex SDI to HDMI 8K permits broadcast observation on a television and it additionally has display calibration, 3D LUTs, and on-screen scopes.\u003cbr\u003e\u003ch4\u003eWorks: the World's Most Popular Video Software\u003c\/h4\u003e\u003cbr\u003eThe files from HyperDeck Extreme 8K are common so they are compatible with all working systems and most footage software.\u003cbr\u003eMedia can be formatted through ExFAT or HFS+ so you can readily availability the media on computers and availability the files like regular disks.\u003cbr\u003e\u003ch4\u003eLocalized for 11 Popular Languages: Guide\u003c\/h4\u003e\u003cbr\u003eSeveral languages are completely supported. The interface supports eleven languages: Chinese, English, French, German, Italian, Japanese, Korean, Portuguese, Russian, Spanish, and Turkish.\u003cbr\u003eOn startup, the HyperDeck Extreme 8K HDR will screen a menu for selecting a language.\u003cbr\u003eYou can additionally change the language later.\u003cbr\u003eWhenever a language is chosen, the on-screen text overlays, all menus, and the overlays on the SDI observation feed will change.\u003cbr\u003eThe HyperDeck Extreme 8K HDR makes it easier to operate in international sites with international crews.\u003cbr\u003eYou can additionally visit \u003ca href=\"https:\/\/www.blackmagicdesign.com\/ae\"\u003ehere\u003c\/a\u003e.\u003cbr\u003e[caption id=\"\" match=\"alignnone\" width=\"1000\"]\u003cimg class=\"size-medium\" src=\"https:\/\/images.blackmagicdesign.com\/images\/home\/plates\/2022\/cloud-store-mini\/cloud-store-mini-xl.jpg?_v=1649919777\" alt=\"Blackmagic Design HyperDeck Extreme 8K HDR \" width=\"1000\" height=\"450\"\u003e Blackmagic Configuration HyperDeck Extreme 8K HDR [\/caption]","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45795727900725,"sku":"HYPERD\/RSTEX8KHDR","price":22555.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/hyperdeck-extreme-8k.jpg?v=1784886588"},{"product_id":"blackmagic-design-hyperdeck-extreme-control","title":"Blackmagic Design HyperDeck Extreme Control","description":"\u003ch2\u003eBlackmagic Design HyperDeck Extreme operation\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/h2\u003e\u003cbr\u003eThe \u003cstrong\u003eBlackmagic Design HyperDeck Extreme Control\u003c\/strong\u003e from\u003cstrong\u003e \u003c\/strong\u003e is a 3 RU, half-rack width installation supplying traditional deck settings for virtually any type of deck thanks to RS-422 interfacing.\u003cbr\u003eEight RS-422 ports enable you to control up to eight decks, among them legacy decks and the HyperDeck Extreme 8K HDR.\u003cbr\u003emodes include transport, timecode, and deck status keys plus a large search dial for jog, shuttle, and positioning control.\u003cbr\u003eThere is a row of eight recorder selection keys and another row of eight subject selection keys.\u003cbr\u003eTo protect videotape masters, capture requires depressing both the \"REC\" and \"PLAY\" keys simultaneously.\u003cbr\u003eThe HyperDeck Extreme Control additionally incorporates a built-in editor for automating the ingest of legacy videotape-based programming.\u003cbr\u003eTwo HyperDeck Extreme Control units, or one device plus one HyperDeck Extreme 8K HDR, can be installed in a rack or console through the optional HyperDeck Extreme Rack Kit.\u003cbr\u003e\u003ch3\u003ePractical Notes: HyperDeck and Automate Editing between Tape\u003c\/h3\u003e\u003cbr\u003eThe built-in editor permits deck-to-deck editing. Working the same way as conventional decks, the HyperDeck Extreme Control can control legacy decks and the HyperDeck Extreme 8K HDR from the identical front panel.\u003cbr\u003eTo edit old videotape simply push the \"Subject\" control, enter in and out points on the tape, choose the recorder, and push \"EDIT\".\u003cbr\u003eThe HyperDeck Extreme Control will currently cue and play the broadcast deck whereas capture on the HyperDeck.\u003cbr\u003eFor more information click \u003ca href=\"https:\/\/bsn.com.pk\/\"\u003ehere\u003c\/a\u003e.\u003cbr\u003e\u003ch4\u003eElegant Transport operation and Traditional\u003c\/h4\u003e\u003cbr\u003eYou get familiar transport settings such as \"PLAY\" which, whenever pressed during a capture, will cause the capture to stop and the deck to continue to play from the identical point.\u003cbr\u003eTo start a capture, push both the \"REC\" and \"PLAY\" keys simultaneously.\u003cbr\u003e\u003ch4\u003ePractical Notes: Shuttle and Premium Search Dial for Jog\u003c\/h4\u003e\u003cbr\u003eIts premium search dial combines jog and shuttle operation; an electronic clutch halts rotation at each shuttle limit yet leaves the control free-spinning in jog mode.\u003cbr\u003eHyperDeck Extreme Control replaces varispeed with a position function that enables rapid movement up and down the capture.\u003cbr\u003eThe search dial uses twin bearings so you can free spin it for fast jog.\u003cbr\u003e\u003ch4\u003ePractical Notes: Deck Status and Full Timecode Display\u003c\/h4\u003e\u003cbr\u003eFull deck status is provided on a large timecode screen.\u003cbr\u003eThis screen indicates the timecode of the current chosen deck, and the timecode source selector will control what's displayed on the time counter.\u003cbr\u003eThe horizontal light bar indicator enables the operator to see the position of the search dial and deliver a image feedback, which is important whenever working with off-site decks.\u003cbr\u003eThe servo indicator light will show whenever the deck is in play or capture setting and the servo arrangement is correctly locked.\u003cbr\u003eSince remote decks will still screen the time counter and transport state, the off-site indicator will let you know if the deck is in off-site.\u003cbr\u003eThere's even outboard footage reference status.\u003cbr\u003e\u003ch4\u003eOut Point Entry for Editing and adaptable In\u003c\/h4\u003e\u003cbr\u003eFor editing, you requirement to enter an in and out position for the remote deck. Simply choose the \"IN\" or \"OUT\" control and the \"ENTRY\" control simultaneously to enter the points.\u003cbr\u003eTo screen each edit position on the time counter screen, simply push the \"IN\" or \"OUT\" control only and the time the position will be shown.\u003cbr\u003eWhereas the entry control is employed for entering the in or out position data, you can additionally detailed the in and out points by depressing the \"IN\" or \"OUT\" control while depressing \"DELETE\".\u003cbr\u003eTo trim edit points, you can push the \"TRIM\" + or - control while depressing the \"IN\" or \"OUT\" control, and you will advance or delay the edit position by one shot at every press.\u003cbr\u003e\u003ch4\u003ePre-Roll Edits to Cue Decks: Guide\u003c\/h4\u003e\u003cbr\u003eA pre-roll control is provided for cueing decks.\u003cbr\u003eWhenever this control is pressed, the tape machine will run to the pre-roll position, which is generally five seconds before the in position.\u003cbr\u003eIf you are through an older broadcast deck, it could make a few minutes for the deck to get to the cue position as the machine has to spool the tape.\u003cbr\u003eIf the \"PREROLL\" control is pressed simultaneously with the \"IN\" or \"OUT\" control, then the deck will cue to the specific in or out position.\u003cbr\u003e\u003ch4\u003ePerform the Edit Automatically: Guide\u003c\/h4\u003e\u003cbr\u003eOnce you deliver your in and out points location, you can carry out the edit automatically by depressing the \"EDIT\" control.\u003cbr\u003eIf this control is pressed before setting the in position, the current tape position will be without manual intervention entered as the in position, and then the editing will be performed.\u003cbr\u003eThis means you can choose the \"EDIT\" control and it will location the in position and then carry out the edit all in one step.\u003cbr\u003eYou can additionally click \u003ca href=\"https:\/\/www.blackmagicdesign.com\/ae\"\u003ehere\u003c\/a\u003e.\u003cbr\u003e[caption id=\"\" match=\"alignnone\" width=\"1000\"]\u003cimg class=\"size-medium\" src=\"https:\/\/images.blackmagicdesign.com\/images\/home\/plates\/2022\/cloud-store\/cloud-store-xl.jpg?_v=1649410617\" alt=\"Blackmagic Design HyperDeck Extreme Control \" width=\"1000\" height=\"450\"\u003e Blackmagic Configuration HyperDeck Extreme Control [\/caption]","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45795727966261,"sku":"HYPERD\/RSTEXCTR","price":5590.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/hyperdeck-extreme-1.jpg?v=1784886589"},{"product_id":"blackmagic-decklink-mini-recorder-hd","title":"Blackmagic DeckLink Mini Recorder HD","description":"\u003ch1\u003eBlackmagic DeckLink Mini Recorder HD: Guide\u003c\/h1\u003e\u003cbr\u003e\u003cem\u003eRecord HD footage over SDI or HDMI with the \u003cb\u003eBlackmagic Design DeckLink Mini Recorder HD by. \u003c\/b\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis 1-lane PCIe slot playback medium with SDI and HDMI sources is, compatible with 1-, 4-, 8-, and 16-lane PCIe ports, allowing you to acquisition up to DCI 2K footage over SDI, and HD footage over HDMI 2.0.\u003c\/em\u003e\u003cbr\u003eThe medium is compatible with such applications packages as Wirecast, vMix, and OBS. In asset, the card handles hardware-based real-time colour space conversion. The card additionally automatically changes between SD and HD formats, so it'll accommodate all common footage formats as well as HDR.\u003cbr\u003e\u003ch2\u003eNote:: Guide\u003c\/h2\u003e\u003cbr\u003eFor use on a Mac, a Mac Pro is needed with PCI Express ports.\u003cbr\u003e\u003ch3\u003ePCIe Compatibility: Guide\u003c\/h3\u003e\u003cbr\u003ePCIe 1-lane medium, compatible with 1-, 4-, 8-, and 16-lane PCIe ports on Mac, Windows, and Linux (for use on a Mac, a Mac Pro is needed with PCI Express ports)\u003cbr\u003eFor additional information please \u003ca href=\"https:\/\/bsn.com.pk\/\"\u003eclick here \u003c\/a\u003e\u003cbr\u003e\u003ch3\u003eSupported Software Applications: Guide\u003c\/h3\u003e\u003cbr\u003e\u003cul\u003e \u003cli\u003eWirecast\u003c\/li\u003e \u003cli\u003evMix\u003c\/li\u003e \u003cli\u003eOBS\u003c\/li\u003e \u003cli\u003eCinergy Capture Pro\u003c\/li\u003e \u003cli\u003eDevTek EasyMediaSuite\u003c\/li\u003e \u003cli\u003eGlookast Capturer\u003c\/li\u003e \u003cli\u003eLivestream Producer\u003c\/li\u003e \u003cli\u003eMetus Ingest\u003c\/li\u003e \u003cli\u003eSoftron MovieRecorder\u003c\/li\u003e \u003cli\u003eToolsOnAir just:in\u003c\/li\u003e \u003cli\u003eBurst Video WebClip2Go \u0026amp; [REC]Marker\u003c\/li\u003e \u003cli\u003eZoom\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch4\u003eSupported Codecs: Guide\u003c\/h4\u003e\u003cbr\u003e\u003cul\u003e \u003cli\u003eAVC-Intra\u003c\/li\u003e \u003cli\u003eAVCHD\u003c\/li\u003e \u003cli\u003eCanon XF MPEG2\u003c\/li\u003e \u003cli\u003eDigital SLR\u003c\/li\u003e \u003cli\u003eDV-NTSC\u003c\/li\u003e \u003cli\u003eDV-PAL\u003c\/li\u003e \u003cli\u003eDVCPRO50\u003c\/li\u003e \u003cli\u003eDVCPROHD\u003c\/li\u003e \u003cli\u003eDPX\u003c\/li\u003e \u003cli\u003eHDV\u003c\/li\u003e \u003cli\u003eHEVC\u003c\/li\u003e \u003cli\u003eXDCAM EX\u003c\/li\u003e \u003cli\u003eXDCAM HD\u003c\/li\u003e \u003cli\u003eXDCAMHD422\u003c\/li\u003e \u003cli\u003eDNxHR \u0026amp; DNxHD\u003c\/li\u003e \u003cli\u003eAppleProRes 4444\u003c\/li\u003e \u003cli\u003eApple ProRes 422 HQ\u003c\/li\u003e \u003cli\u003eApple ProRes 422\u003c\/li\u003e \u003cli\u003eApple ProRes 422LT\u003c\/li\u003e \u003cli\u003eApple ProRes 422 Proxy\u003c\/li\u003e \u003cli\u003eUncompressed 8-bit 4:2:2\u003c\/li\u003e \u003cli\u003eUncompressed 10-bit 4:2:2\u003c\/li\u003e \u003cli\u003eUncompressed 10-bit 4:4:4\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch4\u003eHardware Frame Buffer: Guide\u003c\/h4\u003e\u003cbr\u003eV210 (10-little YUV), 2vuy (8-little YUV), ARGB, BGRA (8-little RGB), r210 (10-little RGB), R12B, R12L (12-little RGB)\u003cbr\u003eLocate out about more BlackMagic devices please \u003ca href=\"https:\/\/www.blackmagicdesign.com\/ae\"\u003efollow here\u003c\/a\u003e today.\u003cbr\u003e[caption id=\"\" match=\"alignnone\" width=\"1440\"]\u003cimg src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/blackmagiccloudstore\/landing\/hero\/hero-xl.jpg?_v=1649664830\" alt=\"Blackmagic Design DeckLink Mini Recorder HD \" width=\"1440\" height=\"760\"\u003e Blackmagic Configuration DeckLink Mini Recorder HD [\/caption]","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45795989291061,"sku":"BDLKMINIREC3G","price":548.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1657643768_1716776.webp?v=1784890622"},{"product_id":"blackmagic-design-studio-fiber-rack-kit","title":"Blackmagic Design Studio Fiber Rack Kit","description":"\u003ch2 style=\"margin: 0in; margin-bottom:.0001pt; background: white;\"\u003e\u003cspan style=\"font-family: 'Segoe UI','sans-serif'; color: black; font-weight: normal;\"\u003eRack Two Studio Fiber Converters in 2 RU\u003c\/span\u003e\u003c\/h2\u003e\u003cbr\u003e\u003cem\u003eThe \u003cstrong\u003eBlackmagic Design Studio Fiber Rack Kit\u003c\/strong\u003e by enables installation of one converter or a pair of Studio Fiber Converter units in 2 RU of standard 19\" hardware rack room.\u003c\/em\u003e\u003cbr\u003eFor additional information you can follow \u003ca href=\"https:\/\/bsn.com.pk\/\"\u003ehere\u003c\/a\u003e or you can additionally visit Straight to Blackmagic Design by clicking \u003ca href=\"https:\/\/www.blackmagicdesign.com\/ae\/\"\u003ehere\u003c\/a\u003e.\u003cbr\u003e\u003cimg class=\"alignnone size-medium\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/blackmagiccloudstoremini\/landing\/flash\/flash-xl.jpg?_v=1645049598\" width=\"1440\" height=\"669\"\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45795989618741,"sku":"CINEURSANWFRSUR","price":585.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/BlackMagic-Design-Studio-Fiber-Rack-Systec-International.jpg?v=1784890628"},{"product_id":"blackmagic-design-hyperdeck-studio-hd-mini","title":"Blackmagic Design HyperDeck Studio HD Mini","description":"Considering the complete platform, Take a space-efficient broadcast-quality capture\/playback deck with you on on-location, in the studio, or constructed into a rack with the \u003cb\u003eBlackmagic Design HyperDeck Studio HD Mini\u003c\/b\u003e. The 1 RU tall recorder is 1\/3 of a rack wide and powers from 100 to 240 VAC, or through an optional 12 VDC power adapter for portability. Featuring one 3G-SDI source, one each HDMI and 3G-SDI feed, and a USB Type-C webcam feed, the recorder is adaptable, enabling you to source, record, and feed\/stream simultaneously. Supporting both reference and timecode in\/output, this device fits perfectly into a broadcast setting, and you can use one recorder to produce an ISO capture of every camera with strong sync for live and post-production operate.\u003cbr\u003e\u003cdiv\u003e\u003cdiv class=\"productDescription_UbV5SNP5Eo\" data-selenium=\"overviewLongDescription\"\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eTwo SD card slots enable you to acquisition with virtually unlimited capture time, and the unit additionally allows capture to USB disks through the USB Type-C feed port. The HyperDeck Studio HD Mini provides a front-panel control and a jog\/shuttle wheel for an analog scrubbing feel. RS-422 control is supported for outboard control, and you can additionally control the unit through either the USB port or over Ethernet at 1G speeds for faster deck control and file transfers through the RJ45 connector. A built-in LCD on the front panel enables you to monitor the footage.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003evideo signal source connections\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eIt handles SD, HD, and choose 3G signals over SDI\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eSupported Codecs: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e \u003cli\u003eProRes: Apple ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime, ProRes 422 Proxy QuickTime.\u003c\/li\u003e \u003cli\u003eDNxHD: DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and 1080p HD formats up to 60 fps\u003c\/li\u003e \u003cli\u003eH.264: H.264 SDI 4:2:2 10-bit, H.264 High 420 8-bit, H.264 Medium 4:2:0 8-bit, H.264 Low 4:2:0 8-bit for all progressive formats up to 1080p60\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eVTR-Style operation\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eIncorporates VTR-style front-panel controls for capture and playback; a built-in jog\/shuttle wheel delivers analog-style control over your playback\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003edistance-based\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe device is controllable through RS-422 control and over the Ethernet or USB port\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBuilt-In LCD Monitor: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eits front interface additionally integrates a built-in LCD screen that enables you to monitor source or play back footage\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eIncluded Software: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe HyperDeck Studio HD Mini incorporates Blackmagic OS and Blackmagic HyperDeck Configuration\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e \u003cbr\u003eFZE LLC develops integrated solutions for CCTV monitoring and security, broadcast workflows, and professional audiovisual systems.\u003cbr\u003eAcross 25 years, projects have been completed internationally for public- and private-sector CCTV clients. Turnkey studios, control space, OB Van carries, Professional A\/V \u0026amp; communication systems.\u003cbr\u003eA Dubai showroom is being established so our experience can directly support the UAE community straight \u0026amp; via platform integrators, resellers \u0026amp; international visitors.We are currently hiring.\u003cbr\u003eContact us \u003ca href=\"https:\/\/bsn.com.pk\/\"\u003ehere\u003c\/a\u003e or follow \u003ca href=\"https:\/\/bsn.com.pk\/en\/\"\u003ehere\u003c\/a\u003e for more.","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45796068753461,"sku":"HYPERD\/ST\/DAHM","price":2337.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1627569983_IMG_1581029.webp?v=1784891978"},{"product_id":"blackmagic-design-hyperdeck-studio-hd-plus","title":"Blackmagic Design HyperDeck Studio HD Plus","description":"\u003cdiv\u003e\u003cdiv class=\"productDescription_UbV5SNP5Eo\" data-selenium=\"overviewLongDescription\"\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eFor this model, Take a space-efficient broadcast-quality capture\/playback deck with you on on-location, in the studio, or constructed into a rack with the \u003cb\u003eBlackmagic Design HyperDeck Studio HD Plus\u003c\/b\u003e. The 1 RU tall recorder is 1\/2 of a rack wide and powers from 100 to 240 VAC or through an optional 12 VDC power adapter for portability. Featuring one 6G-SDI source, one HDMI 2.0 source, two 6G-SDI feeds, and one HDMI 2.0 feed, this unit is a space-efficient recording\/playout powerhouse. A loop-through feed and 3G-SDI monitor feed as well as reference and timecode in\/output, enable this device to integrate into a broadcast setting.\u003cbr\u003eTwo SD card slots enable you to acquisition with virtually unlimited capture time, and the unit additionally accommodates capture to USB disks through the USB Type-C feed port. The HyperDeck Studio HD Plus contains a front-panel control and a jog\/shuttle wheel for an analog scrubbing feel. RS-422 control is supported for outboard control, and you can additionally control the unit through either the USB port or over Ethernet at 1G speeds for faster deck control and file transfers through the RJ45 connector. A built-in LCD on the front panel enables you to monitor the footage.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePlayback and UHD 4K recording workflow\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe HyperDeck Studio HD Plus records UHD and DCI 4K footage at up to 30 fps. The 6G-SDI feeds enable fill and principal playback up to 1080p60.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003evideo signal source connections — Blackmagic Design HyperDeck — Product Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e6G-SDI, and HDMI 2.0 sources.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003evideo signal signal feeds\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eTwo SDI feeds compatibility 1080p60 and 2160p30, and a loop-through feed sends the source signal downstream to displays, switchers, or other devices.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eHDR: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe HyperDeck Studio HD Plus handles HDR footage and 33-position LUTS on the 3G-SDI feed.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eSupported Codecs: Guide — Blackmagic Design HyperDeck — Product Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eProRes: Apple ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime, ProRes 422 Proxy QuickTime.\u003cbr\u003eDNxHD: DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and 1080p HD formats up to 60 fps\u003cbr\u003eH.264: H.264 SDI 4:2:2 10-bit, H.264 Elevated 420 8-bit, H.264 Medium 4:2:0 8-little, H.264 Low 4:2:0 8-little for all progressive formats up to 1080p60\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eVTR-Style operation — Blackmagic Design HyperDeck — Product Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eIntegrates VTR-style front-panel controls for capture and playback; a built-in jog\/shuttle wheel delivers analog-style control over your playback. Broadcast-style deck control front-panel keys connect to a dedicated RS-422 feed.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003edistance-based — Blackmagic Design HyperDeck — Product Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe device is controllable through RS-422 control and over the Ethernet or USB port.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBuilt-In LCD Monitor: Guide — Blackmagic Design HyperDeck — Product Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eits front interface additionally incorporates a built-in LCD screen that enables you to monitor source or play back footage.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003esound signal feed\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe unit incorporates a built-in speaker as well as a 1\/4\" headphone jack.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eIncluded Software: Guide — Blackmagic Design HyperDeck — Product Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe HyperDeck Studio HD Plus incorporates Blackmagic OS and Blackmagic HyperDeck Configuration.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45796068818997,"sku":"HYPERD\/ST\/DCHP","price":2867.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/hyperd-st-dchp.jpg?v=1784891979"},{"product_id":"blackmagic-design-hyperdeck-studio-hd-pro","title":"Blackmagic Design HyperDeck Studio HD Pro","description":"\u003cdiv\u003e\u003cdiv class=\"productDescription_UbV5SNP5Eo\" data-selenium=\"overviewLongDescription\"\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eFor this model, the \u003cb\u003eBlackmagic Design HyperDeck Studio HD Pro\u003c\/b\u003e is a revised 1 RU file-based deck that incorporates the same operation and control of professional tape decks in an electronic configuration. This version updates the previous HyperDeck Studio versions with several features such as 6G-SDI compatibility, two added SD medium slots, USB Type-C capture output, timecode source and feed, Ref source and feed, a redesigned jog\/shuttle wheel, Gigabit Ethernet, and a speaker on the front.\u003cbr\u003eThe Studio HD Pro records uncompressed footage with 10-bit 4:2:2 color through either ProRes or DNxHD codecs, as well as the H.264 encoding format. With two SSD ports and two SD medium slots, you can capture almost endlessly as one SSD becomes full, capture automatically keeps on to the other, and the SD medium slots are additionally hot-swappable. The Studio HD contains one 6G-SDI source, two 6G-SDI feeds, a loop-through SDI feed, a dedicated SDI monitor feed, and there's additionally one HDMI source and one HDMI feed that can all feed up to DCI 4K. The ports autodetect the feed and will refine to the SD, HD, or 6G-SDI configuration source. The 3-pin XLR timecode source and feed enable you to sync timecode with other devices, and it additionally enables you to daisy-chain with other devices to produce a timecode sync chain.\u003cbr\u003eThe Studio HD Pro is a 1 RU rack-mountable device, with built-in rack mount ears. It contains illuminated front interface control and a heavy jog\/shuttle wheel for analog scrubbing. RS-422 control is supported for outboard control through the Ref source and output ports. The USB Type-C port enables you to capture to outboard disks, and you can additionally use it to plug into a PC to use as a source for a web stream. A built-in LCD on the front panel permits you to monitor the footage and screen timecode and transport details.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eproduction Broadcast Deck\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe new HyperDeck Studio recorders deliver been totally redesigned with dozens of new incorporates. The enhanced versions have new broadcast-style front interface controls and more links on the rear interface. The LCD screen accommodates both light and dark settings, plus the transport control keys are stronger with a firm professional feel. The Pro versions function a weighted, precision-machined search dial whose cushioned rubber finish sits comfortably beneath the touchscreen. Plus the search dial integrates an active clutch, only like a conventional broadcast dec. With dual media ports, you can change cards eliminating interrupting capture. The enhanced models even incorporate a front headphone link and speaker.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eMastering Recorder: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eAll versions capture to H.264, ProRes, and DNx files, so are well suited to capture broadcast masters. You can even use PCM or AAC audio. You get everything needed to transmit shows to broadcast teams and for uploading to YouTube.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eISO recording production flow\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eAll versions function timecode and reference generators, with feeds to loop to other HyperDecks. This means you can build a rack of HyperDeck studios for ISO camera capture, allowing multi-cam editing after live productions. You can even sync bodies to the SDI feed and the SDI source has shot sync.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eDigital Signage: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHyperDeck Studio is well suited to digital signage as all versions have HDMI feed for connecting to large display TVs and projectors. The built-in sync generator lets you bring together several HyperDecks for large multiscreen footage walls. There's even FTP for file upload and a protocol for off-site control.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBroadcast Archive: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHyperDeck Studio allows all SD and HD standards so it's excellent for archiving old television shows from broadcast decks such as Electronic Betacam, Betacam SP, 1\", U-matic, and VHS. You can even capture directly to H.264 to maximize capacity. For analog decks, only attach a Mini Converter Analog to SDI.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBright Color LCD Status Display: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHyperDeck Studio provides traditional deck-style transport controls, comprising a search dial for jog, shuttle, and scroll. The space-efficient LCD shows timecode and transport details, plus a full-color thumbnail preview of the current mount in capture or playback. It additionally displays information about each card's capture status, along with footage format, shot rate details, and audio levels, all on the identical display. The LCD incorporates monitoring for footage, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style settings with the built-in LCD display makes HyperDeck Studio incredibly fast to use and very simple to learn.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eTraditional Broadcast Deck operation\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHyperDeck Studio incorporates a conventional broadcast-style control interface that's very fast to use. Simply push the capture button and you instantly start capture the footage source to a file. You can additionally change the capture file configuration from the menu. There are transport control keys for playback, rewind, fast ahead, previous mount, next mount, and more. The Pro versions deliver a machined metal search dial that accommodates shuttle, jog, and scroll so you can locate clips fast. Any control pressed on the front interface is sent to the rear RS-422 off-site feed for looping control to several HyperDecks. The Plus and Pro versions also incorporate a front interface speaker and headphone socket for live audio observation.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eSupports SD Cards, UHS-II Cards, or SSDs: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eAll HyperDeck Studio versions support capture to common SD cards and UHS-II cards so you don't need expensive custom media. However, the Pro versions additionally add two SSD ports so you can use two distinct kinds of media. SD cards and SSDs are the strong choices for broadcast media since they are small and very affordable. when through H.264, the files are so incredibly small you get very long captures even on more compact low-cost cards. Plus, you can even capture to outboard USB disks. With H.265, you can capture up to 58 hour period in 2160p60 Ultra HD or up to 157 hour period of H.264 capture in 1080p59.94 on a 1TB medium. That's over 6 days of capture in HD through a one 1TB card.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eDual Media Slots for Nonstop recording production flow\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eAll HyperDeck Studio versions feature dual media ports for nonstop capture. When the capture card becomes full, capture automatically keeps onto the next medium. That's perfect whenever capture long live events since you can \"hot swap\" a full medium for an empty medium while capture continues in the other slot. Every slot has a status indicator to show which medium is being employed, either red for capture or green for playback. Plus all versions now feature very long file captures to a one file for simple file spread. HyperDeck Studio is readily repairable with each card slot through an individual PCB assembly that can be replaced if it ever becomes worn output from heavy use.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eRecord to External USB Type-C Media Disks: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eIf capture to other kinds of media is needed, the USB Type-C scaling port lets you plug in an outboard flash disk for capture. USB Type-C flash disks deliver unlimited capacity since they can be physically broader than a SD medium or SSD. Recording straight to an editing disk array removes the need for a separate copy before post-production. Move the disk to the computer and begin editing immediately. You can even attach a Blackmagic MultiDock 10G that has 4 standalone SSD media ports, so you can attach compatibility with SSD media to the HyperDeck Studio Mini and Plus versions. There are additionally menus for managing outboard disks on the built-in LCD.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePractical Notes: H.264 Files and Popular ProRes, DNx,\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHyperDeck allows the primary widely chosen codecs in use today. All versions incorporate DNx and ProRes file formats. However, all versions also incorporate H.264 in fidelity levels up to full 10 bit 4:2:2 whenever capture in NTSC, PAL, 720p, 1080p and true 1080i interlaced formats. That means you get tight 60:1 to 285:1 encoding ratios for very small files at full broadcast fidelity. Plus you can choose uncompressed PCM audio, or even AAC audio whenever uploading files to YouTube. All versions compatibility both ExFAT and HFS+ disk formats and long-duration one file captures. The Plus and Pro versions even compatibility ProRes 4444 enabling fill and principal playback.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eenhanced Broadcast Connections\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eDepending on the version HyperDeck Studio features numerous video and audio links such as 3G-SDI, 6G-SDI, or 12G-SDI. All versions incorporate HDMI for connecting to televisions and projectors. There's even a purpose-built SDI observation feed on the Pro and Plus versions with on-screen status. The Pro and Plus versions include two SDI feeds so you can play ProRes 4444 files, enabling simultaneous fill and key feed for keying in live workflow switchers. The onboard timecode and reference generator links can be looped to sync several units for ISO recording. All versions even incorporate AC and locking DC power.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eChoose 3G-SDI, 6G-SDI, or 12G-SDI Models: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eWith multi-rate SDI, you get compatibility for the most popular footage standards. The SDI and HDMI links will automatically switch footage standards, so accommodate SD, HD, and Ultra HD formats depending on the version. SD formats incorporate NTSC and PAL. 720p HD standards incorporate 720p50 and 720p59.94p. 1080i HD interlaced formats incorporate 1080i50 and 1080i59.94. 1080p HD formats incorporate 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. HyperDeck can even compatibility 1080PsF formats. HyperDeck Studio additionally handles level A and level B whenever running HD footage at 3G-SDI rates.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eKey signal feeds for Broadcast Animations and Fill\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe HyperDeck Studio Plus and Pro versions can play ProRes 4444 HD files to the two standalone SDI fill and key feeds. That means you can use HyperDeck Studio as a graphics mount player for broadcast animation since the ProRes 4444 file's alpha channel will be without manual intervention converted to the key SDI feed for real-time keying in a live workflow switcher. Imagine running animated lower-third titles and stingers with principal channel feeds for incredibly clean multilayered titles. Plus, switchers such as Blackmagic Configuration ATEM versions connect to HyperDeck Studio through Ethernet to trigger playback synced to transitions.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eUSB Webcam signal feed for video signal Software\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eFor compatibility with numerous computer software, HyperDeck Studio contains webcam support through the USB link. If you're not capture to an outboard USB disk, you can plug the HyperDeck USB link directly into a PC to get live footage into any footage software. The PC is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast-quality footage source. That guarantees full compatibility with any footage software and in full definition 1080 HD fidelity. HyperDeck Studio's USB webcam function works with any footage software comprising zoom, Microsoft Teams, and Skype, or get live broadcasting with Open Broadcaster, XSplit Broadcaster, and additional.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eMonitoring 3D LUTs and enhanced HDR Support\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eYou'll be prepared for the latest feature film processes with support for enhanced HDR standards. All HDR status details is embedded into the SDI links so downstream hardware can detect whenever HDR files are played. When capture, the SDI and HDMI sources will additionally automatically detect HDR footage standards and then tag the files with the correct HDR details. Stationary metadata PQ and HLG formats are handled matched to the ST2084 conventional. Plus the front interface LCD has a wider colour gamut for both Rec. 2020 and Rec. 709 colour spaces. HyperDeck Studio Plus and Pro versions even enable you to load a 3D LUT into the observation feed to attach looks or to convert cinematic to footage gamma.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eIncludes production Multi-Channel SDI sound\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHyperDeck Studio incorporates professional multi-channel SDI audio for capture up to 16 channels. When capture from the SDI source, you can choose in the menu to capture 2, 4, 8, or 16 channels of audio in real time. There's extra room on the SDI observation status overlay, which permits the audio meter screen to show the quantity of channels you deliver enabled all at the identical time, and the audio meters will show 2, 4, 8, or 16 channels simultaneously. The audio meters are developed to use the correct ballistics, and you can change between distinct VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a footage recorder, as it additionally has quality sound.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eIncredibly Fast Network File Transfers: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eAll HyperDeck versions enable media files to be uploaded from a distance, through simple FTP client applications. For remote deck control, all versions use an simple to learn text-based protocol, so you can use a simple terminal application such as Telnet to test control commands. Simply log into the HyperDeck and then type \"play\" or \"capture\" and it will execute the command. If you bring together the control protocol and file transfers with a HyperDeck linked to a large USB Type-C disk array, you get a fantastic broadcast server for ingest, media handling, and play output.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eTraditional RS-422 Broadcast Deck operation\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe most popular control link employed on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is employed on almost all broadcast equipment. HyperDeck Studio provides wide protocol compatibility so you can connect it straight to broadcast systems. It additionally accommodates extra commands for the Enhanced Media Protocol for managing disk recorders. Whenever designing RS-422 control solutions, you'll know you're linked to a HyperDeck Studio whenever you see the ID 0xF0E0 in 30\/60p, 0xF1E0 in 25\/50p, or 0xF2E0 in 24p. The full location of compatibility remote commands are supplied in the instruction manual and you can install this from the compatibility page of our website.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePractical Notes: Sync Generators and Built-In Timecode\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eWith a timecode and sync generator constructed into all versions, you can stack several units for electronic signage or multi-channel capture. Each HyperDeck has dedicated feeds for reference and timecode, immediate from the onboard sync and timecode generators. The generators \"no-cost run\" unless reference or timecode is linked to the sources, and then generators will lock automatically. This means you can loop from HyperDeck to HyperDeck to produce perfectly timed array or recorders.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBlackmagic OS: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe novel Blackmagic OS has been developed for high-performance film and broadcast devices and it manages all controls on HyperDeck Studio. Only Blackmagic OS delivers instant power on whereas including powerful functions such as LCD with footage, timecode, and audio metering, observation with overlays, menus, fast networking, multi-disk media handling, 3D LUTs plus localization. The onscreen LCD menus incorporate settings to configure your HyperDeck Studio, plus the menus currently support both light and dark setting.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eLocalized for 13 Popular Languages: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHyperDeck Studio allows several languages so you don't need to learn a new language only to use it. You get compatibility for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages. Whenever initially energized on for the first time, HyperDeck Studio will screen an initial language selector; the LCD interface also lets operators switch languages later from the next stage. Once a language is chosen, the LCD menus will change, plus the overlays on the SDI observation output will additionally change to the chosen language. All this means HyperDeck Studio is well suited to doing operate anywhere in the world.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eStreaming Sites and Use All video signal Software\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHyperDeck Studio records files that are compatible with virtually all post-production applications. Plus, if you capture in H.264, you can upload files from HyperDeck Studio direct to broadcasting services such as YouTube, Facebook, Vimeo, Twitter, and additional. You can use widely chosen editing applications such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, or Avid Media Composer since HyperDeck uses the identical file formats employed in post-production. Even VFX applications such as Fusion and Adobe After Effects operate with the files. Since HyperDeck records to disks formatted on computers, you can simply fitting the disk on any PC and start editing eliminating needing to transcode or convert the files.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBuilt-In Redundancy Keeps You on Air: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eSerious broadcast teams need redundancy since it increases reliability. HyperDeck Studio incorporates redundant provides to help maintain you stay on air. With dual media ports on all versions, and the Pro versions having 4 media ports, you can stay on air, even if one of the ports becomes damaged. Plus with the HyperDeck Studio HD Mini version you get 3 totally separate recorders in a one rack device, while the HyperDeck Studio HD Plus version enables 2 independent recorders in a one rack unit. All HyperDeck versions incorporate both AC and a locking DC power link, so you use the DC link with an outboard battery pack for redundant power.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eDesigned for Both Portable or Rackmount operation\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eWhenever you need a portable broadcast option, the HyperDeck Studio HD Mini version includes most contains miniaturized into an elegant 5\" wide space-efficient configuration that's only one-third of a rack device wide. That means you can integrate three recorders in a one rack device. Only use the optional Teranex Mini Rack Shelf and you can fitting the three units side by side, then bolt it into a conventional hardware rack. Or you can bring together HyperDeck Studio Mini with other modules, such as a Teranex Mini Analog to 12G-SDI to convert the source from analog to SDI, all in the identical rack which is well suited to archive operate. HyperDeck Studio HD Mini looks great whenever it's not rack-mounted and simply employed by itself on a desktop.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePractical Notes: Cameras and Compatible with Switchers, Disk Docks,\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThere's an extensive selection of Blackmagic Design devices you can use with HyperDeck such as switchers, bodies, and broadcasting solutions. As the Mini and Plus versions don't incorporate SSD ports, you can attach a Blackmagic MultiDock 10G to use regular SSDs, enabling compatibility with media from other HyperDeck versions. HyperDeck Studio will manage all the disks for you and without manual intervention capture to disks in the MultiDock. You can even use the MultiDock with the HyperDeck Studio Pro versions just to attach extra SSDs for longer capture times. HyperDeck Studio is additionally a perfect mastering recorder whenever used with ATEM switchers, a mount player with fill and principal, or looped on switcher sources for ISO capture.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45796068884533,"sku":"HYPERD\/ST\/DFHP","price":4140.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/hyperd-st-dfhp.jpg?v=1784891980"},{"product_id":"blackmagic-design-hyperdeck-studio-4k-pro","title":"Blackmagic Design HyperDeck Studio 4K Pro","description":"At the center of the specification, the \u003cstrong\u003eBlackmagic Design HyperDeck Studio 4K Pro\u003c\/strong\u003e is a revised 1 RU file-based deck that provides the same operation and control of professional tape decks in an electronic configuration. This version updates the previous HyperDeck Studio versions with several features including 12G-SDI compatibility, two added SD medium slots, USB Type-C capture output, timecode source and feed, Ref source and feed, a redesigned jog\/shuttle wheel, 10G Ethernet, and a speaker on the front.\u003cbr\u003eThe Studio 4K Pro records uncompressed footage with 10-bit 4:2:2 color through either ProRes or DNxHD codecs, as well as the H.264 and H.265 encoding formats. With two SSD ports and two SD medium slots, you can capture almost endlessly as one SSD becomes full, capture automatically keeps on to the other, and the SD medium slots are additionally hot-swappable. The Studio 4K Pro contains one 12G-SDI source, two 12G-SDI feeds, a loop-through 12G-SDI feed, a dedicated SDI monitor feed, and there's additionally one HDMI source and one HDMI feed that can all feed up to DCI 4K. The 4K Pro can even play ProRes 4444 files in true UHD for fill and principal feeds. The ports autodetect the feed and will refine to the SD, HD, 6G-SDI, or 12G-SDI configuration source. The 3-pin XLR timecode source and feed enable you to sync timecode with other devices, and it additionally enables you to daisy-chain with other devices to produce a timecode sync chain.\u003cbr\u003eThe Studio 4K Pro is a 1 RU rack-mountable device, with built-in rack mount ears. It integrates illuminated front interface control and a heavy jog\/shuttle wheel for analog scrubbing. RS-422 control is supported for outboard control through the Ref source and output ports. The USB Type-C port permits you to capture to outboard disks, and you can additionally use it to plug into a PC to use as a source for a web stream. A built-in LCD on the front panel enables you to monitor the footage and screen timecode and transport details.\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eproduction Broadcast Deck — Blackmagic Design HyperDeck\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003eThe new HyperDeck Studio recorders deliver been totally redesigned with dozens of new integrates. The enhanced versions have new broadcast-style front interface controls and more links on the rear interface. The LCD screen accommodates both light and dark settings, plus the transport control keys are stronger with a firm professional feel. The Pro versions function a weighted, precision-machined search dial whose cushioned rubber finish sits comfortably beneath the touchscreen. Plus the search dial contains an active clutch, only like a conventional broadcast dec. With dual media ports, you can change cards eliminating interrupting capture. The enhanced models even incorporate a front headphone link and speaker.\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eMastering Recorder: Guide — Blackmagic Design HyperDeck\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003eAll versions capture to H.264, ProRes, and DNx files, so are well suited to capture broadcast masters, plus the 4K version adds H.265 whenever capture to UHD files. You can even use PCM or AAC audio. You get everything needed to transmit shows to broadcast teams and for uploading to YouTube.\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eISO recording production flow — Blackmagic Design HyperDeck\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003eAll versions function timecode and reference generators, with feeds to loop to other HyperDecks. This means you can build a rack of HyperDeck studios for ISO camera capture, allowing multi-cam editing after live productions. You can even sync bodies to the SDI feed and the SDI source has shot sync.\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eDigital Signage: Guide — Blackmagic Design HyperDeck\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003eHyperDeck Studio is well suited to digital signage as all versions have HDMI feed for connecting to large display TVs and projectors. The built-in sync generator lets you bring together several HyperDecks for large multiscreen footage walls. There's even FTP for file upload and a protocol for off-site control.\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eBroadcast Archive: Guide — Blackmagic Design HyperDeck\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003eHyperDeck Studio handles all SD and HD standards so it's excellent for archiving old television shows from broadcast decks such as Electronic Betacam, Betacam SP, 1\", U-matic, and VHS. You can even capture directly to H.264 to maximize capacity. For analog decks, only attach a Mini Converter Analog to SDI.\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eHyperDeck Studio 4K Pro Bright Color LCD Status Display: Guide\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003eHyperDeck Studio provides traditional deck-style transport controls, such as a search dial for jog, shuttle, and scroll. The space-efficient LCD shows timecode and transport details, plus a full-color thumbnail preview of the current mount in capture or playback. It additionally displays information about each card's capture status, along with signal format, shot rate details, and audio levels, all on the identical display. The LCD incorporates monitoring for footage, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style settings with the built-in LCD display makes HyperDeck Studio incredibly fast to use and very simple to learn.\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eHyperDeck Studio 4K Pro Traditional Broadcast Deck operation\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003eHyperDeck Studio incorporates a conventional broadcast-style control interface that's very fast to use. Simply push the capture button and you instantly start capture the footage source to a file. You can additionally change the capture file configuration from the menu. There are transport control keys for playback, rewind, fast ahead, previous mount, next mount, and more. The Pro versions deliver a machined metal search dial that accommodates shuttle, jog, and scroll so you can locate clips fast. Any control pressed on the front interface is sent to the rear RS-422 off-site feed for looping control to several HyperDecks. The Plus and Pro versions also incorporate a front interface speaker and headphone socket for live audio observation.\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eSupports SD Cards, UHS-II Cards or SSDs: Guide — Blackmagic Design HyperDeck\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003eAll HyperDeck Studio versions support capture to common SD cards and UHS-II cards so you don't need expensive custom media. However, the Pro versions additionally add two SSD ports so you can use two distinct kinds of media. SD cards and SSDs are the strong choices for broadcast media since they are small and very affordable. when through H.264, the files are so incredibly small you get very long captures even on more compact low-cost cards. Plus, you can even capture to outboard USB disks. With H.265, you can capture up to 58 hour period in 2160p60 Ultra HD or up to 157 hour period of H.264 capture in 1080p59.94 on a 1TB medium. That's over 6 days of capture in HD through a one 1TB card.\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eDual Media Slots for Non-Stop recording production flow\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003eAll HyperDeck Studio versions feature dual media ports for nonstop capture. When the capture card becomes full, capture automatically keeps onto the next medium. That's perfect whenever capture long live events since you can \"hot swap\" a full medium for an empty medium while capture continues in the other slot. Every slot has a status indicator to show which medium is being employed, either red for capture or green for playback. Plus all versions now feature very long file captures to a one file for simple file spread. HyperDeck Studio is readily repairable with each card slot through an individual PCB assembly that can be replaced if it ever becomes worn output from heavy use.\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eHyperDeck Studio 4K Pro Record to External USB Type-C Media Disks: Guide\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003eIf capture to other kinds of media is needed, the USB Type-C scaling port lets you plug in an outboard flash disk for capture. USB Type-C flash disks deliver unlimited capacity since they can be physically broader than a SD medium or SSD. An editing disk array can serve as the capture destination, so footage is ready for post without an intermediate transfer. Connect the disk to the workstation to start editing. You can even attach a Blackmagic MultiDock 10G that has 4 standalone SSD media ports, so you can attach compatibility with SSD media to the HyperDeck Studio Mini and Plus versions. There are additionally menus for managing outboard disks on the built-in LCD.\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003ePractical Notes: H.265 Files and Popular ProRes, DNx, H.264,\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003eHyperDeck accommodates the primary widely chosen codecs in use today. All versions incorporate DNx and ProRes file formats. However, all versions also incorporate H.264 in fidelity levels up to full 10 bit 4:2:2 whenever capture in NTSC, PAL, 720p, 1080p, and true 1080i interlaced formats. Whereas the 4K version adds H.265 whenever capture in Ultra HD. That means you get tight 60:1 to 285:1 encoding ratios for very small files at full broadcast fidelity. Plus you can choose uncompressed PCM audio, or even AAC audio whenever uploading files to YouTube. All versions compatibility both ExFAT and HFS+ disk formats and long-duration one file captures. The Plus and Pro versions even compatibility ProRes 4444 enabling fill and principal playback.\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eHyperDeck Studio 4K Pro enhanced Broadcast Connections\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003eDepending on the version HyperDeck Studio features a broad variety of footage and audio links such as 3G-SDI, 6G-SDI, or 12G-SDI. All versions incorporate HDMI for connecting to televisions and projectors. There's even a purpose-built SDI observation feed on the Pro and Plus versions with on-screen status. The Pro and Plus versions include two SDI feeds so you can play ProRes 4444 files, enabling simultaneous fill and key feed for keying in live workflow switchers. The onboard timecode and reference generator links can be looped to sync several units for ISO capture. The 4K version has 10G Ethernet for extremely fast installation file copying. All versions even incorporate AC and locking DC power.\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eChoose 3G-SDI, 6G-SDI, or 12G-SDI Models: Guide — Blackmagic Design HyperDeck\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003eWith multi-rate SDI, you get compatibility for the most popular footage standards. The SDI and HDMI links will automatically switch footage standards, so accommodate SD, HD, and Ultra HD formats depending on the version. SD formats incorporate NTSC and PAL. 720p HD standards incorporate 720p50 and 720p59.94p. 1080i HD interlaced formats incorporate 1080i50 and 1080i59.94. 1080p HD formats incorporate 1080p23.98, 24, 25, 29.97, 30, 50, 59.94, and 60p. HyperDeck can even compatibility 1080 PsF formats. On the 4K version, Ultra HD formats up to 2160p60 are supported. Plus the 4K version accommodates 2K and 4K DCI rates up to 30p. HyperDeck Studio additionally accommodates level A and level B whenever running HD footage at 3G-SDI rates.\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eKey signal feeds for Broadcast Animations and Fill — Blackmagic Design HyperDeck\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003eThe HyperDeck Studio Plus and Pro versions can play ProRes 4444 HD files to the two standalone SDI fill and key feeds. That means you can use HyperDeck Studio as a graphics mount player for broadcast animation since the ProRes 4444 file's alpha channel will be without manual intervention converted to the key SDI feed for real-time keying in a live workflow switcher. Plus the HyperDeck Studio 4K Pro version adds fill and principal playback in UHD. Imagine running animated lower third titles and stingers with principal channel feeds for incredibly clean multilayered titles. Plus, switchers such as Blackmagic Configuration ATEM versions connect to HyperDeck Studio through Ethernet to trigger playback synced to transitions.\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eHyperDeck Studio 4K Pro USB Webcam signal feed for video signal Software\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003eFor compatibility with numerous computer software, HyperDeck Studio provides webcam support through the USB link. If you're not capture to an outboard USB disk, you can plug the HyperDeck USB link directly into a PC to get live footage into any footage software. The PC is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast-quality footage source. That guarantees full compatibility with any footage software and in full definition 1080 HD fidelity. HyperDeck Studio's USB webcam function works with any footage software comprising zoom, Microsoft Teams, and Skype, or get live broadcasting with Open Broadcaster, XSplit Broadcaster, and additional.\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eMonitoring 3D LUTs and HyperDeck Studio 4K Pro enhanced HDR Support\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003eYou'll be prepared for the latest feature film processes with support for enhanced HDR standards. All HDR status details is embedded into the SDI links so downstream hardware can detect whenever HDR files are played. When capture, the SDI and HDMI sources will additionally automatically detect HDR footage standards and then tag the files with the correct HDR details. Stationary metadata PQ and HLG formats are handled matched to the ST2084 conventional. Plus the front interface LCD has a wider colour gamut for both Rec. 2020 and Rec. 709 colour spaces. HyperDeck Studio Plus and Pro versions even enable you to load a 3D LUT into the observation feed to attach looks or to convert cinematic to footage gamma.\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eHyperDeck Studio 4K Pro Includes production Multi-Channel SDI sound\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003eHyperDeck Studio incorporates professional multi-channel SDI audio for capture up to 16 channels. When capture from the SDI source, you can choose in the menu to capture 2, 4, 8, or 16 channels of audio in real time. There's extra room on the SDI observation status overlay, which enables the audio meter screen to show the quantity of channels you deliver enabled all at the identical time, and the audio meters will show 2, 4, 8, or 16 channels simultaneously. The audio meters are developed to use the correct ballistics, and you can change between distinct VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a footage recorder, as it additionally has quality sound.\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eHyperDeck Studio 4K Pro Incredibly Fast Network File Transfers: Guide\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003eAll HyperDeck versions enable media files to be uploaded from a distance, through simple FTP client applications. With 10G Ethernet constructed into the HyperDeck Studio 4K Pro version, file transfers are so fast, they are faster than the SD medium or SSD media disks. For off-site deck control, all versions use an easy-to-learn text-based protocol, so you can use a simple terminal application such as Telnet to test control commands. Simply log into the HyperDeck and then type \"play\" or \"capture\" and it will execute the command. If you bring together the control protocol and file transfers with a HyperDeck linked to a large USB Type-C disk array, you get a fantastic broadcast server for ingest, media handling, and play output.\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eTraditional RS-422 Broadcast Deck operation — Blackmagic Design HyperDeck\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003eThe most popular control link employed on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is employed on almost all broadcast equipment. HyperDeck Studio incorporates wide protocol compatibility so you can connect it straight to broadcast systems. It additionally allows extra commands for the Enhanced Media Protocol for managing disk recorders. Whenever designing RS-422 control solutions, you'll know you're linked to a HyperDeck Studio whenever you see the ID 0xF0E0 in 30\/60p, 0xF1E0 in 25\/50p or 0xF2E0 in 24p. The full location of compatibility remote commands are supplied in the instruction manual and you can install this from the compatibility page of our website.\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003ePractical Notes: Sync Generators and HyperDeck Studio 4K Pro Built-In Timecode\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003eWith a timecode and sync generator constructed into all versions, you can stack several units for electronic signage or multi-channel capture. Each HyperDeck has dedicated feeds for reference and timecode, immediate from the onboard sync and timecode generators. The generators \"no-cost run\" unless reference or timecode is linked to the sources, and then generators will lock automatically. This means you can loop from HyperDeck to HyperDeck to produce perfectly timed array or recorders.\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eHyperDeck Studio 4K Pro Blackmagic OS: Guide\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003eThe novel Blackmagic OS has been developed for high-performance film and broadcast devices and it manages all controls on HyperDeck Studio. Only Blackmagic OS supplies instant power on while such as powerful attributes such as LCD with footage, timecode and audio metering, observation with overlays, menus, fast networking, multi-disk media handling, 3D LUTs plus localization. The on-screen LCD menus incorporate settings to configure your HyperDeck Studio, plus the menus currently support both light and dark setting. Blackmagic OS provides world-leading installation performance and HyperDeck Studio 4K Pro can sustain files transfers at a massive 1.2 gigabytes per second on the unit's 10G Ethernet link.\u003cbr\u003e\u003ch3\u003e\u003cstrong\u003eLocalized for 13 Popular Languages: Guide — Blackmagic Design HyperDeck\u003c\/strong\u003e\u003c\/h3\u003e\u003cbr\u003eHyperDeck Studio allows several languages so you don't need to learn a new language only to use it. You get compatibility for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages. Whenever initially energized on for the first time, HyperDeck Studio will screen an initial language selector; the LCD interface also lets operators switch languages later from the next stage. Once a language is chosen, the LCD menus will change, plus the overlays on the SDI observation output will additionally change to the chosen language. All this means HyperDeck Studio is well suited to doing operate anywhere in the world.\u003cbr\u003e\u003cstrong\u003eUse All Footage Software and Broadcasting Sites\u003c\/strong\u003e\u003cbr\u003eHyperDeck Studio records files that are compatible with virtually all post-production applications. Plus if you capture in H.264, you can upload files from HyperDeck Studio direct to broadcasting services such as YouTube, Facebook, Vimeo, Twitter, and additional. You can use widely chosen editing applications such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, or Avid Media Composer since HyperDeck uses the identical file formats employed in post-production. Even VFX applications such as Fusion and Adobe After Effects operate with the files. Since HyperDeck records to disks formatted on computers, you can simply fitting the disk on any PC and start editing eliminating needing to transcode or convert the files.\u003cbr\u003e\u003cstrong\u003eBuilt-In Redundancy Holds You on Air\u003c\/strong\u003e\u003cbr\u003eSerious broadcast teams need redundancy since it increases reliability. HyperDeck Studio incorporates redundant integrates to help maintain you stay on air. With dual media ports on all versions, and the Pro versions having 4 media ports, you can stay on air, even if one of the ports becomes damaged. Plus with the HyperDeck Studio HD Mini version you get 3 totally separate recorders in a one rack device, while the HyperDeck Studio HD Plus version permits 2 independent recorders in a one rack unit. All HyperDeck versions incorporate both AC and a locking DC power link, so you use the DC link with an outboard battery pack for redundant power.\u003cbr\u003e\u003cstrong\u003eDeveloped for Both Portable or Rack mount Use\u003c\/strong\u003e\u003cbr\u003eWhenever you need a portable broadcast option, the HyperDeck Studio HD Mini version includes most provides miniaturized into an elegant 5\" wide space-efficient configuration that's only one-third of a rack device wide. That means you can integrate three recorders in a one rack device. Only use the optional Teranex Mini Rack Shelf and you can fitting the three units side by side, then bolt it into a conventional hardware rack. Or you can bring together HyperDeck Studio Mini with other modules, such as a Teranex Mini Analog to 12G-SDI to convert the source from analog to SDI, all in the identical rack which is well suited to archive operate. HyperDeck Studio HD Mini looks great whenever it's not rack-mounted and simply employed by itself on a desktop.\u003cbr\u003e\u003cstrong\u003eCompatible with Switchers, Disk Docks, and Bodies\u003c\/strong\u003e\u003cbr\u003eThere's a broad variety of Blackmagic Design devices you can use with HyperDeck such as switchers, bodies, and broadcasting solutions. As the Mini and Plus versions don't incorporate SSD ports, you can attach a Blackmagic MultiDock 10G to use regular SSDs, enabling compatibility with media from other HyperDeck versions. HyperDeck Studio will manage all the disks for you and without manual intervention capture to disks in the MultiDock. You can even use the MultiDock with the HyperDeck Studio Pro versions just to attach extra SSDs for longer capture times. HyperDeck Studio is additionally a perfect mastering recorder whenever used with ATEM switchers, a mount player with fill and principal, or looped on switcher sources for ISO capture.\u003cbr\u003ebuy from \u003ca href=\"https:\/\/bsn.com.pk\" target=\"_blank\" rel=\"noopener\"\u003e\u003c\/a\u003e\u003cbr\u003ebuy from \u003ca href=\"https:\/\/bsn.com.pk\" target=\"_blank\" rel=\"noopener\"\u003e\u003c\/a\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45796068950069,"sku":"HYPERD\/ST\/DG4P","price":6716.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/hyperd-st-dg4p.jpg?v=1784891981"},{"product_id":"blackmagic-design-ursa-mini-recorder","title":"Blackmagic Design URSA Mini Recorder","description":"","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45796148805685,"sku":"CINEURSASHMSSD2","price":1748.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/URSA-Mini-Recorder.png?v=1784893832"},{"product_id":"kiloview-cube-r1-9-channel-ndi-recorder-system","title":"Kiloview CUBE R1 9-Channel NDI Recorder System","description":"\u003carticle class=\"content_nffexWQFRT\"\u003e\u003cdiv class=\"overviewVideosContainer_nffexWQFRT\"\u003e\u003cdiv data-selenium=\"overviewVideos\"\u003e\u003cdiv class=\"container_b3HinrFN7N videosPlaylistContainer_bNwEOQHJnB\"\u003e\u003cdiv class=\"player_bNwEOQHJnB\"\u003e\u003cdiv class=\"lazyload-wrapper \"\u003e\u003cdiv class=\"container_Nvv9thaUIK\" data-selenium=\"videoPlayerYouTube\"\u003e\u003cdiv class=\"aspectRatioWrapper_Nvv9thaUIK\"\u003e\u003ciframe class=\"iframe_Nvv9thaUIK\" frameborder=\"0\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" title=\"5 Buttons to Use CUBE R1 Recorder System Easily!\" width=\"100%\" height=\"100%\" src=\"https:\/\/www.youtube.com\/embed\/1BWWdFLGp5E?autoplay=0\u0026amp;start=0\u0026amp;rel=0\u0026amp;enablejsapi=1\u0026amp;origin=https%3A%2F%2Fwww.bhphotovideo.com\u0026amp;widgetid=1\u0026amp;forigin=https%3A%2F%2Fwww.bhphotovideo.com%2Fc%2Fproduct%2F1735033-REG%2Fkiloview_kvw_cube_r1_cube_r1_recorder_system.html\u0026amp;aoriginsup=1\u0026amp;gporigin=https%3A%2F%2Fwww.google.com%2F\u0026amp;vf=1\" id=\"widget2\" data-gtm-yt-inspected-6=\"true\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"productDescription_UbV5SNP5Eo\" data-selenium=\"overviewLongDescription\"\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cp\u003eThe \u003cb\u003eCUBE R1 9-Channel NDI Recorder System\u003c\/b\u003e from \u003cb\u003eKiloview\u003c\/b\u003e is a multichannel NDI recording platform with an integrated 5.5\" touchscreen. It captures as many as nine synchronized channels at resolutions through UHD 4K60 and provides viewing layouts for one, four, or nine sources. Two hot-swappable SSD bays support continuous recording, while dual Ethernet ports maintain dependable network bandwidth.\u003c\/p\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv style=\"scroll-margin-top:268px\"\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eNine-Channel NDI Capture\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eSuitable for broadcasting, healthcare, videoconferencing, and large-format display installations, the CUBE R1 records up to nine NDI feeds concurrently at rates reaching UHD 4K60. Synchronized preview grids display 1, 4, or 9 sources. Two 10GbE ports provide reliable data throughput, while redundant power supplies and cooling fans help sustain uninterrupted operation.\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eHot-Swappable Dual SSD Bays\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eTwo hot-swappable slots permit recording to continue without interruption and accept all current NVMe SSD types. A safety-lock switch protects the installed media, and USB-C connectivity offers an additional route for expanding storage.\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eTime-Synchronized Sources\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eA user-defined NTP server keeps every NDI source synchronized during capture. Recording can then be initiated easily with a single click.\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eFlexible Multiview Displays\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eChoose among single-source, four-source, and nine-source multiview arrangements. Selectable overlays include VU meters, audio levels, tally information, present bitrate, synchronization state, and source labels. Video and audio feeds can also be named freely for faster identification throughout a session.\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eRecording Protection\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eVideo is captured continuously and independently from the source camera, helping preserve complete and accurate files. When one file reaches capacity, the system advances automatically. An automatic lock also requires two confirmations before recording can be paused or the system unlocked.\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eIntegrated 5.5\" Touchscreen\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe onboard touchscreen lets operators inspect disk capacity, processor use, temperature, network bandwidth, and other important conditions that may influence recording performance and quality.\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eFiles Defined by Duration or Size\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eRecordings may be divided according to a specified running time or predetermined file size. As soon as the current segment fills, the CUBE R1 begins writing to the next file automatically, helping prevent dropped frames.\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/article\u003e","brand":"Kiloview","offers":[{"title":"Default Title","offer_id":45823262654517,"sku":"CUBE R1","price":9196.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/kiloview_kvw_cube_r1_cube_r1_recorder_system_1668429955_1735033.webp?v=1785311640"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/collections\/Video_Recorders_Players.png?v=1784020440","url":"https:\/\/bsn.com.pk\/collections\/video-recorders-players.oembed","provider":"Broadcast Systems Network","version":"1.0","type":"link"}