{"title":"Digital Cinematography Cameras","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eCinema cameras in this collection include compact full-frame models, modular box cameras, and large-format production systems from Blackmagic Design, Sony, Canon, and Fujifilm. Available options range from portable cameras for solo filmmakers to high-resolution systems designed for commercial, studio, and cinematic production.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe range supports EF, L, PL, and RF lens mounts, with features such as full-frame and large-format sensors, high-resolution recording, cinematic colour profiles, and flexible rigging options. Lens compatibility, sensor size, and required resolution are the main factors when selecting a camera for a specific workflow.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"canon-eos-r1-mirrorless-camera","title":"Canon EOS R1 Mirrorless Camera","description":"In practical monitoring terms, \u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eEOS R1 - The Flagship\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eSpeed, precision, and reliability, the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eCanon EOS R1\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis constructed for photojournalists, sports photographers, wildlife shooters, and other image-makers who can't afford to miss the shot. The flagship of the EOS R line, this mirrorless camera sports a full-frame 24MP BSI stacked sensor, DIGIC Accelerator processing, next-gen Dual Pixel Smart AF, and the robust configuration expected from a professional workhorse.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"media_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\n\u003cdiv data-selenium=\"overviewVideos\"\u003e\n\u003cdiv class=\"container_b3HinrFN7N videosPlaylistContainer_bNwEOQHJnB\"\u003e\n\u003cdiv class=\"playlistContainer_b3HinrFN7N playlistContainer_bNwEOQHJnB\"\u003e\n\u003cdiv class=\"playlist_b3HinrFN7N\" data-lazyload-listened=\"4\"\u003e\n\u003ch3 class=\"categoryTitle_b3HinrFN7N\"\u003eFrom Manufacturer\u003c\/h3\u003e\n\u003cdiv class=\"thumb_b3HinrFN7N\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/img.youtube.com\/vi\/ckG0mx1fWgs\/mqdefault.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"name_b3HinrFN7N\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ compact_TAw0W35QK_ sizeBody2_TAw0W35QK_ weightBold_TAw0W35QK_ savings_i3MsQsqoe0\"\u003eCanon EOS R1: AF Like You've Never Seen!\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"thumb_b3HinrFN7N\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/img.youtube.com\/vi\/I9POaS2opO8\/mqdefault.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"name_b3HinrFN7N\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ compact_TAw0W35QK_ sizeBody2_TAw0W35QK_ weightBold_TAw0W35QK_ primary_i3MsQsqoe0 hoverUnderline_TAw0W35QK_\"\u003ePhotographing Fast-Action Drift Cars with the Canon EOS R1\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"thumb_b3HinrFN7N\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/img.youtube.com\/vi\/YfgRzt-CAj8\/mqdefault.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"name_b3HinrFN7N\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ compact_TAw0W35QK_ sizeBody2_TAw0W35QK_ weightBold_TAw0W35QK_ primary_i3MsQsqoe0 hoverUnderline_TAw0W35QK_\"\u003eVideo Integrates of the Canon EOS R1 and EOS R5 Mark II Cameras\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"thumb_b3HinrFN7N\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/img.youtube.com\/vi\/cnIEtbSx7Fc\/mqdefault.jpg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"name_b3HinrFN7N\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ compact_TAw0W35QK_ sizeBody2_TAw0W35QK_ weightBold_TAw0W35QK_ primary_i3MsQsqoe0 hoverUnderline_TAw0W35QK_\"\u003eCanon EOS R - B\u0026amp;H Live Panel Discussion\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"player_bNwEOQHJnB\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\n\u003cdiv class=\"container_Nvv9thaUIK\" data-selenium=\"videoPlayerYouTube\"\u003e\n\u003cdiv class=\"aspectRatioWrapper_Nvv9thaUIK\"\u003e\u003ciframe class=\"iframe_Nvv9thaUIK\" title=\"Canon EOS R1: AF Like You’ve Never Seen!\" width=\"100%\" height=\"100%\" src=\"https:\/\/www.youtube.com\/embed\/ckG0mx1fWgs?autoplay=0\u0026amp;start=0\u0026amp;rel=0\u0026amp;enablejsapi=1\u0026amp;origin=https%3A%2F%2Fwww.bhphotovideo.com\u0026amp;widgetid=1\u0026amp;forigin=https%3A%2F%2Fwww.bhphotovideo.com%2Fc%2Fproduct%2F1828640-REG%2Fcanon_6577c002_eos_r1_mirrorless_camera.html%2Foverview\u0026amp;aoriginsup=1\u0026amp;gporigin=https%3A%2F%2Fwww.google.com%2F\u0026amp;vf=6\" id=\"widget2\" data-gtm-yt-inspected-6=\"true\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eStacked Sensor and DIGIC Accelerator\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e24.2MP Full-Frame Sensor and Continuous Shooting\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eAs a camera constructed for speed, the R1 sports a newly developed 24.2MP full-frame back-illuminated stacked sensor that supplies impressively fast readout speeds and a staggering 40 fps top continuous shooting rate with an electronic shutter, along with blackout-free viewing and greatly reduced rolling shutter distortion. The back-illuminated configuration and new DIGIC Accelerator processing additionally help to produce high clarity and sharpness, native sensitivity up to ISO 102400, and utilize Neural Network Noise Reduction for especially clean files whenever working in low-light conditions.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1721645895_IMG_2289673.jpg\" class=\"pointer_pdnKDph4rT\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eContinuous and Pre-Continuous Shooting\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eFor continuous shooting uses, the 40 fps shooting rate can be used in conjunction with Pre-Continuous Shooting, which makes possible the camera to continuously pre-buffer 20 frames over a 0.5-second period while half-pressing the shutter, prior to fully pressing the shutter—helping to maintain you never miss the critical moment of action. The EOS R1 additionally has a mechanical shutter, which handles a top continuous shooting rate of 12 fps.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eIn-Camera Upscaling\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eFor instances whenever 24MP isn't enough, DIGIC Accelerator processing now permits In-Camera Upscaling, which uses deep learning to double the number of pixels both horizontally and vertically in order to produce a separate 96MP picture in about 10 seconds. This upscaling can be done after the original picture is shot and can additionally be performed at the time of cropping pictures in camera, saving time compared to generating a 96MP picture and then cropping it afterward.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eDIGIC Accelerator and DIGIC X Processing\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eOne of the critical pieces that permits the EOS R1 to do everything it can do is the newly developed DIGIC Accelerator front-engine processor, which complements a proven DIGIC X processor. The DIGIC Accelerator is responsible for many of the continuous shooting, subject detection and tracking, and autofocus functions, allowing the DIGIC X to serve fully as a picture processor. The combination of these two distinct processors permits the camera to better process huge volumes of data, perform simultaneous tasks at high speeds, and contributes to the quality and accuracy of deep learning elements, like In-Camera Upscaling and Neural network Noise Reduction.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eAuto-Exposure and Auto White Balance Modes use Deep Learning\u003c\/li\u003e\n\u003cli\u003e6144-zone exposure metering for high accuracy in various lighting conditions\u003c\/li\u003e\n\u003cli\u003eCoordinated Image Stabilization pairs IBIS with Lens-Based IS\u003c\/li\u003e\n\u003cli\u003eSupports Anti-Flicker and High-Frequency Anti-Flicker shooting\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eSensor-Shift Picture Stabilization\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHelping keep both photos and footage well-defined and stable, the EOS R1 uses a well-rounded picture stabilization system through three distinct methods: in-body sensor-shift, optical, and an independent Movie Digital IS system purpose-built for footage.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1721645895_IMG_2289670.jpg\" class=\"pointer_pdnKDph4rT\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe camera body's 5-axis sensor-shift system is compatible with all lenses and helps to lessen the effects of camera shake in a general sense, for sharper handheld shooting at slower shutter speeds.\u003c\/li\u003e\n\u003cli\u003eWhen paired with an RF lens with image stabilization, Coordinated Control IS can deliver even more powerful stabilization, up to 8.5 stops of correction in the center of the frame and 7.5 stops of correction at the periphery.\u003c\/li\u003e\n\u003cli\u003eFor video shooters, Movie Digital IS is an electronic stabilization system that helps suppress blur in peripheral areas to better enable recording video handheld.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1721645895_IMG_2289669.jpg\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eNext-Generation Autofocus\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1721645895_IMG_2289668.jpg\" class=\"pointer_pdnKDph4rT\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eDual Pixel Smart AF\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBeyond speed, autofocus performance is the main calling card of a flagship camera. The R1's AF functions have been optimized to detect, track, and maintain critical focus on moving subjects, even whenever they are briefly obscured while shooting. This Dual Pixel system has been fine-tuned with numerous tracking incorporates and usability assets to make it the most smart and intuitive focusing system in an EOS yet.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe sensor incorporates cross-type Dual Pixel AF for more responsive and accurate focusing performance, especially in scenes with an abundance of linear details, like with window blinds, brick or wooden plank walls, or other patterned backgrounds.\u003c\/li\u003e\n\u003cli\u003eFocusing is possible down to -7.5 EV for photo and -5.5 EV for video for working in truly low-light conditions.\u003c\/li\u003e\n\u003cli\u003eThe 4897-point phase-detection system can automatically recognize People, Animals (Dogs, Cats, Birds, and Horses), and Vehicles. This system also has Eye Detection, with the ability to prioritize the left or right eye.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"media_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\n\u003cdiv class=\"videoContainer_pdnKDph4rT\" data-selenium=\"videoIframe\"\u003e\n\u003cdiv class=\"container_Nvv9thaUIK\" data-selenium=\"videoPlayerYouTube\"\u003e\n\u003cdiv class=\"aspectRatioWrapper_Nvv9thaUIK\"\u003e\u003ciframe class=\"iframe_Nvv9thaUIK\" title=\"Photographing Fast-Action Drift Cars with Canon Explorer of Light Larry Chen and the Canon EOS R1\" width=\"100%\" height=\"100%\" src=\"https:\/\/www.youtube.com\/embed\/I9POaS2opO8?autoplay=0\u0026amp;start=0\u0026amp;rel=0\u0026amp;enablejsapi=1\u0026amp;origin=https%3A%2F%2Fwww.bhphotovideo.com\u0026amp;widgetid=3\u0026amp;forigin=https%3A%2F%2Fwww.bhphotovideo.com%2Fc%2Fproduct%2F1828640-REG%2Fcanon_6577c002_eos_r1_mirrorless_camera.html%2Foverview\u0026amp;aoriginsup=1\u0026amp;gporigin=https%3A%2F%2Fwww.google.com%2F\u0026amp;vf=1\" id=\"widget4\" data-gtm-yt-inspected-6=\"true\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eAction Priority + Subject Detection and Tracking\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eOne of the main benefits of the DIGIC Accelerator is a new focusing setting constructed specifically for photographing sports and action: Action Priority. This smart AF setting recognizes specific subjects movements and automatically moves the AF area to the player performing a detected motion, such as taking a shot, making a pass, jumping, and more.\u003cbr\u003e\u003cbr\u003eIt currently recognizes Soccer, Basketball, and Volleyball activities and can analyze Ball, Joint, Torso, Action, and Head information for tracking. The setting can recognize specific subjects and uses this information in conjunction with recognized movements to determine where to focus in the scene while the action is unfolding.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eAction Priority can be assigned to a custom function button for quick on\/off toggling.\u003c\/li\u003e\n\u003cli\u003ePre-Registered Person Priority allows you to register up to 10 different people in-camera prior to photographing an event; this information is stored and used to prioritize who to focus on while the game or match is being played.\u003c\/li\u003e\n\u003cli\u003eIntelligent subject recognition also helps to maintain sharp focus on the intended subject even when it's obscured or crossed by a secondary subject in the frame.\u003c\/li\u003e\n\u003cli\u003eCan be used in conjunction with Pre-Continuous Shooting mode.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1721645895_IMG_2289674.jpg\" class=\"pointer_pdnKDph4rT\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eEye Control AF\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eTaken from the EOS R3, the R1 additionally inherits the unique Eye Control AF method, which enables you to simply look where you want to focus and then have the AF Area automatically move there whenever you press the AF activation button. The R1 enhances upon this tool, though, with 2x faster detection and a revised line-of-sight detection algorithm, as well as increased tolerances for distinct eyelid thicknesses, eyelash length, how the camera is held, and even if you wear eyeglasses.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eProfessional Reliability and Design\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1721645895_IMG_2289675.jpg\" class=\"pointer_pdnKDph4rT\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e9.44m-Dot OLED EVF and Rear LCD\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eDeemed the best viewfinder yet in an EOS R-series camera, the R1 sports an impressive 9.44m-dot OLED EVF with a massive 0.9x magnification for comfortable, detailed, and bright eye-level viewing. The definition and magnification suit a wide array of viewing conditions, and are ideal for glasses-wearing operators, and the finder's optical configuration has additionally been upgraded for improved clarity. Additionally, some of the EVF optics are sealed inside an airtight structure, helping to prevent fog in case of working in extreme temperature or humidity conditions.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eEVF features a 9.44m-dot OLED panel that is 3x brighter than the EVF of the EOS R3\u003c\/li\u003e\n\u003cli\u003eOVF Simulation View Assist function mimics the rendering and brightness of an optical finder, helping to better asses scene brightness in mixed lighting conditions.\u003c\/li\u003e\n\u003cli\u003eIn addition to the viewfinder, there is also a rear 3.0\" 2.1m-dot touchscreen LCD that features a vari-angle design to better support working from high and low angles.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1721645895_IMG_2289671.jpg\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1721645895_IMG_2289676.jpg\" class=\"pointer_pdnKDph4rT\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBuilt for the Professional Image-Maker\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eMagnesium alloy exterior is dust- and water-resistant with full protective sealing at all seams and behind each button.\u003c\/li\u003e\n\u003cli\u003eMeasures 0.7\" shorter than the EOS-1D X Mark III and weighs 2.1 lb—more than half a pound less than its SLR predecessor.\u003c\/li\u003e\n\u003cli\u003eIntegrated vertical grip improves the ergonomics and makes the EOS R1 easier to hold throughout a full day of shooting. The grip also includes updated rubber that is more comfortable and provides greater traction while holding.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1721645895_IMG_2289672.jpg\" class=\"pointer_pdnKDph4rT\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eLike the EOS R3 and EOS-1D X Mark III, the EOS R1 accepts the high-capacity LP-E19 lithium-ion battery as a reliable, long-running power source.\u003c\/li\u003e\n\u003cli\u003eDual CFexpress Type B memory card slots support high-speed, high bit-rate recording modes as well as proxy recording and file type separation for an easier post-production workflow.\u003c\/li\u003e\n\u003cli\u003eDual Shooting (still \u0026amp; movie) setting allows simultaneous capture of 17MP JPEG still images to one card while recording FHD 30p video to the other card with no interruption to the video.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eVersatile Connectivity\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eAs a professional workhorse, the R1 can easily be built-in into an existing process: connect to optional recorders, tether via ethernet, attach an outboard strobe, or offload files for FTP.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eFull-size HDMI port for outputting video to an external recorder or monitor\u003c\/li\u003e\n\u003cli\u003eUSB 3.2 Gen 2 Type-C port supports tethering, data transfer, and in-camera battery charging\u003c\/li\u003e\n\u003cli\u003eEthernet port supports 2.5GBASE-T wired LAN connection for transferring files over FTP\u003c\/li\u003e\n\u003cli\u003eMulti-Function Shoe, which features a row of pins at the front for greater accessory functionality and provides power to select accessory types that traditionally rely on separate batteries\u003c\/li\u003e\n\u003cli\u003eSupports Wi-Fi 6E\/Wi-Fi 6 and Bluetooth Low Energy for wireless transferring and control as well as image.canon and Frame.io support\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eVideo Functions and Cinema EOS Integration\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e6K Raw and 4K Video\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eDespite its prowess as a camera for stills, the EOS R1 touts strong footage capabilities and accommodates a built-in process with Cinema EOS shooters. The R1 accommodates up to 6K 60p raw capture or 4K 60p MP4 capture through a 6K oversampling area with 10-bit 4:2:2 sampling. Proxy capture is additionally possible and helps expedite post-production by splitting two separate capture formats across the two separate memory cards; for example, capture a 6K 60p raw version to one card and a DCI 2K 60p MP4 version to another so you can edit and grade the lower bit-rate footage and then apply your edits to the higher bit-rate version whenever finishing.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\n\u003cdiv class=\"videoContainer_pdnKDph4rT\" data-selenium=\"videoIframe\"\u003e\n\u003cdiv class=\"container_Nvv9thaUIK\" data-selenium=\"videoPlayerYouTube\"\u003e\n\u003cdiv class=\"aspectRatioWrapper_Nvv9thaUIK\"\u003e\u003ciframe class=\"iframe_Nvv9thaUIK\" title=\"Video Features of the Canon EOS R1 and EOS R5 Mark II Cameras\" width=\"100%\" height=\"100%\" src=\"https:\/\/www.youtube.com\/embed\/YfgRzt-CAj8?autoplay=0\u0026amp;start=0\u0026amp;rel=0\u0026amp;enablejsapi=1\u0026amp;origin=https%3A%2F%2Fwww.bhphotovideo.com\u0026amp;widgetid=5\u0026amp;forigin=https%3A%2F%2Fwww.bhphotovideo.com%2Fc%2Fproduct%2F1828640-REG%2Fcanon_6577c002_eos_r1_mirrorless_camera.html%2Foverview\u0026amp;aoriginsup=1\u0026amp;gporigin=https%3A%2F%2Fwww.google.com%2F\u0026amp;vf=2\" id=\"widget6\" data-gtm-yt-inspected-6=\"true\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003e6K 60p raw internal recording using full sensor width\u003c\/li\u003e\n\u003cli\u003e4K 60p normal LGOP recording for approximately 120 minutes\u003c\/li\u003e\n\u003cli\u003e4K 120p and FHD 240p high-speed recording options\u003c\/li\u003e\n\u003cli\u003eRaw and XF-HEVC S\/XF-AVC S formats\u003c\/li\u003e\n\u003cli\u003eIn-camera custom picture profiles include Canon Log2, 3, PQ, and HLG\u003c\/li\u003e\n\u003cli\u003eFull-size HDMI Type-A for external recording\u003c\/li\u003e\n\u003cli\u003eFalse color, zebra display, and tally lamp functions\u003c\/li\u003e\n\u003cli\u003eLPCM 24-bit\/4-channel audio\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":45788238020661,"sku":"6577C002","price":22999.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1721645895_IMG_2289784.jpg?v=1784640529"},{"product_id":"blackmagic-design-ursa-cine-immersive-100g-camera","title":"Blackmagic Design URSA Cine Immersive 100G Camera","description":"\u003cp data-start=\"207\" data-end=\"676\" class=\"PDq2pG_selectionAnchorContainer\"\u003eFor professional deployment, the \u003cstrong data-start=\"211\" data-end=\"264\"\u003eBlackmagic Design URSA Cine Immersive 100G Camera\u003c\/strong\u003e is purpose-built for next-generation immersive filmmaking, delivering stunning 180° stereoscopic 8K footage with dual large-format 58.7MP sensors. Developed to support Apple Immersive Footage, this professional cinema camera brings together reliable picture quality, high frame rate capture, and enhanced interfacing to meet the demands of virtual reality, cinematic storytelling, and live production processes.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"678\" data-end=\"1173\"\u003eWith 16 stops of dynamic range, Blackmagic RAW capture, and support for up to 90 fps in 8K, the URSA Cine Immersive captures outstanding detail, natural colors, and smooth motion across a broad variety of shooting environments. Its built-in 5-inch HDR touchscreen, built-in ND filters, high-speed 100GbE interfacing, and versatile professional interfaces make it an ideal choice for production studios, broadcasters, and content creators looking to build immersive experiences.\u003c\/p\u003e\n\u003cp data-start=\"1175\" data-end=\"1417\"\u003eWhether you're producing VR content, immersive documentaries, cinematic experiences, or live productions, the URSA Cine Immersive makes available the performance, reliability, and process flexibility professionals expect from Blackmagic Configuration.\u003c\/p\u003e\n\u003cp data-start=\"1419\" data-end=\"1603\"\u003eFor extra professional cinema hardware, browse our \u003ca href=\"https:\/\/bsn.com.pk\/collections\/camcorders-digital-cameras\"\u003eCinema Cameras, Professional Video Cameras\u003c\/a\u003e, and \u003ca href=\"https:\/\/bsn.com.pk\/collections\/blackmagic-design\"\u003eBlackmagic Design collections\u003c\/a\u003e to build a complete production setup.\u003c\/p\u003e\n\u003ch2 data-section-id=\"1r8frcv\" data-start=\"1610\" data-end=\"1639\"\u003eFrequently Asked Questions\u003c\/h2\u003e\n\u003ch3 data-section-id=\"9mku8k\" data-start=\"1641\" data-end=\"1716\"\u003eWhat is the Blackmagic Design URSA Cine Immersive 100G Camera used for?\u003c\/h3\u003e\n\u003cp data-start=\"1717\" data-end=\"1862\"\u003eThe camera is developed for professional immersive filmmaking, VR content production, cinematic storytelling, and Apple Immersive Footage workflows.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1pad1nz\" data-start=\"1864\" data-end=\"1918\"\u003eDoes the URSA Cine Immersive support 8K recording?\u003c\/h3\u003e\n\u003cp data-start=\"1919\" data-end=\"2019\"\u003eIt records immersive 8160 × 7200 (8K) Blackmagic RAW footage at frame rates up to 90 fps.\u003c\/p\u003e\n\u003ch3 data-section-id=\"129dwnu\" data-start=\"2021\" data-end=\"2072\"\u003eDoes this camera support Apple Immersive Video?\u003c\/h3\u003e\n\u003cp data-start=\"2073\" data-end=\"2197\"\u003eThe URSA Cine Immersive is specifically developed to capture content for Apple Immersive Footage production workflows.\u003c\/p\u003e\n\u003ch3 data-section-id=\"b884m4\" data-start=\"2199\" data-end=\"2246\"\u003eIs the camera suitable for live production?\u003c\/h3\u003e\n\u003cp data-start=\"2247\" data-end=\"2404\"\u003eIts 100GbE Ethernet interfacing, 12G-SDI feeds, and professional I\/O make it well suited for high-end live production and broadcast settings.\u003c\/p\u003e\n\u003ch3 data-section-id=\"ddbzjl\" data-start=\"2406\" data-end=\"2491\"\u003eWhere can I buy the Blackmagic Design URSA Cine Immersive 100G Camera in the UAE?\u003c\/h3\u003e\n\u003cp data-start=\"2492\" data-end=\"2692\"\u003eYou can purchase the Blackmagic Configuration URSA Cine Immersive 100G Camera from, an authorized supplier of professional broadcast, cinema, and production hardware in the UAE.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788239331381,"sku":"CINEURSAAF24DS\/IMB1","price":113325.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/BG-1.jpg?v=1784640560"},{"product_id":"blackmagic-design-pyxis-12k-cinema-camera-canon-ef","title":"Blackmagic Design PYXIS 12K Cinema Camera (Canon EF)","description":"\u003ch2\u003eA Closer Look at Blackmagic Design PYXIS 12K\u003c\/h2\u003e\u003cbr\u003e\u003ch3\u003eEasy-to-Rig 12K Full-Frame Camera: Guide\u003c\/h3\u003e\u003cbr\u003eFor professional deployment, the Blackmagic Configuration PYXIS 12K Cinema Box Camera brings together a full-frame 12K RGBW sensor that captures rich colors and accurate skin tones with the space-efficient, versatile configuration of the PYXIS 6K camera. It provides an ARRI PL lens mount, a 36 x 24mm sensor, a wide 16-stop dynamic range, and customizable side plates.\u003cbr\u003e\u003ch3\u003eLarge-Format Digital Film Sensor: Guide\u003c\/h3\u003e\u003cbr\u003eThe PYXIS 12K's massive 24 x 36mm full-frame RGBW sensor boasts a native 12,288 x 8040 definition, letting you create shallow depth of field or use anamorphic lenses without cropping for a truly cinematic look. A 16-stop dynamic range with dual-native ISO up to 25,600 maintains low-noise imagery in all lighting conditions.\u003cbr\u003e\u003ch3\u003eadaptable Film Formats\u003c\/h3\u003e\u003cbr\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. You can additionally work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super 35-sized window to create an instant close-up version of your open-gate shot.\u003cbr\u003e\u003ch3\u003eFrame Rates and Multiple Resolutions\u003c\/h3\u003e\u003cbr\u003eShoot in standard footage resolutions and frame rates from HD to 12K through the PYXIS 12K with the ability to capture in 12K, 8K, or 4K at the full sensor size. Available resolutions incorporate up to 40 fps at 12,288 x 8040 3:2 open gate, 60 fps at 12,288 x 5112 2.4:1, and 112 fps at 8192 x 3408 8K. There's even a HFR (high framerate) button for quickly switching to your rate without having to access the menu.\u003cbr\u003e\u003ch3\u003eDual-Native ISO and HDR Imagery\u003c\/h3\u003e\u003cbr\u003eThe wide 16-stop dynamic range preserves more detail in both the lightest and darkest areas of your picture. Set the exposure for an indoor scene while retaining details in the bright outdoor light coming via a window. Optimized for ISO 800, the PYXIS 12K provides ISOs of 200 to 3200 and a highest ISO 25,600, minimizing grain and noise in your pictures while maintaining the full dynamic range of the sensor.\u003cbr\u003e\u003ch3\u003ePro Grip and Optional Pro Handle\u003c\/h3\u003e\u003cbr\u003eUse the new Pro Handle and\/or Pro Grip to transform your PYXIS 12K into an ENG-style camera for fast, run-and-gun capture. The Pro Handle incorporates an OLED, daylight-visible HD viewfinder, a zoom rocker with capture run\/stop, and a stereo microphone. The Pro Grip also delivers a zoom rocker with run\/stop plus a handgrip for secure handheld capture.\u003cbr\u003e\u003ch3\u003eCustomizable Rigging: Guide\u003c\/h3\u003e\u003cbr\u003eCrafted from lightweight yet robust aerospace-grade aluminum, the easy-to-rig PYXIS 12K incorporates several 1\/4\"-20 and 3\/8\"-16 threads for mounting it on a gimbal, crane, or drone. It additionally has a range of side plates developed for attaching handgrips, SSD recorders, microphones, and more. It incorporates a side plate with one 3\/8\"-16 and two 1\/4\"-20 threads and a SSD plate with an optional rosette plate with extra threads available separately.\u003cbr\u003e\u003ch3\u003eOnboard Controls and LCD Monitor\u003c\/h3\u003e\u003cbr\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. This full HD-resolution, HDR-compatible screen lets you frame and focus without requiring an extra external unit. A highest brightness of 1500 cd\/m² maintains visibility even in bright sunlit conditions. On-screen overlays show status and capture parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.Onboard controls enable you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your process to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003cbr\u003e\u003ch3\u003ePost-Production-Friendly Formats: Guide\u003c\/h3\u003e\u003cbr\u003eThe PYXIS 12K records in Blackmagic RAW, preserving detail, exposure, and color control during post-production. It can additionally capture H.264 proxy files in real time for easy sharing. Blackmagic RAW works with Apple Metal, CUDA, and OpenCL, and its media files work on all working systems.\u003cbr\u003e\u003ch3\u003eMultiple recording production flow Options\u003c\/h3\u003e\u003cbr\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port enable you to capture directly to outboard flash media disks or SSDs. The high speed of CFexpress cards lets you capture a hour plus in 6K on a single 256GB card.\u003cbr\u003e\u003ch3\u003eLive Syncing to Blackmagic Cloud: Guide\u003c\/h3\u003e\u003cbr\u003eNews and live event content creators will appreciate the ability to shoot and edit in near real-time through Blackmagic Cloud and the PYXIS 12K's proxy files.Operators anywhere in the world can upload proxy footage and have their editors start working on scenes almost instantly.\u003cbr\u003e\u003ch3\u003eBuilt-In Streaming: Guide\u003c\/h3\u003e\u003cbr\u003eLive stream directly from the PYXIS 12K on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS 12K for live event production. To share content internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003cbr\u003e\u003ch3\u003eExpansive connections\u003c\/h3\u003e\u003cbr\u003eThe front of the PYXIS 12K boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio source with +48V Phantom power for microphone integration.The back of the PYXIS 12K has a headphone observation jack and an extra 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to capture devices or mobile data. A 12G-SDI feed integrates a secondary monitor.\u003cbr\u003e\u003ch3\u003eA Reference\/Timecode input port syncs your sources.: Guide\u003c\/h3\u003e\u003cbr\u003eUse the fast RJ45 10 GbE Ethernet port supporting up to 10GBase-T to upload footage to Blackmagic Cloud or control the camera from a distance.\u003cbr\u003ePower the PYXIS 12K through the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003cbr\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788650864693,"sku":"CINECAMCPYXN12LFEF","price":20958.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Blackmagic-Design-PYXIS-12K-Cinema-Camera_67392dc2-3b10-4150-8d9d-b5a089848d0d.webp?v=1784649420"},{"product_id":"blackmagic-design-pyxis-12k-cinema-camera-leica-l","title":"Blackmagic Design PYXIS 12K Cinema Camera (Leica L)","description":"\u003ch2\u003eA Closer Look at Blackmagic Design PYXIS 12K — Blackmagic Design PYXIS\u003c\/h2\u003e\u003cbr\u003e\u003ch3\u003eEasy-to-Rig 12K Full-Frame Camera: Guide — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eFor this model, the Blackmagic Configuration PYXIS 12K Cinema Box Camera brings together a full-frame 12K RGBW sensor that captures rich colors and accurate skin tones with the space-efficient, versatile configuration of the PYXIS 6K camera. It integrates an ARRI PL lens mount, a 36 x 24mm sensor, a wide 16-stop dynamic range, and customizable side plates.\u003cbr\u003e\u003ch3\u003eLarge-Format Digital Film Sensor: Guide — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eThe PYXIS 12K's massive 24 x 36mm full-frame RGBW sensor boasts a native 12,288 x 8040 definition, letting you create shallow depth of field or use anamorphic lenses without cropping for a truly cinematic look. A 16-stop dynamic range with dual-native ISO up to 25,600 maintains low-noise imagery in all lighting conditions.\u003cbr\u003e\u003ch3\u003eadaptable Film Formats — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. You can additionally work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super 35-sized window to create an instant close-up version of your open-gate shot.\u003cbr\u003e\u003ch3\u003eFrame Rates and Multiple Resolutions — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eShoot in standard footage resolutions and frame rates from HD to 12K through the PYXIS 12K with the ability to capture in 12K, 8K, or 4K at the full sensor size. Available resolutions incorporate up to 40 fps at 12,288 x 8040 3:2 open gate, 60 fps at 12,288 x 5112 2.4:1, and 112 fps at 8192 x 3408 8K. There's even a HFR (high framerate) button for quickly switching to your rate without having to access the menu.\u003cbr\u003e\u003ch3\u003eDual-Native ISO and HDR Imagery — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eThe wide 16-stop dynamic range preserves more detail in both the lightest and darkest areas of your picture. Set the exposure for an indoor scene while retaining details in the bright outdoor light coming via a window. Optimized for ISO 800, the PYXIS 12K includes ISOs of 200 to 3200 and a highest ISO 25,600, minimizing grain and noise in your pictures while maintaining the full dynamic range of the sensor.\u003cbr\u003e\u003ch3\u003ePro Grip and Optional Pro Handle — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eUse the new Pro Handle and\/or Pro Grip to transform your PYXIS 12K into an ENG-style camera for fast, run-and-gun capture. The Pro Handle contains an OLED, daylight-visible HD viewfinder, a zoom rocker with capture run\/stop, and a stereo microphone. The Pro Grip also offers a zoom rocker with run\/stop plus a handgrip for secure handheld capture.\u003cbr\u003e\u003ch3\u003eCustomizable Rigging: Guide — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eCrafted from lightweight yet robust aerospace-grade aluminum, the easy-to-rig PYXIS 12K contains several 1\/4\"-20 and 3\/8\"-16 threads for mounting it on a gimbal, crane, or drone. It additionally has a range of side plates developed for attaching handgrips, SSD recorders, microphones, and more. It incorporates a side plate with one 3\/8\"-16 and two 1\/4\"-20 threads and a SSD plate with an optional rosette plate with extra threads available separately.\u003cbr\u003e\u003ch3\u003eOnboard Controls and LCD Monitor — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. This full HD-resolution, HDR-compatible screen lets you frame and focus without requiring an extra external unit. A highest brightness of 1500 cd\/m² maintains visibility even in bright sunlit conditions. On-screen overlays show status and capture parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.Onboard controls enable you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your process to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003cbr\u003e\u003ch3\u003ePost-Production-Friendly Formats: Guide — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eThe PYXIS 12K records in Blackmagic RAW, preserving detail, exposure, and color control during post-production. It can additionally capture H.264 proxy files in real time for easy sharing. Blackmagic RAW works with Apple Metal, CUDA, and OpenCL, and its media files work on all working systems.\u003cbr\u003e\u003ch3\u003eMultiple recording production flow Options — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port enable you to capture directly to outboard flash media disks or SSDs. The high speed of CFexpress cards lets you capture a hour plus in 6K on a single 256GB card.\u003cbr\u003e\u003ch3\u003eLive Syncing to Blackmagic Cloud: Guide — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eNews and live event content creators will appreciate the ability to shoot and edit in near real-time through Blackmagic Cloud and the PYXIS 12K's proxy files.Operators anywhere in the world can upload proxy footage and have their editors start working on scenes almost instantly.\u003cbr\u003e\u003ch3\u003eBuilt-In Streaming: Guide — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eLive stream directly from the PYXIS 12K on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS 12K for live event production. To share content internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003cbr\u003e\u003ch3\u003eExpansive connections — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eThe front of the PYXIS 12K boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio source with +48V Phantom power for microphone integration.The back of the PYXIS 12K has a headphone observation jack and an extra 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to capture devices or mobile data. A 12G-SDI feed integrates a secondary monitor.\u003cbr\u003e\u003ch3\u003eA Reference\/Timecode input port syncs your sources.: Guide — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eUse the fast RJ45 10 GbE Ethernet port supporting up to 10GBase-T to upload footage to Blackmagic Cloud or control the camera from a distance.\u003cbr\u003ePower the PYXIS 12K through the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003cbr\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788650897461,"sku":"CINECAMCPYXN12LFL","price":20973.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Pyxis-12k-Leica-L.webp?v=1784649421"},{"product_id":"fujifilm-gfx-eterna-55-cinema-camera-fujifilm-g-arri-pl","title":"FUJIFILM GFX ETERNA 55 Cinema Camera (FUJIFILM G, ARRI PL)","description":"For the stated surveillance role, \u003cdiv class=\"title_L6kDdYKxLS\"\u003e\n\u003ch2\u003eA Closer Look at FUJIFILM GFX ETERNA 55 G\/PL Mount\u003c\/h2\u003eAdvanced Large-Format Footage CaptureFUJIFILM brings its vaunted photographic history to a video-centric form with the GFX ETERNA 55 Cinema Camera. Constructed around a new large-format sensor that covers Open Gate and a range of extra formats, the GFX ETERNA 55's array of incorporates is designed for reliable footage capture and seamless integration with FUJIFILM G lenses.\u003ch3\u003eNative 4:3 Aspect Ratio: Guide\u003c\/h3\u003eDubbed the GFX ETERNA \"55\" in a nod to its diagonal sensor size, this camera incorporates one of the tallest sensors currently on the market. Its native 4:3 aspect ratio makes available creators with a canvas that is 1.75x increased than 4-perf Super 35.\u003ch3\u003eFive Main Formats: Guide\u003c\/h3\u003eThe GFX ETERNA 55 provides five main formats that are paired to specific lens categories:\u003cul\u003e    \u003cli\u003eGF and Premista, for use with FUJIFILM lenses.\u003c\/li\u003e    \u003cli\u003e35mm, anamorphic (35mm), and Super 35, for use with a range of lenses from multiple brands.\u003c\/li\u003e    \u003cli\u003eEach of these five formats has multiple resolution selections, further expanding your capture options.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003evideo signal Formats\/Resolutions\u003c\/h3\u003eThe GFX ETERNA 55 expands the GFX100 II's footage capture choices with new Open Gate, Super 35, and 2.39:1 anamorphic options through a large 43.8 x 32.9mm sensor.\u003cul\u003e    \u003cli\u003eOpen Gate is available in 3.8K 4:3 at rates up to 48 fps.\u003c\/li\u003e    \u003cli\u003eSuper 35 options include 6.3K24 in 16:9, DCI 4K30\/UHD 4K30 in 17:9 and 16:9, and up to 1080p60 in 17:9 and 16:9.\u003c\/li\u003e    \u003cli\u003eAnamorphic 2.39:1 is available in Cine 5.8K up to 30 fps, Super 35 8K24 in 2.39:1, and Super 35 4K24 in 1.2:1.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eAnamorphic Ready: Guide\u003c\/h3\u003eThe GFX ETERNA's large 4:3 sensor is ready for you to bring together with anamorphic lenses, and the camera makes available real-time anamorphic de-squeezing for on-set observation.\u003ch3\u003erecording production flow Codecs\u003c\/h3\u003eTake full advantage of the GFX ETERNA 55's large sensor and internally capture footage in Apple ProRes 422\/HQ\/LT, 4:2:2, 10-bit HEVC\/H.265, or H.264 or ProRes proxies. Use the HDMI feed for outboard 4:2:2 10-bit uncompressed or 12-bit raw capture.\u003ch3\u003eCustom Frame Guides: Guide\u003c\/h3\u003eUsers can create custom frame guides right from the viewfinder with up to three saved for quick access. Aspect ratios range incorporate 1:1, 3:2, 4:3, 5:4, 16:9, 17:9, 2.39:1, and custom. Customizable functions incorporate 1-100% scaling, four line widths, and five color options.\u003ch3\u003eARRI PL Mounts and FUJIFILM G\u003c\/h3\u003eThe native FUJIFILM G-mount ETERNA 55 camera is compatible with existing G-mount lenses and the new power-zoom G 32-90mm lens, which is optimized for this camera and integrates autofocus and auto iris functions, as well as geared focus, iris, and zoom rings. The included ARRI PL-mount adapter makes available compatibility with an array of cine-style lenses and Cooke \/i lens data where provided.\u003ch3\u003eVariable ND Filter: Guide\u003c\/h3\u003eThe built-in variable electronic ND filter lets you refine your exposure without stopping down or opening up on your lens, ideal for bright exteriors, slow shutter effects, and shallow depth-of-field looks. This dial-control filter varies from ND 0.6 to ND 2.1, delivering a range of two to seven stops in visually stepless .015 increments.\u003ch3\u003eLow-Pass Filter: Guide\u003c\/h3\u003eNew to the GFX line, the included OLPF (optical low-pass filter) helps to lower color anomalies and moiré effects, especially helpful whenever shooting with LED wall backgrounds.\u003ch3\u003e20 Film Simulations: Guide\u003c\/h3\u003eGFX ETERNA 55 operators have access to 20 FUJIFILM film stock simulations, letting you recreate your favorite cinema looks.\u003cul\u003e    \u003cli\u003ePROVIA\/Standard, Velvia\/Vivid, ASTIA\/Soft, Classic Chrome, REALA ACE\u003c\/li\u003e    \u003cli\u003ePRO Neg. Hi and Std., Classic Neg., Nostalgic Neg., ETERNA\/Cinema\u003c\/li\u003e    \u003cli\u003eETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, + R Filter, + G Filter\u003c\/li\u003e    \u003cli\u003eBlack \u0026amp; White, Black \u0026amp; White + Ye Filter, + R Filter, + G Filter, Sepia\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCinematic Visuals: Guide\u003c\/h3\u003eIn addition to the 20 film looks, the GFX ETERNA 55 lets operators create 3D LUTs for choose film simulations for use with the expansive colors and dynamic range of F-Log2 C.\u003cul\u003e    \u003cli\u003eETERNA, ETERNA BLEACH BYPASS, PROVIA\/Standard\u003c\/li\u003e    \u003cli\u003eVelvia\/Vivid, ASTIA\/Soft, REALA ACE\u003c\/li\u003e    \u003cli\u003eClassic Chrome, Classic Neg., ACROS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eHot Swapping: Guide\u003c\/h3\u003eAn onboard NP-W235 battery permits outboard battery hot swapping or switching to DC power source. This battery is automatically charged whenever the camera is attached to an outboard power source.\u003ch3\u003eDual 3\" Displays and 5\" Monitor\u003c\/h3\u003eThe GFX ETERNA 55 incorporates dual built-in 3\" touchscreens with 4:3 aspect ratios and 700 cd\/m² brightness. Located on both sides of the camera, these displays deliver easy control access for both the operator and the A.C. The GFX ETERNA 55's outboard 5\" touchscreen color LCD monitor makes available a 16:9 aspect ratio and 2000 cd\/m² brightness for daylight visibility.\u003ch3\u003eDedicated Top Handle: Guide\u003c\/h3\u003eThe included top handle incorporates a multifunctional left-side dial that can be assigned to ND filter control or to focus, iris, or zoom control whenever paired with an electronically controlled lens. This handle has a sliding rail base, letting you quickly refine your camera balance for hand-holding after a lens change, battery addition, etc.\u003ch3\u003econnections\u003c\/h3\u003eBuilt-in Wi-Fi and Ethernet permit a range of incorporates, including Frame.io compatibility, browser-based remote control for focus, iris, zoom, and more. BLE (Bluetooth Low Energy) will be supported through the FUJIFILM TG-BT1 tripod grip or an Atomos AirGlu Ambient device.\u003ch3\u003eExpanded sound Input\u003c\/h3\u003eCompatibility with the TASCAM XLR microphone adapter handle lets you expand the GFX ETERNA 55's audio source options.\u003ch3\u003eAdditional Details: Guide — FUJIFILM GFX ETERNA\u003c\/h3\u003e\n\u003cul\u003e    \u003cli\u003eGrab button for capturing still photos\u003c\/li\u003e    \u003cli\u003e2-pin LEMO output for powering accessories\u003c\/li\u003e    \u003cli\u003eSDI, HDMI, genlock, USB-C, Ethernet, and remote connectors\u003c\/li\u003e    \u003cli\u003eAll connectors have durable caps to protect against dust and debris\u003c\/li\u003e    \u003cli\u003eMicrophone input and headphone output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"FUJIFILM","offers":[{"title":"Default Title","offer_id":45788651225141,"sku":"16969715","price":55238.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1758193523_1861870.jpg?v=1784649427"},{"product_id":"blackmagic-design-ursa-cine-12k-lf-camera-body-only-canon-ef","title":"Blackmagic Design URSA Cine 12K LF Camera (Body Only, Canon EF)","description":"In this camera's design, \u003cdiv class=\"title_L6kDdYKxLS\"\u003e\n\u003ch2\u003eA Closer Look at Blackmagic Design URSA Cine 12K EF Mount\u003c\/h2\u003eCapture the heart of your story with a true cinematic look and feel through the redesigned URSA Cine 12K LF Camera from Blackmagic Configuration. This body-only URSA Cine 12K version sports a cinematic 12K full-frame 36 x 24mm sensor with an advertised 16 stops of dynamic range and Blackmagic RAW capture up to 12K 3:2 open gate. The versatile camera provides Wi-Fi and SRT live streaming, built-in ND filters, LEMO and Fischer standard control\/power links, and high-speed networking for cloud storage and M.2 SSD media. It comes with a locking EF mount, and all other accessories are optional.\u003ch3\u003eCinematic Large-Format Sensor: Guide\u003c\/h3\u003eThe URSA Cine camera provides a revolutionary new sensor developed for incredible quality pictures at all resolutions from 4K to a massive 12K. The larger sensor builds on the technology of URSA Mini Pro 12K with larger photo-sites leading to 16 stops of dynamic range. The unique RGBW architecture makes available equal amounts of red, green, and blue pixels. This means it is optimized to produce incredibly rich colors at all resolutions and deliver the ultimate picture quality and flexibility. You can now capture more detail with a wider dynamic range than ever before. Plus, in-sensor scaling means you can capture at all resolutions without cropping.\u003ch3\u003eHigh-End Body construction\u003c\/h3\u003eThe URSA Cine is developed to meet the demands of any high-end production. The evenly weighted camera body is constructed with a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin to help you move quickly on set. Soft-touch backlit buttons make controls easy to see in all conditions. Shot review and camera settings are available on a folding 5\" touchscreen. Across the body, a separate assist station provides another 5\" LCD together with complete camera controls. Standard LEMO and Fischer connectors let you control the camera from a distance while delivering power for lens motors and other accessories. You additionally get 12G-SDI out, 10G Ethernet, USB-C, XLR audio, and more.\u003ch3\u003eNumerous Formats: Guide\u003c\/h3\u003eThe large-format sensor in URSA Cine makes available the ultimate in flexibility for aspect ratios, lenses, and delivery formats. The full-frame sensor area gives you a stunning 3:2 open gate picture, which lets you reframe your shots in post-production. Or you can use the large sensor area to shoot anamorphic and produce in a range of aspect ratios with 1.3, 1.5, 1.6, 1.66, 1.8, and 2x de-squeeze factors. Plus, you can shoot in 4K, 8K, or 12K through the entire sensor without cropping, retaining the full field of view of your lenses. There are even 9K Super 35 4-perf, 3-perf, and 2-perf settings for full compatibility with classic cinema lenses. All this lets you create distinctive content in the highest quality.\u003ch3\u003eInterchangeable optics Mounts\u003c\/h3\u003eDifferent projects require distinct lenses, which is why URSA Cine provides an interchangeable lens mount. This version incorporates a locking EF mount, and you can quickly switch between PL, LPL, and Hasselblad mounts. URSA Cine consequently supports an exceptionally broad professional lens selection, including EF glass, PL and LPL cinema optics, and large-format Hasselblad photographic lenses. Imagine through modern high-speed lenses for well-defined, precise pictures on one shoot and then shooting a period drama with vintage photographic lenses next. Plus, each mount has contact pins to read lens metadata for observation and for use in post-production. With URSA Cine, you have the freedom to choose the lens you need for any kind of work.\u003ch3\u003eCamera Control and Monitoring\u003c\/h3\u003eThe URSA Cine lets crews work faster on set with several monitoring options. The fold-out monitor has a large 5\" HDR touchscreen on one side and an outboard color status LCD on the other. You can even rotate the screen and fold it back into the camera. On the right side of the camera, there's a dedicated assist station with a second 5\" HDR touchscreen that enables the crew to work around the camera without needing outboard monitors. Plus, with a 1500 cd\/m² display and removable sunshade, it's always visible, even in bright sunlight. On-screen overlays show status and capture parameters, histogram, frame guides, and more. There's even a dedicated focus puller's setting to help you get perfect focus.\u003ch3\u003eIndustry-Standard Connections: Guide\u003c\/h3\u003eThe wide range of industry-standard links on URSA Cine makes it perfect for high-end cinema production. The 7-pin LEMO and 3-pin Fischer connectors at the front deliver capture start\/stop and 24V power and so are ideal for onboard accessories such as focus motors. Camera power is provided by a standard 24V 8-pin LEMO link, plus there's an extra 2-pin LEMO 12V link at the rear for lower voltage accessories. All this means you can power accessories straight from the camera without messy outboard cabling. There are additionally two independent 12G-SDI feeds for observation on two distinct monitors with distinct overlays, plus 10G Ethernet for Blackmagic Cloud media syncing.\u003ch3\u003eBlackmagic RAW acquisition\u003c\/h3\u003eBlackmagic RAW is a revolutionary format developed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information, and custom LUTs to maintain consistency of picture on set and via post-production. Constant quality options lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bit rate encoding options are developed to give you the best possible pictures with predictable and consistent file sizes. The URSA Cine records to the optional Blackmagic Media Module 8TB, allowing you to capture over four hours of Blackmagic RAW in 12K or a massive 20 hours in 4K.\u003ch3\u003eGeneration 5 Color Science: Guide\u003c\/h3\u003eBlackmagic Generation 5 Color Science integrates a new film curve developed to make full use of the massive amount of color data from the new URSA Cine sensor.\u003cbr\u003eThis produces even better color response for more pleasing skin tones, and better rendering of highly saturated colors such as neon signs and car taillights in high contrast scenes. Generation 5 Color Science informs complex Blackmagic RAW picture processing, with color and dynamic range data from the sensor preserved via metadata for use in post-production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Color Science lets you take advantage of the new film curve even with your existing work.\u003ch3\u003eBuilt-In Optical Low-Pass Filter: Guide\u003c\/h3\u003eThe high frequencies of synthetic materials like fabrics or the LED matrix in footage walls can cause problems for ultrasharp modern lenses and high-resolution sensors, creating interference patterns. Through an optical low-pass filter minimizes that interference, which results in a reduction of moire and aliasing. The URSA Cine incorporates a high-performance, optical low-pass filter that is precisely matched to the sensor. The OLPF additionally incorporates updated IR filtering that enhances far red color response that, whenever combined with Blackmagic RAW processing for the URSA Cine, preserves color and critical picture detail for new levels of picture fidelity.\u003ch3\u003eBuilt-In Color-Balanced ND Filters: Guide\u003c\/h3\u003eThe URSA Cine provides high-quality ND filters that let you quickly lower the amount of light entering the camera. Developed to match the colorimetry and color science of the camera, the 2-, 4- and 6-stop filters deliver you with extra latitude even under harsh lighting. The IR filters have been developed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the pictures from which many ND filters can suffer. URSA Cine ND filters are true optical filters with a precision mechanism that quickly moves them into place whenever the ND filter dial is turned. Filter settings can even be displayed as either a ND number, stop reduction, or fraction on the LCD.\u003ch3\u003eHigh-Resolution, High Frame Rate acquisition\u003c\/h3\u003eThe URSA Cine is several cameras in one, shooting standard resolutions and frame rates in 4K, 8K, Super 35 9K, and even insanely detailed 12K. You can shoot 100 fps in 12K 12,288 x 6480 17:9 or 120 fps in 12K 2.4:1 widescreen. For higher frame rates, you can shoot 144 fps at 8192 x 5360, 180 fps at 8192 x 3408, and even capture 8K 2.4:1 widescreen at an incredible 224 fps at 8192 x 3408. The camera has adaptable frame rate and definition options, and it captures incredible motion rendering with smoother edges in 8K and 4K, even at lower frame rates. Plus, with a massive 100MP per frame at up to 80 fps in Blackmagic RAW, you can capture perfect stills and motion shots at the same time.\u003ch3\u003eHigh-operation Internal recording production flow Media\u003c\/h3\u003eURSA Cine is the first digital film camera with ultrafast high function Cloud Store technology constructed in. Blackmagic Media Module is fast and durable and incorporates a massive 8TB of storage. It's like a Cloud Store Mini constructed into your camera. At maximum frame rates and resolutions, the fast storage supports hours of capture and exposes files directly over 10G Ethernet. For existing media, the optional Blackmagic Media Module CF supplies two CFexpress slots. The module can be easily removed from the camera and loaded into a Blackmagic Media Dock for transferring media to a network or Blackmagic Cloud for instant global collaboration.\u003ch3\u003eFast Media Offloading: Guide\u003c\/h3\u003eThe optional Blackmagic Media Dock accelerates your post-production process by making it faster and simpler to start editing and color correction. Mount up to three Blackmagic Media Modules for high-speed access to media from several URSA Cine cameras all at the same time. The four high-speed 10G Ethernet ports enable up to four separate edit workstations to connect directly, and it is extremely fast, even whenever a lot of operators are connected at the same time. Plus, the USB-C connection allows Ethernet so you can transfer media through a simple USB-C cable connected to your computer. There is additionally a HDMI feed that lets you see the status of your media in real time on a TV or monitor.\u003ch3\u003eDeliver Clips Directly into DaVinci Resolve Bins: Guide\u003c\/h3\u003eURSA Cine accommodates creating a small H.264 proxy file in addition to the camera's original media whenever recording. This means the small proxy file can upload to Blackmagic Cloud in seconds, so your media is provided back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible. Any editor working anywhere in the world will get the shots. If you have several cameras, then the new multisource feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post-production processes.\u003ch3\u003eConnect to Mobile Data, High-Speed Wi-Fi, or Ethernet: Guide\u003c\/h3\u003eWhen live streaming or uploading to Blackmagic Cloud, you can connect and use an Apple or Android phone to get a link to the internet via mobile data. Simply connect the phone to the USB-C port, and URSA Cine will configure for mobile data. Plus, it works with the latest high-speed 5G phones, as well as 4G. You can additionally connect via high-speed Wi-Fi or wired Ethernet through the 10G Ethernet port. With live streaming constructed into the camera, you get the option you need for clients and post-production to monitor shoots from anywhere in the world. That's a truly global post-production option that works with Blackmagic Cloud to create amazing teams of creative people all working together.\u003ch3\u003eLive Stream Directly to Your Client: Guide\u003c\/h3\u003eNow you can live stream from film sets. The URSA Cine contains a constructed hardware streaming engine that allows RTMP and SRT streaming to major platforms or directly to clients. Simply connect to the internet via Ethernet, high-speed Wi-Fi, or even connect a 4G or 5G phone for mobile data. As the streaming is constructed into the camera, you can see the stream status and data rate in the viewfinder and the LCD. If you want to create a wireless link back to the footage village or the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is a H.264 decoder that converts the footage stream back to video. Now everyone can keep an eye on the shoot, live, while it's happening.\u003ch3\u003eHigh-Resolution Viewfinder: Guide\u003c\/h3\u003eThe URSA Cine allows the optional Blackmagic URSA Cine EVF to make outdoor and handheld shooting accurate and easy. You get a built-in high-quality 1920 x 1080 color OLED display with a built-in proximity sensor and a 4-element glass diopter for incredible accuracy with a wide focus adjustment. A built-in digital focus chart maintains you get the perfect viewfinder focus setup. You can additionally view critical status information, such as frame guides. The URSA Cine EVF is easy to connect as it simply mounts to the included viewfinder bracket and connects to the camera through a single USB-C cable. The viewfinder can be positioned in several ways and comes with two distinct types of eyecups.\u003ch3\u003ePower and Industry-Standard Batteries\u003c\/h3\u003eThe URSA Cine incorporates an 8-pin LEMO power connector at the back of the camera that works with 24V and 12V power supplies. That means it's easy to use the camera with existing power supplies, batteries, and accessories. The front of included with the camera are extra LEMO and Fischer connectors for powering lens motors and other accessories. The URSA Cine comes with a massive 250W power supply and B-mount battery plate, so you can use an extensive selection of high-voltage batteries from manufacturers such as IDX, Blueshape, Core SWX, BEBOB, and more. You can additionally add the optional Blackmagic URSA Cine V-lock Battery Plate or Blackmagic URSA Cine Gold Battery Plate to use legacy V-mount and Gold mount batteries.\u003ch3\u003ePowered by Blackmagic OS: Guide\u003c\/h3\u003eWith enhanced Blackmagic OS, you get an intuitive and user-friendly camera working system based on the latest technology. Blackmagic OS is a true modern working system where all camera provides run independently for smoother control, plus the camera powers on virtually instantly. URSA Cine incorporates the same controls and menus as other Blackmagic Configuration cameras, so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to refine settings, add metadata, and view capture status. You additionally get full control over enhanced camera attributes such as on-screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings, and more.\u003ch3\u003eDigital Slate for Fast Metadata Entry: Guide\u003c\/h3\u003eThe URSA Cine contains a digital slate, so you can quickly add metadata to any shot. Simply swipe left or right on the built-in touchscreen to bring up the digital slate. If you start and stop capture, the slate can automatically increment the take numbers, so you don't have to enter them manually for each shot. You can additionally set your reel numbers to increment automatically each time you format a card. Lens metadata is automatically populated, or it can be entered manually, along with production-specific information, technical information, and more. All of the metadata is saved with the files for use in post-production whenever editing and color correcting with software such as DaVinci Resolve.\u003ch3\u003eWireless Bluetooth Camera operation\u003c\/h3\u003eIf you're positioning the camera on the end of a jib or gimbal, you can get full control via Bluetooth from up to 30' away. You can download the Blackmagic Camera Control app for your iPad or use third-party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There's even a free developer SDK with sample code provided from the Blackmagic Configuration developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to capture at the same time.\u003ch3\u003eLocalized in 13 Popular Languages: Guide\u003c\/h3\u003eThe URSA Cine is developed to be used worldwide and accommodates 13 different languages. Whenever setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese, or Korean. It's easy to switch to another language, so you can share your camera with other crew whenever traveling to locations worldwide. Whenever you switch languages, all on-screen overlays, setup menus, and observation information will be displayed in the chosen language.\u003ch3\u003eIncludes DaVinci Resolve Studio: Guide\u003c\/h3\u003eThe URSA Cine incorporates a full version of DaVinci Resolve Studio. You get the world's most enhanced solution that brings together professional editing, color correction, audio post, and visual effects, all in one software tool. DaVinci Resolve is used to finish more Hollywood feature films than any other option, so you'll get the best possible post-production tools to edit native footage from your camera and retain every bit of quality. Whether you're working on major Hollywood feature films, episodic television, music videos, commercials, or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless process for native editing, color correction, effects, audio, and delivery.\u003cbr\u003e\n\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788701524021,"sku":"CINEURSAA12KLFBODY","price":30342.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Ursa-Cine-12k.webp?v=1784651221"},{"product_id":"blackmagic-design-ursa-cine-17k-65-body-only","title":"Blackmagic Design URSA Cine 17K 65 (Body Only)","description":"\u003ch2\u003eA Closer Look at Blackmagic Design URSA Cine 17K PL Mount\u003c\/h2\u003e\u003cbr\u003eBeginning with its core design, Get ready for big and bold cinema with the Blackmagic Configuration URSA Cine 17K 65 digital cinema camera. This 17K cinema camera supplies a brand-new large-format 65mm RGBW sensor with 17,520 x 8040 definition and numerous improvements over the URSA Cine 12K. Interchangeable lens mounts, built-in OLPF, 8TB storage, built-in live streaming, Generation 5 color science, and integration with the Blackmagic Cloud and the Blackmagic cinema ecosystem.\u003cbr\u003e\u003ch3\u003eQuick capabilities\u003c\/h3\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eCinematic ultralarge format 2.2:1 aspect sensor with a massive 16 stops of dynamic range\u003c\/li\u003e    \u003cli\u003eLightweight camera body with industry-standard connections\u003c\/li\u003e    \u003cli\u003eBlackmagic RAW for real-time 17K editing\u003c\/li\u003e    \u003cli\u003eGeneration 5 Color Science with new film curve\u003c\/li\u003e    \u003cli\u003eInterchangeable lens mount with PL (included), LPL, EF, and HC options\u003c\/li\u003e    \u003cli\u003eBuilt-in OLPF for reduced moire and aliasing\u003c\/li\u003e    \u003cli\u003eIncludes Blackmagic Media Module 8TB for recording\u003c\/li\u003e    \u003cli\u003eCompatible with the Blackmagic Media Dock\u003c\/li\u003e    \u003cli\u003eHigh-speed Wi-Fi, 10G Ethernet, or mobile data for network connections\u003c\/li\u003e    \u003cli\u003eBuilt-in RTMP and SRT live streaming\u003c\/li\u003e    \u003cli\u003eOptional Blackmagic URSA Cine EVF\u003c\/li\u003e    \u003cli\u003eIncludes DaVinci Resolve Studio for post-production\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eNew 17K Sensor: Guide\u003c\/h3\u003e\u003cbr\u003eThe new URSA Cine 17K 65 camera integrates a new 65mm sensor developed for high-quality pictures at all resolutions from 4K to a massive 17K. The larger sensor builds on URSA Mini Pro 12K technology with 16 stops of dynamic range. The RGBW architecture supplies equal amounts of red, green, and blue pixels to produce rich colors at all resolutions.\u003cbr\u003e\u003ch3\u003emedia handling Options\u003c\/h3\u003e\u003cbr\u003eBlackmagic Media Dock accelerates post-production process by making it faster and simpler to start editing and color correction. You can mount up to three Blackmagic Media Modules for high-speed access to media from several URSA Cine cameras, all at the same time.\u003cbr\u003eThe URSA Cine 17K records to the included Blackmagic Media Module 8TB, allowing customers to capture over four hours of Blackmagic RAW in 17K through the full 65mm sensor aperture or up to 20 hours in 4K. You can additionally use the optional Blackmagic Media Module CF, which has dual CFexpress slots.\u003cbr\u003e\u003ch3\u003eBuilt-In Cloud media handling\u003c\/h3\u003e\u003cbr\u003eThe URSA Cine 17K contains built-in ultrafast Cloud Store technology, allowing customers to capture at the highest resolutions and frame rates for hours and access their files directly over high-speed 10G Ethernet. The unit provides support for creating a small H.264 proxy file in addition to the camera's original media for upload to Blackmagic Cloud in seconds, so their media is provided back at the studio in real time.\u003cbr\u003e\u003ch3\u003eoptics Options\u003c\/h3\u003e\u003cbr\u003eThe lens mount is user-interchangeable between PL, LPL, EF, and Hasselblad mounts. A PL lens mount comes preinstalled on the camera body. Each mount has contact pins to read lens metadata for observation and post-production.\u003cbr\u003e\u003ch3\u003eBuilt-In OLPF: Guide\u003c\/h3\u003e\u003cbr\u003eThe camera contains a high-performance, optical low-pass filter that is precisely matched to the sensor. The OLPF additionally incorporates updated IR filtering that enhances far red color response, which, whenever combined with Blackmagic RAW processing for the URSA Cine 17K, preserves color and critical picture detail for new levels of picture fidelity.\u003cbr\u003e\u003ch3\u003eBlackmagic Raw acquisition — Blackmagic Design URSA\u003c\/h3\u003e\u003cbr\u003eBlackmagic RAW is a format developed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information, and custom LUTs to maintain consistency of picture on set and via post-production. URSA Cine records to the included Blackmagic Media Module 8TB, allowing you to capture over 4 hours of Blackmagic RAW in 12K or 20 hours in 4K.\u003cbr\u003e\u003ch3\u003eMonitoring Options: Guide\u003c\/h3\u003e\u003cbr\u003eThere is a large foldout 5\" HDR touchscreen monitor on one side and an outboard color status LCD on the other. There is additionally a second 5\" HDR touchscreen, allowing the crew to work around the camera without needing outboard monitors. There's even a dedicated focus puller setting to help customers get perfect focus. The URSA Cine 17K accommodates the optional Blackmagic URSA Cine EVF to make outdoor and handheld shooting accurate and easy.\u003cbr\u003eAccessory and Control Ports\u003cbr\u003eThe 7-pin LEMO and 3-pin Fischer connectors on the front of the camera deliver capture start\/stop and 24V power and are ideal for onboard accessories such as focus motors.\u003cbr\u003eWireless Bluetooth Control\u003cbr\u003eIf you're positioning the camera on the end of a jib or gimbal, you can get full control from up to 30' away through Bluetooth. The Blackmagic Camera Control app for iPad or third-party apps such as Bluetooth+ or tRigger can control the camera from your iOS and Android devices. A free developer SDK with sample code is additionally provided from the Blackmagic Configuration developer website, so you can create your own remote camera control and digital slate solutions.\u003cbr\u003e\u003ch3\u003ePost-Production production flows\u003c\/h3\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eThere are three main post-production workflows that the URSA Cine 17K supports:\u003c\/li\u003e    \u003cli\u003eYou can record to the internal Blackmagic Media Module.\u003c\/li\u003e    \u003cli\u003eIf you're offline, you can browse media and manually select which clips you want to upload later.\u003c\/li\u003e    \u003cli\u003eLive Sync your DaVinci Resolve project with Blackmagic Cloud. As the camera is recording, the media will continuously upload and sync to all DaVinci users on that project.\u003c\/li\u003e    \u003cli\u003eStreaming Options\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eYou can live stream directly from the camera through its hardware streaming engine, which accommodates RTMP and SRT streaming to major platforms or directly to clients. Simply connect to the internet via Ethernet, high-speed Wi-Fi, or even connect a 4G or 5G link for mobile data.\u003cbr\u003e\u003ch3\u003eAmple powering\u003c\/h3\u003e\u003cbr\u003eAn 8-pin LEMO connector on the back of the camera is compatible with 24V and 12V power supplies, so you can use new or existing ways to power your camera. A 250W power supply and a B-mount battery plate are provided as separate options, so customers can use a diverse group of high-voltage batteries from manufacturers such as IDX, Blueshape, Core SWX, BEBOB, and more. There's additionally an extra 12V 2-pin LEMO feed on the rear of the camera to power lower-voltage accessories.\u003cbr\u003e\u003ch3\u003eVersatile Body construction\u003c\/h3\u003e\u003cbr\u003eThe evenly weighted camera body is constructed with a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin to help customers move quickly on set.\u003cbr\u003e\u003ch3\u003eLocalized in 13 Languages: Guide\u003c\/h3\u003e\u003cbr\u003eWhenever setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese, or Korean. It's easy to switch to another language, and it will display that language on all on-screen overlays, setup menus, and observation information in the chosen language.","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788701589557,"sku":"CINEURSAA17K65BODY","price":74870.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Ursa-Cine-17K-65.webp?v=1784651223"},{"product_id":"blackmagic-design-pyxis-12k-cinema-camera-arri-pl","title":"Blackmagic Design PYXIS 12K Cinema Camera (ARRI PL)","description":"\u003ch2\u003eA Closer Look at Blackmagic Design PYXIS 12K\u003c\/h2\u003e\u003cbr\u003e\u003ch3\u003eEasy-to-Rig 12K Full-Frame Camera: Guide\u003c\/h3\u003e\u003cbr\u003eIn this camera's design, the Blackmagic Configuration PYXIS 12K Cinema Box Camera brings together a full-frame 12K RGBW imager that acquires rich colors as well as accurate skin tones with the space-efficient, versatile configuration of the PYXIS 6K unit. It provides an ARRI PL optics mount, a 36 x 24mm imager, a wide 16-stop dynamic selection, as well as customizable side plates.\u003cbr\u003e\u003ch3\u003eLarge-Format Digital Film Sensor: Guide\u003c\/h3\u003e\u003cbr\u003eThe PYXIS 12K's massive 24 x 36mm full-frame RGBW imager boasts a native 12,288 x 8040 definition, letting you produce shallow separation of focus area or operation anamorphic lenses eliminating cropping for a genuinely cinematic look. A 16-stop dynamic selection with dual-native ISO up to 25,600 maintains low-noise imagery in all lighting situations.\u003cbr\u003e\u003ch3\u003eadaptable Film Formats\u003c\/h3\u003e\u003cbr\u003eWork in a selection of cinematic formats as well as aspect ratios eliminating sacrificing fidelity, thanks to the large imager. You can additionally work in true 6:5 anamorphic eliminating needing to crop for widescreen cinematics. Operation a Super 35-sized window to produce an immediate close-up version of your open-gate attempt.\u003cbr\u003e\u003ch3\u003eFrame Rates and Multiple Resolutions\u003c\/h3\u003e\u003cbr\u003eShoot in standard footage resolutions as well as shot rates from HD to 12K through the PYXIS 12K alongside the capacity to acquisition in 12K, 8K, or 4K at the full imager size. Available resolutions incorporate up to 40 fps at 12,288 x 8040 3:2 open gate, 60 fps at 12,288 x 5112 2.4:1, as well as 112 fps at 8192 x 3408 8K. There's even a HFR (elevated framerate) control for quickly switching to your rate eliminating having to availability the menu.\u003cbr\u003e\u003ch3\u003eDual-Native ISO and HDR Imagery\u003c\/h3\u003e\u003cbr\u003eThe wide 16-stop dynamic selection preserves more detail in both the lightest as well as darkest areas of your picture. Set the light levels for an interior scene whereas retaining details in the bright outdoor light coming via a window. Optimized for ISO 800, the PYXIS 12K provides ISOs of 200 to 3200 and a highest ISO 25,600, reducing grain and noise in your pictures while maintaining the full dynamic selection of the imager.\u003cbr\u003e\u003ch3\u003ePro Grip and Optional Pro Handle\u003c\/h3\u003e\u003cbr\u003eUse the new Pro Handle as well as\/or Pro Grip to transform your PYXIS 12K into an ENG-style unit for fast, run-and-gun acquisition. The Pro Handle incorporates an OLED, daylight-visible HD viewfinder, a focal adjustment rocker with capture run\/stop, as well as a stereo microphone. The Pro Grip additionally delivers a focal adjustment rocker alongside run\/stop plus a handgrip for secure handheld acquisition.\u003cbr\u003e\u003ch3\u003eCustomizable Rigging: Guide\u003c\/h3\u003e\u003cbr\u003eCrafted from low-weight yet sturdy aerospace-grade aluminum, the easy-to-rig PYXIS 12K incorporates several 1\/4\"-20 and 3\/8\"-16 threads for installation it on a gimbal, crane, or drone. It additionally has a selection of side plates developed for attaching handgrips, SSD recorders, mics, and more. It incorporates a side plate alongside one 3\/8\"-16 and two 1\/4\"-20 threads and a SSD plate alongside an optional rosette plate with extra threads available separately.\u003cbr\u003e\u003ch3\u003eOnboard Controls and LCD Monitor\u003c\/h3\u003e\u003cbr\u003eOperation the built-in 4\" LCD touchscreen to display and inspection your pictures on location. This full HD-resolution, HDR-compatible display lets you shot and focus without requiring an extra external unit. A highest brightness of 1500 cd\/m² maintains visibility even in bright sunlit situations. On-screen overlays show status and capture parameters, histograms, levels, shot guides, as well as 3D LUTS, among other utilities.Onboard controls enable you to toggle functions such as ISO, white equilibrium, and shutter alongside ease. A scroll wheel makes quick adjustments, as well as three customizable function keys can tailor your process to your preference. The manages can be locked to avoid accidental depressing during shooting.\u003cbr\u003e\u003ch3\u003ePost-Production-Friendly Formats: Guide\u003c\/h3\u003e\u003cbr\u003eThe PYXIS 12K records in Blackmagic RAW, preserving detail, light levels, and colour control during post-production. It can additionally capture H.264 proxy files in real time for simple sharing. Blackmagic RAW works alongside Apple Metal, CUDA, as well as OpenCL, as well as its media files operate on all working systems.\u003cbr\u003e\u003ch3\u003eMultiple recording production flow Options\u003c\/h3\u003e\u003cbr\u003eTwo built-in CFExpress Type-B medium slots as well as a USB-C expansion port enable you to capture directly to outboard flash media disks or SSDs. The elevated speed of CFexpress cards lets you acquisition a hour plus in 6K on a single 256GB medium.\u003cbr\u003e\u003ch3\u003eLive Syncing to Blackmagic Cloud: Guide\u003c\/h3\u003e\u003cbr\u003eNews as well as live event material creators will appreciate the capacity to shoot as well as edit in near real-time through Blackmagic Cloud as well as the PYXIS 12K's proxy files.Operators anywhere in the world can upload proxy footage as well as have their editors start shooting on scenes almost instantly.\u003cbr\u003e\u003ch3\u003eBuilt-In Streaming: Guide\u003c\/h3\u003e\u003cbr\u003eLive stream straight from the PYXIS 12K on location to a secondary on-location via SRT as well as RTMP protocols. Compatible platforms such as YouTube, Facebook, as well as X can support feeds from the PYXIS 12K for live event workflow. To share material internally, operation an ATEM Broadcasting Bridge for a cable-free link rear to the soundstage.\u003cbr\u003e\u003ch3\u003eExpansive connections\u003c\/h3\u003e\u003cbr\u003eThe front of the PYXIS 12K boasts a USB-C port for the Blackmagic URSA Cine EVF as well as a mini 3-pin XLR analog audio source alongside +48V Phantom power for microphone incorporation.The rear of the PYXIS 12K incorporates a headphone observation jack and an extra 3.5mm microphone source. Operation the USB-C port at the rear of the imaging device to connect to capture devices or mobile files. A 12G-SDI feed integrates a secondary monitor.\u003cbr\u003e\u003ch3\u003eA Reference\/Timecode input port syncs your sources.: Guide\u003c\/h3\u003e\u003cbr\u003eOperation the fast RJ45 10 GbE Ethernet port supporting up to 10GBase-T to upload footage to Blackmagic Cloud or management the camera from a distance.\u003cbr\u003ePower the PYXIS 12K through the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003cbr\u003eDownload the Blackmagic Capture device Control app for cable-free Bluetooth management from up to 30' away.","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790036000821,"sku":"CINECAMCPYXO12LFPL","price":20958.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Blackmagic-Design-PYXIS-12K-Cinema-Camera.webp?v=1784709473"},{"product_id":"sony-fx3a-cinema-line-full-frame-camera","title":"Sony FX3A Cinema Line Full-frame Camera","description":"\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\n\u003cbr\u003eFX3A Cinematic Acquisition in a Space-efficient, Streamlined Form\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"\"\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eWith a space-efficient configuration for solo shooters, for travel uses, and to serve as an well suited As a B-camera option, Sony's FX3A draws functions from the Cinematic production Line as well as Alpha range of cameras to produce an optimized portable cinematic production camera. The FX3A provides all the image-capture expected capabilities for this category while introducing a newly developed lightweight, handheld shape with a streamlined profile as well as a \"cage-free\" configuration offering the ability to secure several accessories straight to the imaging device body.\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\n\u003cbr\u003eExpressive UHD 4K Footage Acquisition\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eThe FX3A 12.1MP Exmor R BSI CMOS imager (10.2MP effective in footage setting) is paired alongside a BIONZ XR processing engine to achieve UHD 4K footage capture with onboard 10-bit 4:2:2 sampling or 16-bit raw feed. The sensor's BSI configuration heightens definition and rating, with an expandable ISO 80-409,600 selection and greater-than 15-stop dynamic selection for shooting in mixed lighting situations. Benefiting colour and tonal control, the S-Cinetone setting can be employed for matching to VENICE, FX9, or FX6 sources, as well as there is additionally S-Log3\/2 gamut support as well as 10-bit HLG for simple HDR workflows. The sensor and processor additionally work together to greatly lower rolling shutter, and the sensor's configuration incorporates a Fast Hybrid AF platform for smart as well as quick focusing\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\n\u003cbr\u003eFX3A 4K Full-Frame CMOS Exmor R Imager\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eA 12.1MP Exmor R imager and BIONZ XR processor supply the FX3 true cinematic expression alongside 10.2MP effective footage and 12.1MP stills acquisition. The full-frame sensor supplies shallow separation of focus area looks, notable bokeh, as well as reduced rolling shutter artifacts. A starting sensitivity of 80-102,400 extends to a high 409,600 for notable low-light acquisition, and 15+ stops of dynamic selection reproduce the nuances of both spectacular exteriors as well as carefully lit inside scenes alongside plenty of allowance for colour grading.\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003e4K full-frame sensor w\/ 15+ stop dynamic range\u003csup\u003e3\u003c\/sup\u003e and high sensitivity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eS-Cinetone, expressive cinematic look inspired by VENICE colorimetry\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eUp to 4K 120p\u003csup\u003e1\u003c\/sup\u003e 10-bit 4:2:2 and full pixel readout in all rec. modes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eCompact cage free design w\/ ¼”-20 mounting points and XLR top handle\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eUninterrupted\u003csup\u003e4\u003c\/sup\u003e 4K 60p rec. w\/ cooling fan for effective heat sink\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eXLR on top handle, digital MI shoe and 3.5mm jack audio options\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eDirect Iris, ISO and Shutter exposure control, optimized for video\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eReal-time Eye-AF\u003csup\u003e5\u003c\/sup\u003e and Real-time AF tracking for movie shooting\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003e5-axis in-body image stabilization with selectable Active mode\u003csup\u003e6\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eDesigned for movie shooting including Zoom lever and Tally lights\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eISO\u003csup\u003e2\u003c\/sup\u003e up to 409,600 w\/ low noise even at higher ISO\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eIncredible autofocus w\/ 627 phase detection AF points, 89% coverage\u003csup\u003e7\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003e7x adjustable AF Transition Speeds, 5x AF Subject Shift Sensitivity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eUp to 4K 120p\u003csup\u003e1\u003c\/sup\u003e in XAVC S, XAVC HS (Long GOP) and XAVC S-I (All-I)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003ePicture Profiles including S-Cinetone, HLG\u003csup\u003e8\u003c\/sup\u003e and S-Log 2 \u0026amp; 3\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003e10 in-camera customizable Creative Looks for stills and movies\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003e16-bit RAW movie output up to 4K 60p via HDMI Type-A connector\u003csup\u003e9\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eFast readout for high frame rates, fast AF, minimal rolling shutter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eDual card slots, both compatible with CFexpress Type A and SDXC\/SDHC\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eRigid magnesium alloy body w\/ dust and moisture resistant sealing\u003csup\u003e10\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eSmallest Cinema Line camera optimized for solo movie shooting\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003e12.1MP\u003csup\u003e11\u003c\/sup\u003e JPEG, RAW and HEIF still image options up to 10fps with AF\/AE\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eFast BIONZ XR processing engine delivers 8x more processing power\u003csup\u003e12\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eVisible Light and IR Sensor improves WB accuracy in artificial light\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eNo 29m up to 50s continuous recording limit for movie shooting\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eImaging Edge mobile application\u003csup\u003e13\u003c\/sup\u003e for camera control and file transfer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eMobile tethering for LTE 4\/5 G live streaming and FTP data transfer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eSuperSpeed USB-C with power delivery\u003csup\u003e14\u003c\/sup\u003e and Ethernet wired LAN\u003csup\u003e15\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eHigh-speed 2.4 and 5GHz Wi-Fi\u003csup\u003e16\u003c\/sup\u003e \/ FTP transfer and wireless PC remote\u003csup\u003e16\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003e3” flip-out, vari-angle LCD monitor w\/ touch menu and controls\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eNew menu layout w\/ intuitive 3 level structure and touch navigation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eLong Z-battery life extendable via USB Type C with Power Delivery\u003csup\u003e14\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eE-Mount maximized with 59 Sony E-Mount lenses (as of Feb 2021)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":45790036230197,"sku":"ILME-FX3A","price":14399.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/FX3A128744_original_local_1200x1050_v3_converted.webp?v=1784709478"},{"product_id":"sony-fx2-digital-cinema-camera","title":"Sony FX2 Digital Cinema Camera","description":"\u003ch2\u003eSony FX2 Digital Cinema Camera: Guide\u003c\/h2\u003e\u003cbr\u003e\u003ch3\u003eCinematic video signal Meets enhanced Photo acquisition\u003c\/h3\u003e\u003cbr\u003eIn practical monitoring terms, Equipped alongside a 33MP full-frame imager, the AI-powered Sony FX2 brings together the complete video functions of the Cinematic production Line with enhanced still picture capturing in a space-efficient, travel-friendly shape factor. Ideal for on-the-go creators and content creators, the FX2 integrates a S-Log3 photo setting with optional LUT use, as well as it sports a 3.68m-dot OLED viewfinder that tilts from 0 to 90°. The unit's AI processing unit delivers active picture stabilization as well as real-time person or object recognition, allowing for maximizing the precision of autofocus and framing.\u003cbr\u003e\u003ch3\u003e33MP Exmor R BSI CMOS Sensor: Guide\u003c\/h3\u003e\u003cbr\u003ePairing the unit's 33MP back-illuminated Exmor R imager with a BIONZ XR processing engine, the FX2 captures vivid 4K footage with lifelike gradations, lifelike color, as well as low noise in both full-frame as well as Super 35 settings, delivering wide lens compatibility without sacrificing definition. In full-frame setting, the FX2 supplies 7K oversampling alongside full pixel readout for reliable sharpness and realism. Developed to tackle varied lighting scenarios, the FX2 contains a dynamic range increased than 15 stops, an ISO expandable up to 204800, as well as updated dual-base ISO architecture for capturing footage in S-log3 at 800 or 4000 ISO.\u003cbr\u003e\u003ch3\u003eDCI 4K video signal recording production flow\u003c\/h3\u003e\u003cbr\u003eDeveloped for latitude, the FX2 sessions DCI 4K footage internally alongside 10-bit 4:2:2 sampling or feeds 16-bit raw footage via a HDMI connection. Capture footage in XAVS S, S-I, as well as HS capture formats in Long GOP, All-Intra, H.264, as well as H.265 codecs. Colour and tone rendering can be tailored with precision through up to 16 user-imported LUTs or S-Cinematone setting for matching VENICE, FX9, FX6, FX3, as well as other camera sources. The FX2 integrates an intuitive Variable FPS setting for creating time-lapses as well as slow-motion footage, and it can de-squeeze 1.3 as well as 2.0x anamorphic footage, all in-camera.\u003cbr\u003e\u003ch3\u003eHybrid Still visual acquisition\u003c\/h3\u003e\u003cbr\u003eThe FX2 brings the adaptability of a hybrid capture device to the Cinematic production Line, improving still-image acquisition and adding elements such as Log shooting as well as user-LUT use.\u003cbr\u003e\u003cul\u003e    \u003cli\u003eBuilt-in toggle to switch from movie to still mode\u003c\/li\u003e    \u003cli\u003eShoot 33MP JPG or HEIF images in S-Log3 for streamlined color grading\u003c\/li\u003e    \u003cli\u003eCapture photos from shot marks during internal video recording or playback\u003c\/li\u003e    \u003cli\u003eApply previously imported user LUTs to captured still images\u003c\/li\u003e    \u003cli\u003eFlex or base ISO settings and S-Gamut3 or S-Gamut3.Cine color spaces\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eAI Subject Recognition: Guide\u003c\/h3\u003e\u003cbr\u003eThe FX2's AI computation unit produces several improvements in autofocus, auto composition, and stabilization through deep learning. Analyzing colors, patterns, as well as depth, the processor maintains well-defined focus alongside real-time person or object recognition, identifying people, animals, as well as vehicles. Human as well as animal eye recognition is improved by 30% compared to the FX3 as well as FX30, making the FX2 well suited for fast-paced shooting scenarios, such as capturing wildlife as well as sporting events. This enhanced tracking ability also makes possible accurate auto composition, adjusting the captured composition to maintain a person or object center-frame.\u003cbr\u003e\u003ch3\u003eComprehensive Stabilization: Guide\u003c\/h3\u003e\u003cbr\u003eCombining in-body optical picture stabilization alongside AI computation power as well as E-mount optics metadata for post-production, the FX2 includes an array of ways to eliminate imaging device shake during handheld shooting.\u003cbr\u003e\u003cul\u003e    \u003cli\u003e5-axis in-body optical image stabilization\u003c\/li\u003e    \u003cli\u003eDynamic Active Mode for stable handheld shooting\u003c\/li\u003e    \u003cli\u003eFraming stabilizer uses advanced AI\u003c\/li\u003e    \u003cli\u003eShake metadata is embedded into footage for post-production\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eImproved Accessibility: Guide\u003c\/h3\u003e\u003cbr\u003eAdopting the BIG6 main screen from premium CineAlta cameras such as the VENICE, the FX2 enables simple adjustments to FPS, ISO, shutter angle, aperture, look, as well as white balance whenever set in Movie Setting. The 3\" fold-out touchscreen LCD supplies intuitive menu navigation as well as sports a tiltable configuration and 1.03m-dot definition. Unique to the FX2 is a built-in 3.68m-dot OLED electronic viewfinder alongside a 0.7x highest magnification. Tilting from 0 to 90°, the EVF contains a reversible rubber eyecup as well as 33mm eye position, allowing pinpoint composition in extreme lighting situations.\u003cbr\u003e\u003ch3\u003econnections Compatibility\u0026amp;\u003c\/h3\u003e\u003cbr\u003eThe FX2 integrates expansive interfacing, with several options for power source, internal footage recording, data feed, and both cable-free and USB streaming.\u003cbr\u003e\u003cul\u003e    \u003cli\u003eUSB-C port for PD fast charging or LAN link using a gigabit Ethernet adapter\u003c\/li\u003e    \u003cli\u003eStream at 2.4\/5 GHz over Wi-Fi, or 5 GB\/s via USB-C connection\u003c\/li\u003e    \u003cli\u003eOne CFexpress Type A\/SDXC card slot, one SD card slot, and one HDMI port\u003c\/li\u003e    \u003cli\u003eMulti-interface hot shoe, micro-USB port, and 3.5mm mic and headphone jacks\u003c\/li\u003e    \u003cli\u003eCompatible with XLR-H1 Handle Unit for expanded control and audio options\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eErgonomic construction\u003c\/h3\u003e\u003cbr\u003eConstructed from low-weight, sturdy Magnesium alloy, the FX2 incorporates an updated heat-dissipating structure as well as built-in cooling fan, supporting uninterrupted 4K60 capture. The improved handgrip holds a single 16.4Wh NP-FZ100 battery as well as sports one of the camera's five 1\/4\"-20 female threads—three for components and two for installation plates. Several functions contain dedicated manages, including the power switch, capture button, movie\/still selector, zoom handle, playback control, and management dials, whereas seven other keys serve user-assignable functions.\u003cbr\u003e\u003ch3\u003eImproved FX2 Attributes: Guide\u003c\/h3\u003e\u003cbr\u003e \u003cbr\u003e\u003cul\u003e    \u003cli\u003eFull-frame, back-illuminated 33MP effective Exmor R CMOS sensor\u003c\/li\u003e    \u003cli\u003eShoot still images in S-Log3 for flexible color grading in post-production\u003c\/li\u003e    \u003cli\u003eAI-powered AF, framing, and active dynamic image stabilization\u003c\/li\u003e    \u003cli\u003e7K oversampling in full-frame mode and 4K resolution in Super 35 mode\u003c\/li\u003e    \u003cli\u003eDual-base 800\/4000 ISO during S-Log3 shooting\u003c\/li\u003e    \u003cli\u003eExtract stills during video recording or playback and apply user LUTs\u003c\/li\u003e    \u003cli\u003e3.68m-dot 0.7x OLED electronic viewfinder with 0 to 90° tilt\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eCommon FX2\/FX3 Attributes: Guide\u003c\/h3\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003e10-bit 4:2:2 internal recording or 16-bit raw output via HDMI\u003c\/li\u003e    \u003cli\u003eS-Cinetone, S-Log3, HLG, and Rec. 709 gamma options\u003c\/li\u003e    \u003cli\u003eBIONZ XR processing engine\u003c\/li\u003e    \u003cli\u003eA dynamic range of 15+ stops\u003c\/li\u003e    \u003cli\u003eCompact design for cage-free operation\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":45790036918325,"sku":"ILME-FX2B","price":9999.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Sony-FX2.webp?v=1784709495"},{"product_id":"sony-fx30-digital-cinema-camera","title":"Sony FX30 Digital Cinema Camera","description":"\u003ch2\u003eYour Ticket to Cinema Mastery: Guide\u003c\/h2\u003e\u003cbr\u003eAt the foundation of operation, Leveraging the power of a newly developed APS-C sensor, the \u003cb\u003eSony FX30\u003c\/b\u003e supplies everyday content creators and aspiring creators with a powerful, yet accessible cinema camera with which to push their cinematic journey to new heights. It blends an image-capture pipeline developed for cinematic capture with a complete feature set and intuitive operation to create a complete system for all levels of filmmaking.\u003cbr\u003e\u003ch2\u003eCinematic Expression: Guide\u003c\/h2\u003e\u003cbr\u003e26MP APS-C\/Super35 Exmor R BSI CMOS SensorThe FX30's enhanced image-capture system is on par with other options in Sony's Cinema Line—capturing detailed 10-bit UHD 4K imagery at up to 120 fps—giving it specs fitting a true cinema camera. The newly developed 26MP APS-C Exmor R CMOS sensor and BIONZ XR processor are able to create high-quality 4K pictures with the Super35 (16:9) area. This system is capable of capturing 14+ stops of dynamic range and benefits from Dual Base ISO architecture to enhance low-light performance.\u003cbr\u003e\u003ch2\u003eenhanced acquisition Options\u003c\/h2\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eHigh-sensitivity recording up to ISO 32000 and Dual Base ISO (800\/2500).\u003c\/li\u003e    \u003cli\u003eWhen using S-Log3, the FX30 can capture 14+ stops of dynamic range.\u003c\/li\u003e    \u003cli\u003eRecord in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats.\u003c\/li\u003e    \u003cli\u003eFull pixel readout from the 6K sensor creates high-quality UHD 4K video at up to 60 fps.\u003c\/li\u003e    \u003cli\u003eHigh-speed shooting is possible in 4K at up to 120 fps with a 1.6x crop and in Full HD at up to 240 fps.\u003c\/li\u003e    \u003cli\u003eThe HDMI output supports 16-bit raw video to select, separately available recorders.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch2\u003eSony FX30 offers production Picture operation\u003c\/h2\u003e\u003cbr\u003eCreators will be able to capture pictures that are immediately ready to publish for projects with fast turnarounds or opt for highest quality and flexibility in post thanks to a wide array of picture control options:\u003cbr\u003e\u003cul\u003e    \u003cli\u003eS-Cinetone uses the same color science as Sony's advanced cinema cameras, including the VENICE line, with natural mid-tones, soft colors, and smooth highlight roll-off.\u003c\/li\u003e    \u003cli\u003ePicture Profiles, such as S-Log3 and HLG, will capture images with expanded dynamic range and flexibility for editors.\u003c\/li\u003e    \u003cli\u003eCreative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.\u003c\/li\u003e    \u003cli\u003eUp to 16 user-created LUTs and three presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera's monitor or EVF as well as the HDMI output.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch2\u003eOperation for All Levels: Guide\u003c\/h2\u003e\u003cbr\u003eProfessional integrates will help maintain beginners to professionals can make the most of the FX30. This incorporates three log shooting settings:\u003cbr\u003e\u003cul\u003e    \u003cli\u003eFlexible ISO uses standard ISO settings for simple operation and the greatest flexibility.\u003c\/li\u003e    \u003cli\u003eCine EI ensures maximum dynamic range capture by recording at a manually selected base ISO setting and applying adjustments to metadata for monitoring and post-production.\u003c\/li\u003e    \u003cli\u003eCine EI quick will automatically switch between the two base ISO settings for easier operation and great quality.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch2\u003eControls and Intuitive Operation\u003c\/h2\u003e\u003cbr\u003e5-Axis In-Body Picture Stabilization\u003cbr\u003e\u003cdiv\u003e\n\u003cbr\u003eSony has equipped the FX30 with a 5-axis in-body picture stabilization system that will help create smooth imagery even whenever working handheld. An Active Setting is provided that blends optical systems with digital optimizations to capture ultra-smooth footage. The FX30 can additionally record gyro movement whenever the optical stabilizers are turned off, which can be used in post to create a stable shot.\u003ch2\u003eSony FX30 offers Fast Hybrid AF: Guide\u003c\/h2\u003eEnjoy high-speed and highly accurate autofocus performance in every setting, comprising 4K up to 120 fps, through an enhanced Fast Hybrid AF system that uses 495 points spread across 90% of the picture sensor.\u003cul\u003e    \u003cli\u003eReal-time Eye AF and Real-time Tracking will track the eyes of humans and animals.\u003c\/li\u003e    \u003cli\u003eAF Assist function will automatically switch to manual focus with a turn of the lens' focus ring.\u003c\/li\u003e    \u003cli\u003eFocus Map makes it easier to visualize the region of focus in your scene\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eComprehensive capability Set\u003c\/h2\u003ePlenty of Sony's cinema integrates have found their way into the FX30:\u003cul\u003e    \u003cli\u003eBreathing compensation works with select lenses in 4K up to 60p in camera or up to 120p using Catalyst software after recording.\u003c\/li\u003e    \u003cli\u003eTimecode sync input with optional VMC-BNCM1 Timecode Adapter Cable\u003c\/li\u003e    \u003cli\u003eTally lights for an easy indication that the camera is recording.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003cimg class=\"pointer_pdnKDph4rT alignnone\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038695.jpg\" alt=\"Sony FX30\" width=\"1000\" height=\"563\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003ch2\u003eMedia Options of Sony FX30: Guide\u003c\/h2\u003eFor capture high-bitrate footage at high frame rates the FX30 uses an enhanced, versatile set of media slots. The camera incorporates dual CFexpress Type A\/SD card slots, allowing operators to choose between distinct media types for distinct situations. CFexpress Type A has ultra-fast speeds that can be used for the FX30's most enhanced capture functions while SD cards are often more common and still have great speed and high capacities.Catalyst Browse and Prepare IntegrationThe FX30 records a broad array of metadata that can be read and used for enhanced post-production work through Sony's Catalyst Browse and Prepare software.\u003ch2\u003eMetadata recorded includes:: Guide\u003c\/h2\u003e\n\u003cul\u003e    \u003cli\u003eEmbedded LUT and Exposure Index (EI) data.\u003c\/li\u003e    \u003cli\u003eGyro and lens stabilization metadata to further reduce camera shake.\u003c\/li\u003e    \u003cli\u003eBreathing compensation can be manually controlled and adjusted.\u003c\/li\u003e    \u003cli\u003eCamera rotation metadata will ensure the footage is displayed as intended.\u003c\/li\u003e    \u003cli\u003eShot marks can be added to clips during or after recording for reference\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003cimg class=\"pointer_pdnKDph4rT\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038697.jpg\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003ch2\u003eErgonomic Form for Solo Operation: Guide\u003c\/h2\u003eLightweight and space-efficient, the FX30 (in a configuration that matches the FX3) gives operators the ability to shoot without needing a cage. Operators can additionally enjoy smooth handheld footage thanks to a 5-axis in-body picture stabilization system.The body integrates several threaded mounting points that are ideal for accessories and a Multi Interface Shoe that accommodates advanced accessories. Additionally, a built-in fan maintains dependable performance during extended takes.\u003cul\u003e    \u003cli\u003eLightweight body weighs just 1.2 lb.\u003c\/li\u003e    \u003cli\u003eDedicated zoom rocker.\u003c\/li\u003e    \u003cli\u003eFully customizable button layout.\u003c\/li\u003e    \u003cli\u003eFive 1\/4\"-20 threaded mounting points for accessories.\u003c\/li\u003e    \u003cli\u003eMulti Interface Shoe supports advanced accessories.\u003c\/li\u003e    \u003cli\u003eActive cooling fan permits uninterrupted shooting during extended takes.\u003c\/li\u003e    \u003cli\u003eSporting a matching design to the FX3, the FX30 can use many of the same accessories, such as cages, without any modifications required.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eUpdated Menu System of Sony FX30: Guide\u003c\/h2\u003eThe FX30 benefits from a tweaked control menu that makes it more intuitive to operate:\u003cul\u003e    \u003cli\u003eThe main menu provides a quick view of all your most important video settings, including Picture Profile, recording format, white balance, aperture, ISO, and more.\u003c\/li\u003e    \u003cli\u003eThe shooting screen relocates the information on settings and status icons to the edges of the screen so that the image remains clear.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003cimg class=\"pointer_pdnKDph4rT\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038700.jpg\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003ch2\u003eA Plethora of connections Options\u003c\/h2\u003eThe Sony FX30 is equipped with a wide array of links to maintain highest customization and flexibility on set:\u003cul\u003e    \u003cli\u003eFull-size HDMI output features clean output up to 4K 60p as well as 16-bit raw video.\u003c\/li\u003e    \u003cli\u003eAudio is supported on the body with a 3.5mm headphone output and a 3.5mm microphone input.\u003c\/li\u003e    \u003cli\u003eUSB-C connection can be used for high-speed data transfer or for powering the camera.\u003c\/li\u003e    \u003cli\u003eMulti-Terminal (Micro-USB) supports various accessories, such as remotes, for expanded functionality.\u003c\/li\u003e    \u003cli\u003eTimecode sync is available through the use of the separately available VMC-BNCM1 Timecode Adapter Cable.\u003c\/li\u003e    \u003cli\u003eMulti Interface Shoe supports advanced accessories, including the optional XLR Handle Unit.\u003c\/li\u003e\n\u003c\/ul\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":45790124277813,"sku":"ILME-FX30B","price":6499.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1664368534_1729317.webp?v=1784713729"},{"product_id":"sony-fx6-full-frame-cinema-camera-body-only","title":"Sony FX6 Full-Frame Cinema Camera (Body Only)","description":"\u003ch3\u003eSony FX6: space-saving Cinema acquisition\u003c\/h3\u003e\u003cbr\u003eAt the point of image capture, the FX6 Full-Frame Camera from Sony was developed to supply versatile, cine-style image-capture in a truly space-efficient form. With the ability to capture up to 15+ stops of dynamic range, Sony's S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I capture, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own.\u003cbr\u003e\u003ch3\u003e4K Full-Frame Exmor R Sensor: Guide\u003c\/h3\u003e\u003cbr\u003eThe FX6 camera brings together a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings, through a base ISO of 800 as well as an ISO 12800 high-sensitivity setting for nuanced low-light scenes. This 10.2 MP picture sensor incorporates back-side illumination for excellent low-light performance, 627 focal plane points for speedy phase-detection autofocus, and full-frame lens compatibility that produces a rich, immersive look. The sensor's fast scan speed minimizes rolling shutter artifacts and accommodates high frame rates and quick autofocus responses.\u003cbr\u003e\u003ch3\u003espace-saving, Single-Operator construction in\u003c\/h3\u003e\u003cbr\u003e\u003ch3\u003ein Sony FX6: Guide\u003c\/h3\u003e\u003cbr\u003eWeighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6\", it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set process, it additionally offers several features that are a boon for a single-operator operator. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5\" LCD monitor that boasts time-saving touchscreen access to key menu settings and versatile positioning for comfortable working. In addition to improving the camera's overall stability, firmware update v1.10 adds 100p and 120p options to the Slow and Quick Motion frame rate menu whenever the codec is set to RAW or RAW and XAVC-I.\u003cbr\u003e\u003ch3\u003eVersatile Addition to Sony Cinema Line in Sony FX6: Guide\u003c\/h3\u003e\u003cbr\u003eAs part of Sony's Cinema Line, the FX6 shares key imaging features with established cameras like the VENICE and FX9. Common core attributes incorporate a full-frame sensor, filmlike color science, a space-efficient, lightweight form, professional connector interfaces, and enhanced autofocus choices.\u003cbr\u003e\u003ch3\u003eseveral improve upon the FX9: and Compared to the FX9, the FX6 differs in several specs; but many FX6 specs tick the same boxes\u003c\/h3\u003e\u003cbr\u003eIt matches the FX9's footage capture up to DCI 4K60Has the same S-Cinetone, S-Log3, and HLG gamma choicesOutputs 16-bit raw like the FX9\u003cbr\u003e\u003ch3\u003eSony E optics mount\u003c\/h3\u003e\u003cbr\u003eprovides the same 1\/4 to 1\/128 ND optionsAlso delivers 2-channel XLR audio inputsFX6 differences from the FX9:\u003cbr\u003e\u003ch3\u003e4K acquisition vs 6K in\u003c\/h3\u003e\u003cbr\u003e\u003ch3\u003ein Sony FX6: Guide — FX6\u003c\/h3\u003e\u003cbr\u003eHas a single 12G\/6G\/3G-SDI BNC port, trimming the FX9's extra 3G-SDI portIncorporates a timecode port but lacks the FX9's genlock connector\u003cbr\u003e\u003ch3\u003eImproved FX6 specs include:: Guide\u003c\/h3\u003e\u003cbr\u003eAn ISO range of 320 to 409,600 vs the FX9's 320 to 102,400 rangeTop frame rates of 120p in 4K and up to 240p in HD vs the FX9's top 1080p in HDDual card slots compatible with both durable, highly efficient CFexpress Type A or widely provided SDXC cards, compared to the FX9's reliance on proprietary XQD cards and a single SD card optionFirmware Update v4.0Update your Sony FX6 with v4.0 firmware to access new features that were developed with feedback from the pro cine community.Anamorphic de-squeeze is now provided in both 1.3x and 2.0x ratios for viewing in the viewfinder and via the HDMI feed.Cine EI Quick support permits you to choose the same process as Cinema Line cameras like the FX3 and FX30, streamlining your multi-camera process.Clip naming now uses the same process as the CineAlta cameras, supporting an easier multi-camera process.Autofocus is provided at frame rates of 7 fps or higher in S\u0026amp;Q (Slow \u0026amp; Quick) setting.\u003cbr\u003e\u003ch3\u003e15+ Stops of Dynamic Range: Guide\u003c\/h3\u003e\u003cbr\u003eCaptures a whopping 15+ stops of dynamic rangeCreates nuanced, high-resolution imagesSelect the Cine EI setting with S-Log3 for the highest dynamic range\u003cbr\u003e\u003ch3\u003eWide ISO Range: Guide\u003c\/h3\u003e\u003cbr\u003eChoose from a base ISO of 800, a high-sensitivity 12,800 ISO for lower-light capture, and a 409,600 highest ISO for true low-light settings.Electronically Variable ND FiltersShown with Optional EquipmentSet the FX6's built-in neutral density (ND) filter system to auto for correctly exposed shots, even in changing light conditionsSmoothly refine the ND filter density manually in increments from 1\/4 to 1\/128 as you shootBoth options will produce properly exposed pictures without affecting your chosen depth of field\u003cbr\u003e\u003ch3\u003eenhanced XAVC Codec Options\u003c\/h3\u003e\u003cbr\u003eThe FX6 is the first space-efficient, full-frame camera to supply UHD 4K 4:2:2 capture in the high-quality yet efficient XAVC-I codec. It additionally permits you to choose from a range of professional XAVC Intra and XAVC Long codecs at bit rates ranging from 35 to 600 Mb\/s.High Frame Rate SelectionsFor slow-motion and fast action looks, choose from full-frame rates ranging from:1-60 fps in HD to DCI 4K resolutions100 or 120 fps in HD via UHD 4K150, 180, 200, or 240 fps in Full HD\u003cbr\u003e\u003ch3\u003eSuper35 choices include:: Guide\u003c\/h3\u003e\u003cbr\u003e1-60, 100, and 120 fps in Full HDExpressive Cinematic LookSony's S-Cinetone gamma curve provides a cinematic look with filmlike color, softer tones, and pleasing skin tone reproduction. Not only is this cinematic look provided for in-camera viewing, but it can additionally be captured and output with minimal or no grading at all for a time-saving post process. The S-Cinetone, S-Log3, S-Gamut3, and S-Gamut3.Cine choices additionally streamline the process of matching FX6 footage with your VENICE or FX9 footage and supply broad color-grading options.\u003cbr\u003e\u003ch3\u003eFast Hybrid\/Phase Detection Autofocus: Guide\u003c\/h3\u003e\u003cbr\u003eShown with Optional EquipmentThe FX6 is compatible with 50+ native Sony E-mount lensesImproved autofocus choices incorporate Face Detection and Eye Autofocus modesEnables rapid focusing with extremely well-defined accuracy, even in lower-light settingsThe phase detection autofocus uses seven transition-speed steps and five subject-sensitivityImage Stabilization and More with Catalyst and MetadataPair the FX6 with Sony's Catalyst Prepare\/Browse software to use metadata to stabilize your picture, automatically rotate gimbal footage, and add flags for easier clip filtering in postproduction.Touchscreen 3.5\" LCD ControlThe FX6's 3.5\" LCD monitor supplies both high-resolution viewing and the ease of touchscreen camera control. The LCD quick menu controls incorporate key settings like Codec, Imager Scan Setting, Picture Size and Frequency, Base ISO\/Sensitivity, Shooting Setting, and Audio Levels.Dependable Configuration and ConstructionConstructed with a lightweight yet durable magnesium alloy chassis, the FX6 body provides high reliability and efficiently disperses heat to permit extended capture times. Exterior seams, buttons, and interfaces have been treated with updated sealing that enhances the camera's dust and moisture resistance as well.\u003cbr\u003e\u003ch3\u003e4-Channel sound recording production flow\u003c\/h3\u003e\u003cbr\u003eThe FX6 includes up to 4-channel audio capture by combining sources from the dual XLR sources, the 2-channel multi-interface shoe source, and the stereo mic constructed into the camera's top handle. As a result, this permits the simultaneous use of an outboard microphone to capture your main audio source and the built-in microphone for ambient sound and\/or voice memos by the operator.Professional Source\/Feed InterfaceShown with Optional EquipmentFX6 source and feed ports incorporate a selectable 12G\/6G\/3G-SDI feed for adaptable monitoringProvides an HDMI feed and 12-bit raw feed via SDIHas a timecode source and feed for syncing several camerasIncorporates a built-in Wi-Fi moduleCFexpress Media Slots and Several Capture ModesThe FX6's dual media slots accept both durable, high-performance, high-capacity CFexpress Type A cards and widely provided UHS-II\/UHS-1 SDXC cards. Note that the CFexpress Type A cards are required for 100\/120 fps UHD 4K capture and 150\/180\/200\/240 fps HD high-speed capture.Modular, Grab-and-Go DesignThe modular configuration of the FX6 permits you to pare down to its space-efficient body for gimbal or drone use, or it can be used with separately provided accessories, such as a smart grip and smart handle for fingertip control whenever shooting handheld. A 3.5\" LCD screen can be quickly positioned on the camera at several locations to deliver comfortable, ergonomic viewing.Content Browser Mobile Compatibility\u003cbr\u003eUse the separately provided Content Browser Mobile app with a compatible smartphone or remote controlThe FX6's Wi-Fi function permits remote observation and focus\/iris\/zoom control\u003cbr\u003e \u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e\u003cbr\u003ebuy it from \u003ca href=\"http:\/\/bsn.com.pk\"\u003e \u003c\/a\u003e\u003cbr\u003e ","brand":"Sony","offers":[{"title":"Default Title","offer_id":45790139777077,"sku":"ILME-FX6V","price":22076.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1-1_1f84f672-1afd-4326-9855-62748f2d6859.webp?v=1784715138"},{"product_id":"blackmagic-ursa-cine-12k-camera-pl-mount","title":"Blackmagic URSA Cine 12K LF Camera (PL Mount)","description":"\u003ch1\u003eBlackmagic Ursa Cine 12K guide | DUBAI | UAE \u003c\/h1\u003e\n\u003cp\u003eFor this model, \u003cbr\u003eAchieve an authentic cinematic experience with the revamped Blackmagic URSA Cine 12K Camera. The updated version boasts a stunning 12K full-frame 36 x 24mm sensor, promising a true cinematic look and feel. With an advertised dynamic range of 16 stops and the ability to capture Blackmagic raw footage up to 12K 3:2 open gate, this camera offers notable quality. Additionally, it provides Wi-Fi and SRT live streaming functions, built-in ND filters, LEMO and Fischer standard control\/power links, high-speed networking for cloud storage and M.2 SSD media, and comes with a standard PL mount as default.\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/body-lg-.webp\"\u003e\u003cimg class=\"wp-image-11883 size-large alignleft\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/body-lg--1024x506.webp\" alt=\"Blackmagic Ursa Cine 12K Ursa Cine 12K Ursa Cine\" width=\"1024\" height=\"506\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003ePurpose-Built Camera Body of Blackmagic Ursa Cine 12K for production Productions\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003eCrafted for the demands of professional productions, the Blackmagic Ursa Cine 12K integrates a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin. Its backlit soft-touch buttons maintain effortless operation in any lighting condition. Efficient on-set work is facilitated with several monitoring options, including a fold-out monitor with a 5” HDR touchscreen and an outboard color status LCD. A dedicated assist station provides a second 5” HDR touchscreen, enabling crew members to operate around the camera without outboard monitors. Rugged industry-standard links, such as 7-pin Lemo and 3-pin Fischer, along with 10G Ethernet, maintain seamless integration into high-end cinema production processes.\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eInterchangeable Lens Mounts on Blackmagic Ursa Cine 12K and Large Format Sensor\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003eThe large format sensor of the Blackmagic Ursa Cine 12K includes unmatched flexibility in aspect ratios, lens choices, and delivery formats. From open gate for post-production reframing to anamorphic for a range of aspect ratios, users attains cinematic excellence effortlessly. Interchangeable lens mounts, comprising PL, LPL, EF, and Hasselblad, cater to diverse shooting needs, preserving compatibility with a wide array of professional lenses.\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eOptical Low Pass Filter and High Resolution Monitoring, Camera Control\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003ePowered by Blackmagic RAW, the Ursa Cine 12K captures and preserves sensor data quality, supporting picture consistency from set to post-production. With constant quality and constant bitrate encoding options, operators can tailor compression to match scene detail while maintaining predictable file sizes. The incorporation of an optical low pass filter minimizes interference and enhances color accuracy, preserving critical picture detail for unparalleled picture capture.\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eRefined Color-Balanced ND Filters of Blackmagic Ursa Cine 12K: Guide\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003eThe Ursa Cine 12K comes equipped with enhanced ND filters, enabling swift adjustment of incoming light levels. These filters are meticulously calibrated to harmonize with the camera's colorimetry and color science, helping ensure adaptability in challenging lighting scenarios. Unlike typical ND filters, the IR filters built-in into the Ursa Cine 12K are engineered to uniformly filter both optical and IR wavelengths, eradicating IR contamination. With a precision mechanism, operators can effortlessly engage the ND filters through the dial, with settings conveniently displayed on the LCD screen.\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eExpanded Full Frame Capture: Enhanced Frame Rates\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003eThe Blackmagic Ursa Cine 12K provides a diverse group of definition and frame rate options, supporting standard resolutions and frame rates in 4K, 8K, Super 35 9K, and up to an exceptionally detailed 12K. Capture functions incorporate 100 fps in 12K 17:9 aspect ratio or 120 fps in 12K 2.4:1 widescreen format.\u003cbr\u003eFor even higher frame rates, operators can attain 144 fps in 8192 x 5360 definition or 180 fps in 8192 x 3408 definition. The camera produces fluid motion rendering with enhanced sharpness in 8K and 4K resolutions, even at lower frame rates. With an impressive 100 megapixels per frame at 80 fps in Blackmagic RAW format, the Ursa Cine 12K permits simultaneous capture of strong stills and motion shots.\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eCutting-Edge Internal Media media handling Solutions for Blackmagic Ursa Cine 12K\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003eThe Ursa Cine 12K introduces innovative Cloud Store technology inside the camera, offering lightning-fast and high-capacity capture functions. The Blackmagic Media Module boasts robustness and incorporates a generous 8TB storage capacity, functioning similar to a space-efficient Cloud Store Mini built-in directly into the camera. This high-speed storage option enables capture at the highest resolutions and frame rates for extended durations, with seamless file access via high-speed 10G Ethernet interfacing. Alternatively, operators can utilize their existing media with the optional Blackmagic Media Module CF, featuring dual CFexpress slots. The module can be easily detached for media transfer to a network or Blackmagic Cloud, facilitating effortless global collaboration.\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eRecord Stunning High-Definition Footage Using the Complete 12K Open Gate Sensor: Guide\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003eThe Blackmagic Ursa Cine 12K boasts a definition of 12,288 x 8040 @ 24fps. Blackmagic RAW provides the flexibility of constant quality and constant bitrate encoding, allowing you to prioritize picture quality or file size based on your production requirements.\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eBatteries and Compatible With Standard Industry Power Sources\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003eFeaturing an 8-pin Lemo power connector at the rear, the Ursa Cine 12K is compatible with both 24V and 12V power supplies, seamlessly integrating with existing power setups, batteries, and accessories. Additionally, the camera's front hosts extra Lemo and Fischer connectors for powering accessories like lens motors. The Ursa Cine 12K package incorporates a sturdy 250W power supply and B Mount battery plate, enabling the use of numerous high voltage batteries from leading manufacturers such as IDX, Blueshape, Core SWX, and BEBOB. Furthermore, optional Blackmagic Ursa Cine 12K VLock Battery Plate or Blackmagic Ursa Cine 12K Gold Battery Plate can be added for compatibility with legacy V-Mount and Gold Mount batteries.\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eManage Blackmagic Ursa Cine 12K Wirelessly via Bluetooth: Guide\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003eFor convenient wireless camera control, the Ursa Cine 12K provides Bluetooth interfacing, enabling full control from up to 30 feet away. Operators can utilize the Blackmagic Camera Control app on their iPad or opt for third-party apps like Bluetooth+ or tRigger on both iOS and Android devices. Moreover, Blackmagic Design offers a free developer SDK with sample code on their website, empowering operators to create custom remote camera control and digital slate solutions. Consider the potential of developing an app capable of synchronizing timecode and triggering all cameras to capture simultaneously. With limitless possibilities, the Ursa Cine 12K paves the way for innovative filmmaking techniques.\u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e\u003cbr\u003eRead blog: \u003ca href=\"https:\/\/bsn.com.pk\/introducing-the-latest-blackmagic-ursa-cine-12k\/\"\u003ehttps:\/\/bsn.com.pk\/introducing-the-latest-blackmagic-ursa-cine-12k\/\u003c\/a\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790188863541,"sku":"BMD-CINEURSAA12KLF","price":62726.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1712933427_1823587.webp?v=1784716517"},{"product_id":"blackmagic-design-ursa-cine-12k-camera-with-evf-top-handle-kit-pl-mount","title":"Blackmagic Design URSA Cine 12K Camera with EVF Top Handle Kit (PL Mount)","description":"\u003ch1\u003eBlackmagic URSA Cine 12K Camera: EVF Top Handle Kit, latest Innovation in Digital Film Cameras!\u003c\/h1\u003e\u003cbr\u003eIn its primary imaging role, the Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit heralds a revolutionary advancement in digital film technology. It pioneers high-speed networking for on-set media sync and boasts fast, high-capacity storage functions. Featuring a cutting-edge large format RGBW 36 x 24mm sensor and versatile lens mount options—such as PL, LPL, EF, and Hasselblad. The Ursa Cine 12K supplies unmatched dynamic range and adaptability. Furthermore, its WiFi operation with SRT streaming permits remote client viewing. On the other hand industry-standard Lemo and Fischer links maintain compatibility with premium cinema production setups.\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/hero-xl-2.webp\"\u003e\u003cimg class=\"alignleft wp-image-11879 size-large\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/hero-xl-2-1024x512.webp\" alt=\"Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit\" width=\"1024\" height=\"512\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003ch2\u003eCinematic Large Format Sensor of Blackmagic URSA Cine 12K Camera: EVF Top Handle Kit\u003c\/h2\u003e\u003cbr\u003eThe Ursa Cine 12K showcases an innovative sensor configuration promising excellent picture quality across resolutions from 4K to an impressive 12K. Leveraging technology from the URSA Mini Pro 12K. The larger sensor integrates larger photo sites, delivering an extraordinary 16 stops of dynamic range. With a unique RGBW architecture, characterized by equal proportions of red, green, and blue pixels. It optimizes color reproduction and picture quality, offering richer colors and enhanced flexibility. In-sensor scaling permits capturing more detail and wider dynamic range without cropping, maintaining superior picture fidelity across all resolutions.\u003cbr\u003e\u003ch2\u003eTailored Camera Body for production Productions\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit brings together an evenly weighted magnesium alloy chassis with a lightweight carbon fiber polycarbonate composite skin for durability and portability. Backlit soft-touch buttons maintain effortless operation in any lighting condition, while the 5” fold-out touchscreen and dedicated assist station deliver convenient access to camera settings and controls. Standard connectors, comprising Lemo and Fischer, facilitate remote camera operation and power supply for accessories, complemented by 12G-SDI out, 10G Ethernet, USB-C, XLR audio, and more.\u003cbr\u003e\u003ch2\u003e\u003c\/h2\u003e\u003cbr\u003e\u003ch2\u003e\u003c\/h2\u003e\u003cbr\u003e\u003ch2\u003eUnmatched Flexibility: Large Format Sensor\u003c\/h2\u003e\u003cbr\u003eThe large format sensor of the Ursa Cine 12K supplies unparalleled flexibility in aspect ratios, lens choices, and delivery formats. Whether capturing in open gate for post-production reframing or shooting anamorphic for multiple aspect ratios—comprising 1.3, 1.5, 1.6, 1.66, 1.8, and 2x de-squeeze factors—operators is able to reach cinematic excellence effortlessly. Additionally, shooting in 4K, 8K, or 12K without cropping maintains compatibility with a diverse group of lenses, including classic cinema lenses in 9K Super 35 4-perf, 3-perf, and 2-perf settings, facilitating the creation of distinctive content in the highest quality possible.\u003cbr\u003e\u003ch2\u003eInterchangeable optics Mounts\u003c\/h2\u003e\u003cbr\u003eFor versatile shooting needs, the Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit provides interchangeable lens mounts, enabling swift switching between PL, LPL, EF, and Hasselblad mounts. This versatility accommodates PL or LPL cinema lenses, EF or large format Hasselblad photographic lenses, helping ensure compatibility with a wide array of professional lenses. Each mount provides contact pins to read lens metadata for observation and post-production use, granting the freedom to choose the ideal lens for any project.\u003cbr\u003e\u003ch2\u003eCamera Control and High-Resolution Monitoring\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit facilitates efficient on-set work with several monitoring options. Its fold-out monitor contains a generous 5\" HDR touchscreen on one side and an outboard color status LCD on the other. The screen can be rotated and folded back into the camera for convenience. Additionally, a dedicated assist station on the camera's right side integrates a second 5\" HDR touchscreen, enabling crew members to operate around the camera without requiring outboard monitors. With a 1500 nit display and removable sunshade, visibility is ensured even in bright sunlight. On-screen overlays display status and capture parameters, histogram, frame guides, and more, such as a dedicated focus puller's setting for achieving perfect focus.\u003cbr\u003e\u003ch2\u003eRugged Industry Standard Connections of Blackmagic URSA Cine 12K Camera: EVF Top Handle Kit\u003c\/h2\u003e\u003cbr\u003eWith an extensive selection of industry-standard links, the Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit is tailored for high-end cinema production. 7-pin Lemo and 3-pin Fischer connectors at the front deliver capture start\/stop and 24V power, ideal for onboard accessories like focus motors. Camera power is supplied via a standard 24V 8-pin Lemo link, complemented by an extra 2-pin Lemo 12V link at the rear for lower voltage accessories. This setup permits powering accessories directly from the camera, eliminating messy outboard cabling. Additionally, two independent 12G-SDI feeds allow observation on two distinct monitors with distinct overlays, and 10G Ethernet facilitates Blackmagic Cloud media syncing.\u003cbr\u003e\u003ch2\u003eIntegrated Optical Low Pass Filter (OLPF): Guide\u003c\/h2\u003e\u003cbr\u003eIn an age where modern lenses and high-resolution sensors grapple with interference patterns arising from synthetic materials such as fabrics or LED matrices, the Ursa Cine 12K stands as a bastion of clarity. Integrating a precisely tailored optical low pass filter (OLPF), the camera minimizes interference, effectively mitigating moiré and aliasing. Augmented by updated IR filtering, the Ursa Cine 12K enhances far-red color response, thereby preserving color accuracy and vital picture detail whenever coupled with Blackmagic RAW processing.\u003cbr\u003e\u003ch2\u003eSeamless Integration of Color Balanced ND Filters: Guide\u003c\/h2\u003e\u003cbr\u003eEquipped with premium ND filters, the Ursa Cine 12K boasts swift light level adjustment functions. These filters, meticulously calibrated to harmonize with the camera's colorimetry and color science, produce unrivaled flexibility even in the most challenging lighting conditions. Unlike conventional ND filters, the IR filters in the Ursa Cine 12K uniformly filter both optical and IR wavelengths, effectively eliminating IR contamination. Featuring a precision mechanism, the ND filters can be swiftly engaged via the dial, with settings prominently displayed on the LCD for operator convenience.\u003cbr\u003e\u003ch2\u003eFull Frame Capture: Enhanced Frame Rates of Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit epitomizes versatility, offering an extensive array of definition and frame rate options. From standard resolutions to an incredibly detailed 12K, the camera produces an unparalleled visual feast. Capture options incorporate 100 fps in 12K 17:9 or 120 fps in 12K 2.4:1 widescreen, additional extending to 144 fps in 8192 x 5360 or 180 fps in 8192 x 3408. Preserving smooth motion rendering with sharper edges, the Ursa Cine 12K excels in 8K and 4K, even at lower frame rates. With up to 100 megapixels per frame at 80 fps in Blackmagic RAW, the camera seamlessly bridges the realms of impeccable stills and motion shots.\u003cbr\u003e\u003ch2\u003eHigh-Performance Internal Media Storage of Blackmagic URSA Cine 12K Camera: EVF Top Handle Kit\u003c\/h2\u003e\u003cbr\u003eThe Ursa Cine 12K revolutionizes onboard media storage with its innovative Cloud Store technology. Encased inside the durable Blackmagic Media Module, this groundbreaking option includes ultra-fast and high-capacity capture functions, akin to a Cloud Store Mini embedded inside the camera. Boasting a generous 8TB storage capacity, the module facilitates capture at the highest resolutions and frame rates for extended durations. Delivering direct file access via high-speed 10G Ethernet, the Blackmagic Media Module maintains seamless global collaboration. Alternatively, operators can opt for the Blackmagic Media Module CF, featuring dual CFexpress slots, and easily transfer media for network or Blackmagic Cloud integration.\u003cbr\u003e\u003ch2\u003eCaptivating High-Resolution Footage: the Full 12K Open Gate Sensor\u003c\/h2\u003e\u003cbr\u003eThe Ursa Cine 12K empowers creators to explore uncharted visual territories with its breathtaking 12,288 x 8040 definition at 24fps. Blackmagic RAW bestows the creative freedom to prioritize picture quality or file size, aligning with diverse production requirements.\u003cbr\u003e\u003ch2\u003eStay Connected Anywhere: Versatile Connectivity Options\u003c\/h2\u003e\u003cbr\u003eWith the Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit, geographic barriers dissolve as creators seamlessly connect to the world. Whether live streaming or uploading to Blackmagic Cloud, the camera's USB-C port facilitates internet access via Apple or Android phones, supporting both 5G and 4G networks. Alternatively, high-speed WiFi or wired Ethernet interfacing via the 10G Ethernet port maintains uninterrupted access. With built-in live streaming functions, the Ursa Cine 12K fosters global collaboration and enhances post-production processes.\u003cbr\u003e\u003ch2\u003ePower Sources and Compatible With Standard Industry Batteries\u003c\/h2\u003e\u003cbr\u003eThe Ursa Cine 12K adapts effortlessly to existing power setups, offering an 8-pin Lemo power connector compatible with 24V and 12V power supplies. Front-end Lemo and Fischer connectors cater to powering accessories like lens motors, delivering unparalleled versatility. The package incorporates a robust 250W power supply and B Mount battery plate, supporting high voltage batteries from leading manufacturers such as IDX, Blueshape, Core SWX, and BEBOB. Moreover, optional Blackmagic Ursa Cine 12K VLock Battery Plate or Blackmagic Ursa Cine 12K Gold Battery Plate expand compatibility with legacy V-Mount and Gold Mount batteries.\u003cbr\u003e\u003ch2\u003eBlackmagic URSA Cine 12K Camera: EVF Top Handle Kit Effortless Wireless Camera Control with Bluetooth\u003c\/h2\u003e\u003cbr\u003eFor seamless wireless camera control, the Ursa Cine 12K provides Bluetooth interfacing, enabling full control from up to 30 feet away. Whether utilizing the Blackmagic Camera Control app on an iPad or third-party apps like Bluetooth+ or tRigger on iOS and Android devices, operators can wield complete command. Furthermore, Blackmagic Design offers a free developer SDK with sample code, empowering operators to craft custom remote camera control and digital slate solutions. Envision the possibilities of synchronizing timecode and triggering simultaneous capture across several cameras—an innovation enabled by the limitless potential of the Ursa Cine 12K.\u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e\u003cbr\u003eRead blog: \u003ca href=\"https:\/\/bsn.com.pk\/introducing-the-latest-blackmagic-ursa-cine-12k\/\"\u003ehttps:\/\/bsn.com.pk\/introducing-the-latest-blackmagic-ursa-cine-12k\/\u003c\/a\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790188929077,"sku":"CINEURSAA12KLF\/EVF","price":67988.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1712934125_IMG_2231873_78b4d70a-8ac4-4d5f-a51d-c869a83f3027.webp?v=1784716518"},{"product_id":"blackmagic-design-pyxis-6k-cinema-box-camera-arri-pl","title":"Blackmagic Design PYXIS 6K Cinema Box Camera (ARRI PL)","description":"For professional deployment, the Blackmagic PYXIS 6K Cinema Box Camera (ARRI PL) leverages the digital film advancements of the Blackmagic D\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/hero-xl.webp\"\u003e\u003cimg class=\"size-medium wp-image-11912 alignright\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/hero-xl-300x148.webp\" alt=\"Blackmagic PYXIS 6k\" width=\"300\" height=\"148\"\u003e\u003c\/a\u003eesign Cinema Camera 6K, transforming it into a box-style cinema camera featuring a lockable ARRI PL lens mount and customizable side plates. Its full-frame 6K sensor captures vibrant colors, accurate skin tones, and an impressive 13-stop dynamic range across its expanded 36 x 24mm sensor. You can capture both Blackmagic RAW and H.265 proxy files to the cloud or stream directly to your preferred social media platform through Ethernet or mobile 4G\/5G technology. With the PYXIS, you can shoot up to 6K Open Gate 3:2 footage at 36 fps or 6K Anamorphic 6:5 footage at 60 fps, among other selectable resolutions.\u003cbr\u003e\u003ch2\u003eCrafted for Ultimate Customization!: Guide\u003c\/h2\u003e\u003cbr\u003ePYXIS boasts a space-efficient frame meticulously crafted from aerospace-grade aluminum through precision CNC machining techniques. This maintains it remains lightweight yet exceptionally durable. Versatility is at your fingertips as you seamlessly affix it to numerous camera setups such as cranes, gimbals, or drones. Beyond its array of 1\/4? And 3\/8? Thread mounts on the body's top and bottom, Blackmagic PYXIS introduces an assortment of side plates, amplifying your capacity to attach peripherals like handles, microphones, or SSDs.\u003cbr\u003e \u003cbr\u003e\u003ch2\u003eExpansive Cinematic Digital Film Sensor!: Guide\u003c\/h2\u003e\u003cbr\u003eBlackmagic PYXIS showcases an expansive full-frame sensor boasting a native definition of 6048 x 4032. This exceeds the dimensions of a Super 35 sensor nearly threefold, granting you the freedom to capture footage with a shallow depth of field or utilize anamorphic lenses without cropping, thus achieving an authentic cinematic aesthetic. Irrespective of\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/sensor-xl.webp\"\u003e\u003cimg class=\"size-medium wp-image-11913 alignright\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/sensor-xl-300x123.webp\" alt=\"Blackmagic PYXIS 6k\" width=\"300\" height=\"123\"\u003e\u003c\/a\u003e shooting conditions, its 13 stops of dynamic range, coupled with dual native ISO up to 25,600, maintain impeccable low-noise pictures. Moreover, you can attain frame rates of up to 36 fps at full sensor definition or 120 fps in windowed setting. Leveraging this notable sensor alongside Blackmagic's renowned color science empowers you with professional-grade image-capture technology akin to high-end digital cinema cameras.\u003cbr\u003e\u003ch2\u003eFull-Fledged Frame Flexibility of Blackmagic PYXIS 6K: Guide\u003c\/h2\u003e\u003cbr\u003eThe considerable full-frame sensor in Blackmagic PYXIS includes versatility across numerous film formats and aspect ratios without compromising on quality. Harnessing the full expanse of the sensor yields a distinct open gate 3:2 picture, facilitating post-production reframing. Furthermore, the sensor's ample size permits authentic 6:5 anamorphic shooting sans cropping, yielding cinematic widescreen pictures with enhanced detail and definition. Additionally, you can utilize the classic Super 35-sized window on the sensor to swiftly generate a 'close-up' variant of your shot that seamlessly integrates with open gate footage.\u003cbr\u003e\u003ch2\u003eCapture Stunning High Dynamic Range (HDR) Images: Blackmagic PYXIS 6k\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic PYXIS boasts an impressive 13-stop dynamic range, helping ensure it preserves intricate details in both the brightest and darkest areas of a picture, surpassing the functions of standard footage cameras. This feature permits you to refine exposure for indoor settings, such as a café, while still maintaining the vividness of bright outdoor light streaming via a window. Additionally, the camera provides a broader spectrum of colors compared to the conventional DCI-P3 colorspace commonly utilized in feature films.\u003cbr\u003e\u003ch2\u003eExceptional Low-Light Performance: Dual Gain ISO\u003c\/h2\u003e\u003cbr\u003eEquipped with dual native ISO functions of up to 25,600, the Blackmagic PYXIS is developed to minimize grain or noise in pictures, while retaining the sensor's full dynamic range. Its primary native ISO of 400 is well-suited for scenes illuminated by on-set lighting, while the secondary high base ISO of 3200 excels in dimly lit settings.\u003cbr\u003e\u003ch2\u003eFrame Rates and Versatile Resolutions\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic PYXIS accommodates a broad variety of resolutions and frame rates, ranging from HD to DCI 4K and even 6K. It is capable of capturing stills at an impressive 24.6 megapixels. At its highest functions, the camera can shoot up to 36 fps at 6048 x 4032 in 3:2 open gate format, or 60 fps at 6048 x 2520 in 2.4:1 aspect ratio, as well as 60 fps at 4096 x 2160 in 4K DCI. For higher frame rates, sensor windowing enables shooting up to 100 fps at 2112 x 1184 in Super 16 format. Furthermore, the device is compatible with true anamorphic 6:5 shooting at significantly higher resolutions compared to other cameras, reaching 4.8K at 24 fps with a definition of 4832 x 4032. Additionally, it can shoot at 120 fps in 1080HD definition.\u003cbr\u003e\u003ch2\u003eLarge 4? LCD Monitor of Blackmagic PYXIS 6K: Guide\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic PYXIS comes equipped with a spacious 4-inch LCD monitor, offering high definition and HDR functions, ideal for monitoring and reviewing shots during production. With its 1500 nits of brightness, this HDR touchscreen maintains detailed visibility, even in bright sunlight conditions. On-screen overlays deliver vital information such as status, capture parameters, histograms, levels, and frame guides. Additionally, the display enables the quick use of 3D LUTs to achieve desired colors and looks.\u003cbr\u003e\u003ch2\u003eAll operation at your Fingertips\u003c\/h2\u003e\u003cbr\u003eAll essential controls are conveniently placed inside reach on the Blackmagic PYXIS, offering both touchscreen and physical controls for functions like ISO, white balance, and shutter speed. A scroll wheel facilitates swift adjustments to settings, while three customizable function buttons streamline access to frequently used commands. Capture and still buttons are positioned intuitively, along with function keys for capabilities like high frame rate, focus, zoom, and false color. Furthermore, controls can be locked to prevent accidental changes during critical moments or whenever the camera is out of reach.\u003cbr\u003e\u003ch2\u003eSide Plates for adaptable Mounting Options!\u003c\/h2\u003e\u003cbr\u003eFor versatile mounting options, the Blackmagic PYXIS incorporates a standard plate crafted from aircraft-grade aluminum, featuring two 1\/4-inch and one 3\/8-inch thread mounts for attaching microphones, brackets, or other accessories. Alternatively, operators can utilize the included SSD plate, delivering a secure attachment point for a USB-C drive for capture or a mobile phone for live streaming. For even more flexibility, the optional Rosette Plate includes five 1\/4-inch and four 3\/8-inch thread mounts, along with a rosette mounting point for handgrips or extension arms.\u003cbr\u003e\u003ch2\u003eacquisition footage of Blackmagic PYXIS 6K directly onto CFexpress cards or external disks!\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic PYXIS 6k comes equipped with two built-in CFexpress card recorders, along with a USB-C expansion port for direct capture onto outboard flash media disks or a SSD. CFexpress media is ideal for capturing full-resolution, 12-bit Blackmagic RAW files. Moreover, with dual CFexpress slots, continuous capture is possible as you can seamlessly swap out full cards without interrupting the process!\u003cbr\u003e\u003ch2\u003eUtilize 5G or 4G smartphones for mobile data connections of Blackmagic PYXIS 6k\u003c\/h2\u003e\u003cbr\u003eWhenever transferring files to Blackmagic Cloud, leverage the interfacing of an Apple or Android phone via mobile data. Simply link the phone to the USB-C port, and the Blackmagic PYXIS 6k will automatically configure for mobile data usage. It's compatible with the latest high-speed 5G phones, as well as 4G versions! Alternatively, wired Ethernet link via the camera's Ethernet port is additionally available. As a result, this permits real-time media transfer during shooting, allowing post-production teams worldwide to commence work immediately!\u003cbr\u003e\u003ch2\u003eProfessionally connect: various video output options!\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic PYXIS 6k provides a diverse array of links for audio, observation, power, and more. Featuring a 12G-SDI feed with HDR and Ultra HD support, the camera facilitates observation on set. You can connect a SDI display for real-time picture observation, complete with overlays displaying crucial information and camera status. SDI permits longer cable runs compared to HDMI, making it easier to reach monitors positioned farther away on set.\u003cbr\u003e\u003ch2\u003eProfessional Audio Inputs of Blackmagic PYXIS 6k and Built-in Microphones\u003c\/h2\u003e\u003cbr\u003eBlackmagic PYXIS 6k comes equipped with a mini XLR source delivering 48 volts of phantom power, it facilitates the link of lapel mics and booms. Additionally, the built-in mics boast a remarkably low noise floor, are resistant to shock and wind, and excel at capturing high-quality sound, making them ideal for capture guide tracks on location. Furthermore, the camera integrates a 3.5mm audio source for video camera microphones, a built-in speaker for playback, and a 3.5mm headphone jack. These audio interfacing options permit the capture of separate audio tracks through microphones without requiring an outboard mixer.\u003cbr\u003e\u003ch2\u003eLoad Custom 3D LUTs to Recreate Film Looks!: Guide\u003c\/h2\u003e\u003cbr\u003eBlackmagic PYXIS 6K enables operators to load custom 3D LUTs to replicate cinematic looks. However, 3D LUTs supply an option by applying a desired \"look\" to the monitor, delivering a preview of how the final pictures will appear during editing. These LUTs can be applied temporarily for observation purposes or recorded directly into Blackmagic RAW files for post-production use. The camera is compatible with industry-standard 17 and 33 point 3D LUT files, as well as built-in LUTs like Extended Footage, Film to Footage, and Film to Rec.2020.\u003cbr\u003e\u003ch2\u003eEthernet Control and USB-C for External Disks\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic PYXIS 6K incorporates a USB-C Expansion Port for outboard accessories, working at speeds of up to 5 Gb\/s. The arrangement permits operators to connect peripherals such as flash drives and high-capacity SSDs for extended capture times. Additionally, the camera provides a built-in Ethernet port for convenient network control via secure and user-friendly REST APIs. Operators can even transfer files from the camera over the network, offering enhanced flexibility and convenience.\u003cbr\u003e\u003ch2\u003eRTMP Live Streaming and Introducing Built-In SRT\u003c\/h2\u003e\u003cbr\u003eExperience live streaming straight from your film sets! The Blackmagic PYXIS 6k comes equipped with a built-in hardware streaming engine that fully handles RTMP and SRT streaming to several platforms including YouTube, Facebook, and more! For internet interfacing, you have two convenient options: connect via Ethernet for stable access or utilize a 4G or 5G phone to tap into mobile data on the go!\u003cbr\u003e\u003ch2\u003eEffortless Wireless Bluetooth Camera distance-based operation\u003c\/h2\u003e\u003cbr\u003eWhenever your camera is positioned in challenging or hard-to-reach spots, take control effortlessly with Bluetooth from distances of up to 30 feet away. Whether you prefer the Blackmagic Camera Control app on your iPad or third-party apps like Bluetooth+ or tRigger on your iOS and Android devices, full control is at your fingertips. Additionally, explore the possibilities with a free developer SDK featuring sample code provided from the Blackmagic Design developer website, empowering you to customize your own remote camera control and digital slate solutions!\u003cbr\u003e\u003ch2\u003eFlexible Power Options: Battery or 12V DC\u003c\/h2\u003e\u003cbr\u003ePower up with ease through high-capacity BP-U series batteries with the Blackmagic PYXIS 6k. With the maximum-capacity BP-U series battery, enjoy shooting for over 3 hours on a single charge! And for continuous power supply during shoots, simply connect to DC power through the locking connector, preserving uninterrupted filming, especially whenever your camera is mounted or positioned on a jib. Additionally, the package incorporates a set of international socket adapters for versatile use worldwide.\u003cbr\u003e ","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790189027381,"sku":"BMD-CINECAMCPYXH60LFPL","price":13230.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1712934125_IMG_2231888.webp?v=1784716519"},{"product_id":"blackmagic-design-pyxis-6k-cinema-box-camera-leica-l","title":"Blackmagic Design PYXIS 6K Cinema Box Camera (Leica L)","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\" data-end=\"746\" data-start=\"283\"\u003eIn this camera's design, the \u003cstrong data-end=\"345\" data-start=\"287\"\u003eBlackmagic Design PYXIS 6K Cinema Box Camera (Leica L)\u003c\/strong\u003e is a powerful full-frame digital cinema camera engineered for creators, broadcasters, and production professionals seeking outstanding picture quality in a space-efficient, modular configuration. Equipped with a \u003cstrong data-end=\"560\" data-start=\"543\"\u003eLeica L-Mount\u003c\/strong\u003e, the unit supplies compatibility with a growing range of premium L-Mount lenses, giving creators increased flexibility for cinematic productions, documentaries, commercials, and studio processes.\u003cspan class=\"PDq2pG_selectionAnchor\" aria-hidden=\"true\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"1182\" data-start=\"748\"\u003eConstructed around a 6048 × 4032 full-frame sensor, the PYXIS 6K captures stunning cinematic footage with rich color reproduction, natural skin tones, and an impressive 13-stop dynamic range. Combined with Blackmagic Design's enhanced color science and Blackmagic RAW capture, it offers reliable flexibility during editing and color grading while preserving notable picture detail across challenging lighting conditions.\u003c\/p\u003e\n\u003cp data-end=\"1556\" data-start=\"1184\"\u003eDeveloped for modern production settings, the PYXIS integrates a lightweight CNC-machined aerospace-grade aluminum body with several mounting points, making it ideal for handheld rigs, gimbals, drones, cranes, virtual production, and multi-camera studio setups. Its modular architecture enables creators to customize the camera for virtually any production requirement.\u003c\/p\u003e\n\u003cp data-end=\"1927\" data-start=\"1558\"\u003eThe camera additionally streamlines collaborative processes by simultaneously capture Blackmagic RAW and H.264 proxy files for faster editing and cloud-based collaboration. Built-in Ethernet, USB-C expansion, Bluetooth control, and live streaming functions simplify remote production, media transfer, and real-time content delivery for professional filmmaking teams.\u003c\/p\u003e\n\u003cp data-end=\"2199\" data-start=\"1929\"\u003eWhether you're producing feature films, documentaries, branded content, live broadcasts, or cinematic online productions, the Blackmagic Design PYXIS 6K Leica L produces the performance, versatility, and process efficiency required by today's professional creators.\u003c\/p\u003e\n\u003cp data-end=\"2396\" data-start=\"2201\"\u003eExplore our collections of \u003ca href=\"https:\/\/bsn.com.pk\/collections\/blackmagic-design\"\u003eBlackmagic Design Cameras, Cinema Cameras, and Professional Footage Production Hardware\u003c\/a\u003e to build a complete production option for your filmmaking projects.\u003c\/p\u003e\n\u003ch2 data-end=\"2432\" data-start=\"2403\" data-section-id=\"1r8frcv\"\u003eFrequently Asked Questions: Guide\u003c\/h2\u003e\n\u003ch3 data-end=\"2494\" data-start=\"2434\" data-section-id=\"1oz0jvk\"\u003eWhat is the Blackmagic Design PYXIS 6K Leica L used for? — Product Guide\u003c\/h3\u003e\n\u003cp data-end=\"2655\" data-start=\"2495\"\u003eThe PYXIS 6K Leica L is developed for professional filmmaking, commercial production, documentaries, live events, virtual production, and broadcast uses.\u003c\/p\u003e\n\u003ch3 data-end=\"2697\" data-start=\"2657\" data-section-id=\"p49rz1\"\u003eWhat optics mount does this model use?\u003c\/h3\u003e\n\u003cp data-end=\"2838\" data-start=\"2698\"\u003eThis version integrates the Leica L-Mount, delivering compatibility with numerous Leica, Sigma, Panasonic, and other L-Mount lenses.\u003c\/p\u003e\n\u003ch3 data-end=\"2906\" data-start=\"2840\" data-section-id=\"1y6iuel\"\u003eDoes the Blackmagic PYXIS 6K compatibility Blackmagic RAW recording production flow?\u003c\/h3\u003e\n\u003cp data-end=\"3038\" data-start=\"2907\"\u003eThe camera records in Blackmagic RAW while additionally generating H.264 proxy files for faster editing and cloud-based processes.\u003c\/p\u003e\n\u003ch3 data-end=\"3088\" data-start=\"3040\" data-section-id=\"377uy4\"\u003eIs the PYXIS 6K suitable for live streaming?: Guide\u003c\/h3\u003e\n\u003cp data-end=\"3249\" data-start=\"3089\"\u003eSupport extends to professional live streaming via Ethernet or mobile data through compatible 4G\/5G devices, making it ideal for remote productions and live events.\u003c\/p\u003e\n\u003ch3 data-end=\"3321\" data-start=\"3251\" data-section-id=\"1a3mzt1\"\u003eWhere can I buy the Blackmagic Design PYXIS 6K Leica L in the UAE? — Product Guide\u003c\/h3\u003e\n\u003cp data-end=\"3529\" data-start=\"3322\"\u003eYou can purchase the Blackmagic Design PYXIS 6K Cinema Box Camera (Leica L) from, a trusted supplier of professional cinema, broadcast, and footage production hardware in the UAE.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790189092917,"sku":"CINECAMCPYXA60LFL","price":12472.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1712934125_IMG_2231888_a7740a45-34ff-4947-bdf0-089fc0210567.webp?v=1784716521"},{"product_id":"blackmagic-design-pyxis-6k-cinema-box-camera-canon-ef","title":"Blackmagic Design PYXIS 6K Cinema Box Camera (Canon EF)","description":"\u003cp data-start=\"283\" data-end=\"760\" class=\"PDq2pG_selectionAnchorContainer\"\u003eIn practical monitoring terms, the \u003cstrong data-start=\"287\" data-end=\"346\"\u003eBlackmagic Design PYXIS 6K Cinema Box Camera (Canon EF)\u003c\/strong\u003e is a professional full-frame digital cinema camera developed for creators, broadcasters, and content creators who demand reliable image quality and adaptable production processes. Featuring a Canon EF lens mount and a 6048 × 4032 full-frame sensor, the PYXIS captures cinematic footage with stunning detail, natural color reproduction, and a wide 13-stop dynamic range for increased creative control.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"762\" data-end=\"1196\"\u003eConstructed around Blackmagic Design's latest digital film technology, the PYXIS produces outstanding performance across commercials, documentaries, live productions, narrative filmmaking, and virtual production settings. Its compact box-style design offers extensive mounting options, making it easy to integrate into drones, gimbals, rigs, vehicles, or studio setups while maintaining a lightweight and highly customizable process.\u003c\/p\u003e\n\u003cp data-start=\"1198\" data-end=\"1604\"\u003eThe camera records in Blackmagic RAW for highest post-production flexibility while simultaneously generating H.264 proxy files for faster editing and cloud collaboration. Built-in Ethernet interfacing, USB-C expansion, Bluetooth control, and support for live streaming simplify remote production processes, making the PYXIS equally suited for on-location shoots and professional studio settings.\u003c\/p\u003e\n\u003cp data-start=\"1606\" data-end=\"2022\"\u003eA bright 4-inch HDR touchscreen, dual CFexpress Type B card slots, professional audio sources, and several connectivity options deliver everything needed for modern cinema production. Whether you're shooting feature films, corporate videos, commercials, documentaries, or high-end online content, the Blackmagic Design PYXIS 6K produces professional performance in a space-efficient and versatile cinema camera platform.\u003c\/p\u003e\n\u003cp data-start=\"2024\" data-end=\"2215\"\u003eExplore our collection of \u003ca href=\"https:\/\/bsn.com.pk\/collections\/blackmagic-design\"\u003eBlackmagic Design cameras, Cinema Cameras, and Professional Footage Production Hardware\u003c\/a\u003e to build a complete filmmaking option for your production needs.\u003c\/p\u003e\n\u003ch2 data-section-id=\"1r8frcv\" data-start=\"2222\" data-end=\"2251\"\u003eFrequently Asked Questions: Guide — Blackmagic Design PYXIS — Product Guide\u003c\/h2\u003e\n\u003ch3 data-section-id=\"1n8nn3\" data-start=\"2253\" data-end=\"2323\"\u003eWhat is the Blackmagic Design PYXIS 6K Cinema Box Camera used for? — Product Guide\u003c\/h3\u003e\n\u003cp data-start=\"2324\" data-end=\"2470\"\u003eThe PYXIS 6K is developed for professional filmmaking, commercials, documentaries, live production, virtual production, and broadcast uses.\u003c\/p\u003e\n\u003ch3 data-section-id=\"11hrnvn\" data-start=\"2472\" data-end=\"2530\"\u003eDoes the Blackmagic PYXIS 6K have a full-frame sensor?: Guide\u003c\/h3\u003e\n\u003cp data-start=\"2531\" data-end=\"2692\"\u003eIt incorporates a 6048 × 4032 full-frame picture sensor that produces cinematic picture quality with shallow depth of field and excellent low-light performance.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1hbozu\" data-start=\"2694\" data-end=\"2735\"\u003eWhich optics mount does this model use?\u003c\/h3\u003e\n\u003cp data-start=\"2736\" data-end=\"2847\"\u003eThis version comes with a Canon EF lens mount, allowing compatibility with numerous Canon EF lenses.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1yoc1zm\" data-start=\"2849\" data-end=\"2895\"\u003eCan the PYXIS 6K record in Blackmagic RAW?: Guide\u003c\/h3\u003e\n\u003cp data-start=\"2896\" data-end=\"3028\"\u003eThe camera records in Blackmagic RAW while additionally creating H.264 proxy files for efficient editing and cloud-based processes.\u003c\/p\u003e\n\u003ch3 data-section-id=\"2vk1xm\" data-start=\"3030\" data-end=\"3110\"\u003eWhere can I buy the Blackmagic Design PYXIS 6K Cinema Box Camera in the UAE? — Product Guide\u003c\/h3\u003e\n\u003cp data-start=\"3111\" data-end=\"3313\"\u003eYou can purchase the Blackmagic Design PYXIS 6K Cinema Box Camera (Canon EF) from, a trusted supplier of professional cinema, broadcast, and production hardware in the UAE.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790189518901,"sku":"CINECAMCPYXD60LFEF","price":12435.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1712933734_1823585.webp?v=1784716529"},{"product_id":"canon-eos-c70-cinema-camera-rf-mount","title":"Canon EOS C70 Cinema Camera (RF Mount)","description":"","brand":"Canon","offers":[{"title":"Default Title","offer_id":45790715543605,"sku":"4507C002","price":14500.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1600933654_IMG_1421906.webp?v=1784720944"},{"product_id":"blackmagic-design-cinema-camera-6k-leica-l","title":"Blackmagic Design Cinema Camera 6K (Leica L)","description":"\u003ch1\u003eBlackmagic Design Announces New Blackmagic Cinema Camera 6K — Product Guide\u003c\/h1\u003e\n\u003c!-- wp:paragraph --\u003e\n\u003cp\u003eStarting with the optical platform, Blackmagic Design introduced the Blackmagic Cinematic production Imaging device 6K in IBC 23’, Amsterdam, Netherlands - September 15, 2023, a next-generation digital cinematic camera built around a full-frame 6K imager, an notable dynamic range of 13 stops, a L-Mount optics mount, and dual native ISO functions reaching up to 25,600, delivering reliable low-light performance. It also supports capture onto CFexpress cards. This new version boasts a sizable 24 x 36mm 6K imager, enabling cinema-quality pictures in a space-efficient and low-weight body. The Blackmagic Cinematic production Camera 6K utilizes a L-Mount optics arrangement, compatible with a wide array of both modern and vintage lenses, supplying increased creative latitude.\u003c\/p\u003e\n\u003c!-- \/wp:heading --\u003e\n\n\u003c!-- wp:paragraph --\u003e\n\u003cp\u003eThe new Blackmagic Cinematic production Camera 6K produces notable quality and is known for the unit's ability to produce accurate skin tones and vivid, natural colors. This capture device boasts an expansive full-frame 24 x 36mm 6K imager with an notable dynamic selection, a versatile L-Mount for optics compatibility, and a custom-designed optical low-pass filter perfectly matched to the imager. Additionally, operators benefit from the inclusion of high-speed CFexpress media support, with the added convenience of compatibility with Pocket Cinematic production Camera components. Notably, for tasks involving cloud and mobile uses, this capture device simultaneously records both high-bit-depth Blackmagic RAW and H.264 proxies, a function that locations it apart from any other imaging device in terms of technology, picture quality, and portability.\u003c\/p\u003e\n\u003c!-- \/wp:paragraph --\u003e\n\n\u003c!-- wp:heading --\u003e\n\u003ch2 class=\"wp-block-heading\"\u003eProcessor: Guide\u003c\/h2\u003e\n\u003c!-- \/wp:heading --\u003e\n\n\u003c!-- wp:paragraph --\u003e\n\u003cp\u003eThe Blackmagic Cinematic production Imaging device 6K boasts an expansive full-frame imager with a native definition of 6048 x 4032 pixels. This is nearly three times broader than a Super 35 sensor, granting operators the capacity to achieve a shallow separation of focus area and apply anamorphic lenses eliminating any cropping, resulting in a genuinely cinematic aesthetic. Whether shooting in high-luminance daylight or challenging low-light situations, the camera's 13 stops of dynamic selection, coupled with dual native ISO settings of up to 25,600, produce impeccable, low-noise images.\u003c\/p\u003e\n\u003c!-- \/wp:paragraph --\u003e\n\n\u003c!-- wp:heading --\u003e\n\u003ch2 class=\"wp-block-heading\"\u003ePractical Notes: Ratio and FPS\u003c\/h2\u003e\n\u003c!-- \/wp:heading --\u003e\n\n\u003c!-- wp:paragraph --\u003e\n\u003cp\u003eFurthermore, operators can acquisition footage at up to 36 frames per second at the full imager definition or 120 fps in a windowed setting. The large full-frame imager of the Blackmagic Cinematic production Camera 6K delivers flexibility when working with several cinematic formats and aspect ratios, all without compromising on picture quality. Utilizing the entire imager area enables a distinctive open gate 3:2 picture, supporting post-production reframing options. Additionally, the generous imager size permits seamless 6:5 anamorphic shooting eliminating any cropping, resulting in highly detailed widescreen cinematic imagery.\u003c\/p\u003e\n\u003c!-- \/wp:paragraph --\u003e\n\n\u003c!-- wp:paragraph --\u003e\n\u003cp\u003eFor added adaptability, operators can employ the Super 35-sized imager window to instantly produce \"close-up\" pictures that cleanly blend with open gate footage. These functions empower material creators to produce distinct cinematic material of the utmost fidelity.\u003c\/p\u003e\n\u003cp\u003eGET Blackmagic Configuration in Dubai FROM  \u003c\/p\u003e\n\u003c!-- \/wp:paragraph --\u003e\n\n\u003c!-- wp:heading --\u003e\n\u003ch2 class=\"wp-block-heading\"\u003eMount Details: Guide\u003c\/h2\u003e\n\u003c!-- \/wp:heading --\u003e\n\n\u003c!-- wp:paragraph --\u003e\n\u003cp\u003eThe Blackmagic Cinematic production Camera 6K comes equipped with a L-Mount, a refined lens mounting system developed to accommodate full-frame sensors while helping ensure compatibility with both new and vintage lenses. The L-Mount boasts a generous diameter of 51.6mm, making it compatible with the current full-frame lenses from known manufacturers such as Leica, Panasonic, and Sigma. Furthermore, the unit's remarkably short flange range of only 20mm permits operators to effortlessly attach adapters for a range of lens mounts without compromising picture quality. The L-Mount provides users a versatile option, allowing them to use a single fitting with virtually any lens, delivering them with endless original possibilities.\u003c\/p\u003e\n\u003cp\u003eInquire about Blackmagic Configuration in Dubai from  \u003c\/p\u003e\n\u003c!-- \/wp:paragraph --\u003e\n\n\u003c!-- wp:heading --\u003e\n\u003ch2 class=\"wp-block-heading\"\u003eResolution: Guide\u003c\/h2\u003e\n\u003c!-- \/wp:heading --\u003e\n\n\u003c!-- wp:paragraph --\u003e\n\u003cp\u003eIn terms of the unit's image-capture functions, the Blackmagic Cinematic production Imaging device 6K is versatile, supporting a broad variety of standard definitions and shot rates, ranging from HD to DCI 4K and even 6K. Operators can additionally capture high-resolution still pictures at 24.6 megapixels. This camera is capable of reaching a maximum of 36 fps at 6048 x 4032 in the 3:2 open gate configuration, or 60 fps at 6048 x 2520 in the 2.4:1 aspect ratio, and 60 fps at 4096 x 2160 in 4K DCI. For even higher shot rates, operators can opt to crop the imager and acquisition footage at up to 100 fps at 2112 x 1184 in Super 16 configuration. Additionally, the device is compatible with true anamorphic 6:5 shooting at materially higher definitions compared to other cameras, specifically in 4.8K at 24 fps with a definition of 4838 x 4032. It's additionally capable of recording at 120 fps in 1080HD definition.\u003c\/p\u003e\n\u003c!-- \/wp:paragraph --\u003e\n\n\u003c!-- wp:heading --\u003e\n\u003ch2 class=\"wp-block-heading\"\u003eFile recording production flow in Blackmagic Cinema Camera 6k\u003c\/h2\u003e\n\u003c!-- \/wp:heading --\u003e\n\n\u003c!-- wp:paragraph --\u003e\n\u003cp\u003eThe Blackmagic Cinematic production Camera 6K comes with a built-in CFexpress medium recorder and a USB-C expansion port for immediate capture onto outboard flash media disks or a SSD. CFexpress media supplies enhanced durability and faster performance compared to older media, making it a strong choice for capture full-resolution, 12-bit Blackmagic RAW files. Just think about the ability of capturing more than an hour's worth of full-resolution 6K pictures on a single 256GB CFexpress medium.\u003c\/p\u003e\n\u003c!-- \/wp:paragraph --\u003e\n\n\u003c!-- wp:heading --\u003e\n\u003ch2 class=\"wp-block-heading\"\u003ePractical Notes: Monitors and Screens\u003c\/h2\u003e\n\u003c!-- \/wp:heading --\u003e\n\n\u003c!-- wp:paragraph --\u003e\n\u003cp\u003eFurthermore, the Blackmagic Cinematic production Imaging device 6K boasts a spacious and vivid 5-inch HDR touchscreen, simplifying the process of composition shots and achieving accurate focus, regardless of the shooting situations. The on-screen overlays deliver valuable information such as status and capture parameters, histogram, focus peaking indicators, levels, shot guides, and more. Operators can swiftly apply 3D LUTs to display pictures with their desired colors and aesthetics. Additionally, the LCD display is configurable, allowing it to be tilted up to 180 degrees flat and down to 47 degrees, supporting convenient observation from virtually any angle. Moreover, the HDR screen produces an impressive brightness of 1500 nits, preserving that operators can always shot their pictures accurately, even in high-luminance sunlight.\u003c\/p\u003e\n\u003c!-- \/wp:paragraph --\u003e\n\n\u003c!-- wp:heading --\u003e\n\u003ch2 class=\"wp-block-heading\"\u003eOptical Finder in Blackmagic Cinema Camera 6k: Guide\u003c\/h2\u003e\n\u003c!-- \/wp:heading --\u003e\n\n\u003c!-- wp:paragraph --\u003e\n\u003cp\u003eThe Blackmagic Cinematic production Camera 6K provides support for an optional viewfinder, which substantially enhances the precision and convenience of shooting on location and handheld. This feature supplies customers with a built-in, high-quality 1280 x 960 colour OLED screen equipped with a built-in proximity imager. Additionally, it incorporates a 4-element glass diopter that maintains reliable accuracy, allowing for a wide focus adjustment selection from -4 to +4. Connecting the EVF to the Blackmagic Cinematic production Imaging device 6K is a breeze, as it securely attaches to the camera's top with a single screw.\u003c\/p\u003e\n\u003c!-- \/wp:paragraph --\u003e\n\n\u003c!-- wp:heading --\u003e\n\u003ch2 class=\"wp-block-heading\"\u003epowering and Battery\u003c\/h2\u003e\n\u003c!-- \/wp:heading --\u003e\n\n\u003c!-- wp:paragraph --\u003e\n\u003cp\u003eFor power, the Blackmagic Cinematic production Body 6K relies on high-capacity NP-F570 battery packs. These battery packs come with a locking DC power connector, supplying peace of mind during sessions by removing worries about unexpected power loss. Furthermore, the supplied AC plug pack serves a dual purpose—it can power the unit directly or charge the battery whenever the imaging device is not in use. Even the USB-C expansion port can deliver a slow but steady replenish to the battery, allowing customers to apply portable battery packs, mobile phone charging units, or laptops. Additionally, the optional battery grip includes the latitude to attach extra battery packs, materially extending the camera's runtime, enabling customers to shoot all day long.\u003c\/p\u003e\n\u003c!-- \/wp:paragraph --\u003e\n\n\u003c!-- wp:paragraph --\u003e\n\u003cp\u003eGrant Petty, the CEO of Blackmagic Configuration, shared insights about the Blackmagic Cinematic production Body 6K, stating their intention to produce a highly portable body tailored for top-tier, large-format cinematography. The method involved a complete overhaul of the onboard electronics around a full-frame imager and L-Mount, whereas leveraging the Pocket Cinematic production Camera platform. This innovative configuration delivers excellent large-format imagery inside an impressively portable form factor, helping ensure compatibility with existing components. The incorporation of the L-Mount additionally opens up exciting original options, such as the use of the current Leica lenses or the reinterpretation of vintage lenses owned by customers. The Blackmagic Cinematic production Camera 6K stands as a authentic high-end cinematic production camera crafted for professional operate, offering creators a fresh perspective to convey their narratives.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Configuration in Dubai is represented by in UAE  middle east and Africa market \u003c\/p\u003e\n\u003c!-- \/wp:paragraph --\u003e\n\n\u003c!-- wp:image {\"id\":9613,\"sizeSlug\":\"full\",\"linkDestination\":\"media\"} --\u003e\n\u003cfigure class=\"wp-block-image size-full\"\u003e\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2023\/09\/1-blackmagic-cinema-camera-6k-copy-2.webp\"\u003e\u003cimg class=\"alignnone wp-image-9613\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2023\/09\/1-blackmagic-cinema-camera-6k-copy-2.webp\" alt=\"Blackmagic Cinema Camera 6K\nBlackmagic Design in Dubai\" width=\"700\" height=\"500\"\u003e\u003c\/a\u003e\u003c\/figure\u003e\n\u003c!-- \/wp:image --\u003e\n\n\u003c!-- wp:heading --\u003e\n\u003ch2 class=\"wp-block-heading\"\u003eBlackmagic Cinema Camera 6K capabilities\u003c\/h2\u003e\n\u003c!-- \/wp:heading --\u003e\n\n\u003c!-- wp:list --\u003e\n\u003cul\u003e\n\u003c!-- wp:list-item --\u003e\n\u003cli\u003e36 x 24mm full frame 6K 6048 x 4032 sensor.\u003c\/li\u003e\n\u003c!-- \/wp:list-item --\u003e\n\n\u003c!-- wp:list-item --\u003e\n\u003cli\u003eOpen gate 3:2, full height 6:5 anamorphic and Super 35 for creating cinematic content.\u003c\/li\u003e\n\u003c!-- \/wp:list-item --\u003e\n\n\u003c!-- wp:list-item --\u003e\n\u003cli\u003eL-Mount compatible with a wide range of still photography and cinema lenses.\u003c\/li\u003e\n\u003c!-- \/wp:list-item --\u003e\n\n\u003c!-- wp:list-item --\u003e\n\u003cli\u003eRecords full resolution up to 36 fps or 120 fps windowed.\u003c\/li\u003e\n\u003c!-- \/wp:list-item --\u003e\n\n\u003c!-- wp:list-item --\u003e\n\u003cli\u003eExtremely fast CFexpress card recording.\u003c\/li\u003e\n\u003c!-- \/wp:list-item --\u003e\n\n\u003c!-- wp:list-item --\u003e\n\u003cli\u003eAdjustable, HDR 1500 nit LCD screen.\u003c\/li\u003e\n\u003c!-- \/wp:list-item --\u003e\n\n\u003c!-- wp:list-item --\u003e\n\u003cli\u003eOptional Blackmagic Pocket Cinema Camera Pro EVF.\u003c\/li\u003e\n\u003c!-- \/wp:list-item --\u003e\n\n\u003c!-- wp:list-item --\u003e\n\u003cli\u003eLarger NP-F570 battery, optional Blackmagic Pocket Camera Battery Pro Grip.\u003c\/li\u003e\n\u003cli\u003e has a shop for Blackmagic Design in Dubai \u003c\/li\u003e\n\u003c!-- \/wp:list-item --\u003e\n\u003c\/ul\u003e\n\u003c!-- \/wp:list --\u003e\n\n\u003c!-- wp:heading --\u003e\n\u003ch2 class=\"wp-block-heading\"\u003ePrice of Blackmagic Cinema Camera 6k: Guide\u003c\/h2\u003e\n\u003c!-- \/wp:heading --\u003e\n\n\u003c!-- wp:paragraph --\u003e\n\u003cp\u003eBlackmagic Design in Dubai is provided currently for AED 10,506, excluding VAT, from Blackmagic Configuration resellers worldwide.\u003c\/p\u003e\n\u003c!-- \/wp:paragraph --\u003e\n\n\u003c!-- wp:paragraph {\"style\":{\"typography\":{\"fontSize\":\"19px\"}}} --\u003e\n\u003cp\u003eFind our store: \u003ca title=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\" href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\" target=\"_blank\" rel=\"noopener\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e Read the blog here: \u003ca href=\"https:\/\/bsn.com.pk\/blackmagic-design-announces-new-blackmagic-cinema-camera-6k\/\"\u003ehttps:\/\/bsn.com.pk\/blackmagic-design-announces-new-blackmagic-cinema-camera-6k\/\u003c\/a\u003e\u003c\/p\u003e\n\u003c!-- \/wp:paragraph --\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45791214796853,"sku":"CINECAM60KLFL","price":11000.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/For-website-copy-1.webp?v=1784724875"},{"product_id":"sony-fx3-full-frame-cinema-camera","title":"Sony FX3 Full-Frame Cinema Camera","description":"\u003ch3\u003eA Closer Look at Sony FX3\u003c\/h3\u003e\u003cbr\u003e\u003ch4\u003ePractical Notes: Alpha Systems and Sony FX3 Blends Cinema Line\u003c\/h4\u003e\u003cbr\u003eStarting with the optical platform, with a space-efficient configuration for solo shooters, for travel photography, and to serve as an excellent B cam, the Sony FX3 ILME-FX3 borrows from both the Cinematic production Line and Alpha range of cameras to produce an optimized portable cinematic production camera. The FX3 integrates all the image-capture attributes you'd expect from this class but sports a new low-weight, handheld shape with a streamlined profile and a \"cage-free\" configuration offering the ability to secure multiple accessories straight to the unit chassis.Firmware Update v.2.0With firmware update 2.0, Sony aligns the Sony FX3 ILME-FX3 more closely with its Cinema Line process. Updates incorporate enhanced log shooting options, including Cine EI options, the capacity to import operator LUTs, timecode syncing through an optional lead, and an easier-to-operate camera interface.Whenever updating from v.1.01 or earlier:\u003cbr\u003eNote your chosen settings before updating since the process will initialize the camera and will be unable to read saved settings from v.1.01S-Log2 will no longer be supplied; you must use S-Log3Connecting to the Image-capture Edge Mobile app has been made easier (see Smartphone Registration in the Help Guide); this requires updating the Mobile app to v. 7.7 or later and registering the camera as new.Note that the NFC one-touch link function will no longer be availableExpressive UHD 4K Footage Acquisition\u003cbr\u003eCinematic Expression_RC of Sony FX3 ILME-FX3The Sony FX3 12.1MP Exmor R BSI CMOS imager (10.2MP effective in footage setting) is paired with a BIONZ XR processing engine to achieve UHD 4K footage capture with onboard 10-bit 4:2:2 sampling or 16-bit raw feed. The sensor's BSI configuration improves detail and sensitivity, with an expandable ISO 80-409,600 selection and greater-than-15-stop dynamic selection for working in mixed lighting situations. Benefitting colour and tonal control, the S-Cinetone setting can be employed for matching to VENICE, FX9, or FX6 inputs, and there is additionally S-Log3\/2 gamut support and 10-bit HLG for simple HDR workflows. The sensor and processor additionally work together to greatly lower rolling shutter, and the sensor's configuration incorporates a Fast Hybrid AF platform for smart and quick focusing performance and person or object following.\u003cbr\u003e4K Full-Frame CMOS Exmor R Imager of Sony FX3 ILME-FX3Stunning Bokeh_RCA Sony FX3 12.1MP Exmor R imager and BIONZ XR processor supply the FX3 ILME-FX3 true cinematic expression with 10.2MP effective footage and 12.1MP stills acquisition. The full-frame sensor delivers shallow depth-of-field looks, notable bokeh, and reduced rolling shutter artifacts. A starting sensitivity of 80-102,400 extends to a high 409,600 for notable low-light acquisition, and 15+ stops of dynamic selection reproduce the nuances of both spectacular exteriors and carefully lit inside scenes with plenty of allowance for colour grading.S-Cinetone Colour\u003cbr\u003eBeautiful skin tone rendering and a softer-toned look that works alongside your VENICE, FX9, or FX6 footage are created through the FX3's default S-Cinetone colour profile. S-Log-3, S-Gamut3, S-Gamut3.Cine, and 10-bit 4:2:2 support help preserve rich gradation and colour matching with the selection of Sony Cinematic production Line cameras, whereas HLG HDR delivers the option of immediate HLG playback eliminating the need for grading.Footage Recording\u003cbr\u003eSony FX3 ILME-FX3 Capture well-defined, detailed pictures at rates up to 4K 120p with up to 5x slow movement at 24p feed. Recording options incorporate the ability to feed DCI 4K+ in 16-bit raw over HDMI to compatible recorders whereas simultaneously capture XAVC 4K and proxies in-camera. Onboard 4K capture options incorporate 4:2:2 10-bit colour with All-Intra and Long GOP codecs.Cooling capabilities such as a silent fan and a heatsink dissipate warmth to permit uninterrupted capture up to 4K60Dual SD medium slots accept both CFexpress Type A and SDXC cards for simple relay or backup recordingSuper35 1080p acquisition at rates up to 240pSteady Focus\u003cbr\u003eSolo Shooting_RCSony FX3 Currently even solo shooters can maintain the action in focus thanks to real-time Following and Eye autofocus functions made possible by AI-based algorithms plus a simple touchscreen focus function.Seven options of AF Transition Responsiveness let you rack focus, and five AF Person or object Shift settings permit you to refine the speed whenever shifting from a locked-on person or object.Fast Hybrid AF uses 627 points to cover approximately 89% of the picture frameErgonomic Shape for Solo Operation\u003cbr\u003eImportant Controls_RC of Sony FX3The Sony FX3 cage-free configuration permits you to fitting ¼\"-20 compatible components directly on the camera or on the detachable accommodate, saving you the mass and configuration\/breakdown time of a body cage. The clustered capture control, focus and menu controls, and six assignable keys all help to permit single-handed control, leaving your left hand free for balancing or controlling your lens.Readily Viewable Tally LightsExpandability_RCTop, front, and rear tally indicators let the operator, talent, and sound person know accurately whenever the camera is capture, enabling accurately timed motion and dialogue delivery.\u003cbr\u003eFidelity Audio Options\u003cbr\u003ePro audio capture options incorporate:A detachable XLR interface accommodate with two XLR-1\/4\" TRS combo audio inputsA mic holder and a 3.5mm source for attaching a microphoneUp to 4-channel, 24-bit audio recordingRemote Control, Broadcasting, and Transfers\u003cbr\u003eOff-site Control_RCControl your FX3 from a distance using the Image-capture Edge Mobile or Image-capture Edge Desktop apps, and transfer files through Wi-Fi or through a wired USB Type-C connector to let your editor get a jump on post-production. You can additionally stream your content through your computer and the Image-capture Edge Webcam app.Post-Production Stabilization with E-Mount LensesSony's Catalyst Prepare\/Browse software uses shake metadata to stabilize your imageAn configurable balance between shake compensation and picture region trimming lets you fine-tune the imageImproved FX3 FeaturesLCD Touch Panel_RCThe FX3 updates the Cinematic production Line with improvements such as comfortable, cage-free handheld operation, a battery runtime 1.6x longer than that of the a7S II, and a USB-PD power option for extended shooting times.Common FX3\/FX6\/a7S III Contains\u003cbr\u003eSuch as the FX6 and the a7S III, the FX3 integrates:Full-frame, back-illuminated 12.1MP Exmor R CMOS imager and BIONZ XR processorHigh-speed rates of 120p in 4K and 240p in HDA dynamic selection of 15+ stopsShared FX3\/FX6 AttributesAttributes that the FX3 has in common with the broader FX6 camera incorporate:S-Cinetone, S-Log3, HLG, and Rec. 709 gamma optionsTally lamps on the front, side, and rearAn onboard fan to avoid overheatingA zoom lever for simple shot adjustmentsShared FX3\/a7S III Attributes\u003cbr\u003eMobility_RCAttributes that the FX3 retains with the a7S III incorporate:5-axis in-body image stabilization16-bit raw feed via HDMIS-Log2 gamma selection80 to 409,600 ISO selection (expanded)Cable-free ConnectivityDual-band 2.4\/5 GHz cable-free connectivityWired LAN link through the USB Type-C port and a standalone adapter\u003cbr\u003eWith a space-efficient configuration for solo shooters, for travel photography, and to serve as an excellent B cam, the Sony FX3 borrows from both the Cinematic production Line and Alpha range of cameras to produce an optimized portable cinematic production camera.\u003cbr\u003eThe FX3 contains all the image-capture attributes you'd expect from this class but sports a new low-weight, handheld shape with a streamlined profile and a \"cage-free\" configuration offering the ability to secure a range of accessories straight to the camera body.\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\/contact-us\/\"\u003econtact us\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\"\u003eVisit us\u003c\/a\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":45791547424821,"sku":"ILME-FX3","price":13499.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/ILME-FX3.jpg?v=1784727604"},{"product_id":"blackmagic-design-ursa-mini-pro-12k-with-olpf","title":"Blackmagic Design URSA Mini Pro 12K with OLPF","description":"For day-to-day surveillance, the Blackmagic Design URSA Mini Pro 12K Electronic Cinema Camera provides a footage capture up to 12K with the with OLPF from. This pro signal unit uses a 12,288 x 6480 12K Super35 imager, a new colour science, and up to 14 stops of dynamic selection to produce extraordinarily detailed pictures. The URSA Mini Pro 12K OLPF uses an optical low passing action filter that minimizes unwanted picture interference whenever shooting in virtual production settings and additionally supplies updated IR filtering. The body records up to 80MP per shot in Blackmagic Raw and provides flexible capture options that incorporate dual CFast 2.0 medium capture and high-speed USB-C feed. Recording rates incorporate up to 60 fps in 12K 17:9 full imager, up to 75 fps in 12K 2.4:1, 120 fps in 8K, and up to 240 fps in 4K Super16.you can get it today from Blackmagic Design authorized reseller\u003cbr\u003e[caption id=\"attachment_11777\" match=\"alignnone\" width=\"300\"]\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/02\/pass-filter-xl.webp\"\u003e\u003cimg class=\"size-medium wp-image-11777\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/02\/pass-filter-xl-300x138.webp\" alt=\"Blackmagic Design URSA Mini Pro 12K Digital Cinema Camera\" width=\"300\" height=\"138\"\u003e\u003c\/a\u003e Blackmagic Design URSA Mini Pro 12K Electronic Cinema Body[\/caption]\u003cbr\u003e\u003ch3\u003eGreat Filming Experience: Guide\u003c\/h3\u003e\u003cbr\u003eThe URSA Mini Pro 12K's Cinematic production Camera massive definition gives you the spatial detail, wide dynamic selection, and deep colour of cinematic combined with an incredible definition around objects that is well suited to chromakeying, VFX, and IMAX image-capture. Oversampling from 12K down to 8K or 4K both enhances colour and eliminates aliasing for an ultra-smooth look.\u003cbr\u003e[caption id=\"attachment_11779\" match=\"alignnone\" width=\"300\"]\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/02\/edit-ui-xl.webp\"\u003e\u003cimg class=\"size-medium wp-image-11779\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/02\/edit-ui-xl-300x198.webp\" alt=\"Blackmagic Design URSA Mini Pro 12K Digital Cinema Camera\" width=\"300\" height=\"198\"\u003e\u003c\/a\u003e Blackmagic Design URSA Mini Pro 12K Electronic Cinema camera[\/caption]\u003cbr\u003e\u003ch3\u003eURSA Mini Pro 12K best Cinematic Scenes by the 12K Super 35 imaging sensor\u003c\/h3\u003e\u003cbr\u003eThe URSA Mini Pro 12K's new Super35 imager has a native definition of 12,288 x 6480 that produces a whopping 80 MP per shot. This Super35 sensor is developed with equal representations of red, green, and blue pixels, an 800 native ISO, and 14 stops of dynamic selection. In-sensor scaling offers 8K and 4K rates up to 110 fps eliminating cropping or a change in the focus area of see. The 12K Super35 sensor additionally permits you to reframe pictures in post to get an 8K or 4K multicamera look through a one camera.\u003cbr\u003e\u003ch3\u003eGreat for Virtual Cinema Production: Guide\u003c\/h3\u003e\u003cbr\u003eThe URSA Mini Pro 12K OLPF Cinematic production camera adds a high-performance, optical low-pass filter that is accurately matched to the 12K sensor. Whenever shooting in virtual production settings, the elevated frequencies of the LED matrix in footage walls can cause problems for ultra-sharp modern lenses and high-resolution sensors, creating interference patterns. Through an optical low passing action filter minimizes that interference, which results in a reduction of moire and aliasing. The OLPF additionally incorporates updated IR filtering that enhances far red color response which, whenever combined with Blackmagic RAW computation for the URSA Mini Pro 12K OLPF, preserves colour and critical picture detail for new levels of picture fidelity.get it today from \u003cbr\u003e\u003ch3\u003ePractical Notes: Ef Mount Lenses and In URSA Mini Pro 12K Cinema Camera Choose between PL mount Lenses\u003c\/h3\u003e\u003cbr\u003eThe front of the URSA Mini Pro 12K Cinematic production Camera Super35 imager sports an interchangeable PL optics fitting, enabling you to choose from an array of current and vintage pro cine lenses from several manufacturers.Canon EF and Nikon F mounts are provided separately for shooters who have their own glass.\u003cbr\u003e\u003ch3\u003eURSA Mini Pro 12K Generation 5 Color Science: Guide\u003c\/h3\u003e\u003cbr\u003eThe Gen 5 colour science's new cinematic curve takes benefit of the huge amounts of colour files produces by the URSA Mini Pro 12K's Super35 imager. The result is more attractive skin tones and improved colour saturation for pictures such as neon signs and car taillights.\u003cbr\u003eYou can get it today from Blackmagic Design authorized reseller\u003cbr\u003e[caption id=\"attachment_11778\" match=\"alignnone\" width=\"300\"]\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/02\/cinematic-xl.webp\"\u003e\u003cimg class=\"size-medium wp-image-11778\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/02\/cinematic-xl-300x121.webp\" alt=\"Blackmagic Design URSA Mini Pro 12K Digital Cinema Camera\" width=\"300\" height=\"121\"\u003e\u003c\/a\u003e Blackmagic Design URSA Mini Pro 12K Electronic Cinema camera[\/caption]\u003cbr\u003e \u003cbr\u003e\u003ch3\u003eBlackmagic RAW operation 12-Bit Raw production flow\u003c\/h3\u003e\u003cbr\u003eA new codec permits you to use Blackmagic Raw to edit your URSA Mini Pro 12K footage on a laptop and to edit in any definition eliminating needing to render before your final version.\u003cbr\u003eYou can get it today from Blackmagic Design authorized reseller\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\/contact-us\/\"\u003econtact us\u003c\/a\u003e\u003ca href=\"https:\/\/bsn.com.pk\"\u003eVisit us\u003c\/a\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45791621840949,"sku":"CINEURSAMUPRO12KOLPF","price":26735.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Blackmagic-Design-URSA-Mini-Pro-12K-with-OLPF.jpg?v=1784729376"},{"product_id":"blackmagic-design-pocket-cinema-camera-6k-pro-canon-ef","title":"Blackmagic Design Pocket Cinema Camera 6K Pro (Canon EF)","description":"Beginning with its core design, \u003ch3\u003eBlackmagic Design Pocket Cinema Camera 6K Pro (Canon EF) — Product Guide\u003c\/h3\u003e\n\n\u003cem\u003eTo top their previous achievement with the Pocket Cinema Camera 6K, \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e adds an even more full-featured, space-efficient Super35 camera to their cine-style range with the \u003cstrong\u003ePocket Cinema Unit 6K Pro by.\u003c\/strong\u003e\u003c\/em\u003e\n\n\u003cem\u003e The 6K Pro contains all the capture incorporates, sensor, moving-coil range, keys, and ports as the previous model, and adds a selection of important new attributes such as a 5\" tilting HDR capacitive touchscreen LCD with 1500 cd\/m² luminance, a Pro EVF option, built-in detailed\/2\/4\/6-stop ND filters, dual mini-XLR sources, an accurate timecode clock, a NP-F570 L-series battery slot, and revised Gen 5 colour science.\u003c\/em\u003e\n\nWith only a slightly broader form format than the 6L, the 6K Pro records the identical resolutions up to 50 fps 6144 x 3456 footage, and it retains the valuable active Canon EF fitting, letting operators take benefit of the expansive array of EF\/EF-S fitting lenses provided. The EF mount accommodates iris, autofocus, and zoom functions through electronic communication whenever using compatible lenses. The 6K Pro can turn one shot into two by cropping a second attempt from one shot, upscaling to 8K, or simply capturing rich, detailed footage with your preferred EF\/EF-S-mount lens. The updated Gen 5 onboard color processing makes it simple to intercut 6K Pro, 6K, and BMPCC 4K footage. \u003cem\u003e Capture using the onboard CFast 2.0 and SD\/UHS-II medium slots or through the full-size HDMI port to an optional ATEM Mini switcher for live broadcasting, or feed through the USB Type-C port to acquisition longer clips to an outboard SSD. \u003c\/em\u003e\n\n\u003cem\u003eThe 6K Pro incorporates a DaVinci Resolve Soundstage license and accommodates Blackmagic Raw acquisition from the sensor. Through the Raw configuration with the sensor's metadata streamlines editing to match any job and makes editing easier with DaVinci Resolve.\u003c\/em\u003e\n\nThe space-efficient 6K Pro retains the familiar settings and menu layout of the 6K version, such as ISO compatibility up to 25,600, 13 stops of moving-coil range, and 1920 x 1080 HDR monitor feed. Professional audio support now incorporates two mini XLR sources with phantom +48V power, a 3.5millimetres stereo source, a mono speaker, a headphone feed, and a built-in two-channel mic system. Extra pro capabilities incorporate lens metadata support, 3D LUT use for both observation and capture, up to 21.2MP still picture capture, and a multifunction handhold that permits single-handed operation. Sync several cameras for a performance, event, or other multicamera sessions by linking an outboard timecode generator to the 6K Pro onboard timecode generator (accessed through the 3.5millimetres audio port). Then save valuable time by through Resolve to without manual intervention sync your multicamera pictures in post. In asset to the DaVinci Resolve Soundstage activation principal, the 6K Pro ships with a 30W power adapter offering simultaneous battery charging, a MP-F570 battery, a optics port cap, and a unit strap. Optional accessories developed specifically for the 6K Pro incorporate the BMPCC Pro EVF and BMPCC Pro Battery Handhold, available separately. To know additional about us, \u003ca href=\"https:\/\/bsn.com.pk\"\u003eclick here.\u003c\/a\u003e\n\n\u003ch4\u003eNew 6K Pro capabilities\u003c\/h4\u003e\n\n5\" tilting HDR capacitive touchscreen LCD with 1500 cd\/m² luminance\n\nBuilt-in detailed\/2\/4\/6-stop IR ND filter accessories\n\n\u003ch4\u003eDual mini-XLR source connections\u003c\/h4\u003e\n\nElectronic optics communication with iris, autofocus, and zoom control provided with compatible lenses\n\nSuper-accurate timecode clock\n\nNP-F570 L-series battery slot\n\nRevised Gen 5 colour science\n\nOptional Pro EVF and battery handhold\n\n\u003ch4\u003ecapabilities\u003c\/h4\u003e\n\n\u003ch5\u003eElectronic Canon EF Lens Control\u003c\/h5\u003e\n\nChoose from a wide array of Canon EF\/EF-S-mount lenses and without manual intervention populate optics metadata with compatible lenses\n\n\u003ch4\u003eSuper35 visual imaging sensor \/ Dual Native ISO\u003c\/h4\u003e\n\nThe 6K Pro body uses a Super35-size imager, 13 stops of moving-coil selection, and a dual native ISO up to 25,600 to acquisition rich pictures at definitions up to 6144 x 3456 up to 50 fps\n\n\u003ch4\u003ePractical Notes: ProRes Options and Blackmagic Raw\u003c\/h4\u003e\n\nAcquisition in Blackmagic Raw or ProRes 422 choices depending on your project's needs\n\n\u003ch5\u003eUp to 6K Shooting Resolutions: Guide\u003c\/h5\u003e\n\nSeveral resolutions incorporate 6144 x 3456 (6K), 6144 x 2560 (6K 2.4:1), 5744 x 3024 (5.7K 17:9), 4096 x 2160 (4K DCI), 1920 x 1080 (HD), and additional\n\n\u003ch5\u003eVersatile Media acquisition Options\u003c\/h5\u003e\n\nCapture internally to CFast 2.0 or SD\/UHS-II medium slots, or capture longer clips through the USB Type-C feed to an outboard SSD\n\nDaVinci Resolve Soundstage License Supplied\n\nThe 6K Pro is compatible with DaVinci Resolve and incorporates an activation principal for Resolve Studio\n\nYou can additionally visit \u003ca href=\"https:\/\/www.blackmagicdesign.com\/ae\"\u003ehere.\u003c\/a\u003e\n\n[caption id=\"\" match=\"alignnone\" width=\"1440\"]\u003cimg class=\"size-medium\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/blackmagicpocketcinemacamera\/landing\/hero\/hero-en-xl.jpg?_v=1652932672\" alt=\"Blackmagic Design Pocket Cinema Camera 6K Pro (Canon EF) by \" width=\"1440\" height=\"683\"\u003e Blackmagic Design Pocket Cinema Unit 6K Pro (Canon EF) by [\/caption]\n\n \n\n ","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45795989487669,"sku":"CINECAMPOCHDEF06K","price":10433.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Blackmagic-Design-Pocket-Cinema-Camera-6K-Pro-Canon-EF-005.jpg?v=1784890626"},{"product_id":"blackmagic-design-pocket-cinema-camera-4k","title":"Blackmagic Design Pocket Cinema Camera 4K","description":"\u003cdiv\u003e\u003cdiv class=\"productDescription_UbV5SNP5Eo\" data-selenium=\"overviewLongDescription\"\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eFor professional deployment, the \u003cb\u003eBlackmagic Design Pocket Cinema Camera 4K\u003c\/b\u003e contains a 4\/3\" imager for capturing up to 4096 x 2160 DCI 4K pictures at rates up to 75 fps in a selection of codecs such as Blackmagic Raw at several little rates and numerous ProRes 422 choices. With the 6.6 update, the BMPCC 4K currently supplies up to 80 fps in a 2.8K raw setting for 4:3 anamorphic and up to 75 fps in a 4K raw setting in 2.4:1 widescreen. A 2x de-squeeze preview is provided for 4:3 capture as well as a 1.33x de-squeeze option. Slow-motion rates up to 120 fps are provided in 2.6K raw for Super16 lenses and in cropped Full HD. The 6.6 update makes working easier with compatibility for the Pocket Battery Handhold and a built-in horizon level function. Additional 6.6 update attributes include support for extra languages, USB PTP control, customizable shot guides, an up to 8x pinch-to-zoom function, the capacity to embed custom LUTs as metadata in Blackmagic Configuration Raw, and additional.\u003cbr\u003eThe Micro Four Thirds optics mount accommodates the existing, lightweight Pocket Cinema Camera lenses, and can be employed with PL, C, EF, and other lenses with the use of separately provided adapters. A dual-native ISO up to 25,600 is featured for low-light acquisition, and 13 stops of dynamic range deliver rich HDR images.\u003cbr\u003eRecord through the onboard CFast 2.0 and SD\/UHS-II medium ports or employ the USB Type-C feed for capturing longer clips to an outboard drive. The Pocket Cinema Camera 4K's 5\" touchscreen LCD lowers the need for an outboard, onboard display, while a full-sized HDMI port permits you to feed a feed to a broader display. The menu and connection are the identical as the ones identified on the URSA Mini body, and 3D LUTs can be applied for observation or baking in your look whenever you're ready to commit.\u003cbr\u003eAudio elements include a mini-XLR source with phantom power for pro-style mics, a 3.5millimetres jack, and an onboard stereo mic. Additional functions incorporate the identical Blackmagic Configuration OS as the URSA Mini and Bluetooth off-site control. A licensing key for DaVinci Resolve Studio is supplied for versatile post-production control. The Blackmagic Design  Pocket Cinema Unit 4K's carbon fiber composite build delivers lightweight intensity and durability, and power options incorporate running off the supplied Canon LP-E6 type battery or the supplied power supply.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePocket Cinema Camera 4K 4\/3\" visual imaging sensor \/ Dual Native ISO\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Blackmagic Design Pocket Cinema Camera 4K uses a 4\/3\" imager, 13 stops of moving-coil selection, and a dual native ISO up to 25,600 to acquisition rich pictures at definitions up to DCI 4K.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBlackmagic Design Pocket Cinema Camera 4K Active Micro Four Thirds lens Mount — Product Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eUse low-weight, electronically-controlled MFT lenses, or use separately provided adapters to broaden your lens choices to incorporate PL, C, or EF-mount lenses.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePocket Cinema Camera 4K Anamorphic acquisition\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBlackmagic Raw 4:3 2880 x 2160 (2.8K) anamorphic choices with 2x and 1.33x de-squeeze preview controls.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBlackmagic Design Pocket Cinema Camera 4K Shooting Resolutions — Product Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e4096 x 2160 (DCI 4K), 2.4:1 4096 x 1712 (4K), 3840 x 2160 (Ultra HD 4K), Super16 2688 x 1512 (2.6K), 1920 x 1080 (HD).\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eAspect Ratio Options: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eProduce customized aspect ratios or choose preset guidelines such as 1:1 and 4:5.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePractical Notes: ProRes Options and Blackmagic Raw\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eChoose from Blackmagic Raw and ProRes 422 files choices depending on your project's requirements.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e5\" Touchscreen Display: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eA large 5\" touchscreen display lowers the need for an outboard on-board display, while a full-sized HDMI port permits you to feed a feed to a broader display on your footage village.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eUSB Type-C acquisition and Pocket Cinema Camera 4K CFast 2.0, SD\/UHS-II,\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eInternally capture to CFast 2.0 or SD\/UHS-II medium slots, or capture longer clips through the USB Type-C feed to an outboard drive.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePocket Cinema Camera 4K adaptable powering Options\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Pocket Cinema Camera 4K can be powered through a rechargeable Canon LP-E6 type battery, the separately provided Pocket Battery Handhold, or the supplied power adapter.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eDaVinci Resolve Studio: Guide\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eAn activation principal for DaVinci Resolve Studio is supplied with the camera.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ca href=\"https:\/\/bsn.com.pk\/\"\u003ePurchase IT TODAY FROM DUBAI\u003c\/a\u003ewe service primary of Footage Production company in Dubai\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/maps.app.goo.gl\/1ifB6SBPMDDpzqH28\"\u003eLocate our location \u003c\/a\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45796066885685,"sku":"CINECAMPOCHDMFT4K","price":4192.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Blackmagic_Pocket_Cinema_Camera_4K_Angle_RGB.webp?v=1784891967"},{"product_id":"blackmagic-design-pocket-cinema-camera-6k-g2-cinema-camera-body-only","title":"Blackmagic Design Pocket Cinema Camera 6K G2 Cinema Camera-Body only","description":"\u003ch1\u003eIntroducing Blackmagic Pocket 6K G2 Cinema Camera: Guide\u003c\/h1\u003e\u003cbr\u003e\u003ch2\u003eBuy Blackmagic Pocket 6K G2 Cinema Camera: Guide\u003c\/h2\u003e\u003cbr\u003eLooking first at image acquisition, the \u003cstrong\u003eBlackmagic PPocket 6K G2 Cinema Camera\u003c\/strong\u003e is the latest space-efficient Super35 Cinema camera unit to join the \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e series.Blackmagic Pocket 6K G2 Cinema Camera is now provided in This cine-style camera provides the same 6K S35 sensor, capture contains, dynamic selection, interface ports, and settings as the 6K Pro but pares a few contains to produce a more affordable form. Contains inherited from the 6K Pro incorporate a 5\" tilting touchscreen LCD, Pro EVF and battery handhold options, dual mini-XLR audio sources, a NP-F570 L-series battery slot, and the revised Gen 5 colour science. By eliminating the onboard ND filter accessories and reducing the 1500cd\/m² LCD luminance of the 6K Pro, Blackmagic currently permits operators to choose between two near identical 6K versions as finest suits their elements.\u003cimg src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/blackmagicpocketcinemacamera\/landing\/hero\/hero-en-xl@2x.jpg?_v=1652932671\" alt=\"blackmagic pocket 6k systecinternational cinema camera\"\u003e\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\" target=\"_blank\" rel=\"noopener\"\u003epurchase it today from \u003c\/a\u003e\u003cbr\u003eThe \u003ca href=\"https:\/\/www.blackmagicdesign.com\/ae\/products\/blackmagicpocketcinemacamera\/techspecs\/W-CIN-19\" target=\"_blank\" rel=\"noopener\"\u003eBlackmagic Design 6K G2 \u003c\/a\u003ebody comes with a DaVinci Resolve Studio activation principal plus a 30W power adapter, offering simultaneous battery charging, a NP-F570 battery, a optics port cap, and a body strap.\u003cbr\u003e\u003ch2\u003eBlackmagic Pocket 6K G2 Cinema Camera: Guide\u003c\/h2\u003e\u003cbr\u003e\u003cstrong\u003eFirmware Update 7.9\u003c\/strong\u003e\u003cbr\u003eFirmware upgrade 7.9 attributes include:\u003cbr\u003e\u003cul\u003e \u003cli\u003eA new focus-assist intensity adjustment slider\u003c\/li\u003e \u003cli\u003eThe ability to select between SD and SSD media on the LCD screen itself\u003c\/li\u003e \u003cli\u003eFrame guide color adjustment\u003c\/li\u003e \u003cli\u003eImproved lens control and autofocus features\u003c\/li\u003e \u003cli\u003eAdds support for focus and zoom demands—no longer just for studio cameras\u003c\/li\u003e \u003cli\u003eGyro sensor information can be recorded into data and DaVinci Pro can use the gyro data to stabilize the footage\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cimg src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/blackmagicpocketcinemacamera\/landing\/cameras\/cameras-xl@2x.jpg?_v=1652934163\" alt=\"blackmagic pocket 6k g2 from cinema camera\"\u003e\u003cbr\u003e\u003ch3\u003eSuper35 visual imaging sensor\/Dual Native ISO\u003c\/h3\u003e\u003cbr\u003eThe Pocket 6K G2 Cinema Camera body uses a Super35 size imager, 13 stops of moving-coil selection, and a dual native 400\/3200 ISO up to 25,600 to acquisition rich pictures at definitions up to 6144 x 3456 up to 60 fps\u003cbr\u003e\u003ch3\u003eGen 5 Color: Guide\u003c\/h3\u003e\u003cbr\u003eThe 6K G2 uses the identical enhanced Gen 5 colour science as the Pocket 6K G2 Cinema camera and URSA Mini Pro 12K bodies, making it simple to intercut 6K Pro, 6K, and BMPCC 4K footage.\u003cbr\u003e\u003ch3\u003eTilting 5\" LCD Touchscreen: Guide\u003c\/h3\u003e\u003cbr\u003eThe 5\" tilting HDR touchscreen LCD in Pocket 6K G2 Cinema Camera makes it simple to view and refine your settings, even whenever shooting in high or low settings.\u003cbr\u003e\u003cstrong\u003eActive Canon EF mount Pocket 6K G2 Cinema Camera\u003c\/strong\u003e\u003cbr\u003e\u003cul\u003e \u003cli\u003ePocket 6K G2 Cinema Camera you can Choose from a wide array of Canon EF\/EF-S-mount lenses\u003c\/li\u003e \u003cli\u003eElectronic lens communication with iris, autofocus, and zoom control available with compatible lenses\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eBlackmagic Pocket 6K Mini-XLR sound source connections\u003c\/h3\u003e\u003cbr\u003eProfessional audio support now incorporates two mini XLR sources with phantom +48V power, a 3.5millimetres stereo source, a mono speaker, a headphone feed, and a built-in two-channel mic arrangement.\u003cbr\u003e\u003ch3\u003eBlackmagic Pocket 6K L-Series Batteries Pocket 6K G2 Cinema Camera: Guide\u003c\/h3\u003e\u003cbr\u003eBoth the 6K G2 body and the optional battery handhold use widely provided NP-F570 L-series battery packs\u003cbr\u003e\u003ch3\u003eProRes recording workflow and Blackmagic Raw\u003c\/h3\u003e\u003cbr\u003eAcquisition in Blackmagic Raw or ProRes 422 choices, depending on your project's requirements, and capture using the onboard CFast 2.0 and SD\/UHS-II medium slots or through the full-size HDMI port to an optional ATEM Mini switcher for live broadcasting or feed through the USB Type-C port to acquisition longer clips to an outboard SSD.\u003cbr\u003e\u003cstrong\u003eUp to 6K Shooting Definitions\u003c\/strong\u003e\u003cbr\u003eMultiple definitions include:\u003cbr\u003e\u003cul\u003e \u003cli\u003e6144 x 3456 (6K), 6144 x 2560 (6K 2.4:1)\u003c\/li\u003e \u003cli\u003e5744 x 3024 (5.7K 17:9), 4096 x 2160 (4K DCI)\u003c\/li\u003e \u003cli\u003e1920 x 1080 (HD)\u003c\/li\u003e \u003cli\u003eBoth 2868 x 1512 (2.8K 17:9) and 1920 x 1080 (HD) at rates up to 120 fps\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cstrong\u003eVersatile Media Capture Options\u003c\/strong\u003e\u003cbr\u003eCapture internally to CFast 2.0 or SD\/UHS-II medium slots or capture longer clips through the USB Type-C feed to an outboard SSD\u003cbr\u003e\u003cstrong\u003eStudio Camera Provides\u003c\/strong\u003e\u003cbr\u003e\u003cul\u003e \u003cli\u003eLike the Blackmagic Studio cameras, the BMPCC 6K G2 Pocket 6K G2 Cinema Camera has a built-in color corrector that works with the ATEM Mini\u003c\/li\u003e \u003cli\u003eSupports the optional pedestal-style focus and zoom controls\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eDaVinci Resolve Studio License Included: Guide\u003c\/h3\u003e\u003cbr\u003eThe 6K G2 is compatible with DaVinci Resolve and incorporates an activation principal for Resolve Studio\u003cbr\u003e ","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45796066951221,"sku":"CINECAMPOCHDEF6K2","price":8350.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1656328551_IMG_1782613.jpg?v=1784891967"},{"product_id":"blackmagic-design-ursa-mini-pro-4-6k-g2-digital-cinema-camera","title":"Blackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera","description":"","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45796147757109,"sku":"CINEURSAMUPRO46KG2","price":25131.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/blackmagic_design_ursa_mini_pro_4_6k_1551868516_1464917.jpg?v=1784893818"},{"product_id":"blackmagic-design-ursa-mini-pro-12k-pl","title":"Blackmagic Design URSA Mini Pro 12K (PL)","description":"\u003ctable class=\"table_fDXOr6EpR9\" data-selenium=\"specsItemGroupTable\"\u003e\u003ctbody\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9 \" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eLens Mount\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9 \" data-selenium=\"specsItemGroupTableColumnValue\"\u003eARRI PL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eIncluded Lens Mount Adapter\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\u003ci\u003eNone\u003c\/i\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eLens Communication\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eSensor Resolution\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003eEffective: 79.6 Megapixel (12,288 x 6480)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eSensor Type\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e27.03 x 14.25 mm (Super35) CMOS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eBuilt-In ND Filter\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003eMechanical Filter Wheel with Clear, 2 Stop (1\/4), 4 Stop (1\/16), 6 Stop (1\/64) ND Filters\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eShutter Type\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003eElectronic Rolling Shutter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eAdvertised Dynamic Range\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e14 Stops\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eRaw Recording\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\n\u003cb\u003eRaw 12-Bit\u003c\/b\u003e12288 x 6480 at 23.98\/24.00\/25\/29.97\/50\/59.94\/60 fps [72 to 578 MB\/s]\u003cb\u003e\u003c\/b\u003e11520 x 648 at 23.98\/24.00\/25\/29.97\/50\/59.94\/60 fps\u003cb\u003e\u003c\/b\u003e12288 x 5112 at 23.98\/24.00\/25\/29.97\/50\/59.94\/60 fps\u003cb\u003e\u003c\/b\u003e7680 x 6408 at 23.98\/24.00\/25\/29.97\/50\/59.94\/60 fps\u003cb\u003e\u003c\/b\u003e8192 x 4320 at 23.98\/24.00\/25\/29.97\/50\/59.94\/60 fps [32 to 258 MB\/s]\u003cb\u003e\u003c\/b\u003e7680 x 4320 up to 23.98\/24.00\/25\/29.97\/50\/59.94\/60\/119.88 fps\u003cb\u003e\u003c\/b\u003e8192 x 3408 at 23.98\/24.00\/25\/29.97\/50\/59.94\/60\/119.88 fps\u003cb\u003e\u003c\/b\u003e5120 x 4272 at 23.98\/24.00\/25\/29.97\/50\/59.94\/60\/119.88 fps\u003cb\u003e\u003c\/b\u003e6144 x 3240 at 23.98\/24.00\/25\/29.97\/50\/59.94\/60\/119.88 fps [18 to 145 MB\/s]\u003cb\u003e\u003c\/b\u003e4096 x 2160 at 23.98\/24.00\/25\/29.97\/50\/59.94\/60 fps [8 to 65 MB\/s]\u003cb\u003e\u003c\/b\u003e4096 x 2160 at 23.98\/24.00\/25\/29.97\/50\/59.94\/60 fps\u003cb\u003e\u003c\/b\u003e3840 x 2160 at 23.98\/24.00\/25\/29.97\/50\/59.94\/60 fps\u003cb\u003e\u003c\/b\u003e4096 x 1704 at 23.98\/24.00\/25\/29.97\/59.94\/60 fps\u003cb\u003e\u003c\/b\u003e2560 x 2136 at 23.98\/24.00\/25\/29.97\/50\/59.94\/60 fps\u003cb\u003e\u003c\/b\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eVariable Frame Rates\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e12K: Up to 60 fps12K Anamorphic: Up to 75 fps8K: Up to 119.88 fpsDCI 4K: Up to 119.88 fps8K Anamorphic: Up to 160 fps4K Anamorphic: Up to 160 fps6K (Windowed): Up to 119.88 fpsDCI 4K (Windowed): Up to 240 fps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eBuilt-In Microphone Type\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003eStereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eAudio Recording\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e2-Channel 24-Bit 48 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eRaw Output\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\n\u003cb\u003eUSB: \u003c\/b\u003e12 x 64808192 x 43206144 x 32404096 x 2160\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003cbr\u003e \u003cbr\u003e\u003ctable class=\"table_fDXOr6EpR9\" data-selenium=\"specsItemGroupTable\"\u003e\u003ctbody\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9 \" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eMedia\/Memory Card Slot\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9 \" data-selenium=\"specsItemGroupTableColumnValue\"\u003eDual Slot: CFast (CFast 2.0)Dual Slot: SD\/SDHC\/SDXC (UHS-II)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eVideo I\/O\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\n\u003cb\u003e1 x \u003c\/b\u003eBNC (12G-SDI) Input\u003cb\u003e1 x \u003c\/b\u003eBNC (12G-SDI) Output\u003cb\u003e1 x \u003c\/b\u003eBNC (3G-SDI) Monitor Output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eAudio I\/O\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\n\u003cb\u003e2 x \u003c\/b\u003eXLR 3-Pin Mic\/Line (+48 V Phantom Power) Output\u003cb\u003e1 x \u003c\/b\u003e1\/8\" \/ 3.5 mm TRRS Headphone\/Mic Input\/Output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003ePower I\/O\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\n\u003cb\u003e1 x \u003c\/b\u003eXLR 4-Pin Input\u003cb\u003e1 x \u003c\/b\u003eMolex 12-Pin Input\/Output\u003cb\u003e1 x \u003c\/b\u003eXLR 4-Pin (12 VDC) Output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eOther I\/O\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\n\u003cb\u003e1 x \u003c\/b\u003eUSB Type-C (USB 3.2 \/ 3.1 Gen 2)\u003cb\u003e1 x \u003c\/b\u003eUSB Type-C Data Input\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003cbr\u003e \u003cbr\u003e\u003ctable class=\"table_fDXOr6EpR9\" data-selenium=\"specsItemGroupTable\"\u003e\u003ctbody\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9 \" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eOperating Temperature\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9 \" data-selenium=\"specsItemGroupTableColumnValue\"\u003e32 to 104°F \/ 0 to 40°C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eStorage Temperature\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e-4 to 113°F \/ -20 to 45°C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eOperating Humidity\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e0 to 90%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eAccessory Mount\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\n\u003cb\u003e4 x \u003c\/b\u003e1\/4\"-20 Female\u003cb\u003e1 x \u003c\/b\u003eARRI\/Hirth Rosette\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eDimensions (W x H x D)\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e9.2 x 5.92 x 5.87\" \/ 23.4 x 15.04 x 14.91 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003cbr\u003e \u003cbr\u003e\u003ctable class=\"table_fDXOr6EpR9\" data-selenium=\"specsItemGroupTable\"\u003e\u003ctbody\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9 \" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eMedia\/Memory Card Slot\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9 \" data-selenium=\"specsItemGroupTableColumnValue\"\u003eDual Slot: CFast (CFast 2.0)Dual Slot: SD\/SDHC\/SDXC (UHS-II)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eVideo I\/O\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\n\u003cb\u003e1 x \u003c\/b\u003eBNC (12G-SDI) Input\u003cb\u003e1 x \u003c\/b\u003eBNC (12G-SDI) Output\u003cb\u003e1 x \u003c\/b\u003eBNC (3G-SDI) Monitor Output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eAudio I\/O\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\n\u003cb\u003e2 x \u003c\/b\u003eXLR 3-Pin Mic\/Line (+48 V Phantom Power) Output\u003cb\u003e1 x \u003c\/b\u003e1\/8\" \/ 3.5 mm TRRS Headphone\/Mic Input\/Output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003ePower I\/O\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\n\u003cb\u003e1 x \u003c\/b\u003eXLR 4-Pin Input\u003cb\u003e1 x \u003c\/b\u003eMolex 12-Pin Input\/Output\u003cb\u003e1 x \u003c\/b\u003eXLR 4-Pin (12 VDC) Output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eOther I\/O\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\n\u003cb\u003e1 x \u003c\/b\u003eUSB Type-C (USB 3.2 \/ 3.1 Gen 2)\u003cb\u003e1 x \u003c\/b\u003eUSB Type-C Data Input\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003cbr\u003e \u003cbr\u003e\u003ctable class=\"table_fDXOr6EpR9\" data-selenium=\"specsItemGroupTable\"\u003e\u003ctbody\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9 \" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eOperating Temperature\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9 \" data-selenium=\"specsItemGroupTableColumnValue\"\u003e32 to 104°F \/ 0 to 40°C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eStorage Temperature\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e-4 to 113°F \/ -20 to 45°C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eOperating Humidity\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e0 to 90%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eAccessory Mount\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\n\u003cb\u003e4 x \u003c\/b\u003e1\/4\"-20 Female\u003cb\u003e1 x \u003c\/b\u003eARRI\/Hirth Rosette\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eDimensions (W x H x D)\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e9.2 x 5.92 x 5.87\" \/ 23.4 x 15.04 x 14.91 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45796147789877,"sku":"CINEURSAMUPRO12K","price":26971.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/blackmagic_design_ursa_mini_pro_12k_1594908697_1578059.jpg?v=1784893820"},{"product_id":"arri-alexa-35-body-arri-pl-mount-set-lbus","title":"ARRI ALEXA 35 Body \u0026 ARRI PL Mount Set (LBUS)","description":"\u003carticle class=\"content_nffexWQFRT\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\n\u003cdiv\u003e\n\u003cimg class=\"writersImage_xWkRVkH5Ow\" data-selenium=\"bioProfileImage\"\u003e\u003cstrong\u003eALEXA 35: The New Super 35 Gold Standard\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"scroll-margin-top: 268px;\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eDigital cinema capture advances again with the \u003cb\u003eALEXA 35\u003c\/b\u003e from \u003cb\u003eARRI\u003c\/b\u003e. This Super 35-format camera incorporates a new 4:3 4K.6 sensor that adds 2.5 of dynamic range while improving low-light performance and producing richer, more accurate color.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"media_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\n\u003cdiv data-selenium=\"overviewVideos\"\u003e\n\u003cdiv class=\"container_b3HinrFN7N videosPlaylistContainer_bNwEOQHJnB\"\u003e\n\u003cdiv class=\"playlistContainer_b3HinrFN7N playlistContainer_bNwEOQHJnB\"\u003e\n\u003cdiv class=\"playlist_b3HinrFN7N\" data-lazyload-listened=\"3\"\u003e\n\u003cdiv class=\"top_aeCnltbxbE gradient_aeCnltbxbE\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch3 class=\"categoryTitle_b3HinrFN7N\"\u003eFrom Manufacturer\u003c\/h3\u003e\n\u003cdiv class=\"thumb_b3HinrFN7N\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\n\u003cimg src=\"https:\/\/img.youtube.com\/vi\/saM39mIfbcA\/mqdefault.jpg\"\u003e\u003cspan class=\"timestamp_b3HinrFN7N\"\u003e 19:32\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"name_b3HinrFN7N\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ compact_TAw0W35QK_ sizeBody2_TAw0W35QK_ weightBold_TAw0W35QK_ savings_i3MsQsqoe0\"\u003eALEXA 35 First Encounters (multilingual - choose your subtitles EN, FR, ES, PT, KO, JA)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"thumb_b3HinrFN7N\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\n\u003cimg src=\"https:\/\/img.youtube.com\/vi\/03Kizeg94V4\/mqdefault.jpg\"\u003e\u003cspan class=\"timestamp_b3HinrFN7N\"\u003e 11:31\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"name_b3HinrFN7N\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ compact_TAw0W35QK_ sizeBody2_TAw0W35QK_ weightBold_TAw0W35QK_ primary_i3MsQsqoe0 hoverUnderline_TAw0W35QK_\"\u003eARRI Tech Talk: The new ARRI Touchdown Tripod Mount and Operator Set for ALEXA 35\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"thumb_b3HinrFN7N\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\n\u003cimg src=\"https:\/\/img.youtube.com\/vi\/-GOO1q2v3Xk\/mqdefault.jpg\"\u003e\u003cspan class=\"timestamp_b3HinrFN7N\"\u003e 08:27\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"name_b3HinrFN7N\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ compact_TAw0W35QK_ sizeBody2_TAw0W35QK_ weightBold_TAw0W35QK_ primary_i3MsQsqoe0 hoverUnderline_TAw0W35QK_\"\u003eARRI Tech Talk: ALEXA 35 - Fast and Easy Operation (Subtitles in EN, ES, IT, PT, JP)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bottom_aeCnltbxbE gradient_aeCnltbxbE\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"player_bNwEOQHJnB\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\n\u003cdiv class=\"container_Nvv9thaUIK\" data-selenium=\"videoPlayerYouTube\"\u003e\n\u003cdiv class=\"aspectRatioWrapper_Nvv9thaUIK\"\u003e\u003ciframe class=\"iframe_Nvv9thaUIK\" title=\"ALEXA 35 First Encounters (multilingual - choose your subtitles EN, FR, ES, PT, 한국어, 日本語)\" width=\"100%\" height=\"100%\" src=\"https:\/\/www.youtube.com\/embed\/saM39mIfbcA?autoplay=0\u0026amp;start=0\u0026amp;rel=0\u0026amp;enablejsapi=1\u0026amp;origin=https%3A%2F%2Fwww.bhphotovideo.com\u0026amp;widgetid=1\u0026amp;forigin=https%3A%2F%2Fwww.bhphotovideo.com%2Fc%2Fproduct%2F1708577-REG%2Farri_k0_0042900_alexa_35_body.html\u0026amp;aoriginsup=1\u0026amp;gporigin=https%3A%2F%2Fwww.google.com%2F\u0026amp;vf=6\" id=\"widget2\" data-gtm-yt-inspected-6=\"true\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eALEXA 35 Body \u0026amp; LBUS PL Mount Set\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThis set packages the ALEXA 35 body with a Cine License, LBUS PL mount, B-mount battery plate, and BUD-1 Utility Dovetail. The compact, straightforward camera records MFX\/ARRIRAW and MFX\/Apple ProRes to 1 or 2TB Codex drives, supporting resolutions through 4.6K and frame rates reaching 120p.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e4.6K Super 35 ARRI ALEV 4 CMOS Sensor\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eA new 4.6K Super 35 CMOS sensor is central to the ALEXA 35's image quality. Its 17-stop dynamic range exceeds earlier ARRI cameras by 2.5 stops. Of this gain, 1.5 stops extend the highlight range for a filmlike roll-off, while one additional stop reaches farther into shadows without overexposing brighter areas. This broad latitude benefits HDR production, backlit scenes, and image refinement during post-production.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eVideo Recording Formats\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eAnamorphic de-squeezing and down-sampling inside the camera enable 19 ARRIRAW and Apple ProRes formats. Their varied aspect ratios, resolutions, data rates, and other properties accommodate numerous production approaches. Available recording resolutions include 4.6, 4, 3.3, 3, 2.7, and 2K.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eStray Light Suppression\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBoth the camera and the new ARRI PL lens mounts—Hirose or LBUS—use stray-light suppression to preserve the complete contrast range of the chosen lens and eliminate grayish coloration.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eHigh ISO Camera\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eAcross its EI 160 to 6400 range, the ALEXA 35 provides greater sensitivity and less noise than any previous camera in the ARRI family, including under dim conditions. The optional Enhanced Sensitivity Mode covers EI 2560-6400 and combines with wide dynamic range to produce nuanced dark-environment imagery, suiting available-light or spontaneous capture.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eREVEAL Color Science\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eDeveloped with feedback from cinematographers and colorists, ARRI REVEAL color science combines six elements to improve sensitivity, dynamic range, color, and contrast.\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA new debayering method works with the ALEXA 35's substantial processing capability to render cleaner edges suited to compositing.\u003c\/li\u003e\n\u003cli\u003eThe new ACE4 color engine transforms RGB data into ARRI Wide Gamut 4 (AWG4), improving accuracy, saturation, and color tracking even in subtle hues and dim illumination.\u003c\/li\u003e\n\u003cli\u003eAWG4 exceeds Rec. 2020 in size while avoiding “virtual” colors outside human vision, enabling quicker grading, simpler color-space conversion, and ACES compatibility.\u003c\/li\u003e\n\u003cli\u003eA new Log-C 4 curve accommodates the camera's expanded 17-stop latitude. Before conversion into Rec. 709 or another color space, its image appears darker.\u003c\/li\u003e\n\u003cli\u003eNew LUTs combine the improved sensor, Log-C 4, and color space to provide optimal shadow rendering, color fidelity, and a strong grading foundation. These LUTS require Log-C 4 and lack some manual controls previously used with Log-C 3.\u003c\/li\u003e\n\u003cli\u003eBackward compatibility enables intercutting with ALEXA, ALEXA Mini, and AMIRA footage. REVEAL can process ALEXA Mini LF and ALEXA LF imagery to match ALEXA 35 material. Although processing does not add dynamic range or ARRI Textures, it provides cleaner edges, improved color, simpler grading, and support for ACES, Log-C 4, and the new LUT.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eVersatile Lens Choices\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eAn included LBUS PL mount gives this set compatibility with a broad selection of cinema-style lenses.\u003c\/li\u003e\n\u003cli\u003eSeparately sold mount adapters open access to extensive modern and vintage lens choices, including spherical, anamorphic, Super 35, and large-format options.\u003c\/li\u003e\n\u003cli\u003eAll common metadata standards are supported, and an optional plug-in enables real-time metadata streaming.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eFull Feature Set in a Compact Form\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\n\u003cdiv class=\"lazyload-placeholder\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eMeasuring 8 x 6 x 5.8\", the rugged ALEXA 35 resembles the ALEXA Mini in size while incorporating functions associated with the larger ALEXA.\u003c\/li\u003e\n\u003cli\u003eFamiliar operator and assistant features include a simple menu, capture to 1 or 2TB Codex Compact drives, and a housing resistant to temperature, splashes, and dust.\u003c\/li\u003e\n\u003cli\u003eNew capabilities include HDR viewing through the MVF-2, configurable SDI text overlays, individually switchable frame lines, and easily read Info Panels for camera data.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eInterfaces\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\n\u003cdiv class=\"lazyload-placeholder\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eLeft display: View status and modify settings during stabilizer, drone, or crane use without attaching an EVF. The ND setting may be selected as a display “screensaver” for a quick reminder of required stop compensation.\u003c\/li\u003e\n\u003cli\u003eConnectors: A comprehensive right-side interface supplies a second EVF connection, dual 1.5\/3\/6\/12G-SDI outputs with return on the second, timecode input\/output, and 12 and 24V accessory power ports.\u003c\/li\u003e\n\u003cli\u003eEthernet: The Ethernet connection streams metadata in real time for mixed-reality productions (MRP).\u003c\/li\u003e\n\u003cli\u003eAudio: Options comprise two internal microphones like those in the ALEXA Mini LF, a 6-pin LEMO input, 3.5mm headphone output, embedded SDI sound, and AEM-1 audio-module compatibility.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e24V B-Mount Battery Power\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003ePower the 24V ALEXA 35 through the included ARRI B-Mount battery adapter and separately sold batteries. One versatile B-Mount system can also supply both 12 and 24V accessories, reducing the space and weight associated with carrying two batteries. Compatible 26V batteries work through third-party adapters from Anton Bauer, Hawk-Woods, and CORE SWX. A separately available PDM-1 Power Distribution Module adds seven accessory-power connections.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eDedicated Accessories\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\n\u003cdiv class=\"lazyload-placeholder\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe PL Mount Set supplies a BUD-1 Balance Utility Dovetail and B-Mount Battery Adapter.\u003c\/li\u003e\n\u003cli\u003eA Touchdown plate set is offered separately.\u003c\/li\u003e\n\u003cli\u003eOptional electronic accessories include the MVF-2 Multi Viewfinder, PDM-1 power-distribution module, and AEM-1 audio extension with one AES3\/AES42 input plus two mic\/line mini-XLR connections.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eARRI Tools and Apps\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eARRI provides free website tools, applications, and tutorials that simplify acquisition and post-production. Camera Companion supports remote operation of one or several cameras, while ARRIRAW HDE Transcoder reduces ARRIRAW file sizes. ARRI Reference enables file creation and viewing, SDR and HDR conversion, and export to Apple ProRes, OpenEXR, and TIFF.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"media_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\n\u003cdiv class=\"lazyload-placeholder\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e","brand":"Arri","offers":[{"title":"Default Title","offer_id":45818816430133,"sku":"K0.0042900","price":281924.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1654048563_1708577.webp?v=1785235591"},{"product_id":"arri-alexa-mini-lf-and-lens-mount-set-lpl","title":"ARRI ALEXA Mini LF and Lens Mount Set (LPL)","description":"\u003carticle class=\"content_nffexWQFRT\"\u003e\u003cdiv class=\"overviewVideosContainer_nffexWQFRT\"\u003e\u003cdiv data-selenium=\"overviewVideos\"\u003e\u003cdiv class=\"container_b3HinrFN7N videosPlaylistContainer_bNwEOQHJnB\"\u003e\n\u003cdiv class=\"playlistContainer_b3HinrFN7N playlistContainer_bNwEOQHJnB\"\u003e\u003cdiv class=\"playlist_b3HinrFN7N\" data-lazyload-listened=\"3\"\u003e\n\u003cdiv class=\"top_aeCnltbxbE gradient_aeCnltbxbE\"\u003e\u003c\/div\u003e\n\u003ch3 class=\"categoryTitle_b3HinrFN7N\"\u003eLearn from B\u0026amp;H Experts\u003c\/h3\u003e\n\u003cbutton class=\"item_b3HinrFN7N itemActive_b3HinrFN7N\"\u003e\u003cdiv class=\"thumb_b3HinrFN7N\"\u003e\u003cdiv class=\"lazyload-wrapper \"\u003e\u003cimg src=\"https:\/\/img.youtube.com\/vi\/6-kSX35WgkM\/mqdefault.jpg\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"name_b3HinrFN7N\"\u003e\u003cdiv class=\"text_TAw0W35QK_ compact_TAw0W35QK_ sizeBody2_TAw0W35QK_ weightBold_TAw0W35QK_ savings_i3MsQsqoe0\"\u003eNAB2019: ALEXA Mini LF\u003c\/div\u003e\u003c\/div\u003e\u003c\/button\u003e\u003ch3 class=\"categoryTitle_b3HinrFN7N\"\u003eFrom Manufacturer\u003c\/h3\u003e\n\u003cbutton class=\"item_b3HinrFN7N\"\u003e\u003cdiv class=\"thumb_b3HinrFN7N\"\u003e\u003cdiv class=\"lazyload-wrapper \"\u003e\u003cimg src=\"https:\/\/img.youtube.com\/vi\/UtmNpRU96v8\/mqdefault.jpg\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"name_b3HinrFN7N\"\u003e\u003cdiv class=\"text_TAw0W35QK_ compact_TAw0W35QK_ sizeBody2_TAw0W35QK_ weightBold_TAw0W35QK_ primary_i3MsQsqoe0 hoverUnderline_TAw0W35QK_\"\u003eALEXA Mini LF Showreel\u003c\/div\u003e\u003c\/div\u003e\u003c\/button\u003e\u003cbutton class=\"item_b3HinrFN7N\"\u003e\u003cdiv class=\"thumb_b3HinrFN7N\"\u003e\u003cdiv class=\"lazyload-wrapper \"\u003e\u003cimg src=\"https:\/\/img.youtube.com\/vi\/wx3S9-oVaqs\/mqdefault.jpg\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"name_b3HinrFN7N\"\u003e\u003cdiv class=\"text_TAw0W35QK_ compact_TAw0W35QK_ sizeBody2_TAw0W35QK_ weightBold_TAw0W35QK_ primary_i3MsQsqoe0 hoverUnderline_TAw0W35QK_\"\u003eEfficient Rigging for ALEXA Mini LF\u003c\/div\u003e\u003c\/div\u003e\u003c\/button\u003e\u003cdiv class=\"bottom_aeCnltbxbE gradient_aeCnltbxbE\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"player_bNwEOQHJnB\"\u003e\u003cdiv class=\"lazyload-wrapper \"\u003e\u003cdiv class=\"container_Nvv9thaUIK\" data-selenium=\"videoPlayerYouTube\"\u003e\u003cdiv class=\"aspectRatioWrapper_Nvv9thaUIK\"\u003e\u003ciframe class=\"iframe_Nvv9thaUIK\" frameborder=\"0\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" title=\"NAB 2019 | ARRI ALEXA Mini LF\" width=\"100%\" height=\"100%\" src=\"https:\/\/www.youtube.com\/embed\/6-kSX35WgkM?autoplay=0\u0026amp;start=0\u0026amp;rel=0\u0026amp;enablejsapi=1\u0026amp;origin=https%3A%2F%2Fwww.bhphotovideo.com\u0026amp;widgetid=1\u0026amp;forigin=https%3A%2F%2Fwww.bhphotovideo.com%2Fc%2Fproduct%2F1470347-REG%2Farri_k0_0024310_alexa_mini_lf_and.html\u0026amp;aoriginsup=1\u0026amp;vf=6\" id=\"widget2\" data-gtm-yt-inspected-6=\"true\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"lazyload-wrapper \"\u003e\u003cdiv\u003e\u003cimg class=\"writersImage_xWkRVkH5Ow\" data-selenium=\"bioProfileImage\" src=\"\/cdn-cgi\/image\/fit=scale-down,width=270\/https:\/\/static.bhphotovideo.com\/explora\/sites\/default\/files\/2025-02\/bioContainer_jennifer-hahn_text.jpg\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"productDescription_UbV5SNP5Eo\" data-selenium=\"overviewLongDescription\"\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cp\u003eThe \u003cb\u003eARRI ALEXA Mini LF\u003c\/b\u003e (LPL) camera in this Lens Mount Set uses a large-format 4K development of the original ALEXA sensor. Three native 4K sensor modes support ARRIRAW or ProRes capture in LF Open Gate, LF 16:9, and LF 2.39:1. Combining large-format resolution with an optimal pixel size produces excellent image quality, including vivid nuance, natural skin color, and smooth bokeh. The large-format-optimized ARRI LPL mount accepts all PL lenses through a PL-to-LPL adapter. A wider opening and shorter flange focal distance than the original ARRI PL design allow smaller, lighter LPL optics.\u003cbr\u003e\n\u003cbr\u003e\nCombining characteristics of the ALEXA LF and ALEXA Mini, the ALEXA Mini LF retains the LF sensor inside a Mini-style body. Its redesigned exterior places a media compartment on the left, two connector rows on the rear, and a slot for 1TB Codex media. Six configurable user buttons provide three more than the Mini. Additional connections include 12 and 24V power outputs plus a black-burst\/tri-level input. Moving audio to a 6-pin connector prevents interference with the 5-pin timecode port.\u003cbr\u003e\n\u003cbr\u003e\nThe Mini LF records MXF ARRIRAW and MXF ProRes formats to 1TB Codex capture drives. Footage is effectively prepared for future HDR displays through EI 800 base sensitivity, 16-bit processing, and more than 14 stops of dynamic range. Rates reaching 90 fps produce smooth slow-motion footage and higher-clarity HFR (High Frame Rate) acquisition.\u003cbr\u003e\n\u003cbr\u003e\nIts internal Large-Format Full-Spectrum Neutral Density (LF FSND) system supplies 0.6, 1.2, and 1.8 filtration. Further functions include support for existing ARRI Look files and workflows, playback of MXF ARRIRAW and MXF ProRes clips, and two-channel audio input through a 6-pin XLR connection.\u003cbr\u003e\n\u003cbr\u003e\nThis set combines the ALEXA Mini LF body with an ARRI LPL lens mount and PL-to-LPL adapter, enabling work with varied lenses.\u003c\/p\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv style=\"scroll-margin-top:268px\"\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eLarge Full-Frame Sensor with Three Operating Modes\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHigh resolution is paired with optimal pixel dimensions to maintain the excellent image quality associated with the broader ALEXA range. The three recording areas are 4448 x 3096 Open Gate, 3840 x 2160 16:9, and 4448 x 1856 2.39:1 anamorphic.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eNative 4K Recording with ALEXA Image Quality\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe ALEXA Mini LF captures natural-looking skin tones and richly nuanced, vivid imagery in native 4K. Colorimetry compatible with WCG (Wide Color Gamut) and HDR (High Dynamic Range) workflows supports a subtle and immersive visual character.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eArray of Recording Choices\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eWith Codex capture drives, available rates extend to 40 fps in both MXF ARRIRAW and MXF ProRes 4444 XQ for LF Open Gate; 90 fps MXF ARRIRAW and 60 fps MXF ProRes 4444 XQ for LF 16:9; and 60 fps in both formats for LF 2.39:1 anamorphic. All three sensor configurations offer MXF ARRIRAW and MXF ProRes 444 XQ\/4444\/422 HQ\/422 options.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eWide Exposure Latitude\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eHDR production benefits from a base sensitivity of ASA 800, reduced noise, and 14+ stops of dynamic range.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eNew LPL Lens Mount\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eIntegrated into the ALEXA Mini LF, the LPL mount is designed expressly for large-format sensors. Relative to the original ARRI PL mount, its wider diameter and shorter flange focal depth enable more compact, lighter-weight LPL lenses than earlier large-format designs.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eARRI Signature Primes\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe 16 separately available ARRI Signature Primes are large-format LPL lenses spanning 12 to 280mm. Their imagery features natural skin color, smooth bokeh, and an organically pleasing quality. ARRI's fast, comprehensive LDS-2 metadata system is included, while machined-magnesium bodies improve durability and reduce weight.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eCompatible with PL Lenses, ALEXA Accessories, and Workflow Tools\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eMost lenses, accessories, and production workflows built around the ALEXA Mini remain compatible with the ALEXA Mini LF, including established ARRI Look files and software utilities. A separately sold PL-to-LPL adapter works with any Super 35 or full-frame PL lens. The camera transmits information from LDS-2, LDS-1, and Cooke \/i lens-data systems.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eImage Processing\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eInternal: 16-bit linear processing in full ALEXA Wide Gamut\/Log C color space\u003cbr\u003e\nTarget Output: Log C, Rec 709, or Rec 2020 color spaces\u003cbr\u003e\nSupports ARRI Look File (ALF-2) with CDL values and a 3D LUT\u003cbr\u003e\n3D LUTs available for SDR, HDR PQ, and HDR HLG\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eInternal ND Filter\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eSelect among integrated Large-Format Full-Spectrum Neutral Density (LF FSND) filtration at ND 0.6, 1.2, or 1.8.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePlayback\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eReview MXF ProRes and MXF ARRIRAW footage directly on the ALEXA Mini LF.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/article\u003e","brand":"Arri","offers":[{"title":"Default Title","offer_id":45818828849205,"sku":"K0.0024310","price":0.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1553752231_1470347.webp?v=1785236092"},{"product_id":"arri-alexa-lf-basic-camera-set-lpl","title":"ARRI ALEXA LF Basic Camera Set (LPL)","description":"\u003carticle class=\"content_nffexWQFRT\"\u003e\u003cdiv class=\"overviewVideosContainer_nffexWQFRT\"\u003e\u003cdiv data-selenium=\"overviewVideos\"\u003e\u003cdiv class=\"container_b3HinrFN7N videosPlaylistContainer_bNwEOQHJnB\"\u003e\u003cdiv class=\"player_bNwEOQHJnB\"\u003e\u003cdiv class=\"lazyload-wrapper \"\u003e\u003cdiv class=\"container_Nvv9thaUIK\" data-selenium=\"videoPlayerYouTube\"\u003e\u003cdiv class=\"aspectRatioWrapper_Nvv9thaUIK\"\u003e\u003ciframe class=\"iframe_Nvv9thaUIK\" frameborder=\"0\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" title=\"First Look | ARRI ALEXA LF Pro Camera\" width=\"100%\" height=\"100%\" src=\"https:\/\/www.youtube.com\/embed\/zA6tUJiMqAo?autoplay=0\u0026amp;start=0\u0026amp;rel=0\u0026amp;enablejsapi=1\u0026amp;origin=https%3A%2F%2Fwww.bhphotovideo.com\u0026amp;widgetid=1\u0026amp;forigin=https%3A%2F%2Fwww.bhphotovideo.com%2Fc%2Fproduct%2F1389652-REG%2Farri_k0_0019228_alexa_lf_basic_camera.html\u0026amp;aoriginsup=1\u0026amp;gporigin=https%3A%2F%2Fwww.google.com%2F\u0026amp;vf=1\" id=\"widget2\" data-gtm-yt-inspected-6=\"true\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"productDescription_UbV5SNP5Eo\" data-selenium=\"overviewLongDescription\"\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cp\u003eThis Basic Camera Set includes the \u003cb\u003eARRI ALEXA LF\u003c\/b\u003e (LPL), which builds upon the original ALEXA imaging platform with a large-format 4K sensor. Native 4K capture is available across LF Open Gate, LF 16:9, and LF 2.39:1 operating modes, with recording in either ARRIRAW or ProRes. By pairing large-format resolution with an optimized pixel size, the camera produces detailed, expressive images characterized by lifelike skin tones and fluid bokeh. ARRI's integrated LPL mount is engineered for large-format acquisition, while a PL-to-LPL adapter permits the use of any PL-mount lens. Because LPL has a larger diameter and shallower flange depth than the original ARRI PL standard, compatible large-format lenses may be designed with less size and weight.\u003c\/p\u003e\n\u003cp\u003eRecording choices on the ALEXA SXT LF encompass ARRIRAW and ProRes using 1 or 2TB SXR Capture Drives or 256GB SxS PRO+ cards. An EI 800 base sensitivity, 16-bit processing, and more than 14 stops of dynamic range prepare captured material for HDR-display workflows. Maximum frame rates of 150 fps support smooth slow-motion imagery and clearer HFR (High Frame Rate) production.\u003c\/p\u003e\n\u003cp\u003eThe ALEXA LF incorporates the wireless features of the ALEXA SXT W, including Wi-Fi and support for ARRI ECS camera and lens-control systems. Supplied in the set, a WVR-1 receiver handles wireless video across distances reaching 2000'. Its internal holder accepts any one of eight separately sold Large Format Full Spectrum Neutral Density (LF FSND) filters. The camera also supports established ARRI Look files and workflows, plays both ARRIRAW and ProRes clips, and provides 2-channel audio through a 5-pin XLR input. Additional components in the Basic Set include SXR and SxS media adapters, an EVF-1 electronic viewfinder with VMB-3 bracket and cable, a CCH-1 center carrying handle, and an SD card for loading or retaining LUTs, SUPs, and related data.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv style=\"scroll-margin-top: 268px;\"\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eThree Modes on a Large Full-Frame Sensor\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eAs with the wider ALEXA family, the ALEXA LF balances high resolution against an optimized pixel size to achieve excellent imaging performance. Available recording areas are 4448 x 3096 Open Gate, 3840 x 2160 16:9, and 4448 x 1856 2.39:1 anamorphic.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eALEXA Rendering in Native 4K\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eNative 4K recording preserves the nuanced color, vivid detail, and natural skin-tone reproduction associated with ALEXA cameras. Colorimetry supports HDR (High Dynamic Range) and WCG (Wide Color Gamut) pipelines, contributing to a restrained and immersive visual character.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eExtensive Recording Formats\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eWith SXR Capture Drives, LF Open Gate supports up to 90 fps in ARRIRAW and 40 fps in ProRes 4444 XQ. LF 16:9 reaches 90 fps ARRIRAW or 60 fps ProRes 4444 XQ, while LF 2.39:1 anamorphic extends to 150 fps ARRIRAW and 60 fps ProRes 4444 XQ. Every sensor mode also offers ARRIRAW and ProRes 444 XQ\/4444\/422 HQ\/422 recording.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBroad Exposure Range\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eReduced image noise, ASA 800 base sensitivity, and 14+ stops of dynamic range complement HDR-oriented production workflows.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePurpose-Built LPL Mount\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eIntegrated into the ALEXA LF, the LPL mount was developed specifically around large-format image sensors. Its diameter exceeds that of the original ARRI PL mount while its flange focal depth is shorter, enabling large-format LPL optics to be made more compact and lightweight.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eARRI Signature Prime Family\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eARRI's separately available Signature Prime collection contains 16 large-format LPL-mount focal lengths spanning 12 to 280mm. These lenses render organic imagery with natural skin tones and soft bokeh. Machined-magnesium construction reduces weight while maintaining durability, and the LDS-2 system communicates comprehensive lens metadata rapidly.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eSupport for PL Optics, ALEXA Hardware \u0026amp; Established Workflows\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eExisting ALEXA-compatible accessories, lenses, software tools, and ARRI Look files can continue to be used with the ALEXA LF. A separately purchased PL-to-LPL adapter accommodates both Super 35 and full-frame PL-mount lenses. Lens information may be received through LDS-2, LDS-1, or Cooke \/i systems.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eWireless Features Shared with ALEXA SXT W\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eLike the ALEXA SXT W, the ALEXA LF integrates both Wi-Fi and a wireless video transmitter. This provides immediate support for the included WVR-1 video receiver and various ARRI ECS (electronic lens\/camera control system) components. Keeping wireless hardware inside the camera reduces rig weight, shortens setup time, and limits excess cabling on set.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eProcessing and Color Output\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eInternal: 16-bit linear processing in full ALEXA Wide Gamut\/Log C color space\u003cbr\u003e\nTarget Output: Log C, Rec 709, or Rec 2 color spaces\u003cbr\u003e\nSupports ARRI Look File (ALF-2) with CDL values and a 3D LUT\u003cbr\u003e\n3D LUTs available for SDR, HDR PQ, and HDR HLG\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eInternal Neutral-Density Holder\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe ALEXA LF allows one of eight available Large-Format Full-Spectrum Neutral Density (LF FSND) filters to be inserted manually ahead of the sensor, covering strengths from ND 0.3 through ND 2.4.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eIn-Camera Clip Review\u003c\/h4\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eARRIRAW and ProRes footage can be played back directly through the ALEXA LF.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/article\u003e","brand":"Arri","offers":[{"title":"Default Title","offer_id":45819272233013,"sku":"K0.0019228","price":0.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1518025004_1389652.webp?v=1785249609"},{"product_id":"arri-alura-45-250mm-t2-6-f-telephoto-studio-zoom-with-pl-mount","title":"ARRI Alura 45-250mm T2.6 F Telephoto Studio Zoom with PL Mount","description":"\u003cdiv class=\"tab-popup-content\"\u003e\n\u003cp\u003eCombining their considerable experience, ARRI and FUJINON developed an entirely new series of contemporary cinema zoom lenses. Advanced optical-design tools and innovative production methods allow the ARRI\/FUJINON Alura Zooms to deliver exceptional optical performance while remaining remarkably compact, lightweight, and competitively priced. Their color rendition and operational feel coordinate with the established prime lenses in ARRI's extensive lineup. ARRI also offers two newly designed extenders—1.4x and 2x—created specifically for FUJINON PL-mount zooms. Together, these products form an exceptionally broad professional cinema-lens selection encompassing zooms, high-speed and standard-speed primes, extreme wide-angle and telephoto primes, macro optics, extenders, and diopters.\n\u003c\/p\u003e\n\u003cb\u003e Features \u003c\/b\u003e\u003cbr\u003e\n• Maintains a fast T2.6 aperture throughout the complete 45-250mm focal range\u003cbr\u003e\n• Designed around the ARRI ALEXA 2K 16:9 format, with coverage extending through Super 35mm sensors\u003cbr\u003e\n• Standard 0.8 film-pitch gears operate the focus, zoom, and iris mechanisms\u003cbr\u003e\n• A 9-blade diaphragm renders smooth, naturally rounded out-of-focus highlights\u003cbr\u003e\n• Large barrel scales are marked in feet and can be converted to meters by an authorized ARRI service facility\u003cbr\u003e\n            \u003cdiv\u003e\n              \u003cp\u003eID: 49825786134814\u003c\/p\u003e\n            \u003c\/div\u003e\n              \u003c\/div\u003e","brand":"Arri","offers":[{"title":"Default Title","offer_id":45819280818229,"sku":"K2.47933.0","price":0.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/arri_alura_45_250mm_t2_6_f_telephoto_studio_zoom_with_pl_mount_Ne5Pv.webp?v=1785249787"},{"product_id":"arri-artemis-2-live-1-8-shorty","title":"ARRI ARTEMIS 2 Live 1.8\" Shorty","description":"\u003cdiv class=\"tab-popup-content\"\u003e\n\u003cb\u003eNext-generation stabilization\u003c\/b\u003e\n\u003cp\u003eDesigned for cinema and broadcast work, ARTEMIS 2 is a mechanical stabilizer that introduces new capabilities while providing a straightforward route to a TRINITY 2 upgrade. ARRI SAM plates accelerate installation across numerous camera models, and the adaptable battery platform intelligently supplies 12\/24 V power. Counterweight adjustment is aided by a redesigned sled with 19mm rods, while two additional post sizes broaden creative possibilities.\u003c\/p\u003e\n\n\u003cb\u003eEfficient and adaptable\u003c\/b\u003e\n\u003cul class=\"key-ul-in\u0026gt;\n\u0026lt;li\u0026gt;Streamlined workflows across numerous camera systems\u0026lt;\/li\u0026gt;\n\u0026lt;li\u0026gt;Supports every combination of 12 V and 24 V batteries\u0026lt;\/li\u0026gt;\n\u0026lt;li\u0026gt;Offers tool-free and multi-tool adjustment options\u0026lt;\/li\u0026gt;\n\u0026lt;li\u0026gt;Available with three center-post lengths\u0026lt;\/li\u0026gt;\n\u0026lt;li\u0026gt;Compact parts preserve maximum agility\u0026lt;\/li\u0026gt;\n\u0026lt;\/ul\u0026gt;\n\n\u0026lt;b\u0026gt;A lasting investment\u0026lt;\/b\u0026gt;\n\u0026lt;ul class=\" key-ul-in=\"\"\u003e\n\u003cli\u003eRenowned ARRI construction quality\u003c\/li\u003e\n\u003cli\u003eFuture-proof digital connectivity\u003c\/li\u003e\n\u003cli\u003eUpgradeable modular architecture\u003c\/li\u003e\n\u003cli\u003eAccess to ARRI's service and support network\u003c\/li\u003e\n\u003cli\u003eBuilds upon a 20-year record of success\u003c\/li\u003e\n\u003c\/ul\u003e\n            \u003cdiv\u003e\n              \u003cp\u003eID: 49826271461662\u003c\/p\u003e\n            \u003c\/div\u003e\n              \u003c\/div\u003e","brand":"Arri","offers":[{"title":"Default Title","offer_id":45819288059957,"sku":"KK.0052630","price":70151.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/arri_artemis_2_j82Q4.webp?v=1785250142"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/collections\/Digital_Cinematography_Cameras.jpg?v=1784043078","url":"https:\/\/bsn.com.pk\/collections\/digital-cinematography-cameras.oembed?page=3","provider":"Broadcast Systems Network","version":"1.0","type":"link"}