{"title":"Digital Camera","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eThis collection includes full-frame mirrorless, compact, hybrid, and cinema-focused cameras from Sony, Canon, Panasonic, and Nikon. Options cover high-resolution photography, vlogging, travel, run-and-gun production, and combined photo and video workflows.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAvailable models feature advanced autofocus, compact body designs, video-focused recording tools, and both full-frame and Micro Four Thirds sensor formats. Some Panasonic Lumix cameras are also available with kit lenses for a complete camera setup.\u003c\/p\u003e","products":[{"product_id":"canon-eos-r6-mark-iii-mirrorless-camera","title":"Canon EOS R6 Mark III Mirrorless Camera","description":"\u003cdiv class=\"product-overview\"\u003e\n\u003c!-- Product Title --\u003e\n\u003csection class=\"feature\"\u003e\u003cheader class=\"feature-header\"\u003e\n\u003ch2\u003eCanon EOS R6 Mark III Mirrorless Camera\u003c\/h2\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product-description\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c!-- Intro --\u003e\n\u003csection class=\"feature\"\u003e\u003cheader class=\"feature-header\"\u003e\n\u003ch3\u003eThe Super Hybrid\u003c\/h3\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"feature-content\"\u003e\n\u003cp\u003eLooking first at image acquisition, created as a high-performance hybrid for creatives working across photography and footage, the \u003cstrong\u003eCanon EOS R6 Mark III\u003c\/strong\u003e deftly brings together an array of hybrid functions, upgraded image-capture, and revised handling and configuration to suit shooters working in a wide variety of scenarios.\u003c\/p\u003e\n\u003cp\u003eA new 32.5MP sensor pairs with DIGIC X processing to supply 7K footage capture, up to 40-fps photo shooting, improved Dual Pixel CMOS AF II with Register People Priority, more robust 8.5-stop picture stabilization, and the R6 Mark III now additionally accepts both CFexpress Type B and SD memory cards for adaptable file storage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- Videos --\u003e\n\u003csection class=\"feature\"\u003e\n\u003cdiv class=\"media-section\"\u003e\n\u003cdiv class=\"video-playlist\"\u003e\n\u003ch3\u003eFrom Manufacturer\u003c\/h3\u003e\n\u003cdiv class=\"video-item\"\u003e\n\u003cimg alt=\"\" src=\"https:\/\/img.youtube.com\/vi\/-LFlqW_ckjw\/mqdefault.jpg\"\u003e \u003cspan\u003e23:59\u003c\/span\u003e\n\u003ch4\u003eCanon R6 III: The Camera For Everyone?\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"video-item\"\u003e\n\u003cimg alt=\"\" src=\"https:\/\/img.youtube.com\/vi\/-fWkW6UUDQk\/mqdefault.jpg\"\u003e \u003cspan\u003e04:51\u003c\/span\u003e\n\u003ch4\u003eShooting Adventure Sports with the EOS R6 Mark III\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"video-player\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/-LFlqW_ckjw\" height=\"100%\" width=\"100%\" title=\"Canon R6 III: The Camera For Everyone?\"\u003e\n                        \u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/section\u003e\n\u003c!-- Sensor --\u003e\n\u003csection class=\"feature\"\u003e\u003cheader class=\"feature-header\"\u003e\n\u003ch3\u003e32.5MP Full-Frame Sensor and DIGIC X Processing\u003c\/h3\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"feature-media left-media\"\u003e\n\u003cimg alt=\"\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762419909_IMG_2602862.jpg\"\u003e\n\u003cp\u003eOffering a 34% increase in definition over its predecessor, the R6 Mark III sports a 32.5MP full-frame CMOS sensor that supplies greater sharpness, print definition, and cropping ability.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature-media right-media\"\u003e\n\u003cimg alt=\"\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422506_IMG_2602883.gif\"\u003e\n\u003cp\u003eBorrowed from the R3, the R6 Mark III's upgraded processing suits the multimedia nature of the camera. Capable of processing high speed bursts as well as high-res 7K footage, the DIGIC X accommodates up to 40 fps continuous shooting with a silent electronic shutter or 12 fps with a mechanical shutter.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- SCN Shooting Modes --\u003e\n\u003csection class=\"feature\"\u003e\u003cheader class=\"feature-header\"\u003e\n\u003ch4\u003eSCN Shooting Modes\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"feature-content\"\u003e\n\u003cp\u003eMade for photography beginners and for users seeking a convenient option instead of post-production, a variety of SCN settings can affect how photos look directly in camera:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe R6 Mark III is the most advanced camera to feature SCN modes that adjust shooting settings using scene-specific auto exposure.\u003c\/li\u003e\n\u003cli\u003eAvailable modes include Portrait, Smooth Skin Portrait, Group Photo, Landscape, Panoramic Shot, Sports, Kids, Panning, Close-up, Food, Night Portrait, Handheld Night Scene, HDR Backlight Control, and Silent Shutter.\u003c\/li\u003e\n\u003cli\u003eFor video applications, Smooth Skin Movie, Close-Up Demos, Movie IS, and HDR settings can be used.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/section\u003e\n\u003c!-- Video Recording --\u003e\n\u003csection class=\"feature\"\u003e\u003cheader class=\"feature-header\"\u003e\n\u003ch3\u003e7K Video Recording\u003c\/h3\u003e\n\u003c\/header\u003e\n\u003cp\u003eBeyond photography, the R6 Mark III is a highly capable video camera that suits creators working across mediums.\u003c\/p\u003e\n\u003cdiv class=\"feature-media right-media\"\u003e\n\u003cimg alt=\"\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422506_IMG_2602884.gif\"\u003e\n\u003cul\u003e\n\u003cli\u003eInternally record 7K video up to 60p in 12-bit Canon RAW Light Movie.\u003c\/li\u003e\n\u003cli\u003e4K FINE mode employs oversampling for improved image quality in DCI 4K and UHD 4K.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature-media left-media\"\u003e\n\u003cimg alt=\"\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422506_IMG_2602888.gif\"\u003e\n\u003cul\u003e\n\u003cli\u003eOpen Gate 3:2 recording is possible in 7K 30p in 10-bit MP4 or 12-bit RAW formats.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature-media right-media\"\u003e\n\u003cimg alt=\"\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422506_IMG_2602885.gif\"\u003e\n\u003cul\u003e\n\u003cli\u003eSupports DCI 4K and UHD 4K recording at up to 119.8p for 5x slow motion playback.\u003c\/li\u003e\n\u003cli\u003eNew Slow and Fast Motion (S\u0026amp;F) mode available from the mode dial.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c!-- LUTs --\u003e\n\u003csection class=\"feature\"\u003e\u003cheader class=\"feature-header\"\u003e\n\u003ch4\u003eLUTs and Color Control\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp\u003eFor more in-camera control over the look of footage, the R6 Mark III incorporates several color and style tools.\u003c\/p\u003e\n\u003cdiv class=\"feature-media right-media\"\u003e\n\u003cimg alt=\"\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422506_IMG_2602882.gif\"\u003e\n\u003cul\u003e\n\u003cli\u003eCanon Log 2 provides improved dynamic range and 15+ stops of latitude.\u003c\/li\u003e\n\u003cli\u003eLUTs can be loaded directly into the camera.\u003c\/li\u003e\n\u003cli\u003e14 Color Filters available for JPEG photos and MP4 videos.\u003c\/li\u003e\n\u003cli\u003eCustom Picture menu includes Canon Log 2, Log 3, HLG, PQ, and more.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c!-- Additional Video Functions --\u003e\n\u003csection class=\"feature\"\u003e\u003cheader class=\"feature-header\"\u003e\n\u003ch4\u003eAdditional Video Functions\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cul\u003e\n\u003cli\u003eMagnify button allows focus checking while recording.\u003c\/li\u003e\n\u003cli\u003ePre-Recording captures up to 5 seconds before pressing record.\u003c\/li\u003e\n\u003cli\u003eAuto Level adjusts the sensor to maintain level horizons.\u003c\/li\u003e\n\u003cli\u003eFocus breathing correction available with compatible lenses.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/section\u003e\n\u003c!-- Embedded Video --\u003e\n\u003csection class=\"feature\"\u003e\n\u003cdiv class=\"video-player\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/-fWkW6UUDQk\" height=\"100%\" width=\"100%\" title=\"Watch Keith Ladzinski Shoot Sports with the Canon EOS R6 Mark III\"\u003e\n                    \u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/section\u003e\n\u003c!-- Autofocus --\u003e\n\u003csection class=\"feature\"\u003e\u003cheader class=\"feature-header\"\u003e\n\u003ch3\u003eDual Pixel CMOS AF II\u003c\/h3\u003e\n\u003c\/header\u003e\n\u003cp\u003eUpdated through technology from the EOS R1 and EOS R5 Mark II cameras, the Dual Pixel CMOS AF II system is fast, responsive, and accurate for both stills and footage.\u003c\/p\u003e\n\u003cdiv class=\"feature-media right-media\"\u003e\n\u003cimg alt=\"\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762419889_IMG_2602859.jpg\"\u003e\n\u003cul\u003e\n\u003cli\u003eRecognizes People, Animals, and Vehicles.\u003c\/li\u003e\n\u003cli\u003eRegister People Priority allows prioritizing up to 10 people.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature-media right-media\"\u003e\n\u003cimg alt=\"\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422506_IMG_2602889.gif\"\u003e\n\u003cul\u003e\n\u003cli\u003eFour new AF area options added.\u003c\/li\u003e\n\u003cli\u003eCustom focus preset positions supported.\u003c\/li\u003e\n\u003cli\u003eMovie Servo AF algorithm borrowed from Cinema EOS cameras.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature-media\"\u003e\u003cimg alt=\"\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762419909_IMG_2602865.jpg\"\u003e\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c!-- IBIS --\u003e\n\u003csection class=\"feature\"\u003e\u003cheader class=\"feature-header\"\u003e\n\u003ch3\u003e8.5-Stop Sensor-Shift Image Stabilizer\u003c\/h3\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"feature-media left-media\"\u003e\n\u003cimg alt=\"\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422506_IMG_2602886.gif\"\u003e\n\u003cp\u003eUpgraded IBIS compensates for up to 8.5 stops of camera shake at the center of the frame, and 7.5 stops at the periphery.\u003c\/p\u003e\n\u003cp\u003eMovie Digital IS brings together optical, sensor-shift, and digital stabilization for steadier footage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c!-- Body Design --\u003e\n\u003csection class=\"feature\"\u003e\u003cheader class=\"feature-header\"\u003e\n\u003ch3\u003eBody Design\u003c\/h3\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"feature-media\"\u003e\u003cimg alt=\"\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762419889_IMG_2602860.jpg\"\u003e\u003c\/div\u003e\n\u003c!-- EVF --\u003e\n\u003csection class=\"feature\"\u003e\n\u003cdiv class=\"feature-media right-media\"\u003e\n\u003cimg alt=\"\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422506_IMG_2602887.gif\"\u003e\n\u003cdiv\u003e\n\u003ch4\u003eEVF and Vari-Angle Touchscreen LCD\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e3.69m-dot 0.5\" 0.76x electronic viewfinder.\u003c\/li\u003e\n\u003cli\u003e3.0\" 1.62m-dot vari-angle touchscreen LCD.\u003c\/li\u003e\n\u003cli\u003eIncludes zebra display, false color, and waveform monitor.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c!-- Handling --\u003e\n\u003csection class=\"feature\"\u003e\n\u003cdiv class=\"feature-media right-media\"\u003e\n\u003cimg alt=\"\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422085_IMG_2602880.jpg\"\u003e\n\u003cdiv\u003e\n\u003ch4\u003eReliable and Intuitive Handling\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eDual card slots: CFexpress Type B and SD UHS-II V90.\u003c\/li\u003e\n\u003cli\u003eMagnesium alloy chassis with weather sealing.\u003c\/li\u003e\n\u003cli\u003eShutter durability rated for 500,000 cycles.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c!-- Accessories --\u003e\n\u003csection class=\"feature\"\u003e\n\u003cdiv class=\"feature-media left-media\"\u003e\n\u003cimg alt=\"\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422085_IMG_2602879.jpg\"\u003e\n\u003cul\u003e\n\u003cli\u003eMulti-Function Shoe supports advanced accessories.\u003c\/li\u003e\n\u003cli\u003eCompatible with LP-E6P battery.\u003c\/li\u003e\n\u003cli\u003eOptional BG-R20 battery grip supported.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c!-- Connectivity --\u003e\n\u003csection class=\"feature\"\u003e\u003cheader class=\"feature-header\"\u003e\n\u003ch4\u003eFlexible Connectivity\u003c\/h4\u003e\n\u003c\/header\u003e\n\u003cp\u003eWired and wireless interfacing options are provided for file transfer and remote control.\u003c\/p\u003e\n\u003cdiv class=\"feature-media right-media\"\u003e\n\u003cimg alt=\"\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762424045_IMG_2602969.jpg\"\u003e\n\u003cul\u003e\n\u003cli\u003eUSB-C 3.2 Gen 2 for charging, transfer, and webcam use.\u003c\/li\u003e\n\u003cli\u003e3.5mm headphone and microphone ports.\u003c\/li\u003e\n\u003cli\u003eHDMI output for external recorders.\u003c\/li\u003e\n\u003cli\u003eBluetooth and dual-band Wi-Fi support.\u003c\/li\u003e\n\u003cli\u003eFTP server support and Canon Content Transfer Professional compatibility.\u003c\/li\u003e\n\u003cli\u003eCommunication settings can be saved and loaded easily.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/section\u003e\n\u003c!-- UPC --\u003e\n\u003cdiv class=\"upc\"\u003e\n\u003cimg alt=\"\"\u003e\n\u003cp\u003eUPC: 013803385540\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c!-- Lens --\u003e\n\u003csection class=\"feature\"\u003e\u003cheader class=\"feature-header\"\u003e\n\u003ch2\u003eCanon RF 24-105mm f\/4 L IS USM Lens\u003c\/h2\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"product-description\"\u003e\n\u003cp\u003ePrized for its versatility, the \u003cstrong\u003eRF 24-105mm f\/4 L IS USM\u003c\/strong\u003e from \u003cstrong\u003eCanon\u003c\/strong\u003e is a wide-angle to short telephoto zoom characterized by its constant f\/4 highest aperture.\u003c\/p\u003e\n\u003cp\u003eIdeal for nearly any shooting scenario, this zoom lens integrates a five-stop-effective Picture Stabilizer, customizable Control Ring, Super Spectra Coating, and Nano USM autofocus motor for smooth and silent focusing.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature-list\"\u003e\n\u003cdiv class=\"feature-item\"\u003eStandard wide-angle to telephoto zoom lens for full-frame Canon RF-mount mirrorless cameras.\u003c\/div\u003e\n\u003cdiv class=\"feature-item\"\u003eConstant f\/4 highest aperture maintains consistent illumination throughout the zoom range.\u003c\/div\u003e\n\u003cdiv class=\"feature-item\"\u003eSuper Spectra coating minimizes ghosting and flare.\u003c\/div\u003e\n\u003cdiv class=\"feature-item\"\u003eOptical Picture Stabilizer lowers camera shake by up to five stops.\u003c\/div\u003e\n\u003cdiv class=\"feature-item\"\u003eNano USM system supplies fast, smooth, and quiet autofocus.\u003c\/div\u003e\n\u003cdiv class=\"feature-item\"\u003eConfigurable Control Ring adjusts aperture, ISO, and exposure compensation.\u003c\/div\u003e\n\u003cdiv class=\"feature-item\"\u003eWeather-resistant L-series construction protects against dust and moisture.\u003c\/div\u003e\n\u003cdiv class=\"feature-item\"\u003eRounded nine-blade diaphragm creates smooth bokeh.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":45788237791285,"sku":"7084C002","price":10999.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1762387460_IMG_2600948.jpg?v=1784640524"},{"product_id":"canon-eos-r6-mark-iii-mirrorless-camera-with-24-105mm-f-4-lens","title":"Canon EOS R6 Mark III Mirrorless Camera with 24-105mm f\/4 Lens","description":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch2\u003eCanon EOS R6 Mark III Mirrorless Camera\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eAt the foundation of operation, \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eThe Super Hybrid\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eBuilt to be the high-performance hybrid for creatives working across photography and footage, the Canon EOS R6 Mark III brings together hybrid functions, upgraded image-capture, and improved handling. It incorporates a 32.5MP sensor with DIGIC X processing, 7K footage capture, up to 40 fps shooting, Dual Pixel CMOS AF II, 8.5-stop picture stabilization, and dual CFexpress Type B + SD card slots.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e32.5MP Full-Frame Sensor and DIGIC X Processing\u003c\/div\u003e\nOffering a 32.5MP full-frame CMOS sensor with DIGIC X processor for high picture quality, low noise, and wide sensitivity range. Accommodates fast burst shooting and enhanced footage processing.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eUp to 40 fps continuous shooting (electronic shutter)\u003c\/li\u003e\n\u003cli\u003e12 fps mechanical shutter shooting\u003c\/li\u003e\n\u003cli\u003ePre-continuous shooting mode captures frames before shutter press\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eSCN Shooting Modes\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003ePortrait, Landscape, Sports, Kids, Food, Night Portrait, HDR, Silent Shutter\u003c\/li\u003e\n\u003cli\u003eVideo modes include Smooth Skin Movie and Movie IS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e7K Footage Recording\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e7K 60p 12-bit Canon RAW Light internal recording\u003c\/li\u003e\n\u003cli\u003e7K 30p ProRes RAW (external recorder)\u003c\/li\u003e\n\u003cli\u003e4K oversampled for improved quality\u003c\/li\u003e\n\u003cli\u003eUp to 4K 120p slow motion\u003c\/li\u003e\n\u003cli\u003eFull HD up to 179.8p\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eLUTs and Color Control\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eCanon Log 2 with 15+ stops dynamic range\u003c\/li\u003e\n\u003cli\u003eSupport for LUTs (.cube files)\u003c\/li\u003e\n\u003cli\u003e14 color filters for JPEG\/MP4\u003c\/li\u003e\n\u003cli\u003eCustom Picture profiles including C-Log2, C-Log3, HLG, PQ\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eAdditional Footage Functions\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eFocus magnification while recording\u003c\/li\u003e\n\u003cli\u003ePre-recording up to 5 seconds\u003c\/li\u003e\n\u003cli\u003eAuto Level stabilization\u003c\/li\u003e\n\u003cli\u003eFocus breathing correction\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eDual Pixel CMOS AF II\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eAdvanced subject detection (people, animals, vehicles)\u003c\/li\u003e\n\u003cli\u003eRegister People Priority (up to 10 people)\u003c\/li\u003e\n\u003cli\u003eImproved AF tracking from EOS R1 \/ R5 Mark II tech\u003c\/li\u003e\n\u003cli\u003eCustom AF settings and recall options\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e8.5-Stop Picture Stabilization\u003c\/div\u003e\nIn-body picture stabilization offers up to 8.5 stops compensation, improving handheld shooting and footage stability.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eBody Design\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eMagnesium alloy body with weather sealing\u003c\/li\u003e\n\u003cli\u003e3.69m-dot OLED EVF with OVF View Assist\u003c\/li\u003e\n\u003cli\u003e3.0\" vari-angle touchscreen LCD\u003c\/li\u003e\n\u003cli\u003eDual card slots (CFexpress Type B + SD UHS-II)\u003c\/li\u003e\n\u003cli\u003eRated for 500,000 shutter cycles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eConnectivity\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eUSB-C 3.2 Gen 2\u003c\/li\u003e\n\u003cli\u003eHDMI, mic, and headphone ports\u003c\/li\u003e\n\u003cli\u003eWi-Fi and Bluetooth\u003c\/li\u003e\n\u003cli\u003eFTP transfer support\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eCanon RF 24-105mm f\/4 L IS USM Lens\u003c\/div\u003e\nVersatile zoom lens with constant f\/4 aperture, 5-stop picture stabilization, Nano USM autofocus, and L-series weather-sealed build.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e24–105mm full-frame zoom range\u003c\/li\u003e\n\u003cli\u003eConstant f\/4 aperture\u003c\/li\u003e\n\u003cli\u003e5-stop optical stabilization\u003c\/li\u003e\n\u003cli\u003eNano USM fast, silent autofocus\u003c\/li\u003e\n\u003cli\u003eWeather-sealed L-series construction\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":45788237856821,"sku":"7084C010","price":14699.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1762387460_IMG_2600948_cdbaa0a4-795d-4220-9014-9af62b9d9234.jpg?v=1784640525"},{"product_id":"canon-eos-r6-mark-iii-mirrorless-camera-with-24-105mm-f-4-7-1-lens","title":"Canon EOS R6 Mark III Mirrorless Camera with 24-105mm f\/4-7.1 Lens","description":"\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eCanon EOS R6 Mark III Mirrorless Camera\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"productDescription_UbV5SNP5Eo\" data-selenium=\"overviewLongDescription\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eThe Super Hybrid\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBuilt to be the high-performance hybrid for creatives working across photography and footage, the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eCanon EOS R6 Mark III\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003edeftly brings together an array of hybrid functions, upgraded image-capture, and revised handling and configuration to suit shooters working in a wide variety of scenarios. A new 32.5MP sensor pairs with DIGIC X processing to supply 7K footage capture, up to 40-fps photo shooting, improved Dual Pixel CMOS AF II with Register People Priority, more robust 8.5-stop picture stabilization, and the R6 Mark III now additionally accepts both CFexpress Type B and SD memory cards for adaptable file storage.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"media_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\n\u003cdiv data-selenium=\"overviewVideos\"\u003e\n\u003cdiv class=\"container_b3HinrFN7N videosPlaylistContainer_bNwEOQHJnB\"\u003e\n\u003cdiv class=\"playlistContainer_b3HinrFN7N playlistContainer_bNwEOQHJnB\"\u003e\n\u003cdiv class=\"playlist_b3HinrFN7N\" data-lazyload-listened=\"2\"\u003e\n\u003ch3 class=\"categoryTitle_b3HinrFN7N\"\u003eFrom Manufacturer\u003c\/h3\u003e\n\u003cdiv class=\"thumb_b3HinrFN7N\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\n\u003cimg src=\"https:\/\/img.youtube.com\/vi\/-LFlqW_ckjw\/mqdefault.jpg\"\u003e\u003cspan class=\"timestamp_b3HinrFN7N\"\u003e23:59\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"name_b3HinrFN7N\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ compact_TAw0W35QK_ sizeBody2_TAw0W35QK_ weightBold_TAw0W35QK_ savings_i3MsQsqoe0\"\u003eCanon R6 III: The Camera For Everyone?\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"thumb_b3HinrFN7N\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\n\u003cimg src=\"https:\/\/img.youtube.com\/vi\/-fWkW6UUDQk\/mqdefault.jpg\"\u003e\u003cspan class=\"timestamp_b3HinrFN7N\"\u003e04:51\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"name_b3HinrFN7N\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ compact_TAw0W35QK_ sizeBody2_TAw0W35QK_ weightBold_TAw0W35QK_ primary_i3MsQsqoe0 hoverUnderline_TAw0W35QK_\"\u003eShooting Adventure Sports with the EOS R6 Mark III\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"player_bNwEOQHJnB\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\n\u003cdiv class=\"container_Nvv9thaUIK\" data-selenium=\"videoPlayerYouTube\"\u003e\n\u003cdiv class=\"aspectRatioWrapper_Nvv9thaUIK\"\u003e\u003ciframe class=\"iframe_Nvv9thaUIK\" title=\"Canon R6 III: The Camera For Everyone?\" width=\"100%\" height=\"100%\" src=\"https:\/\/www.youtube.com\/embed\/-LFlqW_ckjw?autoplay=0\u0026amp;start=0\u0026amp;rel=0\u0026amp;enablejsapi=1\u0026amp;origin=https%3A%2F%2Fwww.bhphotovideo.com\u0026amp;widgetid=1\u0026amp;forigin=https%3A%2F%2Fwww.bhphotovideo.com%2Fc%2Fproduct%2F1930516-REG%2Fcanon_7084c018_eos_r6_mark_iii.html%2Foverview\u0026amp;aoriginsup=1\u0026amp;gporigin=https%3A%2F%2Fwww.google.com%2F\u0026amp;vf=1\" id=\"widget2\" data-gtm-yt-inspected-6=\"true\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e32.5MP Full-Frame Sensor and DIGIC X Processing\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762419909_IMG_2602862.jpg\" class=\"pointer_pdnKDph4rT\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eOffering a 34% increase in definition over its predecessor, the R6 Mark III sports a 32.5MP full-frame CMOS sensor that supplies greater sharpness, print definition, and cropping ability. This sensor pairs with a DIGIC X processor to help produce excellent picture quality, low noise, and a broad sensitivity range. Additionally, the processing power manages the enhanced Dual Pixel CMOS AF II system along with continuous shooting, footage capture, and IBIS functions.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422506_IMG_2602883.gif\" class=\"pointer_pdnKDph4rT\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBorrowed from the R3, the R6 Mark III's upgraded processing suits the multimedia nature of the camera. Capable of processing high speed bursts as well as high-res 7K footage, the DIGIC X allows up to 40 fps continuous shooting with a silent electronic shutter or 12 fps with a mechanical shutter, with AF and AE readings before each frame. There is additionally a Pre-Continuous Shooting setting that permits capturing an extra 20 frames prior to fully pressing the shutter button, to make sure you don't miss split-second movements.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle4_TAw0W35QK_ weightBold_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eSCN Shooting Modes\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eIntended for newcomers to photography, or those looking for a convenient alternative to post-production, a variety of SCN settings can affect how photos look directly in camera:\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eThe R6 Mark III is the most advanced camera to feature SCN modes that adjust shooting settings using scene-specific auto exposure. The available modes include Portrait, Smooth Skin Portrait, Group Photo, Landscape, Panoramic Shot, Sports, Kids, Panning, Close-up, Food Night Portrait, Handheld Night Scene, HDR Backlight Control, and even Silent Shutter.\u003c\/li\u003e\n\u003cli\u003eFor video applications, Smooth Skin Movie, Close-Up Demos, Movie IS, and HDR settings can be used.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e7K Footage Recording\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBeyond photography, the R6 Mark III is a highly capable video camera that suits creators working across mediums:\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422506_IMG_2602884.gif\" class=\"pointer_pdnKDph4rT\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eUsing a similar sensor to the EOS C50 Cinema Camera, the R6 Mark III can internally record 7K video up to 60p in 12-bit Canon RAW Light Movie. If recording externally, to an optional external recorder, 7K footage up to 30p in ProRes RAW can be shot.\u003c\/li\u003e\n\u003cli\u003eFor especially sharp and clean footage, 4K FINE mode employs oversampling for improved image quality in DCI 4K and UHD 4K resolutions in the XF AVC S format.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422506_IMG_2602888.gif\" class=\"pointer_pdnKDph4rT\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eOpen Gate 3:2 recording is possible in 7K 30p in 10-bit MP4 or 12-bit RAW formats; Open Gate recording is especially useful for those producing social media videos as there is a greater recording area to crop from when resizing footage to vertical 9:16 format or to other unique aspect ratios, like 1:1, 4:3, or 4:5.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422506_IMG_2602885.gif\" class=\"pointer_pdnKDph4rT\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eOne of the biggest improvements over the R6 Mark II, the R6 Mark III has much-improved slow-motion\/high-speed recording capabilities. It now supports both DCI 4K and UHD 4K recording at up to 119.8p for 5x slow motion playback in a 23.98p timeline. When you move down to DCI 2K and Full HD resolutions, 179.8p recording is possible. And, audio recording is supported for all resolutions and frame rate options except in S\u0026amp;F mode.\u003c\/li\u003e\n\u003cli\u003eA new Slow and Fast Motion (S\u0026amp;F) mode can be accessed from the Mode dial with control over the resolution, frame rate, playback speed, and compression.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle4_TAw0W35QK_ weightBold_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eLUTs and Color Control\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eFor more in-camera control over the look of footage, the R6 Mark III has a handful of color and style tools to affect the look of your imagery:\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422506_IMG_2602882.gif\" class=\"pointer_pdnKDph4rT\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe Canon Log 2 profile can be used to improve dynamic range and gain 15+ stops of exposure latitude for more control while color grading.\u003c\/li\u003e\n\u003cli\u003eLUTs can be used in-camera via the Apply Look function; you can register 17-grid or 33-grid .cube LUTs and register them as Custom Picture files to apply directly while recording. LUTs can also be transferred to the camera via the Canon Camera Connect app.\u003c\/li\u003e\n\u003cli\u003e14 Color Filters are a convenient way to directly add color and tone adjustment directly to JPEG photos or MP4 videos.\u003c\/li\u003e\n\u003cli\u003eA new Custom Picture menu provides direct access to Canon Log 2, Canon Log 3, HLG, PQ, Canon 709, BT.709, Color Filters, and other user adjustable parameters.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle4_TAw0W35QK_ weightBold_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eAdditional Footage Functions\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003ePressing the Magnify button while recording lets you enlarge the image to check focus without interrupting the clip.\u003c\/li\u003e\n\u003cli\u003ePre-Recording starts recording a clip up to 5-second prior to pressing the record button to help ensure you don't miss an unpredictable moment.\u003c\/li\u003e\n\u003cli\u003eAuto Level works in conjunction with the In-Body Image Stabilizer to adjust the sensor so it's level to the scene's horizon.\u003c\/li\u003e\n\u003cli\u003eFocus breathing correction can be used with compatible lenses to mitigate the effects of optical focus breathing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"media_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\n\u003cdiv class=\"videoContainer_pdnKDph4rT\" data-selenium=\"videoIframe\"\u003e\n\u003cdiv class=\"container_Nvv9thaUIK\" data-selenium=\"videoPlayerYouTube\"\u003e\n\u003cdiv class=\"aspectRatioWrapper_Nvv9thaUIK\"\u003e\u003ciframe class=\"iframe_Nvv9thaUIK\" title=\"Watch Keith Ladzinski Shoot Sports with the Canon EOS R6 Mark III\" width=\"100%\" height=\"100%\" src=\"https:\/\/www.youtube.com\/embed\/-fWkW6UUDQk?autoplay=0\u0026amp;start=0\u0026amp;rel=0\u0026amp;enablejsapi=1\u0026amp;origin=https%3A%2F%2Fwww.bhphotovideo.com\u0026amp;widgetid=3\u0026amp;forigin=https%3A%2F%2Fwww.bhphotovideo.com%2Fc%2Fproduct%2F1930516-REG%2Fcanon_7084c018_eos_r6_mark_iii.html%2Foverview\u0026amp;aoriginsup=1\u0026amp;gporigin=https%3A%2F%2Fwww.google.com%2F\u0026amp;vf=1\" id=\"widget4\" data-gtm-yt-inspected-6=\"true\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eDual Pixel CMOS AF II\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eUpdated through technology from the EOS R1 and EOS R5 Mark II cameras, the Dual Pixel CMOS AF II system is an especially fast, responsive, and accurate focusing system for both stills and footage needs.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762419889_IMG_2602859.jpg\" class=\"pointer_pdnKDph4rT\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eThis phase-detection system has intelligent Subject Detection that can recognize People, Animal, and Vehicle subjects; once detected, Dual Pixel CMOS AF II is adept at locking onto subjects and tracking them while moving.\u003c\/li\u003e\n\u003cli\u003eFeatured for the first time in an EOS 6-series camera, Register People Priority allows you to photograph a person and register them in-camera to prioritize them over other people in a scene. This helps to acquire focus on your intended subject when photographing in a crowded scene. Up to 10 different people can registered at a time.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422506_IMG_2602889.gif\" class=\"pointer_pdnKDph4rT\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eFour new AF area options have been added, along with the ability to cancel tracking and subject detection, and the R6 Mark III can also register and recall different AF settings to allow for easier mode switching.\u003c\/li\u003e\n\u003cli\u003eCustom button functions can be set to register a focus preset position to function similarly to the focus recall buttons of Canon's super-telephoto lenses.\u003c\/li\u003e\n\u003cli\u003eMovie Servo AF focus algorithm has been borrowed from C400 and C80 cameras to make autofocus pulls look more natural and akin to manual focus pulling.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762419909_IMG_2602865.jpg\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e8.5-Stop Sensor-Shift Picture Stabilizer\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422506_IMG_2602886.gif\" class=\"pointer_pdnKDph4rT\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eAn upgraded In-Body Picture Stabilizer (IBIS) now compensates for up to 8.5 stops of camera shake at the center of the frame, and 7.5 stops at the periphery of the picture, for sharper handheld shooting in low-light conditions and to help lower the appearance of shake whenever recording videos. While greatly benefitting working with non-stabilized lenses, this system can additionally be used with lenses featuring IS with Coordinated Picture Stabilization that pairs both in-body and lens-based IS.\u003cbr\u003e\u003cbr\u003eAdditionally, Movie Digital IS uses the optical and sensor-shift stabilization methods along with digital IS to help acquire steadier footage while moving.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBody Design\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762419889_IMG_2602860.jpg\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422506_IMG_2602887.gif\" class=\"pointer_pdnKDph4rT\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle4_TAw0W35QK_ weightBold_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eEVF and Vari-Angle Touchscreen LCD\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eHigh-resolution 3.69m-dot 0.5\" 0.76x electronic viewfinder provides a bright and detailed means for eye-level viewing and the OVF View Assist feature provides a more lifelike and realistic viewfinder experience with greater dynamic range and rendering inspired by an optical finder.\u003c\/li\u003e\n\u003cli\u003eRear 3.0\" 1.62m-dot LCD touchscreen features a vari-angle design that benefits front-facing recording, such as for vlogging needs, as well as working from high and low shooting angles.\u003c\/li\u003e\n\u003cli\u003eBenefitting video shooters, exposure monitoring tools from Cinema EOS cameras are featured, too, including zebra display, flase color, and waveform monitor.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422085_IMG_2602880.jpg\" class=\"pointer_pdnKDph4rT\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle4_TAw0W35QK_ weightBold_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eReliable and Intuitive Handling\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eEnabling higher-resolution recording at faster speeds, the R6 Mark III sports dual memory card slots—one CFexpress Type B slot and one SD slot with UHS-II V90 card support. This configuration enables photographers to shoot continuously for extended periods of time and for videographers to record at the highest resolution for longer clips.\u003c\/li\u003e\n\u003cli\u003eBuilt for reliability, this camera features a magnesium alloy chassis and touts a dust- and moisture-sealed design that's suitable for working in inclement conditions.\u003c\/li\u003e\n\u003cli\u003eShutter unit has passed 500,000 cycles of durability testing, matching the shutter unit used in the R5 Mark II.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762422085_IMG_2602879.jpg\" class=\"pointer_pdnKDph4rT\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eMulti-Function Shoe uses a row of pins at the front of the design to permit greater accessory functionality as well as provide power to select accessory types that traditionally rely on separate batteries, including the DM-E1D Stereo Microphone, EL-5 Speedlite, and ST-E10 Speedlite Transmitter, among others, as well as the AD-E1 Multi-Function Shoe Adapter to provide compatibility with legacy shoe-mounted accessories.\u003c\/li\u003e\n\u003cli\u003eNow compatible with the upgraded LP-E6P battery, the R6 Mark III is rated for 620 shots per charge.\u003c\/li\u003e\n\u003cli\u003eCompatible with optional Battery Grip BG-R20 for extended battery life and to improve ergonomics when shooting vertically.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle4_TAw0W35QK_ weightBold_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eFlexible Connectivity\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eWired and wireless interfacing options are provided, allowing for several methods of transferring photos and videos, as well as for from a distance controlling the camera.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/1762424045_IMG_2602969.jpg\" class=\"pointer_pdnKDph4rT\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eUSB-C 3.2 Gen 2 port for in-camera charging and file transfers; this port also enables using the camera as a Full HD 30p webcam with support for UVC\/UAC protocols.\u003c\/li\u003e\n\u003cli\u003e3.5mm headphone and external microphone ports.\u003c\/li\u003e\n\u003cli\u003eHDMI port for working with an external recorder.\u003c\/li\u003e\n\u003cli\u003eBluetooth and 5\/2.4 GHz Wi-Fi for wireless transfers and remote camera control from mobile devices via the Canon Camera Connect app.\u003c\/li\u003e\n\u003cli\u003eFTP server function supports professional's needs for sending files directly to computers, servers, or NAS devices and the Canon Content Transfer Professional app supports more advanced transfer needs, including the ability to enter metadata, filter imagery, and sort files.\u003c\/li\u003e\n\u003cli\u003eBorrowed from the R5 Mark II, you can easily save and load communication settings for frequently visited networks.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"upc_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\u003cimg data-selenium=\"overviewUpcImage\" class=\"upcIcon_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html\" data-selenium=\"overviewUpcText\"\u003eUPC: 013803385540\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eCanon RF 24-105mm f\/4-7.1 IS STM Lens\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"productDescription_UbV5SNP5Eo\" data-selenium=\"overviewLongDescription\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cp\u003eConsidering the complete platform, Sleek and versatile, the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eCanon RF 24-105mm f\/4-7.1 IS STM\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis a well-rounded zoom covering wide-angle to short telephoto focal lengths to benefit working in a wide variety of conditions. A variable highest aperture additionally helps to maintain an impressively space-efficient profile to suit everyday shooting needs. Complementing the adaptable configuration is an unique Center Macro Focus position, which permits working with close-up subjects at a 1:2 highest magnification ratio, and an Optical Picture Stabilizer additionally helps to achieve well-defined imagery by minimizing the appearance of camera shake. Additionally, a STM motor affords impressively quiet and smooth autofocus performance and full-time manual focus override. Additionally, a configurable Control Ring lets you refine exposure settings, which include ISO, aperture, and exposure compensation, from the lens itself.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"descriptionAsTitle_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eStandard zoom covers wide-angle to short-telephoto focal lengths to suit working in a variety of situations.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"descriptionAsTitle_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eAn Optical Picture Stabilizer helps to minimize the appearance of camera shake by up to five stops to better permit working in low-light conditions and with slower shutter speeds.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"descriptionAsTitle_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eSTM stepping motor provides fast, quiet, smooth, and accurate autofocus performance that is ideal for footage capture as well as still shooting.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"descriptionAsTitle_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eSpecialized Center Macro Focus setting permits working with a 1:2 highest magnification and a 5.2\" lowest focusing distance to suit photographing close-up subjects.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"descriptionAsTitle_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eConfigurable Control Ring can be used to refine a variety of exposure settings, comprising aperture, ISO, and exposure compensation.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"descriptionAsTitle_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eRounded seven-blade diaphragm contributes to a pleasing bokeh quality.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":45788237987893,"sku":"7084C018","price":12199.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1762387460_IMG_2600911.jpg?v=1784640527"},{"product_id":"canon-powershot-g7-x-mark-iii-digital-camera-black","title":"Canon PowerShot G7 X Mark III Digital Camera (Black)","description":"\n\u003ch1\u003eCanon PowerShot G7 X Mark III Compact Camera\u003c\/h1\u003e\n\n\u003cp\u003eAt the foundation of operation, \nThe \u003cstrong\u003eCanon PowerShot G7 X Mark III\u003c\/strong\u003e is a premium space-efficient camera developed for content creators, vloggers, travelers, and photography enthusiasts who need professional-quality performance in a portable form factor. Combining a large 20.1MP 1-inch stacked CMOS sensor with Canon's powerful DIGIC 8 picture processor, this camera produces stunning picture quality, fast autofocus performance, and enhanced 4K video recording capabilities.\n\u003c\/p\u003e\n\n\u003cp\u003e\nWhether you're creating YouTube content, capturing travel adventures, streaming live events, or shooting everyday moments, the G7 X Mark III delivers impressive versatility with its bright zoom lens, space-efficient design, and wireless connectivity.\n\u003c\/p\u003e\n\n\u003ch2\u003eAdvanced 20.1MP Sensor \u0026amp; DIGIC 8 Performance\u003c\/h2\u003e\n\n\u003cp\u003e\nFundamental to the Canon G7 X Mark III is a high-performance 20.1-megapixel 1-inch stacked CMOS sensor paired with the DIGIC 8 picture processor. This combination enables reliable picture clarity, improved low-light performance, rapid subject tracking, and high-speed continuous shooting.\n\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003e20.1MP 1-inch stacked CMOS sensor\u003c\/li\u003e\n\u003cli\u003eDIGIC 8 image processor\u003c\/li\u003e\n\u003cli\u003eUp to 20 fps continuous shooting\u003c\/li\u003e\n\u003cli\u003eFast autofocus and subject tracking\u003c\/li\u003e\n\u003cli\u003eExcellent low-light image quality\u003c\/li\u003e\n\u003cli\u003eEnhanced color accuracy and detail reproduction\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eHigh-Speed Photography\u003c\/h3\u003e\n\n\u003cp\u003e\nCapture fast-moving subjects with impressive burst shooting speeds, making the camera appropriate for action photography, sports, travel, and spontaneous moments.\n\u003c\/p\u003e\n\n\u003ch2\u003e4K Video Recording for Content Creators\u003c\/h2\u003e\n\n\u003cp\u003e\nThe Canon G7 X Mark III is constructed for modern content creation. It records crisp UHD 4K footage and handles Full HD high-frame-rate capture for smooth slow-motion footage. The camera also allows vertical footage capture, making it ideal for social media platforms such as Instagram Reels, TikTok, YouTube Shorts, and Facebook Stories.\n\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eUHD 4K video recording\u003c\/li\u003e\n\u003cli\u003eFull HD high-frame-rate video\u003c\/li\u003e\n\u003cli\u003eVertical video support\u003c\/li\u003e\n\u003cli\u003eExternal microphone input\u003c\/li\u003e\n\u003cli\u003eClean HDMI output\u003c\/li\u003e\n\u003cli\u003eLive streaming compatibility\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003ePerfect for Vlogging \u0026amp; YouTube\u003c\/h3\u003e\n\n\u003cp\u003e\nDeveloped with creators in mind, the camera delivers features that simplify footage production, including a flip-up touchscreen, outboard microphone support, and wireless interfacing for quick content sharing.\n\u003c\/p\u003e\n\n\u003ch2\u003eBright 24-100mm Equivalent Zoom Lens\u003c\/h2\u003e\n\n\u003cp\u003e\nThe built-in 4.2x optical zoom lens supplies a versatile focal range equivalent to 24-100mm, making it appropriate for landscapes, portraits, street photography, and footage content creation. Its bright f\/1.8-2.8 aperture helps achieve attractive background blur while improving performance in low-light settings.\n\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003e24-100mm equivalent focal range\u003c\/li\u003e\n\u003cli\u003e4.2x optical zoom\u003c\/li\u003e\n\u003cli\u003eBright f\/1.8-2.8 aperture\u003c\/li\u003e\n\u003cli\u003eOptical Image Stabilization\u003c\/li\u003e\n\u003cli\u003eEnhanced low-light shooting capabilities\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eCreative Depth of Field Control\u003c\/h3\u003e\n\n\u003cp\u003e\nThe fast aperture permits operators to create professional-looking pictures with soft background separation, ideal for portraits, device photography, and cinematic footage content.\n\u003c\/p\u003e\n\n\u003ch2\u003eUser-Friendly Design for Travel \u0026amp; Everyday Use\u003c\/h2\u003e\n\n\u003cp\u003e\nDespite its powerful functions, the Canon G7 X Mark III remains space-efficient and lightweight, making it easy to carry during travel, events, and daily photography sessions.\n\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eCompact pocket-sized design\u003c\/li\u003e\n\u003cli\u003e3.0-inch touchscreen LCD\u003c\/li\u003e\n\u003cli\u003e180° flip-up screen for selfies and vlogging\u003c\/li\u003e\n\u003cli\u003eDedicated exposure compensation dial\u003c\/li\u003e\n\u003cli\u003eCustomizable control ring and controls\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eFlip-Up Touchscreen Display\u003c\/h3\u003e\n\n\u003cp\u003e\nThe 180-degree tilting touchscreen makes framing selfies, vlogs, and solo footage recordings simple while delivering intuitive touch controls for focusing and menu navigation.\n\u003c\/p\u003e\n\n\u003ch2\u003eWireless Connectivity \u0026amp; Mobile Integration\u003c\/h2\u003e\n\n\u003cp\u003e\nBuilt-in Wi-Fi and Bluetooth interfacing enable seamless pairing with compatible smartphones and tablets. Operators can transfer photos, share content instantly, and from a distance control the camera through Canon's mobile application.\n\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eBuilt-in Wi-Fi connectivity\u003c\/li\u003e\n\u003cli\u003eBluetooth pairing support\u003c\/li\u003e\n\u003cli\u003eWireless image transfer\u003c\/li\u003e\n\u003cli\u003eRemote camera control via smartphone\u003c\/li\u003e\n\u003cli\u003eUSB charging support\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eIdeal Applications\u003c\/h2\u003e\n\n\u003cul\u003e\n\u003cli\u003eTravel Photography\u003c\/li\u003e\n\u003cli\u003eVlogging \u0026amp; YouTube Content Creation\u003c\/li\u003e\n\u003cli\u003eSocial Media Content Production\u003c\/li\u003e\n\u003cli\u003eStreet Photography\u003c\/li\u003e\n\u003cli\u003eLifestyle Photography\u003c\/li\u003e\n\u003cli\u003eLive Streaming\u003c\/li\u003e\n\u003cli\u003eFamily \u0026amp; Everyday Photography\u003c\/li\u003e\n\u003cli\u003eBusiness Content Creation\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhy Choose the Canon G7 X Mark III?\u003c\/h2\u003e\n\n\u003cp\u003e\nThe Canon PowerShot G7 X Mark III brings together professional image-capture performance, 4K footage capture, fast autofocus, and enhanced wireless contains into a space-efficient camera that fits comfortably in your pocket. Its combination of portability, picture quality, and creator-focused integrates makes it one of the most popular choices for vloggers, travelers, influencers, and content creators worldwide.\n\u003c\/p\u003e\n","brand":"Canon","offers":[{"title":"Default Title","offer_id":45788238413877,"sku":"3637C001","price":4439.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/canon_3637c001_powershot_g7_x_mark_1562622339_1490985.jpg?v=1784640540"},{"product_id":"sony-a7-v-mirrorless-camera","title":"Sony a7 V Mirrorless Camera","description":"\u003ch2\u003eA Closer Look at Sony A7 V\u003c\/h2\u003e\u003cbr\u003e\u003ch3\u003epowering in Every Frame\u003c\/h3\u003e\u003cbr\u003eAt the foundation of operation, a Goldilocks camera that's not afraid to punch above its weight class, the Sony a7 V is a hybrid mirrorless camera with strong photo performance, strong footage recording functions, and a healthy dose of the latest AI-based subject recognition and autofocus tech from its flagship siblings. Constructed for content creators, this is a workhorse camera more than capable of handling everything from high-speed action photography to daily vlogs to full multimedia coverage of events.\u003cbr\u003e\u003ch3\u003eUpgraded Processing and New Partially Stacked Sensor\u003c\/h3\u003e\u003cbr\u003e\u003ch4\u003e33MP Exmor RS CMOS Full-Frame Sensor: Guide\u003c\/h4\u003e\u003cbr\u003eThe first Sony camera to feature a partially stacked sensor, the a7 V's 33MP Exmor RS CMOS sensor supplies faster readout speeds and reduced rolling shutter compared to the a7 IV. Coupled with a new processor, this sensor additionally permits a handful of flagship-level benefits, comprising more enhanced subject recognition and tracking, faster continuous shooting performance, and improved picture quality with 16 stops of dynamic range. The sensor makes available a native ISO range of 100-51200 and the partially stacked configuration additionally contributes to a faster 1\/16,000-sec top electronic shutter speed.\u003cbr\u003e\u003ch4\u003eBIONZ XR2 Processor: Guide\u003c\/h4\u003e\u003cbr\u003eAnother contributor to the increased speed and overall performance, the new BIONZ XR2 processor incorporates an AI unit for enhanced autofocus, better color accuracy, and increased auto white balance consistency from frame to frame.\u003cbr\u003eThe increased processing efficiency additionally permits blackout-free 30 fps continuous shooting, with full-time AF and AE, as well as 7K-oversampled 4K 60p footage capture and high-speed 4K 120p capture using a S35 area.\u003cbr\u003e\u003ch4\u003ePre-acquisition \u0026amp; Speed Boost\u003c\/h4\u003e\u003cbr\u003eAlong with the key technology delivered by the sensor, the a7 V brings extra contains to unlock the camera's full potential.\u003cbr\u003e\u003cul\u003e    \u003cli\u003e\n\u003cstrong\u003ePre-Capture:\u003c\/strong\u003e The a7 V can be configured to begin recording images to the buffer when the shutter button is half-pressed. Users can set this between 0.03-1.0 second. Upon pressing the shutter these images will be saved to the memory card.\u003c\/li\u003e    \u003cli\u003e\n\u003cstrong\u003eSpeed Boost:\u003c\/strong\u003e This function can be assigned to Function button, allowing users to instantly switch their usual continuous shooting frame rate to a faster one to make sure their next shot is just right. Photographers will be able to select various frame rates up to 30 fps.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eComposite RAW Function and Selectable Raw File Types\u003c\/h3\u003e\u003cbr\u003eThe partially stacked sensor and improved processing additionally permit more flexibility whenever working with raw files:\u003cbr\u003e\u003cul\u003e    \u003cli\u003eCompressed HQ raw, lossless compressed raw, and a new lightweight raw format are available to suit different priorities, ranging from the ultimate image quality and editing flexibility to more efficient files that prioritize saving on storage space.\u003c\/li\u003e    \u003cli\u003eExtended raw file processing is possible via the Imaging Edge desktop app.\u003c\/li\u003e    \u003cli\u003eThe Composite RAW function allows you to capture and composite on your computer 4, 8, or 16 sequential files, taken at 30 fps, to produce HDR images with reduced noise, especially at higher ISO values.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003e5-Axis visual Stabilization\u003c\/h3\u003e\u003cbr\u003eUpgraded from its predecessor, the in-body picture stabilization system has been revised to support up to 7.5 stops of camera shake compensation in the center of the frame and 6.5 stops at the periphery. This 5-axis stabilization system brings together a high-performance gyro sensor with an optimized algorithm for more accurate shake control and improved communication between the camera body and lens.\u003cbr\u003e\u003ch3\u003eAI Subject Recognition and Upgraded AF\u003c\/h3\u003e\u003cbr\u003eThe autofocus performance of the a7 V is a key area of improvement over previous generations; borrowing from the flagship camera, the a7 V now sports an AI Processing Unit and refined subject detection and tracking. The phase-detection AF system itself still comprises 759 points, which cover about 94% of the sensor area, and support focusing down to -4 EV. Subject tracking and subject detection is improved, too, specifically how the camera is 30-50% faster to recognize animals and birds compared to the a7 IV.\u003cbr\u003e\u003cul\u003e    \u003cli\u003eFirst seen in the a7R V, a9 III, and the a1 II, the a7 V sports a dedicated AI Processing Unit for refined, responsive, and intelligent subject tracking and detection of humans, animals, birds, insects, cars, trains, and airplanes.\u003c\/li\u003e    \u003cli\u003eHuman pose estimation tracks body and head positions for accurate focus in portraiture and sports settings and Real-time Eye AF performance refines this and prioritizes focus on recognized eyes.\u003c\/li\u003e    \u003cli\u003eAdditionally, human pose estimation can distinguish between multiple people and maintain focus on the targeted subject; even if someone crosses in front, the camera maintains focus on the key person.\u003c\/li\u003e    \u003cli\u003eReal-time Tracking benefits from AI-based subject recognition for following moving subjects, making it particularly well-suited to sports and action subjects.\u003c\/li\u003e    \u003cli\u003eAuto Subject Recognition modes no longer necessitate selecting a subject type, letting the camera detect and track the intended subject.\u003c\/li\u003e    \u003cli\u003eXS and XL focus area spot sizes have been added for more versatility or you can customize AF focus areas to suit uniquely sized or shaped subjects.\u003c\/li\u003e    \u003cli\u003eFull-time DMF (Direct Manual Focus) enables using the lens's focus ring for manual focus control at any time, making it easier to switch focus to a different subject even when working with AF.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003evideo signal recording production flow\u003c\/h3\u003e\u003cbr\u003e\u003ch4\u003e7K Oversampled 4K recording production flow\u003c\/h4\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eMaking use of the high-resolution sensor and fast processing capabilities, UHD 4K 60p XAVC HS 10-bit recording is possible using the full width of the sensor, offering 7K full pixel readout for impressive sharpness and realism.\u003c\/li\u003e    \u003cli\u003eIf using a Super 35 crop, high-speed recording is possible at up to UHD 4K 120p or FHD 240p for slow-motion playback.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch4\u003erecording production flow Flexibility\u003c\/h4\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eExtended recording times are possible thanks to efficient heat dissipation—a unique Sigma-shaped graphite heatsink is built into the stabilization unit and improves thermal consistency during extended clips.\u003c\/li\u003e    \u003cli\u003eWith respect to audio recording during video, the a7 V supports internal 24-bit recording and up to 4-channel audio with compatible external microphones.\u003c\/li\u003e    \u003cli\u003eA new audio reference mic aids in noise reduction and there is a selectable wind-noise reduction control when working with the internal mic.\u003c\/li\u003e    \u003cli\u003eDynamic Active stabilization adds substantial electronic correction on top of IBIS for more steady footage while running, walking, or recording handheld tracking shots.\u003c\/li\u003e    \u003cli\u003eSupport for Breathing Compensation mode, which reduces the effects of focus breathing when using select lenses.\u003c\/li\u003e    \u003cli\u003eAI subject recognition, gained from the AI Processing Unit, benefits the Framing Stabilizer mode, which can be used to automatically crop and recompose so the subject remains centered in the image.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch4\u003eenhanced Color operation\u003c\/h4\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eS-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that matches many FX-series and a-series cameras and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.\u003c\/li\u003e    \u003cli\u003eS-Log3 is also available for producing a 15+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.\u003c\/li\u003e    \u003cli\u003eUsers can also import LUTs via Creators' Cloud for accurate monitoring while recording.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch4\u003eConnectivity and Body Design\u003c\/h4\u003e\u003cbr\u003e\u003ch4\u003e4-Axis Multi-Angle LCD and 3.68m-Dot EVF\u003c\/h4\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eSporting a new, more functional LCD design, the a7 V has a 4-axis multi-angle LCD monitor that combines the best assets of both tilting and side-open\/flip-out vari-angle designs.\u003c\/li\u003e    \u003cli\u003eThis 3.2\" 2.1m-dot LCD also has a touchscreen design and a DCI-P3 wide gamut for accurate color monitoring.\u003c\/li\u003e    \u003cli\u003eAn impressive Quad VGA OLED EVF features a 3.68m-dot resolution and 0.78x magnification for bright, clear, and detailed eye-level viewing.\u003c\/li\u003e    \u003cli\u003eThe EVF offers 120 fps playback for smooth motion rendering and the brightness and color can both be adjusted if needed.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch4\u003eInterface and Ports\u003c\/h4\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eFull-size HDMI A port offers a more reliable connection when working with external recorders.\u003c\/li\u003e    \u003cli\u003eDual USB-C ports offer greater versatility and the ability to simultaneously power the camera or charger the battery while also transferring data to an external storage device.\u003c\/li\u003e    \u003cli\u003ePort 1 is a USB-C 3.2 Gen2 port intended for data transfer at up to 10 Gbps and Port 2 is a USB-C 2.0 port intended for power delivery and in-camera battery charging.\u003c\/li\u003e    \u003cli\u003eBoth 3.5mm headphone and external microphone ports facilitate greater control over audio recording.\u003c\/li\u003e    \u003cli\u003eMulti Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch4\u003eDurable Design and Versatile\u003c\/h4\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eDual memory card slots include one CFexpress Type A\/SD UHS-II combination slot and one additional SD UHS-II slot. The dual slot design allows for flexible file saving and handling and can be configured to partition file types or can be used for overflow recording.\u003c\/li\u003e    \u003cli\u003eAccepts the high-capacity NP-FZ100 rechargeable lithium-ion battery, which provides approximately 630 shots per charge when using the viewfinder or 750 shots when using the rear LCD—a 23% improvement over the a7 IV.\u003c\/li\u003e    \u003cli\u003eMagnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight.\u003c\/li\u003e    \u003cli\u003eThe lens mount has also been improved to better support heavy lenses, and the grip rigidity has been improved for more comfortable hand-holding.\u003c\/li\u003e    \u003cli\u003eExtensive weather-sealing, including enhanced sealing around the battery cover, terminal cover, and chassis joints, has been employed to resist dust and moisture for reliable operation in harsh weather conditions.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch4\u003econnections — Sony a7 V\u003c\/h4\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eBuilt-in Wi-Fi and NFC enables the a7 V to instantly share imagery to mobile devices for direct sharing online. This wireless connectivity supports both 5 and 6 GHz bands, along with 2x2 MIMO, for a strong, reliable connection to enable rapid transfers, remote control, and wireless tethered shooting.\u003c\/li\u003e    \u003cli\u003eBluetooth connectivity allows for location data acquisition.\u003c\/li\u003e    \u003cli\u003eSupports 4K webcam use and is UVC\/UAC compliant for simple operation. Internal recording is also supported while live streaming.\u003c\/li\u003e    \u003cli\u003eImaging Edge Remote for desktop supports PC Remote shooting via the Wi-Fi connection or tethered by the wired USB-C port. An updated data transfer control also makes it possible to transfer files from an SD card over Wi-Fi using the Imaging Edge Mobile app even when the camera is powered off.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":45788651356213,"sku":"ILCE-7M5\/B","price":10999.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Sony-a7-V-Mirrorless-Camera.jpg?v=1784649429"},{"product_id":"panasonic-lumix-s9-mirrorless-camera","title":"Panasonic Lumix S9 Mirrorless Camera","description":"\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch1\u003ePanasonic Lumix S9: Guide\u003c\/h1\u003e\n\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eTravel-Friendly LumixS9\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/07\/1716375999_IMG_2248205.webp\"\u003e\u003cimg title=\"1716375999_IMG_2248205 - Trading LLC\" decoding=\"async\" class=\"lazyload lazyload-simple size-medium wp-image-13425 alignright et-lazy-loaded\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/07\/1716375999_IMG_2248205-300x300.webp\" data-src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/07\/1716375999_IMG_2248205-300x300.webp\" alt=\"Panasonic Lumix S9 Mirrorless Camera\" width=\"300\" height=\"300\" srcset=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/07\/1716375999_IMG_2248205-300x300.webp 300w, https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/07\/1716375999_IMG_2248205-150x150.webp 150w, https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/07\/1716375999_IMG_2248205-768x768.webp 768w, https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/07\/1716375999_IMG_2248205-600x600.webp 600w, https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/07\/1716375999_IMG_2248205-100x100.webp 100w, https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/07\/1716375999_IMG_2248205-64x64.webp 64w, https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/07\/1716375999_IMG_2248205-1x1.webp 1w, https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/07\/1716375999_IMG_2248205-10x10.webp 10w, https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/07\/1716375999_IMG_2248205.webp 1000w\" data-srcset=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/07\/1716375999_IMG_2248205-300x300.webp 300w, https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/07\/1716375999_IMG_2248205-150x150.webp 150w, https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/07\/1716375999_IMG_2248205-768x768.webp 768w, https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/07\/1716375999_IMG_2248205-600x600.webp 600w, https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/07\/1716375999_IMG_2248205-100x100.webp 100w, https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/07\/1716375999_IMG_2248205-64x64.webp 64w, https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/07\/1716375999_IMG_2248205-1x1.webp 1w, https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/07\/1716375999_IMG_2248205-10x10.webp 10w, https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/07\/1716375999_IMG_2248205.webp 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\"\u003e\u003c\/a\u003e and Stylish, High-Performing,\n\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003ePacking the power of full-frame into an ultralight and space-efficient build, the \u003cb\u003ePanasonic Lumix S9 Mirrorless Camera\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis the perfect on-the-go camera for content creators. Compared with an advancing smartphone, the unusually small S9 provides substantially increased full-frame power without the bulk associated with a typical DSLR or mirrorless body. A 24.2MP full-frame sensor is utilized inside the S9, which makes creating high-quality pictures much easier, even in dimly lit situations. You additionally have the advantage of choosing from numerous L-mount lenses to suite your needs. Taken together, the S9's straightforward operation and convenience help creators produce and share stronger images quickly.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eShare Instantly with Lumix S9 and Connect\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eGetting your photos and videos onto your smartphone quickly is a massive benefit offered by the S9. With improved link speed and stability, operators can connect a device to the S9 through the Lumix Lab app in only a few steps.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eReal Time LUT (Signature Presets): Guide\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBuild signature presets on a smartphone, send them to the S9, and apply the finished look during capture instead of afterward. This gives you an accurate idea of what your finished photos or videos will look like and is a massive time saver. You can download creators’ LUT from the official Lumix website.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eHybrid Zoom and Extend Your Range with Crop\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe crop zoom function utilizes the center of the camera sensor to extend the normal zoom range while maintaining picture quality. The hybrid zoom function utilizes both optical and crop zoom to extend the focal length even additional.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eL-Mount optics Selection\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBased on your shooting needs, complement your S9 with one of the many superb L-mount lenses. With more than 80 lenses to choose from, the possibilities of pictures you can create are boundless. Pairing the S9 with the Lumix S 26mm f\/8 keeps the system light and space-efficient; the Lumix S 20-60mm f\/3.5-5.6 trades some portability for added versatility.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eMore Lumix S9 Benefits: Guide\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003e30 fps pre-burst shooting\u003c\/li\u003e\n\u003cli\u003eMP4Lite video, which is a new video file format optimized for fast uploads\u003c\/li\u003e\n\u003cli\u003eReal-time LUT button\u003c\/li\u003e\n\u003cli\u003eAutofocus detection for human, animal, car, and motorcycle subjects\u003c\/li\u003e\n\u003cli\u003eTime-lapse and stop-motion animation video recording modes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLocate us:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Panasonic","offers":[{"title":"Body Only","offer_id":45788652601397,"sku":"DC-S9BODYK","price":5894.0,"currency_code":"AED","in_stock":true},{"title":"With Lens","offer_id":45788652634165,"sku":"DC-S9KR","price":7079.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1716375999_IMG_2248205.webp?v=1784649461"},{"product_id":"panasonic-lumix-s1-ii-mirrorless-camera","title":"Panasonic Lumix S1 II Mirrorless Camera","description":"\u003ch2\u003eA Closer Look at Panasonic S1 II\u003c\/h2\u003e\u003cbr\u003eA Next-Gen Hybrid Powerhouse for Footage and Still Creators\u003cbr\u003eDeveloped for creators who demand strong quality in both stills and footage, the Panasonic Lumix S1 II Mirrorless Camera produces flagship-level performance in an adaptable, full-frame body. Featuring a newly developed 24.1MP partially stacked CMOS sensor, high-speed readout, enhanced AI autofocus, and a rich set of pro footage tools, the S1 II bridges the gap between professional photo capture and cinematic production. Whether you're in studio, on location, or shooting handheld, this hybrid camera is constructed to adapt, inspire, and produce.\u003cbr\u003e\u003ch3\u003ePrecision and Advanced Sensor Design for Speed\u003c\/h3\u003e\u003cbr\u003eAt the center of the S1 II is a new 24.1MP full-frame partially stacked CMOS sensor, delivering faster readout and reliable low-light performance. Coupled with Panasonic's L2 Engine and Dynamic Range Boost technology, the camera captures incredibly clean, high-detail pictures across its ISO range-while enabling 96MP handheld high-resolution shooting and HEIF 10-bit file support for enhanced tonal flexibility in stills processes.\u003cbr\u003e\u003ch3\u003eHigh-Performance Video: Cinematic Control\u003c\/h3\u003e\u003cbr\u003eThe S1 II is a robust footage tool offering an extensive selection of capture formats and frame rates, all with 10-bit depth and pro-level color tools:\u003cbr\u003e\u003cul\u003e    \u003cli\u003e6K 30p Open Gate (3:2) for multi-aspect flexibility\u003c\/li\u003e    \u003cli\u003e5.1K 60p 4:3 for immersive documentary or social content\u003c\/li\u003e    \u003cli\u003eC4K and UHD 4K 120p for slow motion and fast action\u003c\/li\u003e    \u003cli\u003eOversampled 4K video from full-sensor readout\u003c\/li\u003e    \u003cli\u003eV-Log and V-Gamut with 13+ stops of dynamic range\u003c\/li\u003e    \u003cli\u003eReal Time LUT application for custom looks in-camera\u003c\/li\u003e    \u003cli\u003eDynamic Range Boost for improved highlight and shadow detail\u003c\/li\u003e    \u003cli\u003eFull HDMI output and Frame.io Camera to Cloud support\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eThese integrates enable hybrid creators to shoot confidently across cinema, commercial, and digital production settings—right out of the box.\u003cbr\u003e\u003ch3\u003eIntelligent Autofocus: Subject Recognition\u003c\/h3\u003e\u003cbr\u003eThe Lumix S1 II provides a powerful Phase Hybrid AF system enhanced by AI-based subject detection and tracking. It produces fast, accurate autofocus even whenever subjects are moving unpredictably or partially obscured.\u003cbr\u003e\u003cul\u003e    \u003cli\u003ePhase Hybrid Autofocus with 779 focus points\u003c\/li\u003e    \u003cli\u003eReal-time detection of humans, eyes, faces, animals, cars, motorcycles, and more\u003c\/li\u003e    \u003cli\u003eReliable AF performance in low-light and low-contrast scenes\u003c\/li\u003e    \u003cli\u003eBlackout-free 70 fps burst shooting with continuous AF (AFC)\u003c\/li\u003e    \u003cli\u003eFocus ring direction reversibility and linear\/non-linear focus response control\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eThis makes the S1 II a dependable tool for both still and motion capture where critical focus is a must.\u003cbr\u003e\u003ch3\u003eDesigned for production production flows\u003c\/h3\u003e\u003cbr\u003eWith blackout-free 70 fps burst shooting, 8.0-stop 5-axis stabilization, and Active I.S., the S1 II is ideal for handheld shooters and hybrid creators working across genres. It provides dual card slots (CFexpress Type B + SD UHS-II), a high-resolution tilting\/free-angle LCD, and a durable body tested for cold weather performance down to 14°F. Support for the Lumix Lab, Lumix Flow, and Capture One plug-in additional extends its utility into professional post processes and mobile connectivity.","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":45788700868661,"sku":"DC-S1M2BODY","price":12965.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1747129594_1892230.webp?v=1784651207"},{"product_id":"panasonic-lumix-s1-iie-mirrorless-camera","title":"Panasonic Lumix S1 IIE Mirrorless Camera","description":"\u003ch3\u003eA Closer Look at Panasonic S1 IIE\u003c\/h3\u003e\u003cbr\u003eAt the center of the specification, the Panasonic Lumix S1 IIE Mirrorless Camera brings flagship-caliber photo and footage functions to a broader range of creators. Constructed around a 24.2MP full-frame BSI CMOS sensor and Panasonic's next-generation processing engine, this streamlined version of the S1 II retains enhanced tools like 6K open gate footage, 96MP high-res handheld stills, and Phase Hybrid autofocus with AI detection. Developed as a professional entry point into the Lumix S series, the S1 IIE targets photographers and creators who need speed, precision, and flexibility without the cost or weight of top-tier flagship versions. From solo creators and studio shooters to emerging hybrid professionals, the S1 IIE makes available high-end performance in a more accessible package.\u003cbr\u003e\u003ch3\u003eVideo Creation and Reliable Performance for Photo\u003c\/h3\u003e\u003cbr\u003eWith its 24.2MP full-frame BSI CMOS sensor and partially stacked configuration, the Lumix S1 IIE produces fast, detailed picture capture with low rolling shutter and improved low-light response. This sensor architecture supports smoother readout during high-speed burst shooting and footage, while preserving excellent dynamic range for stills. Panasonic’s L2 engine handles advanced functions like Dynamic Range Boost, enabling improved highlight and shadow retention in both stills and footage. Creators can shoot high-resolution pictures up to 96MP without a tripod through the handheld High Definition Setting, while HEIF 10-bit picture capture includes richer gradations and smaller file sizes—ideal for modern digital processes.\u003cbr\u003e\u003cul\u003e    \u003cli\u003e96MP-equivalent handheld High Resolution Mode\u003c\/li\u003e    \u003cli\u003eHEIF 10-bit image recording\u003c\/li\u003e    \u003cli\u003eL.Monochrome D, L.ClassicNeo, and other film-like profiles\u003c\/li\u003e    \u003cli\u003eDual Native ISO for optimized low-light performance\u003c\/li\u003e    \u003cli\u003eColor science designed for lifelike tones and smooth skin rendition\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eVersatile Format Options and 6K Video\u003c\/h3\u003e\u003cbr\u003eThe S1 IIE is a strong performer for hybrid shooters thanks to its onboard 10-bit footage recording and oversampled picture quality across formats. Compatibility includes 6K open gate footage at 30p for full sensor coverage—perfect for anamorphic use or reframing in post—and additionally handles 5.1K 60p and Cinema 4K 120p, offering cinematic flexibility and slow-motion function. REAL TIME LUT lets operators apply creative color looks in-camera, while Frame.io Camera to Cloud integration allows seamless collaboration with editors, clients, and post-production teams. Direct capture to USB-C SSDs offers a convenient process for long-form content creation without card swapping.\u003cbr\u003e\u003cul\u003e    \u003cli\u003e6K (3:2) Open Gate at 30p for full-sensor capture\u003c\/li\u003e    \u003cli\u003e5.1K (4:3) at 60p for immersive high-resolution content\u003c\/li\u003e    \u003cli\u003eC4K\/4K 120p for slow motion and action footage\u003c\/li\u003e    \u003cli\u003eOversampled 4K from full sensor width for enhanced sharpness\u003c\/li\u003e    \u003cli\u003eV-Log\/V-Gamut with 13+ stops of dynamic range\u003c\/li\u003e    \u003cli\u003eReal Time LUTs for baked-in or previewed color grading\u003c\/li\u003e    \u003cli\u003eFrame.io C2C support and SSD recording via USB-C\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003ePhase Hybrid AF: Intelligent Subject Detection\u003c\/h3\u003e\u003cbr\u003eThe LUMIX S1 IIE contains Panasonic’s latest Phase Hybrid autofocus engine, enhanced with AI-based subject recognition for improved tracking and precision. With 779 focus points and fast real-time detection, it easily locks onto humans, eyes, faces, animals, and vehicles—even whenever the subject is in motion or partially obscured. The system performs reliably across varying lighting conditions and accommodates linear and non-linear manual focus settings for fine-tuned control. For sports and action photography, the camera’s blackout-free burst at up to 30 fps in SH setting maintains fast sequences are captured clearly and without interruption.\u003cbr\u003e\u003cul\u003e    \u003cli\u003e779-point Phase Hybrid AF for fast, precise focus\u003c\/li\u003e    \u003cli\u003eAI subject detection for people, eyes, animals, vehicles\u003c\/li\u003e    \u003cli\u003eAccurate in low-light and high-contrast scenarios\u003c\/li\u003e    \u003cli\u003eUp to 30 fps blackout-free continuous shooting (SH)\u003c\/li\u003e    \u003cli\u003eCustomizable MF ring behavior (linear\/non-linear)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eEfficiency and Built for Workflow\u003c\/h3\u003e\u003cbr\u003ePhysically identical in size to the S1 II, the S1 IIE contains a durable magnesium alloy chassis with professional-grade weather sealing. It incorporates a 3.2-inch 1.84M-dot touch-enabled LCD with tilt and free-angle articulation, as well as a well-defined OLED EVF for adaptable shooting across photo and footage. The camera’s robust I\/O incorporates USB-C for tethering and SSD capture, dual card slots (CFexpress Type B and SD UHS-II), and full support for Panasonic’s mobile and cloud app ecosystem. Integration with LUMIX Lab and LUMIX Flow apps makes picture transfers, remote control, and customization seamless, while Capture One plug-in support streamlines studio process for tethered shooting. Developed for agile teams and independent creators, the S1 IIE produces dependable performance in a lean, fast-moving package.\u003cbr\u003e\u003cul\u003e    \u003cli\u003e5.29 x 4.03 x 3.61 in. magnesium alloy body\u003c\/li\u003e    \u003cli\u003e3.2\" 1.84M-dot articulating TFT LCD with touch control\u003c\/li\u003e    \u003cli\u003eOLED live viewfinder for eye-level shooting\u003c\/li\u003e    \u003cli\u003eDual card slots: CFexpress Type B + SD UHS-II\u003c\/li\u003e    \u003cli\u003eUSB-C 3.2 Gen 2 for charging, tethering, and SSD use\u003c\/li\u003e    \u003cli\u003eLUMIX Lab \/ LUMIX Flow app support + Frame.io C2C\u003c\/li\u003e    \u003cli\u003eWi-Fi and Bluetooth for seamlessLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":45788700901429,"sku":"DC-S1M2ESBODY","price":11600.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Lumix-S1IIE.webp?v=1784651208"},{"product_id":"nikon-zr-6k-cinema-camera-body-only","title":"Nikon ZR 6K Cinema Camera (Body Only)","description":"\u003cdiv data-content-type=\"row\" data-appearance=\"contained\" data-element=\"main\"\u003e\u003cdiv data-enable-parallax=\"0\" data-parallax-speed=\"0.5\" data-background-images=\"{}\" data-background-type=\"image\" data-video-loop=\"true\" data-video-play-only-visible=\"true\" data-video-lazy-load=\"true\" data-video-fallback-src=\"\" data-element=\"inner\" data-pb-style=\"YX2YSCV\"\u003e\u003cdiv class=\"pagebuilder-column-group\" data-content-type=\"column-group\" data-grid-size=\"12\" data-element=\"main\"\u003e\n\u003cdiv class=\"pagebuilder-column\" data-content-type=\"column\" data-appearance=\"align-center\" data-background-images=\"{}\" data-element=\"main\" data-pb-style=\"G4QC001\"\u003e\u003cdiv data-content-type=\"text\" data-appearance=\"default\" data-element=\"main\" data-pb-style=\"H9OA3U7\"\u003e\n\u003ch2 id=\"NGU48KT\"\u003eZR, a full-frame sensor camera from the \"Z CINEMA\" series born from synergy: RED\u003c\/h2\u003eNikon ZR, a full-frame sensor camera and the smallest version in the Z CINEMA series, developed for the cinema, high-end productions and creators, aiming to deliver them with high-quality solutions by combining technologies from Nikon and a subsidiary of Nikon Corporation, RED Digital Cinema, Inc. (hereinafter \"RED\").\u003cbr\u003eThe ZR, equipped with a full-frame sensor, incorporates R3D NE*1, a new footage capture file format based on RED's R3D RAW footage capture codec and developed exclusively for Nikon cameras. It uses color science and exposure standards of RED cameras to maintain accurate color matching. Furthermore, it provides two base ISO sensitivities, ISO 800 and ISO 6400*2, and a broad dynamic range of 15+ stops*3 to produce the ultimate in picture quality in a variety of situations. Internal capture of up to 6K\/59.94p footage is also supported.\u003cbr\u003eIn addition, with uncompromising attention to audio functions, it's the world's first*4 camera to support 32-bit float audio capture with both built-in and outboard microphones. The built-in microphone, powered by Nokia's OZO Audio *5, includes five pickup patterns for high-quality audio capture. Despite its highly visible large 4.0-inch monitor, it is the lightest version in this Z CINEMA series at approximately 540 g*6 , enabling high-quality film production, even with a minimal system. What's more, the short flange focal distance of 16 mm, the shortest among full-frame cameras*7 and a feature of the Nikon Z mount, permits the use of a wide variety of lenses*8.\u003cbr\u003eNikon will continue to pursue a new dimension in optical performance while meeting operators' needs, contributing to the development of image-capture culture that incorporates the field of cinema, with the hope of expanding possibilities for image-capture expression. Creators and content creators can expect great things from this new synergy between Nikon and RED.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"pagebuilder-column\" data-content-type=\"column\" data-appearance=\"align-center\" data-background-images=\"{}\" data-element=\"main\" data-pb-style=\"IAPGY73\"\u003e\u003cfigure data-content-type=\"image\" data-appearance=\"full-width\" data-element=\"main\" data-pb-style=\"RL54DF7\"\u003e\u003cpicture\u003e\u003csource srcset=\"https:\/\/shop.grandstores.ae\/media\/webp_image\/wysiwyg\/pic_250910_01_01.webp\" type=\"image\/webp\"\u003e\u003csource srcset=\"https:\/\/shop.grandstores.ae\/media\/wysiwyg\/pic_250910_01_01.jpg\" type=\"image\/jpg\"\u003e\u003c\/source\u003e\u003c\/picture\u003e \u003cpicture\u003e\u003csource srcset=\"https:\/\/shop.grandstores.ae\/media\/webp_image\/wysiwyg\/pic_250910_01_01.webp\" type=\"image\/webp\"\u003e\u003csource srcset=\"https:\/\/shop.grandstores.ae\/media\/wysiwyg\/pic_250910_01_01.jpg\" type=\"image\/jpg\"\u003e\u003c\/source\u003e\u003c\/picture\u003e\u003c\/figure\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv data-content-type=\"row\" data-appearance=\"contained\" data-element=\"main\"\u003e\u003cdiv data-enable-parallax=\"0\" data-parallax-speed=\"0.5\" data-background-images=\"{}\" data-background-type=\"image\" data-video-loop=\"true\" data-video-play-only-visible=\"true\" data-video-lazy-load=\"true\" data-video-fallback-src=\"\" data-element=\"inner\" data-pb-style=\"STOJ8BO\"\u003e\u003cdiv class=\"pagebuilder-column-group\" data-content-type=\"column-group\" data-grid-size=\"12\" data-element=\"main\"\u003e\n\u003cdiv class=\"pagebuilder-column\" data-content-type=\"column\" data-appearance=\"align-center\" data-background-images=\"{}\" data-element=\"main\" data-pb-style=\"DQPWPGC\"\u003e\u003cfigure data-content-type=\"image\" data-appearance=\"full-width\" data-element=\"main\" data-pb-style=\"FU9XL0J\"\u003e\u003cpicture\u003e\u003csource srcset=\"https:\/\/shop.grandstores.ae\/media\/webp_image\/wysiwyg\/pic_250910_01_02_1.webp\" type=\"image\/webp\"\u003e\u003csource srcset=\"https:\/\/shop.grandstores.ae\/media\/wysiwyg\/pic_250910_01_02_1.jpg\" type=\"image\/jpg\"\u003e\u003c\/source\u003e\u003c\/picture\u003e \u003cpicture\u003e\u003csource srcset=\"https:\/\/shop.grandstores.ae\/media\/webp_image\/wysiwyg\/pic_250910_01_02_1.webp\" type=\"image\/webp\"\u003e\u003csource srcset=\"https:\/\/shop.grandstores.ae\/media\/wysiwyg\/pic_250910_01_02_1.jpg\" type=\"image\/jpg\"\u003e\u003c\/source\u003e\u003c\/picture\u003e\u003c\/figure\u003e\u003c\/div\u003e\n\u003cdiv class=\"pagebuilder-column\" data-content-type=\"column\" data-appearance=\"align-center\" data-background-images=\"{}\" data-element=\"main\" data-pb-style=\"GI8DN8H\"\u003e\u003cdiv data-content-type=\"text\" data-appearance=\"default\" data-element=\"main\" data-pb-style=\"AHX23K0\"\u003e\n\u003ch2 id=\"VULP49P\"\u003e[Cinematic video] mode based on RED color science and [R3D NE]*1\u003c\/h2\u003e[R3D NE] is equipped with a full-frame sensor and accommodates internal capture of 12-bit RAW 6K\/59.94p and 4K\/119.88p*1 footage. Two base ISO sensitivities are provided, ISO 800 and ISO 6400, allowing operators to choose the best option for a particular scene or situation. By leveraging its broad 15+ stop dynamic range, it achieves well-balanced picture quality from highlights to shadows. Support for Log3G10 and REDWideGamutRGB gamut reproduces exposure standards and colors consistent with RED color science. Similar color matching is additionally possible whenever the ZR is used alongside RED cinema cameras. The camera additionally features [Cinematic footage] mode, a preset operator setting, for those who want to easily enjoy the RED cinematic look. What's more, nine RED-curated cinematic Image-capture Recipes*2 will be provided through Nikon Image-capture Cloud, expanding possibilities for more diverse image-capture expression.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv data-content-type=\"row\" data-appearance=\"contained\" data-element=\"main\"\u003e\u003cdiv data-enable-parallax=\"0\" data-parallax-speed=\"0.5\" data-background-images=\"{}\" data-background-type=\"image\" data-video-loop=\"true\" data-video-play-only-visible=\"true\" data-video-lazy-load=\"true\" data-video-fallback-src=\"\" data-element=\"inner\" data-pb-style=\"NWC8VSA\"\u003e\u003cdiv class=\"pagebuilder-column-group\" data-content-type=\"column-group\" data-grid-size=\"12\" data-element=\"main\"\u003e\n\u003cdiv class=\"pagebuilder-column\" data-content-type=\"column\" data-appearance=\"align-center\" data-background-images=\"{}\" data-element=\"main\" data-pb-style=\"ABTDIW2\"\u003e\u003cdiv data-content-type=\"text\" data-appearance=\"default\" data-element=\"main\" data-pb-style=\"GGRNACN\"\u003e\n\u003ch2 id=\"VULP49P\"\u003ecloud transfer and Achieve an efficient workflow with LUT monitoring\u003c\/h2\u003eThe ZR accommodates LUT observation to the 4.0-inch LCD, which makes it easy to preview the effects of color grading. Three types of LUT data (17-point, 33-point, 65-point*1) can be loaded into the camera. It also allows Frame.io Camera to Cloud through NX MobileAir, automatically transferring footage data directly to the cloud for a faster and more efficient post-shooting process.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"pagebuilder-column\" data-content-type=\"column\" data-appearance=\"align-center\" data-background-images=\"{}\" data-element=\"main\" data-pb-style=\"QO3DNCQ\"\u003e\u003cfigure data-content-type=\"image\" data-appearance=\"full-width\" data-element=\"main\" data-pb-style=\"AG0BXL3\"\u003e\u003cpicture\u003e\u003csource srcset=\"https:\/\/shop.grandstores.ae\/media\/webp_image\/wysiwyg\/pic_250910_01_03.webp\" type=\"image\/webp\"\u003e\u003csource srcset=\"https:\/\/shop.grandstores.ae\/media\/wysiwyg\/pic_250910_01_03.jpg\" type=\"image\/jpg\"\u003e\u003c\/source\u003e\u003c\/picture\u003e \u003cpicture\u003e\u003csource srcset=\"https:\/\/shop.grandstores.ae\/media\/webp_image\/wysiwyg\/pic_250910_01_03.webp\" type=\"image\/webp\"\u003e\u003csource srcset=\"https:\/\/shop.grandstores.ae\/media\/wysiwyg\/pic_250910_01_03.jpg\" type=\"image\/jpg\"\u003e\u003c\/source\u003e\u003c\/picture\u003e\u003c\/figure\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv data-content-type=\"row\" data-appearance=\"contained\" data-element=\"main\"\u003e\u003cdiv data-enable-parallax=\"0\" data-parallax-speed=\"0.5\" data-background-images=\"{}\" data-background-type=\"image\" data-video-loop=\"true\" data-video-play-only-visible=\"true\" data-video-lazy-load=\"true\" data-video-fallback-src=\"\" data-element=\"inner\" data-pb-style=\"UW6LQEQ\"\u003e\u003cdiv data-content-type=\"text\" data-appearance=\"default\" data-element=\"main\"\u003e\n\u003cp id=\"B3ULMGE\"\u003eStarting with the optical platform, the Nikon ZR 6K Cinema Camera is a groundbreaking collaboration between Nikon and RED, delivering cinematic excellence with unmatched image-capture power. Featuring a 6K full-frame sensor, REDCODE RAW R3D and Nikon’s N-RAW formats, enhanced codecs, dual-base ISO, and professional audio functions, it’s developed for creators seeking uncompromising picture quality, flexibility, and cloud-enabled processes. Perfect for high-end cinema, documentaries, and commercial productions, the ZR 6K redefines modern digital filmmaking.\u003c\/p\u003e\n\u003cbr\u003e\u003cul\u003e    \u003cli\u003e\n\u003cstrong\u003eFusion of RED + Nikon Cinema Technology\u003c\/strong\u003eCombining RED’s legendary cinema expertise with Nikon’s optical innovation, the ZR 6K delivers the perfect synergy of image quality and versatility. Filmmakers benefit from REDCODE RAW R3D’s post-production flexibility alongside Nikon’s color science, ensuring stunning visuals for feature films, commercials, and content creation.\u003c\/li\u003e    \u003cli\u003e\n\u003cstrong\u003e6K Full-Frame Z-Mount Cinema Camera\u003c\/strong\u003eEquipped with a full-frame sensor and Nikon’s versatile Z-mount, this cinema camera captures breathtaking detail and dynamic range in native 6K resolution. The Z-mount allows compatibility with a vast range of Nikon lenses, giving cinematographers unmatched creative freedom with both still and motion-optimized optics.\u003c\/li\u003e    \u003cli\u003e\n\u003cstrong\u003eREDCODE RAW R3D + N-RAW Recording\u003c\/strong\u003eRecord in industry-standard REDCODE RAW R3D or Nikon’s proprietary N-RAW to maximize workflow flexibility. Whether you need lossless quality for cinematic grading or lightweight files for quick delivery, the ZR 6K adapts to your production needs while maintaining uncompromised visual fidelity.\u003c\/li\u003e    \u003cli\u003e\n\u003cstrong\u003eProRes RAW\/HQ, H.265\/H.264 Codecs\u003c\/strong\u003eDesigned for diverse post-production environments, the camera offers Apple ProRes RAW\/HQ for professional editing workflows, as well as H.265 and H.264 codecs for efficient file handling. This ensures seamless compatibility across different production pipelines without sacrificing image quality.\u003c\/li\u003e    \u003cli\u003e\n\u003cstrong\u003e32-Bit Float Audio, Dual-Base ISO\u003c\/strong\u003eCapture pristine audio directly in-camera with 32-bit float recording that preserves the full dynamic range of sound. Dual-base ISO ensures exceptional low-light performance and reduced noise, making it equally suitable for studio shoots and challenging on-location environments.\u003c\/li\u003e    \u003cli\u003e\n\u003cstrong\u003eBright, Folding 4\" DCI-P3 Display\u003c\/strong\u003eThe integrated 4-inch folding display supports the DCI-P3 color gamut, ensuring precise on-set monitoring and accurate color reproduction. Its adjustable design provides flexibility for directors and cinematographers to frame shots comfortably, even in bright daylight.\u003c\/li\u003e    \u003cli\u003e\n\u003cstrong\u003eBuilt-In 3D LUTs, Digital Accessory Shoe\u003c\/strong\u003eStreamline your workflow with built-in 3D LUT support, enabling instant look previews on set. The digital accessory shoe allows direct integration of advanced Nikon accessories, enhancing functionality without adding bulk.\u003c\/li\u003e    \u003cli\u003e\n\u003cstrong\u003eDual Built-In Microphones\u003c\/strong\u003eEquipped with dual microphones, the ZR 6K captures clean, natural audio for interviews, vlogs, and documentary filmmaking. This ensures quality sound capture even when external audio rigs are not available, making it ideal for run-and-gun productions.\u003c\/li\u003e    \u003cli\u003e\n\u003cstrong\u003e15+ Stops Advertised Dynamic Range\u003c\/strong\u003eWith over 15 stops of dynamic range, the ZR 6K preserves details in both highlights and shadows, giving filmmakers the freedom to achieve cinematic tones and dramatic contrast in post-production.\u003c\/li\u003e    \u003cli\u003e\n\u003cstrong\u003eFrame.io Cloud Integration\u003c\/strong\u003eSeamlessly connect your workflow to the cloud with built-in Frame.io integration. This allows instant sharing of footage with editors and collaborators worldwide, accelerating review and approval processes for faster project turnaround.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"Nikon","offers":[{"title":"Default Title","offer_id":45788701950005,"sku":"101-1026-003728","price":8999.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/imgi_5_1._nikon-zr-front-face-view-with-lens-cap_1.webp?v=1784651232"},{"product_id":"panasonic-lumix-s1r-ii-mirrorless-camera","title":"Panasonic Lumix S1R II Mirrorless Camera","description":"\u003ch2\u003eA Closer Look at Panasonic S1R II\u003c\/h2\u003e\u003cbr\u003e\u003ch3\u003eHybrid Powerhouse Rises as New Flagship Model: Guide\u003c\/h3\u003e\u003cbr\u003eAs configured for this product, Bringing together astounding picture quality, high-speed performance, and cutting-edge footage utilities, the Panasonic Lumix S1R II is a full-frame mirrorless body developed for professional-use photographers as well as hybrid material creators. Built around a recently developed 44.3MP full-frame imager, a 779-position Phase Hybrid AF setup, and 8K 10-bit footage capture, this next-generation unit builds upon the success of the unit's predecessor whereas introducing faster working ability, improved autofocus, and enhanced footage capabilities.\u003cbr\u003e\u003ch3\u003e44.3MP Full-Frame CMOS Sensor L2 Engine: Guide\u0026amp;\u003c\/h3\u003e\u003cbr\u003eThe recently developed 44.3MP full-frame CMOS sensor includes a balanced approach to high definition, speed, as well as low-light operation. As an upgrade to the unit's predecessor, the S1R II contains improved computation alongside the L2 Engine, delivering:\u003cbr\u003e\u003cul\u003e    \u003cli\u003eExpanded dynamic range for better highlight and shadow detail\u003c\/li\u003e    \u003cli\u003eUp to 40 fps Shooting with AF-C\/AF-S, making it ideal for sports and wildlife photography\u003c\/li\u003e    \u003cli\u003eHigh-Resolution mode allows you to produce 177MP composited stills even while shooting handheld\u003c\/li\u003e    \u003cli\u003eCamera can produce images of up to 177MP when used in High Resolution mode\u003c\/li\u003e    \u003cli\u003eImproved color science for natural and true-to-life rendering\u003c\/li\u003e    \u003cli\u003eEnhanced noise reduction for cleaner images at high ISO speeds (ISO 40-102400 expandable)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eFor extreme detail, 177MP High-Resolution Setting enables you to create ultra-high-resolution composite pictures through sensor-shift architecture, perfect for landscape as well as studio photography.\u003cbr\u003e\u003ch3\u003e8K 30p 4K 120p 10-Bit Video: ProRes RAW HQ\u0026amp;\u003c\/h3\u003e\u003cbr\u003eDeveloped for premium content creators and professional creators, the S1R II brings cinema-quality footage functions to the Lumix lineup for the first time. Alongside 8K definition, enhanced color science, and RAW capture, this camera delivers excellent detail, dynamic selection, and post-production latitude, becoming a true hybrid unit. Whether you’re shooting documentary work, commercials, high-frame-rate action sequences, or cinematic workflows, the S1R II supplies the utilities to craft graphically stunning footage alongside unparalleled control.\u003cbr\u003e\u003cul\u003e    \u003cli\u003e8K 30p 10-bit recording for ultra-high-definition filmmaking\u003c\/li\u003e    \u003cli\u003e6.4K open-gate video for flexible cropping and reframing\u003c\/li\u003e    \u003cli\u003e4K 120p slow-motion capture for high-frame-rate cinematography\u003c\/li\u003e    \u003cli\u003eProRes RAW HQ internal recording, along with external RAW support\u003c\/li\u003e    \u003cli\u003e14 stops of dynamic range and advanced color grading tools\u003c\/li\u003e    \u003cli\u003e32-bit float audio via optional DMW-XLR2 adapter\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eFor creators who require precision, the S1R II is fitted with enhanced video assist tools, which include:\u003cbr\u003e\u003cul\u003e    \u003cli\u003eWaveforms and vector scopes for exposure and color monitoring\u003c\/li\u003e    \u003cli\u003eReal-time LUTs and False Color for on-set color grading\u003c\/li\u003e    \u003cli\u003eFlexible codecs and recording formats, including ProRes, H.265, and All-I\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003ePhase Hybrid Autofocus: AI Tracking\u003c\/h3\u003e\u003cbr\u003eFor the first time in the S1R range, Panasonic is fitted with incorporated Phase Hybrid Autofocus, materially improving speed and accuracy:\u003cbr\u003e\u003cul\u003e    \u003cli\u003e779-point PDAF (Phase Detection Autofocus) ensures quick, precise focusing\u003c\/li\u003e    \u003cli\u003eAI-powered subject detection recognizes and tracks humans, animals, and vehicles\u003c\/li\u003e    \u003cli\u003eEnhanced eye, face, and body detection for both stills and video\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eThe enhanced autofocus algorithms deliver better precision in low-light conditions and maintain smooth, natural focusing transitions for footage production.\u003cbr\u003e\u003ch3\u003evisual Stabilization Active I.S. for video signal\u0026amp;\u003c\/h3\u003e\u003cbr\u003eThe S1R II provides Panasonic’s most enhanced stabilization system yet:\u003cbr\u003e\u003cul\u003e    \u003cli\u003e8-stop 5-axis In-Body Image Stabilization (IBIS) for shake-free stills\u003c\/li\u003e    \u003cli\u003e7-stop Dual I.S. when combined with O.I.S.-equipped L-mount lenses\u003c\/li\u003e    \u003cli\u003eActive I.S. for video, ensuring cropless, stabilized footage, even when walking or panning\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eBody Quality and Ergonomics\u003c\/h3\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eIncredibly lightweight at 1.75 lb compared to its predecessor's 2.24 lb\u003c\/li\u003e    \u003cli\u003eAs part of the L-Mount Alliance, the camera is natively compatible with all L-mount lenses, including those from Leica and Sigma.\u003c\/li\u003e    \u003cli\u003e4-axis 3.2” tilting touchscreen LCD with touch controls and 1.89m-dot Screen Resolution\u003c\/li\u003e    \u003cli\u003e5.76m-dot OLED electronic viewfinder (EVF) for ultra-sharp and color-accurate previews\u003c\/li\u003e    \u003cli\u003eDual memory card slots – 1x CFexpress Type B + 1x SD UHS-II\u003c\/li\u003e    \u003cli\u003eWi-Fi 5 and Bluetooth v5.0 (Bluetooth Low Energy)\u003c\/li\u003e    \u003cli\u003eLumix Lab and Lumix Flow allow for smartphone connection and controls\u003c\/li\u003e    \u003cli\u003eIncludes full-size HDMI, USB-C, external microphone and audio inputn and headphone output\u003c\/li\u003e    \u003cli\u003eDirect-to-SSD USB-C recording for high-bitrate footage\u003c\/li\u003e    \u003cli\u003eNew closed shutter function, allowing users to choose whether the shutter remains open or closed when camera is off\u003c\/li\u003e    \u003cli\u003eMagnesium alloy construction for lightweight durability\u003c\/li\u003e    \u003cli\u003eDust, splash, and freeze resistance for reliable performance in harsh environments\u003c\/li\u003e    \u003cli\u003eSealed buttons and weatherproofed design to protect internal components\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":45790035836981,"sku":"DC-S1RM2BODY","price":13800.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Lumix-S1R-II.webp?v=1784709468"},{"product_id":"sony-a7c-mirrorless-camera-with-28-60mm-lens-black","title":"Sony a7C Mirrorless Camera with 28-60mm Lens (Black)","description":"Sony a7C Mirrorless Camera (Black)\u003cbr\u003eOn the capture side, Sony a7C Space-efficient and CapableMixing the quality and advantages of a full-frame sensor with an especially sleek and portable configuration, the black Sony a7C includes the hybrid capture functions, 24.2MP Exmor R BSI CMOS sensor, and smart AF performance you would expect from an Alpha camera but with a form factor for all-day, everyday carry.\u003cbr\u003eSony a7C Exmor R Sensor, BIONZ X Processor, and 4D FOCUS\u003cbr\u003e24.1MP Full-Frame BSI Sensor and Picture ProcessingFeaturing a back-illuminated configuration, the Sony a7C full-frame 24.2-megapixel Exmor R CMOS sensor works with the BIONZ X picture processor to supply high-resolution stills and footage while minimizing noise and improving speed. This sensor structure works with a gapless on-chip lens configuration and an anti-reflection coating to enhance light collection and enhance detail. Additionally, the copper wiring layer dramatically enhances data transmission speed for creating 14-bit, high-resolution stills with a native sensitivity range from ISO 100-51200, which can be additional expanded to ISO 50-204800.\u003cbr\u003eFast Continuous Shooting and Capture VersatilityThe sensor and processor combination permits fast continuous shooting at up to 10 fps at full definition, for approximately consecutive JPEGs or 115 consecutive raw files, and with full-time AF\/AE whenever working with either a mechanical shutter or an electronic shutter.\u003cbr\u003eAdditionally, it permits internal UHD 4K footage capture with a wide dynamic range through the full width of the full-frame sensor. The BIONZ X processor additionally works in conjunction with a high-speed front-end LSI to realize faster processing times along with the ability to capture an impressive 15-stop dynamic range at low sensitivity values.\u003cbr\u003eFast Hybrid AutofocusCovering a majority of the picture area, a Fast Hybrid AF system incorporates 693 phase-detection points along with 425 contrast-detection areas for quick and accurate focusing in a variety of lighting conditions with sensitivity down to -4 EV.Lock onto subjects quickly through Real-time Tracking for AI-based tracking on moving subjects or touch tracking for manual selection of the subject.Real-time Eye AF, appropriate for both humans and animals, additionally ensures critical sharpness whenever shooting portraits.Footage Recording\u003cbr\u003eUHD 4K Footage Capture in XAVC S FormatInternal capture of UHD 4K videos is possible in several frame rates up to 30 fps and through 2.4x oversampling renders increased detail and full pixel readout is possible for higher quality imagery with reduced moiré and aliasing.Full HD 1080p capture is additionally supported in frame rates up to 120 fps, and both 4K and UHD resolutions utilize the 100 Mb\/s XAVC S format contained inside a MP4 wrapper with 4:2:0 8-bit sampling.The high-speed, 120 fps capture also permits 4x and 5x slow-motion movie capture with the frame rate set to either 30p or 24p.In addition to high-resolution onboard recording, uncompressed HDMI feed also permits the use of an optional outboard recorder for clean 4K capture with 4:2:2 8-bit sampling.\u003cbr\u003eS-Log3 and Other Color and Gamma ControlsAffording extensive customizable color and gamma controls, the a7C enables users to refine the gamma, black level, knee, color level, and more:Use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that places up to 1300% more dynamic range in the video signal than traditional Rec.709, for increased post-production flexibility.HLG (Hybrid Log-Gamma) support permits capture inside a wide color gamut for producing HDR-ready content directly from the camera.S-Log3 is additionally provided for producing a 15+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the picture.5-Axis SteadyShot INSIDE Picture Stabilization\u003cbr\u003eDespite the sleek stature of the a7C, it incorporates a 5-stop effective 5-axis SteadyShot INSIDE picture stabilization system that compensates for numerous types of camera shake encountered during handheld shooting of stills and footage. This enables operators to confidently use any lens, even adapted lenses, for critical image-capture without encountering blur from camera shake.\u003cbr\u003eFor long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. Every shooting style can benefit from roll compensation. All 5 axes of stabilization will function at all times, even whenever used with third-party lenses and adapters or lenses with built-in optical stabilization.Space-efficient and Versatile Design\u003cbr\u003eBuilt-in EVF and Vari-Angle LCD in Sony a7CCompact and lightweight body configuration, along with a rangefinder-inspired layout, make the a7C a sleek and portable camera for everyday shooting. Compared to other a7-series cameras, the a7C is approximately 20% smaller and lighter, akin to the size of an APS-C-format camera.A 0.39\"-type XGA OLED electronic viewfinder is featured and has a 2.36m-dot definition and 0.59x magnification for bright, detailed viewing in high detail.Rear 3.0\" 921.6k-dot rear LCD incorporates a side-open vari-angle configuration along to benefit working from high, low, and front-facing angles. It's additionally a touchscreen for intuitive control and playback.\u003cbr\u003eMagnesium-alloy chassis along with a weather-sealed configuration includes a durable overall construction for use in a variety of conditions.The large-capacity NP-FZ100 battery includes approximately 740 shots per charge whenever working with the rear LCD or 680 shots per charge whenever working with the EVF.Single SD memory card slot is rated to support UHS-II memory cards for fast transfer speeds.\u003cbr\u003ePorts and Interface in Sony a7CA USB 3.2 Gen 1 Type-C port in Sony a7C provides fast, dependable tethering and additionally enables the camera to be charged from the host power source while connected.Multi Interface Shoe handles working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which deliver improved, detailed audio capture by sending a digital audio signal to the camera, opposed to an analog signal.Both 3.5mm microphone and headphone ports are provided for increased audio capture control.\u003cbr\u003eWireless ConnectivityBuilt-in Wi-Fi permits the a7C to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. Support for both 2.4 and 5.0 GHz bands additionally permits wireless tethered shooting support.Bluetooth interfacing enables location data acquisition.NFC (Near Field Communication) is additionally supported, which enables one-touch link between the camera and mobile device. Once connected, the linked mobile device can additionally display a live view picture on its screen and from a distance control the camera's shutter.Sony FE 28-60mm f\/4-5.6 LensThe Portable Powerhouse Standard ZoomImpressively space-efficient and versatile, the Sony FE 28-60mm f\/4-5.6 is a wide-angle to long-normal zoom characterized by its retractable configuration and sleek profile. Its svelte configuration makes this lens ideal for walkaround, everyday shooting, and the adaptable focal length range benefits a broad variety of subject types, from street shooting to portraiture to travel photography.\u003cbr\u003eSmall and Light\u003cbr\u003eSmall size and lightweight configuration is what this lens is all about, meaning it's the perfect companion for casual shooting days whenever a single, versatile, and portable lens is most desirable.Retractable configuration maintains an especially space-efficient profile whenever not in use, measuring just 1.8\" long.Weighing 5.9 oz, its featherweight stature pairs well with space-efficient full-frame or APS-C bodies.Dust- and moisture-resistant configuration suits working in inclement weather conditions.Optics and AF\u003cbr\u003eThree aspherical elements help to lower spherical aberrations and distortion throughout the zoom range for improved sharpness and accurate rendering.The use of specialized elements additionally contributes to a smaller, lighter physical configuration.Linear motor, along with an onboard focusing mechanism, promotes fast, accurate, and quiet focusing performance to suit both stills and footage uses.\u003cbr\u003eIn addition to the variety afforded by the 28-60mm focal length range, this lens additionally has a versatile 11.8\" lowest focusing distance that permits working with close-up subjects.Rounded seven-blade diaphragm contributes to a pleasing bokeh quality.\u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e\u003cbr\u003evisit us \u003ca href=\"http:\/\/bsn.com.pk\"\u003ehere \u003c\/a\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":45790099669045,"sku":"ILCE7CL\/B","price":7563.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1600118443_1592779.webp?v=1784711473"},{"product_id":"canon-eos-r5-mark-ii-mirrorless-camera","title":"Canon EOS R5 Mark II Mirrorless Camera","description":"\u003cdiv class=\"title_L6kDdYKxLS\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"overviewProductTitle\"\u003eA Closer Look at Canon R5 Mark II\u003c\/h2\u003e\u003c\/div\u003e\u003cbr\u003eIn practical monitoring terms, \u003cdiv class=\"overviewContent_L6kDdYKxLS\"\u003e\u003carticle class=\"content_L6kDdYKxLS\"\u003e\u003cdiv class=\"bioContainer_RwwiHBvcjp\"\u003e\u003cdiv\u003e\u003cdiv class=\"text_TAw0W35QK_ compact_TAw0W35QK_ sizeCaption_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"bioProfileAttributes\"\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eThe Do-It-All Camera for Multimedia Professionals\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBoasting enough horsepower to enable \u003cb\u003eCanon\u003c\/b\u003e's highest definition mirrorless sensor to shoot a speedy 30 fps and capture 8K60p raw footage, the \u003cb\u003eEOS R5 Mark II Mirrorless Camera\u003c\/b\u003e is the multimedia professional's option for versatility, picture quality, and intelligence. An all-new 45MP sensor's stacked, back-illuminated configuration joins a brand new processor to deliver upgrades in nearly every category, creating a do-it-all camera that gets the job done.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv\u003e\u003cdiv class=\"media_UbV5SNP5Eo\"\u003e\u003cdiv class=\"aspectRatioWrapper_pdnKDph4rT\"\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eA Stacked Sensor-Processor Combo\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe R5 Mark II's new sensor maintains the high definition of its predecessor while introducing a stacked, back-illuminated configuration that makes room for Canon's latest picture processor, the DIGIC Accelerator. Working alongside the stalwart DIGIC X, the camera brings together the raw picture data with high-volume, deep-learning datasets to produce gains in subject tracking and recognition, pre-continuous capture, blackout-free shooting, footage definition, maximum capture time, and more - making the R5 Mark II a powerful and extensive professional creator's toolkit.\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eAutofocus and Deep Learning\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe improved processing speeds benefit the EOS R series' already-robust autofocus, incorporating deep learning datasets in its Dual Pixel Intelligence AF to produce advancements in subject recognition and tracking while additionally improving on the Eye Control Focus feature introduced in the EOS R3.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\u003cdiv class=\"aspectRatioWrapper_pdnKDph4rT\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e \u003cli\u003eThe processor's high-level analyses keep the intended subject locked when similar subjects cross one another\u003c\/li\u003e \u003cli\u003eHead, eyes, upper body, and joint structures are all tracked, as well as persons other than the main subject and the ball\u003c\/li\u003e \u003cli\u003eAction Priority Menu setting for still photos identifies sport-specific events, actions, and ball positions for soccer, basketball, and volleyball\u003c\/li\u003e \u003cli\u003ePhotograph or upload a person's image to register and prioritize up to 10 subjects\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eEye Control Focus\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eReintroduced in the EOS R3, Eye Control AF enables shooters to use their eye to initiate where the focus point is simply by looking via the electronic viewfinder. The R5 Mark II boasts newly developed camera optics and a revised line-of-sight detection algorithm to nearly double the detection frame rate. The camera integrates Eye Control Focus with its improved subject tracking and recognition algorithms to keep the sighted subject in well-defined focus.\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eHigh Speed, High-Quality Stills Performance\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eElectronic Shutter\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eChief among the benefits of the new sensor-processor combination is the ability to shoot high-quality, high-resolution pictures at blazing speed, unlocking mural-sized moments of athletic brilliance, breaking news, or even history. The R5 Mark II has the power to capture the ephemeral and commit it to memory on the biggest scale and in astounding detail.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e \u003cli\u003eContinuous shooting speeds of up to 30 fps full-frame raw with reduced shutter distortion, with up to 12 fps when using the mechanical shutter\u003c\/li\u003e \u003cli\u003eSupports always-on blackout-free display when using the electronic shutter\u003c\/li\u003e \u003cli\u003eFor indoor sports shooters, the camera effectively suppresses flicker in LED lighting environments by detecting refresh frequencies\u003c\/li\u003e \u003cli\u003eFlash sync speeds of up to 1\/250s possible when using electronic front-curtain shutter\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePre-Continuous Shooting\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eNewly provided in the EOS R5 Mark II is the ability to bank up to 15 shots of pre-continuous shooting by half-depressing the shutter button before firing. Whenever the shutter button is fully pressed, the previous half-second of pictures are written to the memory card, allowing operators to \"go back in time\" to recover a decisive moment they might have missed.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eNoise Reduction and In-Camera Upscaling\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eFirst and foremost, the R5 Mark II is a camera constructed for image-makers looking to maximize quality and flexibility. As such, the broad native ISO 100-51200 range suits working in a variety of lighting conditions and the DIGIC Accelerator permits the use of Neural Network Noise Reduction for cleaner pictures, especially at higher sensitivities. \u003cbr\u003eThis same processing power additionally permits the creation of even higher definition stills-up to 179MP-via In-Camera Upscaling. This deep learning-based tool doubles the number of pixels horizontally and vertically to produce a larger, more detailed picture with maintained sharpness and clarity.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eCoordinated Control Picture Stabilization\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eA lightweight, space-efficient build encourages operators to hand-wield the camera, and here as elsewhere the R5 Mark II's new innards yield performance gains. Coordinated control helps achieve the optimum hand-shake correction effects, benefitting handheld shooting in low-light conditions and reducing shake whenever recording videos. The five-axis in-body picture stabilizer (IBIS) corrects up to 8.5 stops of unwanted camera shake in the center of the frame and 7.5 at the edges whenever used in conjunction with compatible. Additionally, Movie Digital IS uses the optical and sensor-shift stabilization methods along with digital IS to help acquire steadier footage while moving.\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eA Cinema EOS-Integrated 8K Powerhouse\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe R5 Mark II inherits many of innovations that made its other relative, the R5 C, a favorite among combination video-stills shooters, and carries over much of its Cinema EOS cousin's provides and process. Like its predecessors, the 45MP full-frame sensor permits impressively high-resolution DCI 8K raw footage capture internally, now up to 60 fps, along with 4K SRAW additionally at the full sensor width.\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\u003cdiv class=\"aspectRatioWrapper_pdnKDph4rT\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e \u003cli\u003eReads out signals for all effective pixels from its full-frame 8K sensor, enabling 4:2:2 10-bit high-definition recording through oversampling during 4K and 2K video recording\u003c\/li\u003e \u003cli\u003eRecord High Frame Rate (HFR) movies with sound at up to 120p at DCI\/UHD 4K resolutions (4096 x 2160\/3840 x 2160) in 4:2:2 10-bit without cropping the sensor\u003c\/li\u003e \u003cli\u003eSupports MXF-based XF-AVC, which offers 10-bit 4:2:2 files, as well as the highly versatile MP4 for lightweight proxy files in various professional workflows\u003c\/li\u003e \u003cli\u003eExternal raw recording is supported for compatible recorders with a full size, HDMI Type-A port\u003c\/li\u003e \u003cli\u003eSplit saving is possible with raw and proxy video saved to separate memory cards\u003c\/li\u003e \u003cli\u003eSupports Canon Log3, a gamma designed for simple grading, such as tightening dark areas and adjusting tones, as well as integration with other Cinema EOS system footage\u003c\/li\u003e \u003cli\u003eThe following time code settings are supported: start time setting, movie recording count, movie play count, HDMI time code on\/off, HDMI rec. command on\/off, drop frame enable\/disable)\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\u003cdiv class=\"aspectRatioWrapper_pdnKDph4rT\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e \u003cli\u003eCanon Log2, PQ, and HLG in-camera custom picture profiles also supported\u003c\/li\u003e \u003cli\u003eHigh-quality audio supported with 4-Channel, 24-bit LPCM\u003c\/li\u003e \u003cli\u003eRecording times up to 120 minutes are possible at 4K 60 settings and below or, if paired with an optional grip, larger recording formats or longer recording times are possible\u003c\/li\u003e \u003cli\u003eIntegrated waveform monitor, false color \u0026amp; zebra display, tally lamp\u003c\/li\u003e \u003cli\u003eCompatible with Canon VR and RF 5.2mm f\/2.8 L Dual Fisheye lens\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBody and Interfacing\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e \u003cli\u003eA 5.76m-dot, 0.76x-magnification OLED electronic viewfinder is featured for clear, high-resolution eye-level viewing at a 120 fps refresh rate with support for blackout-free viewing\u003c\/li\u003e \u003cli\u003e3.2\" vari-angle LCD benefits working high, low, and front-facing angles and features a 4.15m-dot resolution with a touchscreen interface for vivid playback, live-view monitoring, and more\u003c\/li\u003e \u003cli\u003eDual memory card slots are featured, a CFexpress Type B slot for raw video recording and fast continuous shooting and a UHS-II SD card for backups or less speed-critical shooting\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\u003cimg class=\"pointer_pdnKDph4rT\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2289687.jpg\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e \u003cli\u003eFirst EOS camera with Wi-Fi 6E\/Wi-Fi 6 wireless support for even faster communication across wider frequency bands\u003c\/li\u003e \u003cli\u003eNew, higher-capacity LP-E6P lithium-ion battery necessary for 8K video, top drive speeds, and other high-end capabilities; the camera will accept LP-E6N and LP-E6NH at limited capabilities and life durations\u003c\/li\u003e \u003cli\u003eThree optional battery grips are available, including two featuring a 2.5G BASE-T Ethernet interface and RJ-45 port for a fast and secure hardwired connection and one with a cooling fan for extended video runtimes\u003c\/li\u003e \u003cli\u003eLightweight and compact with a dust- and moisture-sealed construction suitable for working in inclement conditions\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e \u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e\u003cbr\u003ebuy it from \u003ca href=\"http:\/\/bsn.com.pk\"\u003e \u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/article\u003e\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":45790124671029,"sku":"6536C002","price":12999.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1721198413_1840289.webp?v=1784713740"},{"product_id":"sony-a7r-v-mirrorless-camera","title":"Sony a7R V Mirrorless Camera","description":"\u003ch1\u003eA More Intelligent 'R': Guide\u003c\/h1\u003e\u003cbr\u003eAcross its imaging platform, combining definition and precision, the Sony a7R V ILCE-7RM5\/B  is the mirrorless camera developed for those who crave detail. Featuring a 61MP full-frame sensor, all-new AI-based autofocus system with enhanced subject recognition, 8K footage recording, and 8-stop picture stabilization, the fifth-generation a7R is dependable and well-rounded for both photography and footage uses.\u003cbr\u003eExmor R BSI Sensor and BIONZ XR Processor61MP Full-Frame CMOS SensorFeaturing a back-illuminated configuration, this Sony a7R V full-frame 61MP Exmor R CMOS sensor supplies a mixture of incredible definition with high clarity, low noise, and a wide 15-stop dynamic range. The sensor's structure promotes impressive picture quality and a copper wiring layer dramatically enhances data transmission speed for creating 14-bit, high-resolution 61MP stills with a native sensitivity range from ISO 100-32000, which can be expanded further to ISO 50-102400.Improved Processing EngineA new BIONZ XR processing engine provides up to 8x increased processing performance compared to previous generations, which permits faster overall performance, impressive picture quality with wide sensitivity and dynamic ranges, and more fluent processing that's capable of handling a bevy of AI tasks and smart AF alongside image-capture processes. This processing system additionally lowers rolling shutter and other motion distortions for clean rendering of moving subjects.In terms of shooting speeds, the sensor and processor permit up to 10 fps shooting, at full definition with a mechanical shutter, for up to 583 consecutive compressed raw frames, with full-time AF\/AE. If shooting JPEG only, more than 1000 frames can be recorded in a single burst.Updated 5-Axis Picture StabilizationUpdated for the Sony a7R V , the in-body picture stabilization system has been revised to support up to 8 stops of camera shake compensation. This 5-axis stabilization system brings together a high-performance gyro sensor with an optimized algorithm for more accurate shake control and improved communication between the camera body and lens.Additionally, specifically for footage, an Active IS setting is also available that adds even more accurate stabilization methods for even smoother footage straight out of camera. Additionally, this digital stabilization system has been updated with a new algorithm that provides the best stabilization performance whenever paired with selected OSS-enabled lenses.Pixel Shift Multi ShootingThis unique compositing setting enables you to achieve even increased definition than the 61MP sensor affords. Working in conjunction with the sensor-shift picture stabilization, this setting shifts the sensor while making 16 consecutive exposures in order to acquire approximately 240.8MP of information for increased color accuracy and detail than possible with a single exposure, along with an impressive picture size of 19,008 x 12,672-pixels. These files can then be merged together during post-production with Sony's Imaging Edge software suite.Accurate Exposure and ColorNew auto-exposure algorithm can detect skin area in faces in order to more accurately balance exposures for portraits. This AE method is approximately 20% more dependable, even in backlit or direct sunlight situations, or even whenever the subject is not directly facing the camera.The Sony a7R V combines deep-learning technology with external visible-light and IR sensors to contribute to more accurate color reproduction and auto white balance processing.Next Generation AI-Based AutofocusAI Processing UnitUsing dedicated processing, the a7R V's autofocus benefits greatly from smarter subject tracking and recognition functions along with the dependable hybrid AF system Alpha cameras are known for. Real-time Recognition AF works with seven distinct selectable target types:Human, which tracks body and head positions for accurate portraits. Real-time Eye AF performance has additionally been improved by 60% thanks to the human pose estimation functions.Animal, Bird, and Animal\/Bird settings are now 40% more accurate for tracking and recognizing a variety of animal types. Recognition of these subjects incorporates dogs, cats, birds and more, with the ability to pinpoint focus on eyes and recognize animal bodies and heads.Insect recognition includes even finer performance with the ability to detect the head or entire insect subject.Car\/Train and Airplane recognition means the camera can detect the front part of a train, nose of an airplane, or easily detect the entire fast-moving subject.Real-time Tracking benefits from AI-based subject recognition for following moving subjects, making it particularly well-suited to sports and action subjects. Additionally, Human pose estimation permits the camera to distinguish between several people and maintain focus on the targeted subject; even if someone crosses in front, the camera maintains focus on the key person.Enhanced Fast Hybrid AFCovering 79% of the full-frame picture area, or 100% of the APS-C cropped area, a Fast Hybrid AF system incorporates a dense 693 phase-detection point grid for quick and accurate focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is provided for use in all capture settings, to benefit both footage and stills uses.Full-time DMF (Direct Manual Focus) permits use of the lens's focus ring for manual focus control at any time, making it easier to switch focus to a distinct subject even whenever working with AF.For photographic moving subjects, this AF system keeps up with the top 10 fps continuous shooting speeds, offering full-time AF tracking between each consecutive frame.In-camera Focus Bracketing is possible, with the ability to capture up to 299 frames with sequentially shifted focus points for creating composite pictures during post-production with greater-than-possible depth of field.AF During Footage RecordingReal-time Eye AF is fully supported during footage capture, for subject detection and tracking of human, animal, and bird eyes while shooting.Focus Map is a unique way of visualizing depth of field and functions in a similar way to peaking with a colorful overlay of the scene that indicates which parts of the scene are in front of and behind the focus point depending on the chosen aperture.A feature carried over from the FX6 digital cine camera, AF Assist lets you intuitively switch over to manual focus control for adjusting focus position whenever working with AF. This is a quick way to shift selective focus between several subjects in a scene while recording. A unique option to compensate for how certain lenses perform whenever racking focus, Focus Breathing compensation will automatically smooth focus transitions and maintain a consistent field of view whenever changing the focus position during a shot. This setting crops into the picture slightly and corrects for any detected shifts in composition whenever focusing is happening.Footage Capture8K 24p and 4K 60p SupportUsing its high-resolution sensor and fast processing, the Sony a7R V, UHD 8K 24p and UHD 4K 60p XAVC HS 10-bit footage recording is possible through the full width of the sensor with full pixel readout for impressive sharpness and realism.When using a Super 35 crop, full pixel readout capture is possible at up to UHD 4K at frame rates up to 30p or 6.2K oversampling can be used for increased sharpness and detail.Onboard 10-bit 4:2:2 sampling is possible at up to 4K 60p in XAVC HS and XAVC S-I and, when recording externally via the full-size HDMI A port, 16-bit raw feed can be used for even increased tonal reproduction and post-production flexibility.Raw feed is supported at up to 4K 60p and simultaneous onboard 4K capture is possible, too.Capture FlexibilityThe Sony a7R V  employs a pair of codecs to suit distinct processes: XAVC HS, which uses HEVC\/H.265 encoding to retain more detail at smaller bitrates and XAVC S-I, which is an intraframe codec for consistent performance and quality at higher bitrates.When recording in Full HD, high-speed, 120 fps capture permits 4x and 5x slow-motion movie capture with the frame rate playback set to either 30p or 24p.No recording-duration limit restricts clip length and the camera's physical configuration integrates an improved heat-dissipating structure to promote longer possible capture times.Enhanced Color ControlS-Cinetone can be used to produce distinct colors and healthy-looking skin tone rendering that matches the FX9, FX6, a1, and a7S III cameras and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile supplies natural mid-tones, soft colors, and especially well-controlled highlights.Affording extensive customizable color and gamma controls, you can refine the gamma, black level, knee, color level, and more. Additionally, operators can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility.HLG (Hybrid Log-Gamma) support is additionally provided, along with the BT.2020 color space, for capture inside a wide color gamut and, in addition to S-Log2, S-Log3 is additionally provided for producing a 15+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the picture.Body Configuration and Interfacing9.44m-Dot EVF and 4-Axis Multi-Angle LCDSporting a new, more functional LCD configuration, the a7R V has a 4-axis multi-angle LCD monitor that brings together the best assets of both tilting and side-open\/flip-out vari-angle designs.This 3.2\" 2.1m-dot LCD additionally has a touchscreen configuration and a DCI-P3 wide gamut for accurate color observation.An impressive QXGA OLED Tru-Finder EVF integrates a high 9.44m-dot definition and 0.9x magnification for exceptionally bright, detailed, and detailed eye-level viewing.The EVF permits 120 fps playback for smooth motion rendering and the finder's physical configuration has a long 25mm eye point, 41° field of view, and integrates a fluorine coating on the outermost viewfinder element to benefit cleaning.Versatile and Durable DesignDual memory card slots both accept either CFexpress Type An or SD-type memory cards. The dual slot configuration enables adaptable file saving and handling and may be set up to partition file types or can be used for overflow capture. Additionally, both of the card slots are rated to support UHS-II memory cards for faster transfer speeds.Accepts the high-capacity NP-FZ100 rechargeable lithium-ion battery, which supplies approximately 440 shots\/90 minutes of capture per charge when using the viewfinder or 530 shots\/100 minutes of capture per charge when using the rear LCD.Magnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has additionally been improved to better support heavy lenses, and the grip rigidity has been improved for more comfortable hand-holding.Extensive weather-sealing, including enhanced sealing around the battery cover, terminal cover, and chassis joints, has been employed to resist dust and moisture for dependable operation in harsh weather conditions.\u003cbr\u003ePorts and InterfaceFull-size HDMI A port provides a more dependable connection whenever working with outboard recorders.A USB-C 3.2 Gen 2 port has been added, in addition to a micro-USB port, for faster, more dependable tethering support. The USB-C link enables the camera to be charged or powered from the host power source while connected.PC sync terminal for wired flash sync with strobe packs or wireless radio remotes.Both 3.5mm headphone and outboard microphone ports facilitate increased control over audio capture.Sony a7R V Multi Interface Shoe handles working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which deliver improved, detailed audio capture sound by sending a digital audio signal to the camera, opposed to an analog signal.ConnectivityBuilt-in Wi-Fi and NFC permits the Sony a7R V to instantly share imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands additionally permits wireless tethered shooting support. Additionally, the 5 GHz band allows 2x2 MIMO for fast communication speeds and dual antennas maintain a dependable connection.Bluetooth enables location-data acquisition. The camera also supports simple UVC\/UAC-compliant 4K webcam operation. Onboard capture is additionally supported while live streaming.USB-C port, whenever used in conjunction with an optional USB-Ethernet adapter, supplies up to 1000BASE-T speeds for quick wired LAN sharing and remote operation.Image-capture Edge Remote for desktop accommodates PC Remote shooting via the Wi-Fi link or tethered by the wired USB-C port. An updated data transfer control additionally makes it possible to transfer files from an SD card over Wi-Fi through the Image-capture Edge Mobile app even whenever the camera is powered off.","brand":"Sony","offers":[{"title":"Default Title","offer_id":45790124834869,"sku":"ILCE-7RM5\/B","price":14499.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1666779545_1731389.webp?v=1784713742"},{"product_id":"sony-zv-e1-mirrorless-camera-black","title":"Sony ZV-E1 Mirrorless Camera (Black)","description":"At the point of image capture, the Ultimate Vlog Camera for Content CreatorsDesigned as a professional photo+cinema camera for content creators to up their game, the ultra-compact black Sony ZV-E1 Mirrorless Camera provides cinematic looks to your vlogs, interviews, and device demonstrations. With an even smaller form than the EV-10 and the cinema-style inner-workings of the a7S III, the ZV-E1 provides a full-frame 12MP Exmor R CMOS sensor and a BIONZ XR picture processor to supply stunning cinema looks in a tiny, mobile form. Its full-frame E-mount makes it one of the smallest cameras with an interchangeable lens mount around. Some of the benefits of the ZV-E1 incorporate a cinematic bokeh, 15+ stops of dynamic range, 5-axis stabilization, AI-based auto-framing, AF assist, several mic options, USB streaming, a dust and moisture resistant housing, and more.\u003cbr\u003e\u003ch3\u003e12MP Exmor R CMOS Sensor + BIONZ XR Processor + AI in Sony ZV-E1: Guide\u003c\/h3\u003e\u003cbr\u003eWith 2.5x the picture size of APS-C, the 12.1MP full-frame CMOS sensor integrates a back-illuminated Exmor R configuration, an updated BIONIC XR picture processor, and a new, dedicated AI processing unit. Together, the camera supplies capture of low-light pictures with its impressive ISO 80-102,400 with an extended ISO 80-409,600 range, 15+ stops of dynamic range, and a beautiful, cinematic bokeh for photo stills and footage.\u003cbr\u003e\u003ch3\u003evideo signal recording production flow -UHD 4K 120p | FHD 240p, 10-Bit 4:2:2 Internal Recording in Sony ZV-E1\u003c\/h3\u003e\u003cbr\u003eUHD 4K capture is possible with frame rates up to 120p and full HD capture up to 240p, through full 1:1 pixel readout without binning. Onboard 10-bit 4:2:2 sampling is additionally possible in all capture modes.The device is compatible with All-Intra (All-I) and XAVC S-I, which are intraframe codecs for consistent performance and quality at bitrates up to 600 Mb\/s.\u003cbr\u003e\u003ch3\u003erecording production flow Flexibility in Sony ZV-E1\u003c\/h3\u003e\u003cbr\u003eThe high-speed, 120 fps capture enables slow-motion movie capture, or, if moving down to Full HD definition, an effective 240 fps frame rate is additionally available for even increased motion control.Suiting long-form capture, the ZV-E1 does not have any capture time limits to allow unlimited clip lengths. The camera's physical configuration also integrates an improved heat-dissipating structure to promote longer possible capture times, up to an approximate 60-minute capture time at 4K60p.The Cinematic Vlog setting provides cinematic settings with one touch. You can set all your cinema settings right on one screen, including aspect ratio, frame rate, look setting, mood, and AF settings.\u003cbr\u003e\u003ch3\u003eenhanced Color operation in Sony ZV-E1\u003c\/h3\u003e\u003cbr\u003eS-Cinetone can be used to produce distinct colors and healthy-looking skin tone rendering that matches the a7S III, FX9, and FX6 cameras and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile provides natural mid-tones, soft colors, and especially well-controlled highlights.Affording extensive customizable color and gamma controls, you can refine the gamma, black level, knee, color level, and more. Additionally, operators can use the same S-Log3\/S-Gamut3.Cine Gamma Curve that is found on high end Sony Cinema cameras for increased post-production flexibility.\u003cbr\u003eOperators can import and apply their own LUTs for extra gamma and picture profile optionsAutofocus and Picture Stabilization\u003cbr\u003e\u003ch3\u003eFast Hybrid AF: Guide\u003c\/h3\u003e\u003cbr\u003eThe Autofocus feature supplies multiple features such as focus breathing compensation, customizable AF transition speed settings, and AF subject shift sensitivity settings. It offers a focus map and AF assist functions to deliver fast, accurate focusing.\u003cbr\u003e\u003ch3\u003eAI Processing Unit: Guide\u003c\/h3\u003e\u003cbr\u003eIts dynamic active setting stabilization through the AI recognition and tracking system creates auto-cropping to focus in on a subject, and the framing location is fully customizable. The camera's bokeh switch provides custom adjustment for the level of bokeh.The Several Face Recognition setting enables the camera to automatically track several subjects inside the frame. It facilitates framing stabilization and automatically tracks your subject in frame, to make sure the subject stays inside the frame.\u003cbr\u003eThe Device Showcase Setting provides an AF tracking switch between your device and subject, to maintain the same bokeh on distinct subjects.\u003cbr\u003e\u003ch3\u003e5-Axis visual Stabilization\u003c\/h3\u003e\u003cbr\u003eThe ZV-E1 incorporates a next-gen 5-axis optical picture stabilization system, which compensates for five distinct types of camera shake encountered during handheld shooting of stills and footage. The design supports operators to confidently use any lens, even adapted lenses, for critical image-capture without encountering blur from camera shake.Optical active setting that increases picture stabilization whenever walking with the camera, and dynamic active setting adds electronic stabilization that is even more effective when using fast movements and longer focal lengths.\u003cbr\u003e\u003ch3\u003eCreative focal range Operation\u003c\/h3\u003e\u003cbr\u003eThe ZV-E1 additionally contains smooth zooming with your zoom lens through the zoom lever, or by using digital Detailed Picture Zoom for stepped zooming from 1.0x, 1.5x in 4K, 2.0x in FHD, or 4.0x in FHD.\u003cbr\u003eVlogging FeaturesTime-LapseThe camera accommodates instant time-lapse settings with framerate, capture, light, and interval customization.Slow and Quick MotionWhen directly replaying movies in slow or quick motion in S\u0026amp;Q setting while using the XAVC S-I format at 60p, a maximum bitrate of 600 Mb\/s (4:2:2 10-bit, H.264, All-I) produces outstanding image quality. When through the XAVC S format, up to 10x slow motion with Full HD definition is possible at 240 fps (24p capture), delivering fresh perspectives on dynamic sports and other types of action.Audio and Pro Footage FeaturesThe camera provides an onboard three-capsule mic, a mic jack, and you can additionally utilize a digital audio interface via the Multi-interface (MI) shoe. It additionally contains a 3.5mm headphone jack. A windscreen is included to protect the onboard mic.For use in professional situations, the camera provides a tally lamp, a custom footage control layout, a built-in shooting grip, and a self timer.\u003cbr\u003e\u003ch3\u003eStreaming and Connectivity\u003c\/h3\u003e\u003cbr\u003eThe camera can connect to the Creators' Cloud central cloud platform through a smartphone app for sharing and storing media, editing in the cloud, and collaboration tools. You can utilize USB feed through UVC\/UAC control via a computer for streaming uses and broadcasts, and the USB feed accommodates up to 4K30 footage.You can additionally livestream with the camera with its webcam function through a computer. You can feed up to 4K30 footage (or 1080p60 footage) via USB-C to a computer and utilize the camera to live stream via a computer app. The unit provides support for UVC\/UAC control protocol standards.\u003cbr\u003eBody Configuration and ConnectivitySony E Lens MountThe E mount allows all E-mount lenses, such as full-frame FE lenses.Intuitive Touchscreen LCDThe side-opening, vari-angle display benefits working from high and low angles as well as a front-facing position for vlogging or other self-recording needs. It offers intuitive touchscreen shooting control, playback, and menu navigation.Versatile and Durable DesignA tally lamp offers an indicator for your subject to show whenever the camera is recordingThe housing is dust and moisture resistant for dependable operation in harsh weather conditionsAccepts the high-capacity Z battery rechargeable lithium-ion battery, which offers approximately 570 stills\/120 minutes of footage capture per charge\u003cbr\u003e \u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e\u003cbr\u003ebuy it from \u003ca href=\"http:\/\/bsn.com.pk\"\u003e \u003c\/a\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":45790139711541,"sku":"ILCZVE1\/B","price":6984.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1_5c9cb31d-0011-40d5-9ad5-6d6ab59336e9.webp?v=1784715135"},{"product_id":"sony-zv-e1-mirrorless-camera-with-28-60mm-lens-black","title":"Sony ZV-E1 Mirrorless Camera with 28-60mm Lens (Black)","description":"Starting with the optical platform, the Ultimate Vlog Camera for Content Creators in ZV-E1Developed as a professional photo+cinema camera for content creators to up their game, the ultra-compact black Sony ZV-E1 Mirrorless Camera supplies cinematic looks to your vlogs, interviews, and device demonstrations. With an even smaller form than the EV-10 and the cinema-style inner-workings of the a7S III, the ZV-E1 integrates a full-frame 12MP Exmor R CMOS sensor and a BIONZ XR picture processor to supply stunning cinema looks in a tiny, mobile form. Its full-frame E-mount makes it one of the smallest cameras with an interchangeable lens mount around. Some of the benefits of the ZV-E1 incorporate a cinematic bokeh, 15+ stops of dynamic range, 5-axis stabilization, AI-based auto-framing, AF assist, several mic options, USB streaming, a dust and moisture resistant housing, and more.\u003cbr\u003e\u003ch3\u003e12MP Exmor R CMOS Sensor + BIONZ XR Processor + AI in ZV-E1: Guide\u003c\/h3\u003e\u003cbr\u003eWith 2.5x the picture size of APS-C, the 12.1MP full-frame CMOS sensor provides a back-illuminated Exmor R configuration, an updated BIONIC XR picture processor, and a new, dedicated AI processing unit. Together, the camera provides capture of low-light pictures with its impressive ISO 80-102,400 with an extended ISO 80-409,600 range, 15+ stops of dynamic range, and a beautiful, cinematic bokeh for photo stills and footage.\u003cbr\u003e\u003ch3\u003evideo signal RecordingUHD 4K 120p | FHD 240p, 10-Bit 4:2:2 Internal recording production flow in ZV-E1\u003c\/h3\u003e\u003cbr\u003eUHD 4K capture is possible with frame rates up to 120p and full HD capture up to 240p, through full 1:1 pixel readout without binning. Onboard 10-bit 4:2:2 sampling is additionally possible in all capture modes.The unit accommodates All-Intra (All-I) and XAVC S-I, which are intraframe codecs for consistent performance and quality at bitrates up to 600 Mb\/s.\u003cbr\u003e\u003ch3\u003erecording production flow Flexibility in ZV-E1\u003c\/h3\u003e\u003cbr\u003eThe high-speed, 120 fps capture enables slow-motion movie capture, or, if moving down to Full HD definition, an effective 240 fps frame rate is additionally available for even increased motion control.Suiting long-form capture, the ZV-E1 does not have any capture time limits to allow unlimited clip lengths. The camera's physical configuration also provides an improved heat-dissipating structure to promote longer possible capture times, up to an approximate 60-minute capture time at 4K60p.The Cinematic Vlog setting supplies cinematic settings with one touch. You can set all your cinema settings right on one screen, including aspect ratio, frame rate, look setting, mood, and AF settings.\u003cbr\u003e\u003ch3\u003eenhanced Color operation in ZV-E1\u003c\/h3\u003e\u003cbr\u003eS-Cinetone can be used to produce distinct colors and healthy-looking skin tone rendering that matches the a7S III, FX9, and FX6 cameras and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile supplies natural mid-tones, soft colors, and especially well-controlled highlights.Affording extensive customizable color and gamma controls, you can refine the gamma, black level, knee, color level, and more. Additionally, operators can use the same S-Log3\/S-Gamut3.Cine Gamma Curve that is found on high end Sony Cinema cameras for increased post-production flexibility.Operators can import and apply their own LUTs for extra gamma and picture profile optionsAutofocus and Picture Stabilization\u003cbr\u003e\u003ch3\u003eFast Hybrid AF in ZV-E1: Guide\u003c\/h3\u003e\u003cbr\u003eThe Autofocus feature offers multiple features including focus breathing compensation, customizable AF transition speed settings, and AF subject shift sensitivity settings. The device delivers a focus map and AF assist functions to deliver fast, accurate focusing.\u003cbr\u003e\u003ch3\u003eAI Processing Unit: Guide — ZV-E1\u003c\/h3\u003e\u003cbr\u003eIts dynamic active setting stabilization through the AI recognition and tracking system creates auto-cropping to focus in on a subject, and the framing location is fully customizable. The camera's bokeh switch delivers custom adjustment for the level of bokeh.The Several Face Recognition setting enables the camera to automatically track several subjects inside the frame. It facilitates framing stabilization and automatically tracks your subject in frame, to make sure the subject stays inside the frame.\u003cbr\u003eThe Device Showcase Setting delivers an AF tracking switch between your device and subject, to maintain the same bokeh on distinct subjects.\u003cbr\u003e\u003ch3\u003e5-Axis visual Stabilization — ZV-E1\u003c\/h3\u003e\u003cbr\u003eThe ZV-E1 incorporates a next-gen 5-axis optical picture stabilization system, which compensates for five distinct types of camera shake encountered during handheld shooting of stills and footage. This enables operators to confidently use any lens, even adapted lenses, for critical image-capture without encountering blur from camera shake.Optical active setting that increases picture stabilization whenever walking with the camera, and dynamic active setting adds electronic stabilization that is even more effective when using fast movements and longer focal lengths.\u003cbr\u003e\u003ch3\u003eCreative focal range Operation — ZV-E1\u003c\/h3\u003e\u003cbr\u003eThe ZV-E1 additionally incorporates smooth zooming with your zoom lens through the zoom lever, or by using digital Detailed Picture Zoom for stepped zooming from 1.0x, 1.5x in 4K, 2.0x in FHD, or 4.0x in FHD.\u003cbr\u003e\u003ch3\u003eVlogging capabilities\u003c\/h3\u003e\u003cbr\u003eTime-LapseThe camera accommodates instant time-lapse settings with framerate, capture, light, and interval customization.Slow and Quick MotionWhen directly replaying movies in slow or quick motion in S\u0026amp;Q setting while using the XAVC S-I format at 60p, a maximum bitrate of 600 Mb\/s (4:2:2 10-bit, H.264, All-I) produces outstanding image quality. When through the XAVC S format, up to 10x slow motion with Full HD definition is possible at 240 fps (24p capture), delivering fresh perspectives on dynamic sports and other types of action.Audio and Pro Footage FeaturesThe camera incorporates an onboard three-capsule mic, a mic jack, and you can additionally utilize a digital audio interface via the Multi-interface (MI) shoe. It additionally provides a 3.5mm headphone jack. A windscreen is included to protect the onboard mic.For use in professional situations, the camera incorporates a tally lamp, a custom footage control layout, a built-in shooting grip, and a self timer.\u003cbr\u003e\u003ch3\u003eStreaming and Connectivity — ZV-E1\u003c\/h3\u003e\u003cbr\u003eThe camera can connect to the Creators' Cloud central cloud platform through a smartphone app for sharing and storing media, editing in the cloud, and collaboration tools. You can utilize USB feed through UVC\/UAC control via a computer for streaming uses and broadcasts, and the USB feed accommodates up to 4K30 footage.You can additionally livestream with the camera with its webcam function through a computer. You can feed up to 4K30 footage (or 1080p60 footage) via USB-C to a computer and utilize the camera to live stream via a computer app. Compatibility includes UVC\/UAC control protocol standards.\u003cbr\u003eBody Configuration and ConnectivitySony E Lens MountThe E mount handles all E-mount lenses, including full-frame FE lenses.Intuitive Touchscreen LCDThe side-opening, vari-angle display benefits working from high and low angles as well as a front-facing position for vlogging or other self-recording needs. The unit supplies intuitive touchscreen shooting control, playback, and menu navigation.Versatile and Durable DesignA tally lamp supplies an indicator for your subject to show whenever the camera is recordingThe housing is dust and moisture resistant for dependable operation in harsh weather conditionsAccepts the high-capacity Z battery rechargeable lithium-ion battery, which supplies approximately 570 stills\/120 minutes of footage capture per charge\u003cbr\u003eSony FE 28-60mm f\/4-5.6 LensThe Portable Powerhouse Standard ZoomImpressively space-efficient and versatile, the Sony FE 28-60mm f\/4-5.6 is a wide-angle to long-normal zoom characterized by its retractable configuration and sleek profile. Its svelte configuration makes this lens ideal for walkaround, everyday shooting, and the adaptable focal length range benefits a diverse group of subject types, from street shooting to portraiture to travel photography.\u003cbr\u003eSmall and Light\u003cbr\u003eSmall size and lightweight configuration is what this lens is all about, meaning it's the perfect companion for casual shooting days whenever a single, versatile, and portable lens is most desirable.Retractable configuration maintains an especially space-efficient profile whenever not in use, measuring just 1.8\" long.Weighing 5.9 oz, its featherweight stature pairs well with space-efficient full-frame or APS-C bodies.Dust- and moisture-resistant configuration suits working in inclement weather conditions.Optics and AF\u003cbr\u003eThree aspherical elements help to lower spherical aberrations and distortion throughout the zoom range for improved sharpness and accurate rendering.The use of specialized elements additionally contributes to a smaller, lighter physical configuration.Linear motor, along with an onboard focusing mechanism, promotes fast, accurate, and quiet focusing performance to suit both stills and footage uses.\u003cbr\u003eIn addition to the variety afforded by the 28-60mm focal length range, this lens additionally has a versatile 11.8\" lowest focusing distance that permits working with close-up subjects.\u003cbr\u003eRounded seven-blade diaphragm contributes to a pleasing bokeh quality.\u003cbr\u003e \u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e\u003cbr\u003ebuy it from \u003ca href=\"http:\/\/bsn.com.pk\"\u003e \u003c\/a\u003e\u003cbr\u003e ","brand":"Sony","offers":[{"title":"Default Title","offer_id":45790139744309,"sku":"ILCZVE1L\/B","price":8088.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1680085939_IMG_1966881.webp?v=1784715137"},{"product_id":"panasonic-lumix-gh7-mirrorless-camera","title":"Panasonic Lumix GH7 Mirrorless Camera","description":"At the center of the specification, \u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eAn Iconic Pro GH7 Camera: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eGet ready for raw with the latest Micro Four Thirds \u003cb\u003eLumix GH7  Mirrorless Camera\u003c\/b\u003e from \u003cb\u003ePanasonic\u003c\/b\u003e, which now contains ProRes RAW onboard recording, 32-bit float capture with the optional DMW-XLR2 audio interface, Adobe Cloud Frame.io compatibility, versatile Open Gate framing, and real-time custom LUTs. This flagship update to the powerful GH6 retains all the valuable existing incorporates, including the same space-efficient form factor, a 25.2MP sensor, 5.7K30 Apple ProRes 422 HQ onboard capture, improved Phase Hybrid AF, a 13+ stop dynamic range boost, and 5-axis stabilization to accommodate indie film, pro\/consumer photography, documentary, or even as a B-camera in high-end productions.\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv\u003e\u003cdiv class=\"media_UbV5SNP5Eo\"\u003e\u003cdiv class=\"aspectRatioWrapper_pdnKDph4rT\"\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eKey GH7 Updates: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e \u003cli\u003eNewly equipped with Apple ProRes RAW internal recording and 32-bit float recording for dramatic enhancements in the speed and quality of video production in GH7\u003c\/li\u003e \u003cli\u003e25.2MP BSI CMOS sensor with 13+ stop dynamic range boost with rich gradation for vibrant, detailed photos and videos\u003c\/li\u003e \u003cli\u003eThere's no longer a need to adjust audio recording levels during shooting - with 32-bit float recording using the optional DMW-XLR2 adapter and internal recording of 5.7K 30p Apple ProRes 422 HQ and Apple ProRes RAW HQ\u003c\/li\u003e \u003cli\u003eUpload still images and proxy videos directly to the Adobe Cloud Frame.io platform in GH7\u003c\/li\u003e \u003cli\u003eOne shot for all social media platforms in all aspect ratios via Open Gate for superior resolution and heightened detail\u003c\/li\u003e \u003cli\u003eImproved AF performance with Phase Hybrid Autofocus by adding real-time recognition AF for Human\/Animal\/Car\/Motorcycle\/Train\/Airplane\u003c\/li\u003e \u003cli\u003eReal-time custom LUTs to apply new color expressions\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eHigh-Resolution 25.2MP Sensor, 5.7K Raw video signal in GH7\u003c\/h3\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eRedesigned from the ground up, this sensor enhances upon its predecessors in the GH Series with new components and software. It has an improved 13+ stops of dynamic range boost despite its reduced cell size due to the increased number of pixels on the Micro Four Thirds sensor.\u003ch3\u003eOffering 4:2:2 10-bit C4K\/4K 60p\/50p internal recording production flow, the LUMIX GH7 delivers unlimited recording time when used at the recommended operating temperature (-10 to 104°F).\u003c\/h3\u003e5.7K30 ProRes RAW HQ footage can now be recorded internally on the camera via a CFexpress Type B card, giving you the freedom to capture the moment at the click of a button with minimal setup and no need for outboard devices. The SD slot can capture up to 10-bit 4K120 footage.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e32-Bit Float recording production flow in GH7\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eWhenever combined with the separately provided DMW-XLR2, the LUMIX GH7 produces the world's first 32-bit float capture, improving the quality and efficiency of the entire process. With its wide dynamic range, the 32-bit float format records more information, from quiet to loud sounds, eliminating the need for tedious sound level adjustments during audio capture. The GH7 is always ready to capture 48 kHz 24-bit with its built-in mic.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePhase Hybrid AF enhanced Recognition in GH7\u0026amp;\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eThe most important thing with autofocus is to be consistent. In addition to contrast AF, the LUMIX GH7 includes the Phase Detection AF system, which dramatically enhances subject tracking performance and metering technologies. The camera can capture the subject even in challenging scenes in which several subjects are involved, delivering accuracy even in backlit or low-light settings.\u003cbr\u003eEnhanced Detection AF pushes the envelope on sports, wildlife, and car\/motorcycle photography. Subject recognition on the LUMIX GH7 covers human and animal eyes, vehicle fronts, rider and driver helmets, a train's leading car, and an aircraft's nose.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eRicher Tonal Expression in GH7: Guide\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Dynamic Range Boost function acquires two types of pictures with a single exposure and synthesizes them in real-time to create composite pictures with rich tonal range even in scenes with significant luminance differences. With still pictures, it supports richer expression of shadow tones in RAW data. With footage, it permits 13+-stop V-Log\/V-Gamut capture.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eStabilization: In-Body, Sensor-Shift in GH7: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e \u003cli\u003eIn-body, sensor-shift, 5-axis image stabilization is obtained with a high-precision gyro-sensor and a stabilization algorithm. At all focal lengths, this stabilization technology offers 7.5 stops of deviance from the shutter speed dictated by the reciprocal rule.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e \u003cli\u003eSensor-shift technology works seamlessly with the optical image stabilization of Panasonic lenses. Electronic stabilization is available to those who accept the slight cropping effect it requires. Boost I.S. mode is the most extreme form of electronic stabilization, simulating a shot locked off on a tripod.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eReal-Time LUTs in GH7: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eLUTs can be applied to photos and videos on the camera body itself, allowing you to create photos and videos straight out of the camera. Allows \".VLT\" and \".CUBE\" file formats. By utilizing this feature, you can save time on the complicated post-editing process. In combination with the LUMIX Lab app, you can easily create your own LUTs and install them on the camera.\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eLightning-Fast Sensor Readout\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Venus Engine has twice the power of previous generations, which permits 75 fps burst shooting or up to 240 fps variable frame rate (VFR) slow motion video footage. The Venus Engine's fast sensor readout limits the rolling shutter distortion to keep skyscrapers vertical whenever shooting from an automobile's action mount or to capture slow motion footage of quickly moving objects.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eLUMIX Lab App in GH7: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eThe GH7's ultra-fast Wi-Fi link lets you pair the camera with your smartphone in three easy steps and transfers content seamlessly.\u003cbr\u003eYou can additionally crop, refine brightness, and apply LUTs, enabling simple editing for any social media platform to be done in a snap.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eNative Integration with Adobe's Frame.io\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eWith Frame.io Camera to Cloud, pictures and videos are automatically uploaded, backed up, shared, and worked on jointly via the cloud.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eProfessional-Grade High Bitrate Footage\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eARRI LogC3 Recording\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBy using the separately available DMW-SFU3A Software Upgrade Key, operators can use the ARRI LogC3, which permits color matching with ARRI's digital cinema cameras. The picture processing of the ARRI LogC3 curve on LUMIX GH7 has been certified by ARRI for the implementation of this function. The options for Log capture, which delivers rich color information and a wide dynamic range, have been expanded to incorporate ARRI LogC3 in addition to the conventional V-Log, further improving LUMIX's process compatibility.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eLimitless Latitude in GH7: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e \u003cli\u003e5.7K30 recording is supported in the high-quality Apple ProRes 422 HQ\/ProRes 422 and ProRes RAW codecs for visually lossless, high bitrate footage well-suited for intense manipulation in post-production. ProRes 422 HQ\/ProRes 422 is also supported in DCI 4K and FHD at up to 60p.\u003c\/li\u003e \u003cli\u003eThe GH7 supports unlimited recording up to DCI 4K at 60p with 4:2:2 10-bit sampling for pristine detail and depth in color grading.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eUnlimited recording production flow Times in GH7\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003ePanasonic recognizes the importance of shooting extended clips and has developed the GH7 to not have a maximum recording time. There's no need to stop shooting due to overheating. The GH7's space-efficient body and heat dissipation structure permit extended capture even whenever shooting at heavy loads (4:2:2 10-bit C4K\/4K 60p\/50p, ProRes RAW HQ).\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eSmart Picture Processing\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e3D noise reduction is achieved by comparing three sequential frames, then automatically scrubbing the noise, which appears in only one of the three frames. Smart detail processing eliminates the need for a low-pass filter and smooths fine details like hair\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eand wires to minimize moiré patterns.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eRaw recording production flow via HDMI in GH7\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eIn addition to onboard capture to the CFexpress card, the GH7 accommodates 12-bit raw footage feed in 5.7K, DCI 4K, and Anamorphic 5.8K and 4.4K formats via HDMI whenever capture to Atomos Ninja V and V+ outboard recorders in ProRes RAW.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eAnamorphic Versatility\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e \u003cli\u003eRecord open gate with the 4:3 sensor for 5.8K 30p 4:2:0 10-bit and 4.4K 60p 4:2:0 10-bit video.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e \u003cli\u003eStore up to 10 anamorphic lenses on the GH7 for quick swaps and ready-to-view, desqueezed footage. Images can be desqueezed in cinescope size. Magnification rate is also selectable from 1.30x, 1.33x, 1.5x, 1.8x, or 2.0x.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e \u003cli\u003eThe Image Stabilizer Anamorphic setting is ideal for using an anamorphic lens. To properly interpret the visual information for stabilization processing, select from 1.30x, 1.33x, 1.5x, 1.8x or 2.0x depending on the lens magnification.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eSuper-Slow Motion in GH7: Guide\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBy shooting in high frame rate (HFR) 4K you can boost your frame rate to 120p, or 1080p will give you 240p to play with. Autofocus remains provided to actively make changes while recording up to 200 fps.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eInstant Backup\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eSimultaneous onboard and outboard capture via the HDMI port broadens your options for redundancy and storage, particularly convenient whenever shooting live events over a hour long. Capture in resolutions up to DCI 4K in 17:9 with a bit depth up to 4:2:2, 10-bit, and frame rates up to 60p, 50p, 30p, 25p, 24p.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eScopes Assists in GH7: Guide\u0026amp;\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e \u003cli\u003eThe Waveform monitor, Vectorscope, and Luminance spot meter feed you vital information about your levels.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e \u003cli\u003eTime-lapse video interval capture is customizable for both shooting and playback durations, complete with exposure smoothing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e \u003cli\u003eFocus Transition, Frame Indicator, and Frame Marker improve the workflow in both production and post-production.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e \u003cli\u003eSafety Zone Marker, Vertical Position Information, Center Marker Options, and Enlarged Live Display help keep your action properly oriented, centered, and in focus.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePhotography Functions\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eHybrid Strength\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThough Lumix is known for stellar footage production, it excels as a hybrid camera with its 100MP stills, a wide dynamic range, 7.5 stops of dual picture stabilization, and continuous shooting up to 75 fps with an electronic shutter.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eStreaming Functions\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe GH7 can stream directly via Wi-Fi, USB tethering, or wired Ethernet LAN. Choose your favorite streaming approach to share your latest in real time. For outdoor use, wireless live streaming (RTMP\/RTMPS) is easy to set up with the LUMIX Sync app. For indoor use, highly stable wired live streaming (RTP\/RTSP) is additionally provided.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eRapid-Fire for Three Seconds: Guide\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eAchieve 75 fps burst shooting (AFS, electronic shutter) while maintaining 25.2MP due to the fast readout speed of the GH7 sensor and the superior processing power of the new Venus Engine. The high sensor readout speed lowers rolling shutter distortion. Shoot 75 fps with the electronic shutter and AFS or 14 fps with the mechanical shutter and AFS. With AFC, you can shoot at up to 8 fps with the mechanical shutter or 7 fps with the electronic shutter.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eClean Details in Low Light: Guide\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eDetails are retained and color noise is reduced, even whenever shooting in dimly lit conditions that require high ISO. Whenever conditions are less than ideal, 2D noise reduction gives your photos a more natural and three-dimensional quality.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eShutter Flexibility in GH7: Guide\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eSelect a mechanical shutter, electronic front-curtain shutter, fully electronic shutter, or slow-speed electronic mode with post-capture noise reduction. Automatic selection can instead match the shutter mechanism to current conditions and exposure time.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eProfessional and Dependable Configuration\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eCFexpress Type B SD: Guide\u0026amp;\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe dual card slot supplies options dependent on the bitrate of your shoot. The CFexpress Type B slot is necessary to capture higher bitrate formats like Apple ProRes RAW and 422 HQ and 800 Mb\/s 4:2:2 10-bit ALL-Intra footage. The SD card slot records bitrates up to 600 Mb\/s when using high-performance UHS-II U3 Class 10 SD cards.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eSSD recording production flow Over USB\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eBoth footage and stills can be recorded and played back through an outboard SSD whenever connected via the USB-C port. The design supports saving to larger capacity drives and working with media that's immediately compatible with most post-production processes.\u003ch3\u003eDMW-DCC18 coupler to maintain voltage. and NOTE: High-resolution SSD recording requires the separately available DMW-ACC11 power adapter\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eSmart OLED Eyepiece\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe 3.68m-dot OLED Live Viewfinder has a 0.76x-equivalent magnification for bright, realistic eye-level observation.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eHigh-Definition TFT LCD\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe free-angle 3\" 1.84m-dot LCD screen tilts toward the shooter, enabling high- and low-angle shots, as well as positions in tight corners that would otherwise be extremely difficult to properly frame and focus your camera. It provides high contrast, high brightness, and high visibility even under strong sunlight. Additionally, its intuitive configuration uses static touch control and has an improved locking mechanism for easier use.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eHigh-Voltage Performance\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe GH7 takes the DMW-BLK22 lithium-ion battery and provides approximately 360 shots per charge.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eWeatherproof Below Freezing\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe body of the GH7 is engineered to keep out precipitation and dust down to 14°F. Despite its sealed configuration, heat dispersal is attained via an electric fan, heat sink, and frame that radiates heat away from the sensor, engine, and memory card.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eErgonomic Optimization: Guide\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e \u003cli\u003eSpend less time rummaging through digital menus by using dual ring selectors to find your preferred shooting mode. The design of the camera incorporates dedicated buttons for key features like the zoomed-in manual focus assist box and audio information button for quick adjustments of the levels.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e \u003cli\u003eAn additional video record button on the face of the GH7 is more accessible when mounted on a shoulder rig. The camera is designed to be as small and lightweight as possible, increasing its compatibility with motorized gimbals and commercial drones (available separately).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eWireless distance-based operation\u0026amp;\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e \u003cli\u003eTo expand the flexibility of data transfers and remote control, wireless options are built into the design. Wi-Fi 5GHz and Bluetooth 5.0 enable the transfer of photos and footage to a cell phone, which can then be beamed to a news station. Updating the camera's firmware can be accomplished wirelessly via a smartphone.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e \u003cli\u003eRemotely control up to 12 GH7 cameras via the LUMIX Tether app. Adjust settings like the metering mode, recording quality, and focus mode, then transfer the footage to a computer after recording. When prepping those cameras, save time and reduce errors by using the Lumix SYNC app to wirelessly match the recording settings.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eIn\/Out: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e \u003cli style=\"list-style-type: none;\"\u003e\u003cul\u003e \u003cli\u003eThis camera provides options to connect to external devices. The USB-C port enables data transfers of 10 Gb\/s, powers the camera, or charges the battery. The HDMI type A port feeds the footage to an external recorder, or the hot shoe mount connects to an XLR expansion device like the DMW-XLR2 (available separately).\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e \u003cli\u003eA 3.5mm headphone jack is located on the side of the camera, above the 3.5mm headphone jack. On the front of the camera, a flash synchro socket doubles as a timecode in\/out when using the included BNC converter cable.Locate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003ebuy it from \u003ca href=\"http:\/\/bsn.com.pk\"\u003e \u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":45790139842613,"sku":"DC-GH7BODY","price":8599.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1-2_beafad1a-3c43-452f-8e12-2391fb0185f8.webp?v=1784715139"},{"product_id":"sony-a7-iv-mirrorless-camera-body-ilce-7m4","title":"Sony a7 IV Mirrorless Camera Body (ILCE-7M4)","description":"For professional deployment, \u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eSony a7 IV (ILCE-7M4): Beyond Basic: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eAn all-arounder that pushes beyond basic, the Sony a7 IV  ILCE-7M4 does double duty with strong stills and footage performance. An enhanced hybrid mirrorless camera, the Sony a7 IV has the definition and AF performance that appeals to photographers along with robust 4K 60p footage recording for creators and content creators.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv\u003e\u003cdiv class=\"media_UbV5SNP5Eo\"\u003e\u003cdiv class=\"aspectRatioWrapper_pdnKDph4rT\"\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eProcessor in Sony a7 IV and Sensor\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e33MP Exmor R BSI CMOS Sensor\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eNewly developed 33MP Exmor R BSI CMOS full-frame sensor provides a back-illuminated configuration that promotes high clarity, low noise, and vivid color rendering. This configuration benefits working in low-light conditions and works in conjunction with a broad sensitivity range of ISO 100-51200. The sensor's configuration additionally delivers roughly 15 stops of dynamic range and records stills as RAW, JPEG, or 10-bit HEIF files.\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBIONZ XR Processor in Sony a7 IV (ILCE-7M4): Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eThrough the flagship-class BIONZ XR engine, high-speed picture processing functions are provided for fast continuous shooting, 4K footage recording, and enhanced AF tracking performance. The quick processing additionally helps to lower rolling shutter and other motion distortions for clean rendering of moving subjects.\u003cbr\u003eIn terms of shooting speeds, the sensor and processor permit up to 10 fps shooting with either the mechanical or electronic shutter and with AF\/AE enabled. Additionally, the buffer permits capture of up to 828 consecutive uncompressed raw + JPEG frames when using a CFexpress Type A card.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eFootage Capture\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cdiv\u003e\u003cdiv class=\"media_UbV5SNP5Eo\"\u003e\u003cdiv class=\"aspectRatioWrapper_pdnKDph4rT\"\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\u003cimg class=\"pointer_pdnKDph4rT\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1635954.jpg\" alt=\"Sony a7 IV | 7K to 4K\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e4K 60p video signal recording production flow in 10-Bit in Sony a7 IV\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e \u003cli\u003eMaking full use of the high-resolution 33MP sensor and fast processing capabilities, UHD 4K 30p XAVC HS 10-bit recording is possible using the full width of the sensor, offering 7K oversampling for impressive sharpness and realism.\u003c\/li\u003e \u003cli\u003eThere is also oversampled 4K recording, via a 4.6K capture area, with a Super 35 crop, that offers UHD 4K output up to 60p in 10-bit.\u003c\/li\u003e \u003cli\u003eNo recording time limit allows for unlimited clip lengths and the camera's physical design features an improved heat-dissipating structure to promote longer possible recording times; longer than one hour of continuous 4K 60p 10-bit 4:2:2 recording, for example.\u003c\/li\u003e \u003cli\u003eThe a7 IV employs a pair of codecs to suit different workflows: XAVC HS, which uses HEVC\/H.265 encoding to retain more detail at smaller bitrates and XAVC S-I, which is an intraframe codec for consistent performance and quality at bitrates up to 600 Mb\/s.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\u003cdiv class=\"aspectRatioWrapper_pdnKDph4rT\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eS-Cinetone, S-Log3, and Other Color and Gamma operation\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e \u003cli\u003eS-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that matches the FX9 and FX6 cameras, along with the a1 and a7S III, and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.\u003c\/li\u003e \u003cli\u003eHLG (Hybrid Log-Gamma) support permits recording within a wide color gamut for producing HDR-ready content directly from the camera.\u003c\/li\u003e \u003cli\u003eS-Log3 is also available for producing a 15+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eFast Hybrid AF System in Sony a7 IV (ILCE-7M4): Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eAI-Based Autofocus\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eCovering approximately 94% of the picture area, a Fast Hybrid AF system incorporates 759 phase-detection points for quick and accurate focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is provided for use in all capture settings, to benefit both footage and stills uses.\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"media_UbV5SNP5Eo\"\u003e\u003cdiv class=\"aspectRatioWrapper_pdnKDph4rT\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eReal-time Eye AF and Real-time Tracking\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eBorrowing from the flagship AF system, the a7 IV has tuned tracking and subject detection functions that lock onto subjects quickly and refines focus accurately on recognized eyes and faces of subjects:\u003cul\u003e \u003cli\u003eReal-time Tracking is an AI-based subject recognition system that recognizes color, pattern, and subject distance information for high accuracy and focusing speed.\u003c\/li\u003e \u003cli\u003eBeyond just tracking subjects, Real-time Eye AF fine-tunes the focusing accuracy and recognizes human, animal, and bird's eyes for critical sharpness. Real-time Eye AF even maintains focus on a subject's eye when they leave and re-enter the frame, allowing for working in more spontaneous shooting situations.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\u003cdiv class=\"aspectRatioWrapper_pdnKDph4rT\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eAdditional Focusing Modes and AF During Video Recording\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e \u003cli\u003eReal-time Eye AF is fully supported during video recording, for subject detection and tracking of human, animal, and bird eyes while shooting.\u003c\/li\u003e \u003cli\u003eFor more control over how focus shifts appear during recording, seven-step AF transition speeds and five-step AF subject shift sensitivity controls let you refine how quickly focus shifts from point to point and how smoothly focusing shifts occur.\u003c\/li\u003e \u003cli\u003eFocus Map is a unique way of visualizing depth of field and functions in a similar way to peaking with a colorful overlay of the scene that indicates which parts of the scene are in front of and behind the focus point depending on the chosen aperture.\u003c\/li\u003e \u003cli\u003eA feature carried over from the FX6 digital cine camera, AF Assist lets you intuitively switch over to manual focus control for adjusting focus position when working with AF. This is a quick way to shift selective focus between various subjects in a scene while recording.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\u003cdiv class=\"aspectRatioWrapper_pdnKDph4rT\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e \u003cli\u003eA unique solution to compensate for how certain lenses perform when racking focus, Focus Breathing compensation will automatically smooth focus transitions and maintain a consistent field of view when changing the focus position during a shot. This mode crops into the image slightly and corrects for any detected shifts in composition when focusing is happening. This function is compatible with select E-mount lenses, check \u003ca href=\"https:\/\/support.d-imaging.sony.co.jp\/support\/ilc\/breathing\/en\/index.html\" target=\"new\" rel=\"noopener\"\u003eBreathing Compensation lens compatibility here\u003c\/a\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eStreaming in Sony a7 IV ( ILCE-7M4 ) and Body Design, Connectivity,\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eLCD Screen and Viewfinder\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e \u003cli\u003eAn improved QVGA OLED Tru-Finder EVF features a 3.68m-dot resolution that is approximately 1.6x higher in resolution than its predecessor for sharper, clearer viewing. This viewfinder supports both standard 60 fps and 120 fps frame rates for smooth motion rendering and its physical design has a long 23mm eye point, 0.78x-magnification, and 37.3° field of view.\u003c\/li\u003e \u003cli\u003ePerfect for vlogging or other self-recording needs, the side-opening 3.0\" 1.03m-dot vari-angle articulating screen can be used in a front-facing orientation or can be tilted up or down to suit working from high or low shooting angles. This LCD is a touchscreen, too, for intuitive shooting control and menu navigation.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\u003cimg class=\"pointer_pdnKDph4rT\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1636021.jpg\" alt=\"Sony a7 IV | Ports\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePorts and Interface\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e \u003cli\u003eFull-size HDMI A port offers a more reliable connection when working with external recorders.\u003c\/li\u003e \u003cli\u003eA USB 3.2 Gen 2 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged or powered from the host power source while connected.\u003c\/li\u003e \u003cli\u003eBoth 3.5mm headphone and external microphone ports facilitate greater control over audio recording.\u003c\/li\u003e \u003cli\u003eMulti Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.\u003c\/li\u003e \u003cli\u003eUSB Type-C port can be paired with an optional Ethernet wired LAN adapter to provide 1000BASE-T connectivity, wired remote shooting, or FTP transferring.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\u003cdiv class=\"aspectRatioWrapper_pdnKDph4rT\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e5-Axis SteadyShot INSIDE visual Stabilization in Sony a7 IV\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e \u003cli\u003eEnhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system compensates for five different types of camera shake encountered during handheld shooting of stills and video and allows users to confidently use any lens, even adapted lenses, for critical shooting without encountering blur from camera shake.\u003c\/li\u003e \u003cli\u003eFor long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.\u003c\/li\u003e \u003cli\u003eAdditionally, specifically for video, there is also an Active IS mode that adds even more precise stabilization methods for even smoother footage straight out of camera.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eEnhanced Outboard Flash Control\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eSuiting working with flash while photographing fast-moving subjects, P-TTL flash metering is possible in between each exposure whenever working with lo, mid, or even hi-speed continuous shooting settings. This stabilizes illumination during low-light bursts and supports shooting as light levels change. The updated flash control system additionally helps to lower flash trigger lag, uses the camera's AWB information for natural color rendering, and accommodates adjusting choose flash and transmitter units directly from the camera's interface.\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\u003cimg class=\"pointer_pdnKDph4rT\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1635955.jpg\" alt=\"Sony a7 IV | Wireless Connectivity\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eWireless Interfacing and Streaming\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e \u003cli\u003eBuilt-in Wi-Fi enables the remote camera control and instant sharing of imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands also enables wireless tethered shooting support. This connectivity also provides remote camera control.\u003c\/li\u003e \u003cli\u003eUse of the Imaging Edge mobile app is benefitted by Bluetooth to maintain a reliable connection between the camera and mobile device.\u003c\/li\u003e \u003cli\u003eSupports Visual Story for easy cloud-based deliver of photos and videos immediately after shooting.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\u003cimg class=\"pointer_pdnKDph4rT\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1635998.jpg\" alt=\"Sony a7 IV | USB Webcam and Streaming\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e \u003cli\u003eLive streaming is possible directly from the camera simply by connecting the camera to a computer or compatible mobile device via USB, allowing the camera's video and audio capabilities to be used for live social media and video conferencing.\u003c\/li\u003e \u003cli\u003e4K 15p, FHD 60p\/30p, and HD 30p recording settings are available and there are also internal Creative Look and Soft Skin effects for a refined image quality straight from the camera.\u003c\/li\u003e \u003cli\u003eInternal recording is supported to a memory card while live streaming.\u003c\/li\u003e \u003cli\u003eUVC and UAC standards are supported for improved picture and sound quality during streaming.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e\u003cbr\u003ebuy it from \u003ca href=\"http:\/\/bsn.com.pk\"\u003e \u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":45790139875381,"sku":"ILCE-7M4","price":6899.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1-3_2ea70ebc-ea0e-4d1c-9f65-429209b24392.webp?v=1784715140"},{"product_id":"canon-eos-r5-c-mirrorless-cinema-camera-body-only-with-free-falcam-f22-f38-cage","title":"Canon EOS R5 C Mirrorless Cinema Camera (Body Only with Free Falcam F22\/F38 Cage)","description":"\u003ch1\u003eA Closer Look at Canon EOS R5 C Mirrorless Cinema Camera\u003c\/h1\u003e\u003cbr\u003eConsidering the complete platform, Prepare for a new shooting experience with Canon EOS R5 C Mirrorless Cinematic production Body, catering to wedding videographers, drone crews, and multimedia journalists. This versatile unit cleanly transforms from a fully-featured still photo capture device, akin to the R5 EOS mirrorless version, to a capable 8K60 Cinema EOS camera with onboard 12-bit Cinema RAW Light capture, eliminating the requirement for a second capture device.\u003cbr\u003eThe EOS R5 C brings significant enhancements compared to the unit's counterparts, the R5 and C70. These upgrades incorporate 4K120 capture, HDMI RAW feed, Canon Log 3 HLG\/PQ support, unlimited capture, timecode port, Dual Pixel CMOS AF with eye recognition, active cooling, a high-capacity LP-E6NH battery, 13 reassignable keys, and a multi-function shoe for XLR adapters. It retains elements such as Wi-Fi\/Bluetooth, compatibility with DaVinci Resolve and Canon apps, electronic RF fitting, CFexpress\/SD medium slots, and a familiar control layout. Additionally, the EOS R5 C retains the moisture and dustproof configuration of the unit's cinematic production sibling, the EOS C70, all in a space-efficient 1.7 lb chassis—perfect for drone use. This imaging device is positioned to be your primary selection for versatile photography and videography requirements.\u003cbr\u003e\u003ch2\u003eCommon capabilities Technology as the EOS R5\u0026amp;\u003c\/h2\u003e\u003cbr\u003e\u003cul\u003e \u003cli\u003eThe EOS R5 C camera boasts a 45MP full-frame CMOS sensor, delivering exceptional image quality and supporting impressive 8K60 RAW cinematic video shooting.\u003c\/li\u003e \u003cli\u003eIt excels in focus and speed, allowing continuous still-image capture at speeds up to 20 fps.\u003c\/li\u003e \u003cli\u003eDual Pixel CMOS AF II ensures precise tracking of fast-moving subjects.\u003c\/li\u003e \u003cli\u003eWith 1053 Automatic AF zones, you can use Eye, Face, and Head Detection AF for people or track the entire body, face, or eyes of animals like cats, dogs, or birds with Animal Detection AF.\u003c\/li\u003e \u003cli\u003eThe camera includes still-image vehicle subject detection for accurate tracking of cars and motorcycles.\u003c\/li\u003e \u003cli\u003eIt offers seamless connectivity with 5GHz and 2.4GHz Wi-Fi and Bluetooth for still image transfer.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch1\u003evideo signal capabilities of Canon EOS R5 C\u003c\/h1\u003e\u003cbr\u003eUpon switching the EOS R5 C's main toggle to \"footage,\" the Cinematic production EOS menu and connection, known to operators, become active. This transition unlocks enhanced video capabilities like waveform displays, codec choices, and broad audio control, materially enhancing the camera's footage capabilities for seasoned crews and content creators. When working in \"photo\" setting, the menus closely resemble those of the EOS R5 body.\u003cbr\u003e\u003ch3\u003eErgonomic EOS construction of Canon EOS R5 C\u003c\/h3\u003e\u003cbr\u003eThe EOS R5 C imaging device boasts a remarkably space-efficient and lightweight body. Whenever combined with a Canon RF optics (or EF optics via the Fitting Adapter EF-EOS R), it produces excellent performance whereas remaining comfortably hand-held. Whether capturing footage or stills, it maintains a smooth handheld shooting experience. The unit's electronic viewfinder is extended optically, supplying eye-level viewing akin to the standard EOS R5 capture device, and it retains the same ergonomic grip configuration for operator comfort.\u003cbr\u003e\u003ch3\u003e\n\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2023\/10\/IMG_1676658.webp\"\u003e\u003cimg class=\"size-medium wp-image-10508 alignleft\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2023\/10\/IMG_1676658-300x169.webp\" alt=\"\" width=\"300\" height=\"169\"\u003e\u003c\/a\u003eDIGIC X Processor and CMOS imaging sensor\u003c\/h3\u003e\u003cbr\u003eThe 8K CMOS imager and DIGIC X processor bring together to deliver reliable footage quality at definitions up to 8K60. The use of the efficient Cinematic production RAW Light format supports internal card capture without the need for an outboard recorder. The EOS R5 C body additionally delivers support for HDR capture in both Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) formats, helping ensure vibrant colour reproduction and a broad dynamic selection, making it a valuable tool for live broadcasting, broadcasting, and post-production endeavors.\u003cbr\u003e \u003cbr\u003e\u003ch3\u003e\n\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2023\/10\/IMG_1676671.webp\"\u003e\u003cimg class=\"size-medium wp-image-10507 alignleft\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2023\/10\/IMG_1676671-300x169.webp\" alt=\"\" width=\"300\" height=\"169\"\u003e\u003c\/a\u003e8K60 RAW recording production flow in Canon EOS R5 C\u003c\/h3\u003e\u003cbr\u003e8K Cinematic production RAW Light is strong for post-production grading and archiving, whereas MP4 is optimized for speedy online use. Onboard capture options incorporate 5.9K in Super 35mm setting and 2.9K in Super 16mm setting to CFexpress cards. The efficiency of Cinematic production RAW Light footage files permits 12-bit capture in all shot rates. With three new Cinematic production RAW Light settings (High-quality RAW HQ, standard-quality RAW ST, and Light capture RAW LT), operators can choose the RAW footage setting that suits their shooting requirements. Additionally, you can capture smaller proxy footage files alongside 8K acquisition.The EOS R5 C capture device facilitates RAW feed through HDMI and permits ProRes RAW capture whenever paired with compatible outboard recorders like Atomos units. This link empowers operators to acquisition Apple ProRes RAW footage at definitions up to 8K30. Simultaneously, proxy files can be in-camera recorded onto a SD medium, streamlining post-production processes.\u003cbr\u003e\u003ch3\u003eSimultaneously recording workflow and File Formats\u003c\/h3\u003e\u003cbr\u003eIn asset to Cinema RAW Light, which provides space-efficient RAW data sizes for capture, the EOS R5 C imaging device additionally accommodates XF-AVC in MXF configuration and versatile MP4. It's able of simultaneously capture two distinct footage files, such as Cinematic production RAW Light and MP4, at distinct resolutions such as 4K and HD. It can additionally generate lightweight proxy files appropriate for a range of professional workflows. XF-AVC delivers sturdy 10-bit 4:2:2 files packaged in the.MXF configuration, preserving smooth compatibility with non-linear editing systems (NLEs) and existing operate processes.\u003cbr\u003e\u003ch3\u003eInternal Cooling Fan to compatibility Nonstop 8K60 recording production flow in Canon EOS R5 C\u003c\/h3\u003e\u003cbr\u003eThe EOS R5 C capture device incorporates an onboard cooling fan that expels heat, allowing for uninterrupted, virtually limitless shooting of high-definition 8K60 footage.\u003cbr\u003e\u003ch3\u003econnection panel for production Recorders\u003c\/h3\u003e\u003cbr\u003eThe EOS R5 C camera provides a timecode source\/feed terminal to facilitate synchronization whenever using several cameras and interfaces. It additionally comes with a built-in lead protector to avoid lead disconnection or terminal damage due to the use of excessive force whereas connecting connection or HDMI leads.\u003cbr\u003e\u003ch3\u003eMulti-Function Shoe for sound recording production flow\u003c\/h3\u003e\u003cbr\u003eCanon's versatile shoe with a electronic audio connection is compatible with the TASCAM CA-XLR2d-C professional XLR microphone interface, which expands audio functions to 4 channels. This accessory incorporates two full-sized XLR ports with phantom power and a shotgun mic fitting, facilitating digital 4-channel, 24-bit audio capture to cater to the demands of professional footage production.\u003cbr\u003e\u003ch3\u003eMultiple powering Options for Canon EOS R5 C\u003c\/h3\u003e\u003cbr\u003eThe inclusion of Cinematic production RAW Light capture at higher definitions and shot rates necessitates increased power to support full optics operation. When capture in full-frame 8K60, Super 35 5.9K60, and Super 16 2.9K120 with Cinematic production RAW Light, the standard LP-E6NH, LP-E6, or LP-E6N battery packs won't deliver sufficient power for RF or EF lenses whenever connected through an interface. However, purely mechanical lenses can be employed eliminating any issues at these settings.\u003cbr\u003eTo availability complete electronic lens operation across all Cinematic production RAW Light definitions and shot rates, you have the option of through the CA-946 power interface with the new DR-E6C DC coupler, connecting to mains power or professional D-Tap battery sources. Instead, you can employ a power bank, such as the Anker Power Central functions 26800mAh PD or the Omni Charge Omni Mobile 25600mAh.\u003cbr\u003e\u003ch3\u003e\n\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2023\/10\/IMG_1676656.webp\"\u003e\u003cimg class=\"size-medium wp-image-10506 alignleft\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2023\/10\/IMG_1676656-300x169.webp\" alt=\"\" width=\"300\" height=\"169\"\u003e\u003c\/a\u003ePractical Notes: 2K Oversampling and 4K\u003c\/h3\u003e\u003cbr\u003eThe EOS R5 C unit extracts files from all functional pixels of the unit's full-frame 8K imager, resulting in 4:2:2 10-bit high-definition capture during 4K and 2K footage capture through oversampling. An enhanced debayer algorithm has been built-in, allowing the 4K feed, derived from the rich RGB files of the 8K sensor, to produce enhanced picture fidelity with reduced occurrences of moiré, false colors, artifacts, and noise.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e\u003ch3\u003e\n\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2023\/10\/IMG_1676674.webp\"\u003e\u003cimg class=\"size-medium wp-image-10505 alignleft\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2023\/10\/IMG_1676674-300x169.webp\" alt=\"\" width=\"300\" height=\"169\"\u003e\u003c\/a\u003eFast Motion recording workflow Mode in 4:2:2 10-Bit and Up to 4K120 Slow\u003c\/h3\u003e\u003cbr\u003eThe EOS R5 C unit can acquisition High Shot Rate (HFR) videos at definitions of DCI\/UHD 4K (4096 x 2160\/3840 x 2160) up to 120p in 4:2:2 10-bit, all eliminating sensor cropping. The unit's quick and user-friendly autofocus operates cleanly during HFR capture, allowing for precision even in fast-paced scenes. This function makes it well-suited for shooting from gimbals or drones, helping ensure excellent focus precision whether you're working at HFR rates or standard shot rates.\u003cbr\u003e \u003cbr\u003e\u003ch3\u003eSimultaneous Audio Recording Enabled: HFR\u003c\/h3\u003e\u003cbr\u003eIn contrast to certain other cameras that do not acquisition audio during high-frame-rate (HFR) shooting, the EOS R5 C body can capture.WAV audio as an separate file, effectively removing the necessity for separate audio capture. This enables for the practical capture of HFR footage and audio files in a single device whenever shooting in slow movement or fast motion.\u003cbr\u003e\u003ch3\u003eEnhanced visual Stabilization of Canon EOS R5 C\u003c\/h3\u003e\u003cbr\u003eImproved picture stabilization results from synchronized control whenever pairing Canon's RF lenses with optical IS alongside the EOS R5 C camera's electronic IS for XF-AVC or MP4 shooting. when using a RF optics fitted with optical IS and the electronic IS inside the EOS R5 C capture device, coordinated control maximizes the effectiveness of handshake correction. This synergy produces heightened anti-vibration performance compared to the conventional combination of IS-equipped EF lenses (utilizing the optional Fitting Interface EF-EOS R) and electronic IS.\u003cbr\u003e\u003ch3\u003eCanon LOG 3: Guide\u003c\/h3\u003e\u003cbr\u003eThe EOS R5 C capture device incorporates Canon Log 3, a gamma setting present in numerous Canon cameras, compatible with numerous Canon EOS and Cinema EOS versions. This wide dynamic selection proves valuable for extensive post-shooting colour grading. Canon Log 3 is a gamma curve tailored for simple grading, comprising adjustments to shadow detail and tones. It retains the user-friendly characteristics of Canon Log whereas reducing perceptible noise. Furthermore, it's applicable whenever shooting alongside other Cinematic production EOS arrangement cameras such as the EOS C300 Mark III and EOS C70.\u003cbr\u003e\u003ch3\u003eDual Pixel CMOS AF: iTR AF X\u003c\/h3\u003e\u003cbr\u003eCanon's Dual Pixel CMOS AF architecture leverages every sensor pixel for accurate focus and picture quality. This architecture covers around 80% of the display region with most Canon RF and EF lenses, preserving accurate footage autofocus. Touch AF streamlines AF position selection through the LCD display, complemented by manual positioning through the rear 8-preference multi-controller.\u003cbr\u003eThe body introduces Eye AF\/Assembly Recognition AF, driven by deep learning architecture to enhance person or object tracking. Additionally, it delivers human recognition for eyes, face, and assembly, enabling accurate subject following even eliminating AF control. A selection of AF settings accommodates varied subject movement scenarios, granting latitude in autofocus shooting.\u003cbr\u003eWith These includes, operators can entrust the imaging device with focusing tasks, allowing them to focus on their photography or videography operate without distractions.\u003cbr\u003e\u003ch1\u003eStill visual acquisition capabilities of Canon EOS R5 C\u003c\/h1\u003e\u003cbr\u003e\u003ch3\u003eHigh Still-visual Quality Featuring a 45MP Full-Frame CMOS imaging sensor DIGIC X Processor\u0026amp;\u003c\/h3\u003e\u003cbr\u003eThe still photography functions and operation closely resemble those of Canon's EOS R5 imaging device. The EOS R5 C unit boasts the identical Canon-designed CMOS imager, offering approximately 45 effective megapixels, and integrates the DIGIC X Picture Processor, which materially boosts total operational speed. This results in rapid, efficient performance and reliable image quality appropriate for large prints, impressive footage material, and more.\u003cbr\u003e\u003ch3\u003eDIGIC X Image Processor: an ISO Range of 100-51200; Expandable to 102400\u003c\/h3\u003e\u003cbr\u003eThe EOS R5 C unit provides an extensive selection of ISO settings for still pictures, providing flexibility to enhance shooting in varied and rapidly changing lighting situations. It can capture pictures at expanded ISOs, ranging from ISO 50 (L) to as elevated as 102400 (H).\u003cbr\u003e\u003ch3\u003eHigh Speed Continuous Shooting: Guide\u003c\/h3\u003e\u003cbr\u003eThe imaging device achieves rapid, uninterrupted shooting at 12 fps through the Mechanical Shutter, and up to 20 fps through the Electronic (Silent) Shutter. It maintains high-speed uninterrupted shooting with full AF person or object detection and tracking across all picture fidelity settings. The high-precision Dual Pixel CMOS AF platform maintains dependable production of approximately 100% of the still-image region, compatible with most Canon lenses.\u003cbr\u003e\u003ch3\u003e\n\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2023\/10\/IMG_1676660.webp\"\u003e\u003cimg class=\"alignleft wp-image-10504 size-medium\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2023\/10\/IMG_1676660-300x169.webp\" alt=\"Canon EOS R5 C Canon R5 C\" width=\"300\" height=\"169\"\u003e\u003c\/a\u003e Practical Notes: Tracking AF as the Canon EOS R5 and Same Subject Detection\u003c\/h3\u003e\u003cbr\u003eThe person or object detection and following autofocus in the Canon EOS R5 Imaging device remains consistent, even whenever shooting at rapid speeds of up to 20 fps.\u003cbr\u003e\u003ch3\u003ePractical Notes: Eye Detection and Head\u003c\/h3\u003e\u003cbr\u003eWhenever you choose \"People\" as the EOS R5 C's \"person or object recognition\" setting, it operates similarly to the EOS R5, enabling focus on a recognized person's eyes, face, assembly (if a face is obscured), or even the entire chassis if a assembly cannot be recognized.\u003cbr\u003e\u003ch3\u003eAF Area Flexibility: Guide\u003c\/h3\u003e\u003cbr\u003eYou can choose the AF region size, ranging from a single accurate AF point to the entire provided AF area, and swiftly refine an user-selected area through the 8-preference multi-controller on the camera's rear. The EOS R5 C provides a similar array of options for selecting the still-image AF method as the EOS R5 imaging device.\u003cbr\u003e\u003ch3\u003eEV -6 Low Light Autofocus: Guide\u003c\/h3\u003e\u003cbr\u003eIdeal for night photography or extremely low-light situations, the EOS R5 C camera's reliable autofocus performs admirably. It is able to function for still pictures in lighting as dim as EV -6, a level where other autofocus systems might struggle or hunt for focus. This autofocus function extends to combinations of lenses and Canon RF tele extenders, even with highest effective apertures as slow as f\/22. For instance, autofocus remains functional with setups such as the RF 800mm f\/11 IS STM optics and the RF 2x Extender.\u003cbr\u003e \u003cbr\u003eFind \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003eCanon Cameras in Dubai\u003c\/a\u003e\u003cbr\u003e ","brand":"Canon","offers":[{"title":"Default Title","offer_id":45790715314229,"sku":"5077C002","price":11500.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/R5C-1.webp?v=1784720943"},{"product_id":"panasonic-lumix-gh6-mirrorless-camera-with-12-60mm-f-2-8-4-lens","title":"Panasonic Lumix GH6 Mirrorless Camera with 12-60mm f\/2.8-4 Lens","description":"\u003ch3\u003e\n\u003cb\u003eLumix GH6 Mirrorless Camera From Panasonic: Guide\u003c\/b\u003e\n\u003c\/h3\u003e\u003cbr\u003ePanasonic Lumix GH6 Dubai Hybrid 4k mirrorless capture device featuring new 25.2-megapixel Live MOS imager, 4:2:2 10-bit C4K\/4K 60p\/50p footage.\u003cbr\u003eThe Camera has an unlimited capture time best Mirrorless Unit Dubai from Panasonic Dubai \u0026amp; Panasonic UAE Panasonic.*Under the guaranteed working environment. Whenever using a battery.\u003cbr\u003eThe capture time depends on the rating of the battery and the capture media.\u003cbr\u003e\u003ch3\u003e\n\u003cb\u003eLumix GH6 Direct recording production flow to USB-SSD.\u003c\/b\u003e\n\u003c\/h3\u003e\u003cbr\u003eWith the firmware version 2.2, capture and playback is supported through an outboard SSD through USB.\u003cbr\u003eIn asset, the ability to capture Apple ProRes 422 HQ (highest 1.9Gbps) and 4:2:2 10-bit All-Intra straight to SSDs, which bring together portability and elevated capacity has improved efficiency in files backup and post-processing.?Elevated frame rate footage exceeding 60.00p cannot be captured to an outboard SSD.\u003cbr\u003eIt is not possible to capture footage and photo on the SD medium or CFexpress medium simultaneously whereas recording it on the outboard SSD.?Use an outboard SSD no more than 2 TB in size that is compatible with USB Type-C.\u003cbr\u003eWe recommend through an outboard SSD whose operation has been confirmed by Panasonic.\u003cbr\u003eNote beforehand that operation is not guaranteed for every device. Current information about outboard SSDs will be provided at the following support site at the identical time as firmware release:\u003cbr\u003eContact us at shape more information.\u003cbr\u003e \u003cbr\u003e\u003ch3 class=\"contents-block__subtitle subtitle-1\"\u003eA LUMIX first: Apple ProRes codec video signal\u003c\/h3\u003e\u003cbr\u003e\u003cdiv class=\"contents-block__body\"\u003e\n\u003cp class=\"contents-block__body__body typ-body-1\"\u003eConsidering the complete platform, Through a CFexpress Type B medium (MOV, 5.7K, 5728x3024, 29.97p\/25.00p\/24.00p), you can internally capture ProRes 422 HQ and ProRes 422 codec videos, the professional industry standard, which produce high picture quality at low compression. This materially lowers the load on the computer during post-production and permits NLE (non-linear editing) eliminating transcoding, streamlining your process from start to finish.Firmware version 2.0 accommodates 59.94p\/50.00p at C4K (4096x2160) and FHD (1920x1080).\u003c\/p\u003eit's on sale at \u003ch3 class=\"contents-block__subtitle subtitle-1\"\u003eRAW video signal Data signal feed\u003c\/h3\u003e\n\u003cdiv class=\"contents-block__body\"\u003e\n\u003cp class=\"contents-block__body__body typ-body-1\"\u003eThe firmware update* permits the feed of highest 5.7K 59.94p (5728x3024, 17:9), C4K 119.88p (4096x2160, 17:9), Anamorphic 5.8K 29.97p (5760x4320, 4:3) and Anamorphic 4.4K (4352x3264, 4:3) 12-bit RAW footage data over HDMI to be captured as Apple ProRes RAW on ATOMOS NINJA V and NINJA V+ devices**.\u003c\/p\u003ethe unit's provided in Dubai at \u003cp class=\"contents-block__body__note typ-body-2\"\u003e*Please update the firmware to version 2.0 or later. **ATOMOS HDMI focus area display\/recorder \"Ninja V+\" (AtomOS 10.77 or better)\/\"Ninja V\" (AtomOS 10.77 or better)?Selectable capture setting Compatible operation requires the appropriate Atomos Ninja V or Ninja V+ firmware; consult Atomos for the matching release or ATOMOS Ninja V.?Capture of some capture qualities is not provided with the \"Ninja V“.?Software that accommodates Apple ProRes RAW is required to edit RAW footage captured with ATOMOS Ninja V+ or ATOMOS Ninja V. Apply the LUT (Look up table) provided on the following customer handles site to make the identical colour grading as V-Log\/V-Gamut\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003ch3 class=\"contents-block__title heading-2\"\u003e5.7K 10-bit 60p\/50p recording production flow\u003c\/h3\u003e\u003cbr\u003e\u003cdiv class=\"contents-block__body\"\u003e\n\u003cp class=\"contents-block__body__body typ-body-1\"\u003eWith 5.7K (5728x3024) 4:2:0 10-bit 60p\/50p (17:9) and 5.8K (5760x4320) 30p\/25p\/24p 4:2:0 10-bit anamorphic (4:3) settings, the LUMIX GH6 provides higher definition and higher bit rates than ever before, and produces the latest in high picture quality, adaptability, and expressive selection needed for cinematic, TV, and all types of footage production.\u003c\/p\u003e\n\u003cbr\u003e\u003ch3 class=\"contents-block__title heading-2\"\u003ePanasonic Lumix GH6 hs Unlimited 4:2:2 10-bit C4K\/4K 60p\/50p video signal recording production flow time\u003c\/h3\u003e\n\u003cdiv class=\"contents-block__body\"\u003e\n\u003cp class=\"contents-block__body__body typ-body-1\"\u003eThe first LUMIX to supply 4:2:2 10-bit C4K\/4K 60p\/50p onboard recording, the GH6 produces unlimited capture time* whenever used at the recommended working temperature**. Ideal for small workflow teams and in challenging situations where mobility and high-quality are a must. Additionally supports simultaneous onboard recording and outboard recording through HDMI output.\u003c\/p\u003e\n\u003cp class=\"contents-block__body__note typ-body-2\"\u003e*Under the guaranteed working environment. Whenever using a battery. The capture time depends on the rating of the battery and the capture media.**-10–40?.?Corresponding to 4K (4096×2160) as defined by Electronic Cinema Initiatives (DCI).?CFexpress medium or a SD memory card with Footage Speed Class 90 is required.\u003c\/p\u003eget it today from \u003cbr\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"contents-block__title heading-2\"\u003e7.5-stop Dual I.S. 2 (visual Stabilizer)\u003c\/h3\u003e\n\u003cdiv class=\"contents-block__body\"\u003e\n\u003cp class=\"contents-block__body__body typ-body-1\"\u003e5-axis Dual I.S. 2 (Picture Stabilizer) brings together control of the Chassis I.S. And Optics O.I.S. To supply 7.5 stops’ worth of correction.\u003c\/p\u003e\n\u003cbr\u003e\u003ch3 class=\"contents-block__title heading-2\"\u003ePanasonic Lumix GH6 HFR\/VFR 10-bit recording production flow\u003c\/h3\u003e\n\u003cdiv class=\"contents-block__body\"\u003e\n\u003cp class=\"contents-block__body__body typ-body-1\"\u003eHigh-resolution slow-motion capture, recently gaining popularity in footage production, is now made possible through C4K\/4K 10-bit 120p\/100p HFR (high-frame-rate) footage capture with audio. The LUMIX GH6 additionally includes an extensive selection of 10-bit ALL-Intra capture settings for premium editing buy it from, so you can shoot FHD 240p\/200p HFR and FHD 240fps VFR (variable shot rate) footage. With VFR you can capture up to 12.5x super slow-motion footage (FHD 10-bit 24p\/300fps).\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"contents-block__title heading-2\"\u003ePanasonic Lumix GH6 has New Venus Engine: Guide\u003c\/h3\u003e\n\u003cdiv class=\"contents-block__body\"\u003e\n\u003cp class=\"contents-block__body__body typ-body-1\"\u003eThe new Venus Engine produces approximately twice the computation power as before, enabling high-speed computation of the new sensor's higher pixel counts and higher-resolution, higher-bit-rate footage. Picture quality performance is additionally greatly improved. New Smart Detail Processing provides higher definition, and new 2D and high-performance 3D Noise Reduction (for videos) balance noise reduction. The result is lifelike, 3D-like pictures with minimal noise even at elevated sensitivity. High-precision Dual 3D Colour Control achieves improved colour reproduction (brightness, saturation, and colour tone), resulting in more faithful and richer colour expression.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"contents-block__title heading-2\"\u003ePanasonic Lumix GH6 has New 25.2MP imaging sensor\u003c\/h3\u003e\n\u003cdiv class=\"contents-block__body\"\u003e\n\u003cp class=\"contents-block__body__body typ-body-1\"\u003eThe LUMIX GH6 integrates the first Micro Four Thirds™ platform standard 25.2-megapixel Live MOS imager. With no low-pass filter, its configuration supports both more pixels and higher definition, for ultra-realistic detail. The unit's higher readout speed produces C4K\/4K 120p footage capture and 75-frames-per-second burst shooting through the electronic shutter while additionally reducing rolling shutter distortion.\u003c\/p\u003e \u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e[caption id=\"\" match=\"aligncenter\" width=\"338\"]\u003cimg title=\"Panasonic Lumix GH6, Mirrorless Camera, \" src=\"https:\/\/www.panasonic.com\/content\/dam\/pim\/uk\/en\/DC\/DC-GH6\/DC-GH6M\/ast-1682805.jpg.pub.thumb.644.644.jpg\" alt=\"RAW Video Data Output Panasonic Lumix GH6, Mirrorless Camera, \" width=\"338\" height=\"338\"\u003e Panasonic Dubai Panasonic Panasonic GH6 Dubai Panasonic Dubai Panasonic LUMIX GH6 Dubai Panasonic UAE 4k mirrorless capture device Panasonic GH6 Dubai Mirrorless Imaging device Dubai Panasonic UAE Mirrorless Unit[\/caption]\u003cbr\u003ebuy it today from \u003ca href=\"https:\/\/bsn.com.pk\" target=\"_blank\" rel=\"noopener\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003evisit \u003ca href=\"https:\/\/bsn.com.pk\" target=\"_blank\" rel=\"noopener\"\u003e\u003c\/a\u003e\u003cbr\u003e ","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":45790723604533,"sku":"DC-GH6LK","price":10100.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1645626034_IMG_1701499-1.webp?v=1784720975"},{"product_id":"panasonic-lumix-g9-ii-mirrorless-camera-with-12-60mm-f-2-8-4-lens","title":"Panasonic Lumix G9 II Mirrorless Camera with 12-60mm f\/2.8-4 Lens","description":"\u003ch2\u003ePanasonic Lumix G9 II Mirrorless Camera: 12-60mm f\/2.8-4 lens kit\u003cb\u003e\u003c\/b\u003e\n\u003c\/h2\u003e\u003cbr\u003eIn this camera's design, this \u003cb\u003ePanasonic Lumix G9 II Mirrorless Body with 12-60mm f\/2.8-4\u003c\/b\u003e pairs the capable Micro Four Thirds body chassis with the Lumix S 20-60mm f\/3.5-5.6 focal adjustment lens. With an enhanced imager and updated computation engine, the Panasonic Lumix G9 II Mirrorless Imaging device is tailored for creators seeking excellent stills and enhanced video capabilities. It produces superb picture quality, rich tone gradations, and accurate colour rendering, accompanied by an array of new integrates to bring your original vision to fruition. Notably, as the first G-series Lumix body to introduce Phase Hybrid AF, it achieves swift and accurate autofocusing, leveraging AI-driven recognition architecture for real-time following of people or objects, including cars, motorcycles, and animal eyes, elevating precision. Additionally, the unit supplies a rapid 75 fps burst shooting with a pre-burst function, enabling you to seize the perfect moment by going rear in time up to 1.5 seconds.\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2023\/09\/panasonic-lumix-g9ii-front-3q-scaled.webp\"\u003e\u003cimg class=\"alignnone wp-image-9693\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2023\/09\/panasonic-lumix-g9ii-front-3q-300x200.webp\" alt=\"\" width=\"455\" height=\"303\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003ch2\u003e25.2MP Digital Live MOS imaging sensor Updated Processor of Panasonic Lumix G9 II\u0026amp;\u003c\/h2\u003e\u003cbr\u003eDeveloped for fast, high-resolution image-capture, the G9 II boasts a 25.2MP Live MOS Micro Four Thirds imager and an upgraded processing engine. This combination maintains well-defined photos and stunning DCI 4K and UHD 4K videos with minimal noise, vivid colors, and lifelike 3D pictures. Furthermore, the G9 II supplies a handheld high-resolution setting, merging several pictures into a single 100MP raw or JPEG picture.\u003cbr\u003e\u003ch2\u003e4K video signal recording production flow Video Shooting Assist Functions\u0026amp;\u003c\/h2\u003e\u003cbr\u003eBesides capturing still pictures, the G9 II excels in footage capture, supplying DCI 4K and UHD 4K 60p with 4:2:2 10-bit colour. For slow-motion, support extends to C4K\/4K 120p with 4:2:0 10-bit colour. The Shot Indicator feature outlines the capture shot in red, preventing errors. Simplifying anamorphic to vertical footage conversion, the Shot Marker lets you visualize post-production cropping angles. AWB Locking mechanism setting maintains consistent white equilibrium in variable lighting. Vertical Position Information detects footage orientation. The Focus Transition function permits level rack focus effects by shifting focus points at a constant speed.\u003cbr\u003e\u003ch2\u003ePro-Level video signal Versatility of Panasonic Lumix G9 II\u003c\/h2\u003e\u003cbr\u003e\u003cul\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eV-Log comes pre-installed on this camera, enabling the capture of a flat, neutral gamma curve and over 13 stops of dynamic range for precise color control in post-production. This facilitates seamless editing alongside VariCam-shot footage.\u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Lumix G9 II supports recording and playback via an external SSD through USB. You can also directly record ProRes 422 HQ and 4:2:2 10-bit All-Intra to an SSD, enhancing data backup and post-processing efficiency.\u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eIt utilizes the ProRes 422 codec, ensuring excellent image quality with minimal compression. This reduces the strain on your computer during post-production and enables non-linear editing without the need for transcoding, streamlining your workflow.\u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eReal-time LUT video recording simplifies your workflow and color grading, supporting.CUBE,.VLT, and.TXT formats for V-Log View Assist, allowing you to approximate your final deliverable's look in real-time.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch2\u003ePhase Hybrid Auto Focus System of Lumix G9 II: Guide\u003c\/h2\u003e\u003cbr\u003eThe G9 II marks a Lumix G-series mirrorless body milestone by incorporating a Phase Hybrid AF platform. Boasting 779 phase-detection points, it produces swift and accurate focusing for strong AF precision. Consistent autofocus is paramount, and Phase Recognition AF adeptly works alongside and tracks people or objects in six formerly challenging scenarios. Be it photography or videography, the G9 II consistently acquires people or objects, even in tricky scenes with backlighting or low-light situations.\u003cbr\u003e\u003ch2\u003e5-Axis imaging sensor-Shift visual Stabilization Dual I.S. 2\u0026amp;\u003c\/h2\u003e\u003cbr\u003eTo enhance sharpness in handheld shooting, Dual I.S. 2 merges the camera's 8-stop-rated 5-axis sensor-shift stabilization with 2-axis lens-based stabilization. This combo compensates for several movements, yielding crisper pictures. It necessitates Lumix lenses with O.I.S. For adapted lenses, you can manually choose between sensor-shift or optics stabilization. Developed for footage, Boost I.S. Stabilizes fixed-angle captures. The new Active I.S. Setting counters shake during mobile shooting. Furthermore, an enhanced E.I.S. Arrangement corrects even more significant shakes during running scenarios.\u003cbr\u003e\u003ch2\u003ePowerful Photographic capabilities of Lumix G9 II and Enhanced\u003c\/h2\u003e\u003cbr\u003eThe Panasonic Lumix G9 II is fitted with new pre-programmed settings. It provides the Leica Monochrome photo style for stunning black and white photos. The Dynamic Selection Boost setting creates real-time HDR pictures in one exposure, rivaling full-frame cameras. Nighttime photographers benefit from Live See Composite setting for stars and fireworks. Improved pre-burst shooting options of 0.5, 1, and 1.5 seconds help acquisition ideal moments. With the electronic shutter, it sessions at up to 75 fps, and with the mechanical shutter, up to 14 fps.\u003cbr\u003e\u003ch2\u003eBody construction of Lumix G9 II\u003c\/h2\u003e\u003cbr\u003e\u003cul\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eA high-res 3.68m-dot OLED EVF offers clear 0.8x magnification with a switchable 60 fps or 120 fps refresh rate. \u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe 3.0\" 1.84m-dot LCD serves for live view, playback, and menu navigation. It's adjustable for various angles, and its touch interface makes settings control intuitive. \u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eEfficient operation is facilitated by an 8-direction joystick and user-friendly menus. \u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eDual UHS-II-compatible SD card slots enhance image storage flexibility, enabling separate raw and JPEG storage, duplicate saving, or overflow recording. \u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eA USB Type-C port allows speedy file transfer and in-camera battery charging. \u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHDMI Type-A supports video, 2.5mm port pairs with DMW-RS2 Remote Shutter, and 3.5mm jacks are for advanced audio. \u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAn optional XLR Microphone Adapter connects XLR inputs via hot shoe. \u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe sturdy magnesium alloy chassis is dust\/splash-resistant for harsh situations.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003ch2\u003ePanasonic Leica DG Vario-Elmarit 12-60mm f\/2.8-4 ASPH. powering O.I.S. optics\u003c\/h2\u003e\u003cbr\u003e\u003cem\u003eSpanning an useful wide-angle to short telephoto selection, the \u003cstrong\u003eLeica DG Vario-Elmarit 12-60mm f\/2.8-4 ASPH. POWER O.I.S. Optics\u003c\/strong\u003e from \u003cstrong\u003ePanasonic\u003c\/strong\u003e is a 24-120mm equivalent focal adjustment developed for Micro Four Thirds cameras. Developed in collaboration with Leica, this versatile optics utilizes four aspherical elements and two extra-low dispersion elements to produce well-corrected, well-defined picture quality that is void of colour fringing and distortions. The lens additionally makes use of a linear motor for fast, quiet, and accurate autofocus performance, and the POWER Optical Picture Stabilizer configuration assists to minimize the appearance of body shake for sharper handheld shooting. Additionally, the hardwearing metal chassis of the optics renders it splash, dust, and freezeproof to match its use in trying environmental situations.\u003c\/em\u003e\u003cbr\u003eStandard focal adjustment for Micro Four Thirds mirrorless cameras, this optics provides a 24-120mm equivalent focal length selection.\u003cbr\u003eFour aspherical elements and two extra-low dispersion elements contribute to reducing chromatic and spherical aberrations and several distortions in order to produce a elevated degree of definition, sharpness, and colour accuracy.\u003cbr\u003eLinear autofocus motor produces fast AF performance that is additionally accurate, level, and near-silent to benefit both stills and footage applications.\u003cbr\u003ePOWER Optical Picture Stabilizer minimizes the appearance of unit shake for sharper handheld shooting, and additionally accommodates the Dual I.S. Function for increased stabilization performance.\u003cbr\u003eSplash, dust, and freezeproof configuration benefits working in inclement conditions situations.\u003cbr\u003eRounded nine-blade diaphragm contributes to a level and pleasing bokeh fidelity.\u003cbr\u003e[caption id=\"attachment_11124\" match=\"aligncenter\" width=\"300\"]\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2023\/12\/Panasonic-DG-Vario-Elmarit-12-60mm-f28-4-ASPH-5.webp\"\u003e\u003cimg class=\"size-medium wp-image-11124\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2023\/12\/Panasonic-DG-Vario-Elmarit-12-60mm-f28-4-ASPH-5-300x300.webp\" alt=\"Panasonic Leica DG Vario-Elmarit 12-60mm f\/2.8-4 ASPH. POWER O.I.S. Lens\" width=\"300\" height=\"300\"\u003e\u003c\/a\u003e Panasonic Leica DG Vario-Elmarit 12-60mm f\/2.8-4 ASPH. POWER O.I.S. Optics[\/caption]\u003cbr\u003e \u003cbr\u003eBlog: Lumix S5 II vs Lumix S5 IIx: \u003ca href=\"https:\/\/bsn.com.pk\/unravelling-the-distinctions-lumix-s5-ii-vs-lumix-s5-iix\/\"\u003ehttps:\/\/bsn.com.pk\/unravelling-the-distinctions-lumix-s5-ii-vs-lumix-s5-iix\/\u003c\/a\u003eFind our Store: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":45790724030517,"sku":"DC-G9M2L","price":9800.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1694511982_1786719.webp?v=1784720978"},{"product_id":"panasonic-lumix-s5-iix-mirrorless-camera-with-20-60mm-and-50mm-lenses-kit","title":"Panasonic Lumix S5 IIX Mirrorless Camera with 20-60mm and 50mm Lenses Kit","description":"At the point of image capture, Lumix S5 IIX with Lumix 20-60mm is a versatile combination catering to full-frame material creators, the kit offered by incorporates the \u003cstrong\u003ePanasonic Lumix S5 IIX Mirrorless Capture device along with 20-60mm and 50mm lenses\u003c\/strong\u003e. This package brings together the second-generation mirrorless capture device chassis with the Lumix S 20-60mm focal adjustment optics and the Lumix S 50mm f\/1.8 prime optics. The  Lumix S5 IIX Mirrorless Body is tailored for professional material creators seeking robust stills, enhanced footage options, and live streaming operation. Equipped with new incorporates, including a sensor configuration and computation engine with L2 architecture, the S5 IIX introduces Phase Hybrid AF for fast and accurate autofocusing. Utilizing a 24.2MP imager and enhanced processing engine, the camera records 6K footage for up to 30 minutes and provides unlimited 4K footage capture. Optimized for footage, the S5 IIX provides a new Active I.S. Platform for enhanced picture stabilization during footage recording.\u003cbr\u003e[caption id=\"attachment_11150\" match=\"aligncenter\" width=\"300\"]\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2023\/12\/S5-IIX-Mirrorless-Camera-with-20-60mm-2.webp\"\u003e\u003cimg class=\"size-medium wp-image-11150\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2023\/12\/S5-IIX-Mirrorless-Camera-with-20-60mm-2-300x300.webp\" alt=\"Panasonic Lumix S5 IIX Mirrorless Camera with 20-60mm and 50mm Lenses Kit\" width=\"300\" height=\"300\"\u003e\u003c\/a\u003e Panasonic Lumix S5 IIX Mirrorless Capture device with 20-60mm and 50mm Lenses Kit[\/caption]\u003cbr\u003eExclusive to the enhanced Panasonic Lumix S5 IIX, this version includes pre-loaded sophisticated footage features for professional operators, such as HDMI RAW footage data feed, USB-SSD capture, ALL-Intra capture, and ProRes recording. Live streaming operation is standard, with options for Cable-free IP broadcasting, USB tethering to smartphones, and Wired IP broadcasting. Additionally, the Lumix S5 IIX body showcases a refined all-black configuration, a first for Panasonic Lumix S5 IIX cameras. The Lumix  S5 IIX boasts an upgraded full-frame 24.2MP CMOS imager with a Phase Hybrid AF setup, delivering 779 phase-detection points for improved person or object tracking. The sensor includes an useful ISO selection of 100-51200, expandable to ISO 50-204800. The Lumix S5 IIX is the first Lumix mirrorless unit to adopt a Phase Hybrid AF platform with 779 phase-detection points, supporting fast and accurate focusing for outstanding AF precision. Whether capturing stills or footage, the Phase Detection AF system permits dependable subject following in challenging scenes, such as those involving several people in backlit or low-light settings.\u003cbr\u003e\u003ch3\u003e4K Video recording workflow and Panasonic Lumix S5 IIX 6K\u003c\/h3\u003e\u003cbr\u003eAside from capturing stills, the Lumix S5 IIX with Lumix 20-60mm boasts highly able footage recording capabilities. It accommodates full-frame 6K30p capture with 4:2:0 10-bit colour for up to 30 minutes, and there is the option for unlimited footage capture in DCI and UHD 4K60p 4:2:2 10-bit setting. The camera facilitates 120p footage capture, enabling videographers to produce high-resolution slow-motion videos. For those seeking RAW HDMI feed, this feature is provided via an optional license upgrade. The Lumix S5 IIX capture device comes pre-installed with V-Log, capturing a flat, neutral gamma curve with an equivalent 14+ stops of dynamic selection, allowing accurate control of colour data in post-production and smooth editing with footage shot through VariCam cameras.\u003cbr\u003e\u003ch3\u003ePanasonic Lumix S5 IIX Pro-Level video signal capabilities\u003c\/h3\u003e\u003cbr\u003e• Improving performance and usability, the Lumix S5 IIX  with Lumix 20-60mm provides HDMI RAW footage data feed.• For videographers aiming to enhance efficiency in files backup and post-processing, the camera provides support for recording and playback through an outboard SSD via USB. It also handles ALL-Intra capture and ProRes capture.• Lumix S5 IIX Catering to modern operators and material creators, the capture device facilitates Cable-free IP broadcasting, USB tethering to smartphones, and Wired IP broadcasting.\u003cbr\u003e\u003ch3\u003ePanasonic Lumix S5 IIX Phase Hybrid AF System: Guide\u003c\/h3\u003e\u003cbr\u003eThe Lumix S5 IIX stands out as the first Lumix mirrorless body to embrace a Phase Hybrid AF setup, built around 779 phase-detection points for swift and accurate focusing, helping ensure outstanding AF precision. In the realm of autofocus, stability is paramount, and the Phase Recognition AF enables broad subject supplementation and following in six distinct challenging scenarios. Whether capturing stills or footage, this means the S5 IIX  with Lumix 20-60mm consistently acquires the aimed subject in challenging scenes, including those with several people in backlit or low-light settings.\u003cbr\u003e\u003ch3\u003ePanasonic Lumix S 20-60mm f\/3.5-5.6 optics\u003c\/h3\u003e\u003cbr\u003eThis Lumix 20-60mm Optics is a distinctive zoom lens developed for full-frame L-mount mirrorless cameras, supplying an ultra-wide to short portrait-length selection of focal lengths. It brings together a sleek and versatile configuration with adaptable focusing functions, allowing for close-up pictures as near as 5.9\" with a 0.43x magnification, reaching near-macro performance. Optically, the optics incorporates multiple elements, comprising aspherical, elevated refractive index, and low dispersion elements, effectively controlling a selection of aberrations and preserving high definition and sharpness. The front element is coated with fluorine to minimize smudging and facilitate simple cleaning. Moreover, the Lumix 20-60mm Optics incorporates a weather-sealed configuration, making it appropriate for use in challenging environmental situations. Catering to both photo and footage applications, the unit incorporates a stepping motor that permits fast, accurate, and near-silent autofocus performance.\u003cbr\u003e[caption id=\"attachment_11151\" match=\"aligncenter\" width=\"300\"]\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2023\/12\/S5-IIX-Mirrorless-Camera-with-20-60mm-3.webp\"\u003e\u003cimg class=\"size-medium wp-image-11151\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2023\/12\/S5-IIX-Mirrorless-Camera-with-20-60mm-3-300x300.webp\" alt=\"Panasonic Lumix S5 IIX Mirrorless Camera with 20-60mm and 50mm Lenses Kit\" width=\"300\" height=\"300\"\u003e\u003c\/a\u003e Panasonic Lumix S5 IIX Mirrorless Capture device with 20-60mm and 50mm[\/caption]\u003cbr\u003e\u003ch3\u003ePanasonic Lumix S 50mm f\/1.8 optics\u003c\/h3\u003e\u003cbr\u003eCrafted for use with full-frame L-mount mirrorless cameras, the Panasonic Lumix S 50mm f\/1.8 stands as a sleek and space-efficient standard-length prime optics. The unit's 50mm focal length makes it well-suited for capturing portraits, landscapes, and versatile pictures, featuring a moderately bright f\/1.8 highest aperture for effective separation of focus area control. The inclusion of one extra-low-dispersion element and an ultra-high refractive index element works to minimize chromatic aberration and colour fringing, improving overall definition and colour accuracy. The optics excels in sharpness and is fitted with a linear autofocus motor that effectively suppresses focus breathing, supporting smooth, accurate, and nearly silent focusing performance.\u003cbr\u003eVisit at \u003cbr\u003eFind us: \u003ca href=\"https:\/\/maps.app.goo.gl\/YEyDGGthfBAcRoyE6\" target=\"_blank\" rel=\"noopener\"\u003eShowroom On-location\u003c\/a\u003e\u003cbr\u003e ","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":45790724128821,"sku":"DC-S5M2XW","price":10700.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1683710759_1766361.webp?v=1784720979"},{"product_id":"panasonic-lumix-s5-ii-mirrorless-camera-with-20-60mm-and-50mm-lenses-kit","title":"Panasonic Lumix S5 II Mirrorless Camera with 20-60mm and 50mm Lenses Kit","description":"\u003ch3\u003ePanasonic Lumix S5 II Mirrorless Camera: Guide\u003c\/h3\u003e\u003cbr\u003eAcross its imaging platform, Developed for material creators needing strong stills and footage performance, the second-generation \u003cstrong\u003ePanasonic Lumix S5 II Mirrorless Imaging device\u003c\/strong\u003e is fitted with a host of new contains to bring your vision to life. Benefitting from a new imager configuration and an updated computation engine with L2 architecture, the S5 II is the first Lumix body to supply Phase Hybrid AF for fast and accurate autofocusing performance. Making full use of the 24.2MP imager and enhanced processing engine, this camera records 6K footage for up to 30 minutes, whereas unlimited 4K footage capture is provided as well. Optimized for footage, the S5 II is additionally fitted with a new Active I.S. Platform, which handles walking shots to additional enhance picture stabilization whereas recording footage.\u003cbr\u003e\u003ch3\u003eProcessing Engine and New imaging sensor\u003c\/h3\u003e\u003cbr\u003eBuilt around an upgraded full-frame 24.2MP CMOS imager and an updated picture processing engine with L2 architecture, the S5 II's imager contains a newly-developed Phase Hybrid AF platform — a first for Lumix-series cameras — delivering 779 phase-detection points for significantly-improved person or object tracking. Balancing elevated sensitivity and a wide dynamic selection, the sensor provides an useful ISO 100-51200 selection, which can be expanded to ISO 50-204800 for working in a selection of lighting situations. Well-equipped for action and fast-moving people or objects, the S5 II additionally permits full-res shooting at up to 9 fps with the mechanical shutter and up to 30 fps with the electronic shutter. Additionally, the S5 II utilizes sensor-shift stabilization architecture and incorporates a High Definition setting to acquisition and compile eight standalone exposures to produce a single 96MP raw or JPEG file. Appropriate for static subjects and whenever working on a tripod, this setting creates a more highly detailed and colour accurate picture than a single exposure alone can produce and produces a picture with a 12000 x 8000-pixel definition.\u003cbr\u003e[caption id=\"attachment_11346\" match=\"aligncenter\" width=\"300\"]\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2023\/12\/Panasonic-Lumix-S5-II-Mirrorless-Camera-with-20-60mm-and-50mm-Lenses-Kit-1.webp\"\u003e\u003cimg class=\"size-medium wp-image-11346\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2023\/12\/Panasonic-Lumix-S5-II-Mirrorless-Camera-with-20-60mm-and-50mm-Lenses-Kit-1-300x300.webp\" alt=\"\" width=\"300\" height=\"300\"\u003e\u003c\/a\u003e Panasonic Lumix S5 II Mirrorless Imaging device with 20-60mm and 50mm Lenses Kit[\/caption]\u003cbr\u003e\u003ch3\u003e4K Video recording workflow and 6K\u003c\/h3\u003e\u003cbr\u003eIn asset to stills, the S5 II sports highly able footage recording assets. Full-frame 6K30p capture with 4:2:0 10-bit colour can be captured for up to 30 minutes, whereas unlimited footage recording is possible whenever recording in DCI and UHD 4K60p 4:2:2 10-bit setting. The device is compatible with 120p footage capture for videographers who require to create high-resolution slow-motion footage, and RAW HDMI feed is possible through an optional license upgrade. V-Log has been pre-installed on this body and is employed to acquisition a flat, neutral gamma curve and an equivalent 14+ stops of dynamic selection provides accurate control of colour files in post-production, as well as smooth editing with footage recorded with VariCam cameras.\u003cbr\u003eBorrowing from Panasonic's broadcast range of footage cameras, Dual Native ISO assists to achieve a well-controlled combination of low noise and elevated sensitivity to better match working in a selection of lighting situations. Two purpose-built circuits are provided for every pixel: a Low ISO circuit offers starting sensitivities of ISO 100 for normal use, ISO 640 whenever V-Log is applied, ISO 400 whenever HLG is applied, and ISO 200 whenever Cinelike D2\/V2 is applied; a Low Noise circuit offers starting sensitivities of ISO 640 for normal use, ISO 4000 whenever V-Log is applied, ISO 2500 whenever HLG is applied, and ISO 1250 whenever Cinelike D2\/V2 is applied.\u003cbr\u003e \u003cbr\u003e\u003ch3\u003ePhase Hybrid AF System: Guide\u003c\/h3\u003e\u003cbr\u003eThe S5 II is the first Lumix mirrorless imaging device to adopt a Phase Hybrid AF configuration, which supplies 779 phase-detection points to deliver fast and accurate focusing for outstanding AF accuracy. Whenever it comes to autofocus, dependability is the most important thing, and with Phase Recognition AF you can completely supplement and track the person or object in six distinct situations that until currently had been a challenge for traditional systems to acquisition. Whether shooting stills or footage, this means the S5 II persistently acquires the aimed subject in difficult scenes involving several people in backlit or low-light settings.\u003cbr\u003e\u003ch3\u003eDual I.S. 2: Active I.S.\u003c\/h3\u003e\u003cbr\u003eOffering diverse support for hand-held use, the S5 II includes a Dual I.S. 2 picture stabilization setup, which compensates for approximately 6.5 stops of body shake to achieve the utmost sharpness for handheld photography. To address video uses, the camera is developed with a newly-developed Active I.S. Platform for walking shots to additional enhance picture stabilization whereas the camera is moving and capture video.\u003cbr\u003e\u003ch3\u003eOther Camera capabilities\u003c\/h3\u003e\u003cbr\u003e\u003cul\u003e \u003cli\u003eReal-time LUT enabling color grading to be done in the camera itself\u003c\/li\u003e \u003cli\u003eLive cropping allows in-frame panning and zooming while recording video\u003c\/li\u003e \u003cli\u003eIn addition to conventional 3:2, 4:3, 1:1, and 16:9 ratios, photos can be recorded in 65:24 and 2:1 panoramic formats\u003c\/li\u003e \u003cli\u003eColor Shading Compensation corrects the bluish\/reddish coloration on the periphery that may occur when older lenses are mounted\u003c\/li\u003e \u003cli\u003eCompatible with Lumix Tether for remote photo and video shooting via USB\u003c\/li\u003e \u003cli\u003e4-channel 48 kHz or 96 kHz 24-bit recording with optional DMW-XLR1 XLR microphone adapter\u003c\/li\u003e \u003cli\u003eIn-camera USB PD battery charging with optional DMW-BTC15 Battery Charger\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e \u003cbr\u003e\u003ch3\u003ePanasonic Lumix S 20-60mm f\/3.5-5.6 optics — Panasonic Lumix S5\u003c\/h3\u003e\u003cbr\u003e\u003cem\u003eA unique focal adjustment working at ultra-wide to short portrait-length fields of see, the \u003cstrong\u003ePanasonic Lumix S 20-60mm f\/3.5-5.6\u003c\/strong\u003e is a sleek and versatile optics developed for full-frame L-mount mirrorless cameras. The different range of focal lengths is additionally complemented by adaptable focusing functions, which permit working with people or objects as short as 5.9\" with a 0.43x magnification for near-macro performance. In terms of optics, the optics incorporates a range of aspherical, elevated refractive index, and low dispersion elements to control a selection of aberrations and realize a elevated degree of definition and sharpness. A fluorine surface treatment has been applied to the front element to lower smudging and make it easier to clean and then optics additionally features a weather-sealed configuration for working in harsh environmental situations. Additionally, suiting both photo and footage uses, a stepping motor is featured, which affords fast, accurate, and near-silent autofocus performance.\u003c\/em\u003e\u003cbr\u003e\u003ch3\u003ePanasonic Lumix S 50mm f\/1.8 optics — Panasonic Lumix S5\u003c\/h3\u003e\u003cbr\u003e\u003cem\u003eDeveloped for full-frame L-mount mirrorless cameras, the \u003cstrong\u003ePanasonic Lumix S 50mm f\/1.8\u003c\/strong\u003e is a sleek and space-efficient standard-length prime. The unit's 50mm focal length is ideally appropriate for portraiture, landscapes, and all-purpose shooting and offers a modestly bright f\/1.8 highest aperture for shallow separation of focus area control. one extra-low-dispersion element and an ultra-high refractive index element lower chromatic aberration and colour fringing for improved definition and colour accuracy, and the lens provides strong sharpness as well. A linear autofocus motor suppresses focus breathing and produces smooth, accurate, and near silent focusing performance. Made for tough environmental situations, the lens additionally incorporates a dust-, moisture-, and freeze-resistant configuration.\u003c\/em\u003e\u003cbr\u003eVisit at \u003ca title=\"\" href=\"https:\/\/bsn.com.pk\" target=\"_blank\" rel=\"noopener\"\u003e\u003c\/a\u003e\u003cbr\u003eFind us: \u003ca title=\"Showroom Location\" href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003eShowroom On-location\u003c\/a\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":45790725505077,"sku":"DC-S52MW","price":9500.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Panasonic-Lumix-S5-II-Mirrorless-Camera-with-20-60mm-and-50mm-Lenses-Kit-1.webp?v=1784720985"},{"product_id":"canon-eos-r8-mirrorless-camera","title":"Canon EOS R8 Mirrorless Camera","description":"A low-weight, travel-friendly, full-frame imaging device chassis, the \u003cb\u003eCanon EOS R8 Mirrorless Body\u003c\/b\u003e supplies powerful photo and footage functions for both photographers and multimedia material creators.\u003cbr\u003eUtilizing a recently developed sensor additionally identified in the EOS R6 Mark II, the R8 integrates a 24.2MP CMOS imager paired with a DIGIC X processing engine.\u003cbr\u003eTogether, this combination delivers outstanding stills performance, notable 4K 60p 10-bit footage, and fast autofocus.\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\/contact-us\/\"\u003econtact us\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\"\u003eVisit us\u003c\/a\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":45791213518901,"sku":"5803C003","price":5999.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/canon-r8.webp?v=1784724863"},{"product_id":"canon-eos-r10-mirrorless-camera","title":"Canon EOS R10 Mirrorless Camera","description":"Emphasizing portability without sacrificing on function, the \u003cb\u003eCanon EOS R10\u003c\/b\u003e is a streamlined mirrorless capture device with a hybrid ethos.\u003cbr\u003eAdept in both photo and footage worlds, the R10 introduces an APS-C imager to the R setup, along with high-speed shooting, smart AF, and impressive 4K footage capture to complement a multimedia process.\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\/contact-us\/\"\u003econtact us\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\"\u003eVisit us\u003c\/a\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":45791213617205,"sku":"5331C002","price":3800.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Canon-EOS-R10-Mirrorless-Camera.webp?v=1784724863"},{"product_id":"panasonic-lumix-g9-ii-mirrorless-camera","title":"Panasonic Lumix G9 II Mirrorless Camera","description":"\u003ch2\u003ePanasonic Lumix G9 II Mirrorless Camera: Guide\u003c\/h2\u003e\u003cbr\u003eIn practical monitoring terms, with an enhanced imager and revised computation engine, the Panasonic Lumix G9 II Mirrorless Body is tailored for creators seeking excellent stills and enhanced video capabilities. It produces superb picture quality, rich tone gradations, and accurate colour rendering, accompanied by an array of new features to bring your original vision to fruition. Notably, as the first G-series Lumix unit to introduce Phase Hybrid AF, it achieves swift and accurate autofocusing, leveraging AI-driven recognition architecture for real-time following of people or objects, including cars, motorcycles, and animal eyes, elevating accuracy. Additionally, the unit supplies a rapid 75 fps burst shooting with a pre-burst function, enabling you to seize the perfect moment by going rear in time up to 1.5 seconds.\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2023\/09\/panasonic-lumix-g9ii-front-3q-scaled.webp\"\u003e\u003cimg class=\"alignnone wp-image-9693\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2023\/09\/panasonic-lumix-g9ii-front-3q-300x200.webp\" alt=\"\" width=\"455\" height=\"303\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003ch2\u003e25.2MP Digital Live MOS imaging sensor Updated Processor of Panasonic Lumix G9 II\u0026amp;\u003c\/h2\u003e\u003cbr\u003eDeveloped for fast, high-resolution image-capture, the G9 II boasts a 25.2MP Live MOS Micro Four Thirds imager and an upgraded processing engine. This combination maintains well-defined photos and stunning DCI 4K and UHD 4K videos with minimal noise, vivid colors, and lifelike 3D pictures. Furthermore, the G9 II includes a handheld high-resolution setting, merging several pictures into a single 100MP raw or JPEG picture.\u003cbr\u003e\u003ch2\u003e4K video signal recording production flow Video Shooting Assist Functions\u0026amp;\u003c\/h2\u003e\u003cbr\u003eBesides capturing still pictures, the G9 II excels in footage capture, supplying DCI 4K and UHD 4K 60p with 4:2:2 10-bit color. For slow-motion, it accommodates C4K\/4K 120p with 4:2:0 10-bit color. The Shot Indicator feature outlines the capture shot in red, preventing errors. Simplifying anamorphic to vertical footage conversion, the Shot Marker lets you visualize post-production cropping angles. AWB Locking mechanism setting maintains consistent white equilibrium in variable lighting. Vertical Position Information detects footage orientation. The Focus Transition function permits level rack focus effects by shifting focus points at a constant speed.\u003cbr\u003e\u003ch2\u003ePro-Level video signal Versatility of Panasonic Lumix G9 II\u003c\/h2\u003e\u003cbr\u003e\u003cul\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eV-Log comes pre-installed on this camera, enabling the capture of a flat, neutral gamma curve and over 13 stops of dynamic range for precise color control in post-production. This facilitates seamless editing alongside VariCam-shot footage.\u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Lumix G9 II supports recording and playback via an external SSD through USB. You can also directly record ProRes 422 HQ and 4:2:2 10-bit All-Intra to an SSD, enhancing data backup and post-processing efficiency.\u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eIt utilizes the ProRes 422 codec, ensuring excellent image quality with minimal compression. This reduces the strain on your computer during post-production and enables non-linear editing without the need for transcoding, streamlining your workflow.\u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eReal-time LUT video recording simplifies your workflow and color grading, supporting.CUBE,.VLT, and.TXT formats for V-Log View Assist, allowing you to approximate your final deliverable's look in real-time.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch2\u003ePhase Hybrid Auto Focus System of Lumix G9 II: Guide\u003c\/h2\u003e\u003cbr\u003eThe G9 II marks a Lumix G-series mirrorless unit milestone by incorporating a Phase Hybrid AF arrangement. Boasting 779 phase-detection points, it produces swift and accurate focusing for reliable AF precision. Consistent autofocus is paramount, and Phase Recognition AF adeptly works alongside and tracks people or objects in six formerly challenging scenarios. Be it photography or videography, the G9 II consistently acquires people or objects, even in tricky scenes with backlighting or low-light situations.\u003cbr\u003e\u003ch2\u003e5-Axis imaging sensor-Shift visual Stabilization Dual I.S. 2\u0026amp;\u003c\/h2\u003e\u003cbr\u003eTo improve sharpness in hand-operated shooting, Dual I.S. 2 merges the camera's 8-stop-rated 5-axis sensor-shift stabilization with 2-axis lens-based stabilization. This combo compensates for numerous movements, yielding crisper pictures. It necessitates Lumix lenses with O.I.S. For adapted lenses, you can manually choose between sensor-shift or optics stabilization. Developed for footage, Boost I.S. Stabilizes fixed-angle captures. The new Active I.S. Setting counters shake during mobile shooting. Furthermore, an enhanced E.I.S. Platform corrects even more significant shakes during running scenarios.\u003cbr\u003e\u003ch2\u003ePowerful Photographic capabilities of Lumix G9 II and Enhanced\u003c\/h2\u003e\u003cbr\u003eThe Panasonic Lumix G9 II is fitted with new pre-programmed settings. It delivers the Leica Monochrome photo style for stunning black and white photos. The Dynamic Selection Boost setting creates real-time HDR pictures in one exposure, rivaling full-frame cameras. Nighttime photographers benefit from Live See Composite setting for stars and fireworks. Improved pre-burst shooting options of 0.5, 1, and 1.5 seconds help acquisition ideal moments. With the electronic shutter, it sessions at up to 75 fps, and with the mechanical shutter, up to 14 fps.\u003cbr\u003e\u003ch2\u003eBody construction of Lumix G9 II\u003c\/h2\u003e\u003cbr\u003e\u003cul\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eA high-res 3.68m-dot OLED EVF offers clear 0.8x magnification with a switchable 60 fps or 120 fps refresh rate. \u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe 3.0\" 1.84m-dot LCD serves for live view, playback, and menu navigation. It's adjustable for various angles, and its touch interface makes settings control intuitive. \u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eEfficient operation is facilitated by an 8-direction joystick and user-friendly menus. \u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eDual UHS-II-compatible SD card slots enhance image storage flexibility, enabling separate raw and JPEG storage, duplicate saving, or overflow recording. \u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eA USB Type-C port allows speedy file transfer and in-camera battery charging. \u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHDMI Type-A supports video, 2.5mm port pairs with DMW-RS2 Remote Shutter, and 3.5mm jacks are for advanced audio. \u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAn optional XLR Microphone Adapter connects XLR inputs via hot shoe. \u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe sturdy magnesium alloy body is dust\/splash-resistant for harsh conditions.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eBlog: Lumix S5 II vs Lumix S5 IIx: \u003ca href=\"https:\/\/bsn.com.pk\/unravelling-the-distinctions-lumix-s5-ii-vs-lumix-s5-iix\/\"\u003ehttps:\/\/bsn.com.pk\/unravelling-the-distinctions-lumix-s5-ii-vs-lumix-s5-iix\/\u003c\/a\u003eFind our Store: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":45791214764085,"sku":"DC-G9M2BODY","price":7352.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1694511982_1786235.webp?v=1784724874"},{"product_id":"panasonic-lumix-s5-ii-full-frame-mirrorless-camera-dc-s5m2","title":"Panasonic Lumix S5 II Full Frame Mirrorless Camera - DC-S5M2","description":"\u003ch2\u003ePanasonic Lumix S5 II Mirrorless Camera: Guide\u003c\/h2\u003e\u003cbr\u003eWithin its operating design, Developed for material creators needing strong stills and footage performance, the second-generation \u003cb\u003ePanasonic Lumix S5 II Mirrorless camera\u003c\/b\u003e is fitted with a host of new integrates to bring your vision to life. Benefitting from a new imager configuration and an revised processing engine with L2 architecture, the S5 II is the first Lumix unit to supply Phase Hybrid AF for fast and accurate autofocusing performance. Making full use of the 24.2MP imager and enhanced processing engine, this camera records 6K footage for up to 30 minutes, whereas unlimited 4K footage capture is provided as well. Optimized for footage, the S5 II is additionally fitted with a new Active I.S. Arrangement, which allows walking shots to additional enhance image stabilization whereas recording footage.\u003cbr\u003e\u003ch3\u003eProcessing Engine and New imaging sensor\u003c\/h3\u003e\u003cbr\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBuilt around an upgraded full-frame 24.2MP CMOS imager and an updated picture processing engine with L2 architecture, the S5 II's imager builds in a newly-developed Phase Hybrid AF configuration — a first for Lumix-series cameras — delivering 779 phase-detection points for significantly-improved subject tracking. Balancing elevated sensitivity and a wide dynamic selection, the sensor offers a useful ISO 100-51200 selection, which can be expanded to ISO 50-204800 for working in a selection of lighting situations. Well-equipped for action and fast-moving subjects, the S5 II additionally permits full-res shooting at up to 9 fps with the mechanical shutter and up to 30 fps with the electronic shutter. Additionally, the S5 II utilizes sensor-shift stabilization architecture and integrates a High Definition setting to acquisition and compile eight standalone exposures to produce a one 96MP raw or JPEG file. Appropriate for static subjects and whenever working on a tripod, this setting creates a more highly detailed and colour accurate picture than a one attempt alone can produce and produces a picture with a 12000 x 8000-pixel definition.\u003c\/div\u003e\u003cbr\u003e\u003ch3\u003e4K Video recording workflow and 6K\u003c\/h3\u003e\u003cbr\u003eIn addition to stills, the S5 II sports highly able footage recording assets. Full-frame 6K30p capture with 4:2:0 10-bit colour can be captured for up to 30 minutes, whereas unlimited footage recording is possible whenever recording in DCI and UHD 4K60p 4:2:2 10-bit setting. The device is compatible with 120p footage capture for videographers who require to create high-resolution slow-motion footage, and RAW HDMI feed is possible through an optional license upgrade. V-Log has been factory-loaded on this body and is employed to acquisition a flat, neutral gamma curve and an equivalent 14+ stops of dynamic selection provides accurate control of colour files in post-production, as well as smooth editing with footage recorded with VariCam cameras.\u003cbr\u003eBorrowing from Panasonic's broadcast range of footage cameras, Dual Native ISO assists to achieve a well-controlled combination of low noise and elevated sensitivity to better match working in a selection of lighting situations. Two purpose-built circuits are provided for every pixel: a Low ISO circuit delivers starting sensitivities of ISO 100 for normal use, ISO 640 whenever V-Log is applied, ISO 400 whenever HLG is applied, and ISO 200 whenever Cinelike D2\/V2 is applied; a Low Noise circuit delivers starting sensitivities of ISO 640 for normal use, ISO 4000 whenever V-Log is applied, ISO 2500 whenever HLG is applied, and ISO 1250 whenever Cinelike D2\/V2 is applied.\u003cbr\u003e\u003ch3\u003ePhase Hybrid AF System of Lumix S5 II: Guide\u003c\/h3\u003e\u003cbr\u003eThe S5 II is the first Lumix mirrorless camera to adopt a Phase Hybrid AF configuration, which supplies 779 phase-detection points to deliver fast and accurate focusing for outstanding AF accuracy. Whenever it comes to autofocus, dependability is the most important thing, and with Phase Recognition AF you can completely supplement and track the subject in six distinct situations that until currently had been a challenge for traditional systems to acquisition. Whether shooting stills or footage, this means the S5 II persistently acquires the aimed subject in difficult scenes involving several people in backlit or low-light settings.\u003cbr\u003e\u003ch3\u003eDual I.S. 2: Active I.S.\u003c\/h3\u003e\u003cbr\u003eOffering broad support for hand-held use, the S5 II includes a Dual I.S. 2 image stabilization setup, which compensates for approximately 6.5 stops of body shake to achieve the utmost sharpness for hand-operated photography. To address video uses, the camera is developed with a newly-developed Active I.S. Arrangement for walking shots to additional enhance image stabilization whereas the camera is moving and capture video.\u003cbr\u003e\u003ch3\u003eBody construction of Lumix S5 II\u003c\/h3\u003e\u003cbr\u003e\u003cul\u003e \u003cli\u003eUsed in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics. Additionally, this camera allows for the use of all the classic and modern Anamorphic lenses that have been in use for over 60 years.\u003c\/li\u003e \u003cli\u003eA high-resolution 3.68m-dot OLED EVF offers a clear 0.78x magnification along with a smooth 60 fps or 120 fps changeable refresh rate.\u003c\/li\u003e \u003cli\u003eLarge 3.0\" 1.84m-dot LCD is a bright, clear means for live view shooting as well as playback and menu navigation. The screen features a free-angle design to suit working from high, low, and front-facing angles, and its touchscreen design affords intuitive settings control.\u003c\/li\u003e \u003cli\u003eAn 8-direction joystick and easy-to-use menu design enables quick and efficient operation.\u003c\/li\u003e \u003cli\u003eA USB-C port allows for fast file transferring as well as high-speed in-camera battery charging. Additionally, a new full-size HDMI-A port benefits video applications, a 2.5mm port can be used with the optional DMW-RS2 Remote Shutter, and 3.5mm microphone and headphone jacks suit advanced audio recording needs.\u003c\/li\u003e \u003cli\u003eDual SD memory card slots — both UHS-II-compatible — offer improved flexibility for image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording.\u003c\/li\u003e \u003cli\u003eAn industry-first, the S5 II utilizes a built-in cooling fan to suppress the camera's internal temperature for extended or unlimited recording.\u003c\/li\u003e \u003cli\u003eA robustly-built magnesium alloy body with a dust and splash-resistant design accommodates working in harsh weather conditions and trying environments.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003ePractical Notes: Wi-Fi and Bluetooth\u003c\/h3\u003e\u003cbr\u003eBluetooth Low Energy (5.0) delivers constant link between your smartphone or tablet with minimal power consumption. For more sturdy cable-free activities, IEEE 802.11b\/g\/n and 802.11a\/n\/ac support is additionally provided for faster transmission and more smooth remote control and observation. Complementing the camera's wireless interfacing, Lumix Sync is an iOS and Android app developed to pair with the body for smartphone or tablet-based off-site shooting control, wireless picture transfer, and updating firmware.\u003cbr\u003e\u003ch3\u003eOther Camera capabilities\u003c\/h3\u003e\u003cbr\u003e\u003cul\u003e \u003cli\u003eReal-time LUT enabling color grading to be done in the camera itself\u003c\/li\u003e \u003cli\u003eLive cropping allows in-frame panning and zooming while recording video\u003c\/li\u003e \u003cli\u003eIn addition to conventional 3:2, 4:3, 1:1, and 16:9 ratios, photos can be recorded in 65:24 and 2:1 panoramic formats\u003c\/li\u003e \u003cli\u003eColor Shading Compensation corrects the bluish\/reddish coloration on the periphery that may occur when older lenses are mounted\u003c\/li\u003e \u003cli\u003eCompatible with Lumix Tether for remote photo and video shooting via USB\u003c\/li\u003e \u003cli\u003e4-channel 48 kHz or 96 kHz 24-bit recording with optional DMW-XLR1 XLR microphone adapter\u003c\/li\u003e \u003cli\u003eIn-camera USB PD battery charging with optional DMW-BTC15 Battery Charger\u003c\/li\u003e \u003cli\u003eOptimized for video, the S5 II is also equipped with a new Active I.S. system, which supports walking shots to further enhance image stabilization while recording video.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\"\u003eContact us\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\/en\/\"\u003eVisit us\u003c\/a\u003e\u003cbr\u003e ","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":45791621775413,"sku":"DC-S5M2","price":7499.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Panasonic-Lumix-S5-II-Mirrorless-Camera.jpg?v=1784729374"},{"product_id":"panasonic-lumix-s5-iix-full-frame-mirrorless-camera-dc-s5m2x","title":"Panasonic Lumix S5 IIX Full Frame Mirrorless Camera DC-S5M2X","description":"As configured for this product, \u003cspan style=\"font-weight: 400;\"\u003ePanasonic \u003c\/span\u003e\u003cb\u003eLumix S5 IIX \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e Mirrorless Unit Developed for pro material creators producing demanding photography and filmmaking work, refined footage options, and livestreaming operation, the second-generation \u003c\/span\u003e\u003cb\u003ePanasonic Lumix s5 IIx Mirrorless camera\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e is fitted with a host of new provides to bring your vision to life.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Panasonic Lumix s5 2x is a full-frame mirrorless unit that was released in 2023. It is a successor to the widely chosen Panasonic Lumix S5, and it delivers a number of improvements, covering a new 24.2MP CMOS imager, a faster autofocus configuration, and improved footage integrates.\u003c\/span\u003e\u003cbr\u003e\u003ch3\u003e\u003cb\u003ecapabilities:\u003c\/b\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Panasonic Lumix S5 II contains a 24.2MP CMOS imager that is able of shooting at up to 10fps. It additionally has a new DFD autofocus arrangement described as doubling the speed of the original S5 system. The camera can capture 5.8K 30fps footage, and it also handles 10-bit footage output.\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eOther incorporates of the Panasonic Lumix S5 IIX incorporate:\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eA 5-axis image stabilization system\u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eA weather-sealed body\u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eA 3.0-inch tilting touchscreen LCD\u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eA 0.76x electronic viewfinder\u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eA built-in flash\u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eWi-Fi and Bluetooth connectivity\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003e\u003cb\u003eoperation:\u003c\/b\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Panasonic Lumix S5 IIX  is a very able camera that performs well in a range of situations. The picture quality is strong, and the autofocus configuration is fast and accurate. The footage features are additionally impressive, and the camera can capture smooth, high-quality footage.\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eConclusion:\u003c\/b\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Panasonic Lumix S5 II is a great selection for photographers and videographers who are looking for a capable and versatile full-frame mirrorless camera. It delivers a number of improvements over the existing S5, and it is certain to please demanding operators.\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eHere are some extra details about the Panasonic Lumix S5 IIX:\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe camera weighs 1.02 pounds (465 grams) and measures 4.8 x 3.3 x 2.2 inches (121.9 x 84.1 x 56.2 mm).\u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eIt has a battery life of up to 440 shots on a single charge.\u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eIt supports SDXC UHS-II memory cards.\u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe camera comes with a variety of lenses, including the Panasonic S 20-60mm f\/3.5-5.6 Macro O.I.S. lens and the Panasonic S 50mm f\/1.8.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eHere are some of the pros and cons of the Panasonic Lumix S5 IIX:\u003c\/b\u003e\u003cbr\u003e\u003ch3\u003e\u003cb\u003eLumix S5 IIX Pros:: Guide\u003c\/b\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cul\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eExcellent image quality\u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eFast and accurate autofocus system\u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eVersatile video features\u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eWeather-sealed body\u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e5-axis image stabilization\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eCons:\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eNo in-body flash\u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eNo touch-to-focus in video mode\u003c\/span\u003e\u003c\/li\u003e \u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eBattery life could be better\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cb\u003eTotal, the Panasonic Lumix S5 IIX  is a great selection for photographers and videographers who are looking for a capable and versatile full-frame mirrorless camera. It supplies a number of improvements over the existing S5, and it is certain to please demanding operators.\u003c\/b\u003e\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eContact us\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\/en\/\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eVisit us\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003ch3\u003e\u003cb\u003e\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2023\/09\/Lumix-S5-II-vs-S5-IIx-Banner-copy.webp\"\u003e\u003cimg class=\"size-medium wp-image-9337 alignright\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2023\/09\/Lumix-S5-II-vs-S5-IIx-Banner-copy-300x169.webp\" alt=\"Lumix S5 IIx Lumix S5 Lumix S5 II Lumix in Dubai Panasonic Lumix Panasonic Camera Mirrorless Camera\" width=\"300\" height=\"169\"\u003e\u003c\/a\u003ePanasonic Lumix: Empowering Creativity: Guide\u003c\/b\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eAs an authorized distributor of Panasonic Lumix s5 IIx, provides a diverse range of enhanced mirrorless and space-efficient cameras. From the Lumix S range for professionals to the Lumix G range for versatile and feature-rich options, Panasonic Lumix cameras produce impressive picture quality, innovative features, and excellent performance. The cutting-edge technology built-in into Lumix cameras gives creators dependable tools for developing visual ideas and recording polished stills and video.\u003c\/span\u003e\u003cbr\u003e\u003ch3\u003e\u003cb\u003eLumix S5 IIX: Sigma Lenses: Elevate Your Visual Storytelling\u003c\/b\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003e's partnership with Sigma maintains access to a varied lineup of premium lenses. Sigma lenses are known for their outstanding optical performance, sturdy build fidelity, and novel designs. Whether you're seeking a versatile zoom lens, a fast prime optics, or purpose-built macro and Art-series optics, Sigma products supply uncompromising fidelity and original mobility. With Sigma's dedication to pushing the boundaries of image-capture technology, operators can expect sharpness, definition, and beautiful bokeh in every attempt.\u003c\/span\u003e\u003cbr\u003e\u003ch3\u003e\u003cb\u003eBlackmagic Design: Empowering Filmmakers and Lumix S5 IIX\u003c\/b\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eFor creators and content creators, supplies a selection of Blackmagic Design products. Blackmagic Design is synonymous with next-generation cinema cameras, professional-grade footage hardware, and capable post-production tools. From the space-efficient Pocket Cinematic production Camera range to the industry-standardized URSA Mini Pro, Blackmagic Design cameras empower creators to capture cinematic footage with excellent dynamic selection and colour precision. Additionally, Blackmagic's DaVinci Resolve software is known for its broad post-production functions, allowing for smooth editing, colour grading, and visual effects.\u003c\/span\u003e\u003cbr\u003e\u003ch3\u003e\u003cb\u003eLumix S5 IIX and Libec Tripods: Stability and Precision: Guide\u003c\/b\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhenever it comes to capturing level and stable footage, Libec tripods are the go-to selection for professionals across the globe. 's supplying of Libec tripods maintains videographers have access to dependable support systems that improve their shooting experience. Libec tripods are developed for accuracy, durability, and ease of use, making them important utilities for any filmmaker or videographer. With an extensive selection of versions to suit distinct setups and shooting scenarios, Libec tripods supply the support and adaptability required for reaching professional-grade results.\u003c\/span\u003e\u003cbr\u003e\u003ch3\u003e\u003cb\u003ePractical Notes: Africa and Lumix S5 IIX Reaching Beyond Borders: Expanding Presence in GCC\u003c\/b\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eWith an established distribution presence in the UAE, its range extends far beyond national borders. Via strategic partnerships and an extensive spread network, has extended its presence across the GCC and into Africa. Regional customers have responded to the company's equipment and service offering, strengthening its position as a photography and filmmaking distributor.\u003c\/span\u003e\u003cbr\u003e\u003ch3\u003e\u003cb\u003eEducational Initiatives: Empowering the Creative Community: Guide\u003c\/b\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003e Education and practical knowledge help creative communities develop new talent. To this end, the company actively engages in education initiatives and workshops, collaborating with industry experts to deliver aspiring photographers and creators with valuable insights and workable skills. By empowering the next generation of creators, contributes to the growth and development of the image-capture and filmmaking industry in the UAE, GCC, and Africa.\u003c\/span\u003e\u003cbr\u003e\u003ch5\u003e\u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e Lumix S5 IIX: Guide\u003c\/span\u003e\u003c\/a\u003e\u003c\/h5\u003e\u003cbr\u003e\u003ch3\u003e\u003cb\u003eConclusion: Guide\u003c\/b\u003e\u003c\/h3\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn conclusion, stands as a leading distributor of top-notch image-capture and filmmaking solutions, supplying a diverse portfolio of devices from known brands such as Panasonic Lumix, Sigma lenses, Blackmagic Design, and Libec tripods. Consistent customer support has helped the company build recognition among professional and enthusiast users. BSN continues serving customers across the UAE, GCC, and Africa while supporting the region's creative community. Photographers and filmmakers can use this catalogue to compare equipment for visual storytelling and creative production.\u003c\/span\u003e\u003cbr\u003e ","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":45791621939253,"sku":"DC-S5M2X","price":7950.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Panasonic-Lumix-S5-IIX-Mirrorless-Camera.webp?v=1784729378"},{"product_id":"canon-eos-r6-mark-ii-mirrorless-camera-body","title":"Canon EOS R6 Mark II Mirrorless Camera Body","description":"\u003ch3\u003eThe Full-Frame All-Rounder: Guide\u003c\/h3\u003e\u003cbr\u003eMatching strong photo performance with apt footage functions, the \u003cstrong\u003eCanon EOS R6 Mark II\u003c\/strong\u003e is a versatile mirrorless chassis for the multimedia creator.\u003cbr\u003ea revised 24.2MP CMOS sensor pairs with revised processing for improved AF, notable 4K 60p 10-bit footage, and faster overall performance.\u003cbr\u003eAdditionally, the camera body has been revised for more straightforward handling, such as a redesigned top plate for easier access to distinct shooting settings.\u003cbr\u003e24.2MP Full-Frame sensor and DIGIC X processing\u003cbr\u003e\u003ch3\u003eUpdated Full-Frame imaging sensor\u003c\/h3\u003e\u003cbr\u003eHitting a sweet-spot on the resolution side, the R6 Mark II integrates a new 24.2MP CMOS sensor that's versatile for both photo and footage uses, performs well in low-light situations, and yields striking and accurate colors.\u003cbr\u003e\u003ch3\u003eDIGIC X Processor: Guide\u003c\/h3\u003e\u003cbr\u003eBorrowed from the R3, the R6 Mark II's upgraded processing suits the multimedia character of the camera.\u003cbr\u003eCapable of processing high responsiveness bursts as well as high-res 4K footage, the DIGIC X allows up to 40 fps uninterrupted shooting with a silent electronic shutter or 12 fps with a mechanical shutter, with AF and AE readings before every frame.\u003cbr\u003eThere is additionally a 30 fps RAW Burst setting, which provides pre-release capture to capture moments that happened up to 0.5-sec before you push the shutter.\u003cbr\u003eAdditionally, improved processing leads to improved low-light performance, with the rating range currently extending from ISO 100-102400, and expandable to ISO 204800 for working in very difficult lighting situations.\u003cbr\u003e\u003ch3\u003eUHD 4K Video Recording Workflow\u003c\/h3\u003e\u003cbr\u003eBeyond stills, the R6 Mark II's sensor additionally supplies high-res UHD 4K 60p onboard video through the full width of the sensor and the capacity to operate with 10-bit sampling with Canon Log 3.\u003cbr\u003eA 6K capture area can also be used for oversampled 4K shooting at 30p for improved sharpness, reduced moiré, and lower noise.\u003cbr\u003eAnd, for slow-motion playback, 180p capture is supported at up to Full HD definition.\u003cbr\u003eHDR-PQ capture is possible, too, for in-camera HDR workflow and outboard capture, via the micro-HDMI port, which handles a clean 6K feed at up to 60 fps.\u003cbr\u003eAdditionally, unlimited capture times are possible, too, and the R6 Mark II incorporates both mic and headphone ports, as well as a multi-function shoe for wide components compatibility.\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\/contact-us\/\"\u003econtact us\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\"\u003eVisit us\u003c\/a\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":45791697305653,"sku":"5666C004","price":9975.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/canon-eos-r6-mark-ii-systec-international.webp?v=1784735876"},{"product_id":"canon-eos-r-mirrorless-camera","title":"Canon EOS R Mirrorless Camera","description":"The first step in \u003cstrong\u003eCanon\u003c\/strong\u003e's mirrorless evolution, the \u003cstrong\u003eEOS R\u003c\/strong\u003e pairs a redeveloped optics mount and updated full-frame picture sensor for a unique and refined multimedia body arrangement.\u003cbr\u003eRevolving around the new RF optics mount, the EOS R is positioned to be the means from which to make the most of a new range of lenses and optical technologies.\u003cbr\u003eFocusing on the unit itself, the EOS R incorporates a high-resolution 30.3MP full-frame CMOS imager along with a DIGIC 8 picture processing engine.\u003cbr\u003eThe combination of these technologies includes a wide rating selection up to a native ISO 40000, fast uninterrupted shooting to 8 fps, and UHD 4K30 footage recording.\u003cbr\u003eIn addition to image-capture, the sensor additionally facilitates an enhanced Dual Pixel CMOS AF platform, which uses 5655 selectable points for quickly and accurately acquiring concentrate.\u003cbr\u003eThis focusing system is additionally sensitive down to EV -6 for working in impressively dark situations.\u003cbr\u003eThe AF system is additionally perfectly matched to the UHD 4K footage recording functions, which are additionally rounded out by Movie Electronic IS to minimize body shake, built-in Canon Log gamma for an increased dynamic range, and 4K 10-bit 4:2:2 feed over HDMI for even increased colour control.\u003cbr\u003eBeyond the performance attributes, this unit has been developed from the ground up and contains a high-resolution 3.69m-dot OLED electronic viewfinder for detailed and bright eye-level observation.\u003cbr\u003eConversely, a rear 3.15\" 2.1m-dot LCD touchscreen is additionally featured, and has a swivel configuration to match working from elevated and low angles.\u003cbr\u003eAdditionally catering to the tactile cravings is a Multi-Function bar, which is customizable for intuitively refining shooting settings.\u003cbr\u003eAnd as a body constructed to withstand the toughest settings, the magnesium alloy chassis is dust and moisture-sealed.\u003cbr\u003e\u003ch4\u003eUsing Native Canon RF Optics\u003c\/h4\u003e\u003cbr\u003eBeginning with a new optics mount, the EOS R is the first unit to support Canon's range of RF-mount lenses.\u003cbr\u003eThis mount is characterized by the unit's wide 54mm diameter and short 20mm flange-back range, which promotes the ability to configuration lenses that are both faster and more compact than their SLR equivalents.\u003cbr\u003eThe mount additionally incorporates a 12-pin electronic contact setup for more refined autofocus and image stabilization capabilities.\u003cbr\u003eThis mount configuration additionally lends full compatibility to existing EF and EF-S-mount lenses through an optional EF-EOS R mount Interface.\u003cbr\u003e\u003ch4\u003eDIGIC 8 visual Processor and 30.3MP Full-Frame CMOS Sensor\u003c\/h4\u003e\u003cbr\u003eA large 30.3MP full-frame CMOS imager is featured and serves as an excellent balance between high-resolution feed, low-light performance, and high-speed functions.\u003cbr\u003eWhenever paired with the DIGIC 8 picture processing engine, the EOS R affords a native rating selection of ISO 100-40000, which can be expanded to ISO 50-102400 for working in a selection of lighting situations.\u003cbr\u003eQuick uninterrupted shooting to 8 fps is additionally supported for photographing in-motion subjects.\u003cbr\u003e\u003ch4\u003eDual Pixel CMOS AF: Guide\u003c\/h4\u003e\u003cbr\u003eDual Pixel CMOS AF includes level and fast focusing performance in a similar manner to how a camcorder acquires concentrate.\u003cbr\u003eThis configuration integrates two separate photodiodes inside each pixel to deliver a broad and dense installation of 5655 phase-detection gathering priorities across a majority of the picture sensor to lower focus hunting for faster, more immediate control of focus placement.\u003cbr\u003eWhenever working with still imagery, this focusing setup works to acquire concentrate quickly and accurately, making it ideally appropriate to shooting and following moving people or objects so that critical concentrate is attained with every shot.\u003cbr\u003eWhen shooting footage, a Movie Servo AF setting includes smooth and natural focusing whenever changing from distinct subjects or distinct distances inside the scene, as well as the capacity to specify following sensitivity, AF responsiveness, and Face Following priority.\u003cbr\u003eBenefited by the Touch AF setup, rack concentrate is possible simply by touching priorities inside the scene on the touchscreen in order to change concentrate in an straightforward manner.\u003cbr\u003esubject tracking in movies is additionally heightened due to the Dual Pixel CMOS AF system's capacity to recognize people or objects and maintain focus whenever working inside changing or cluttered scenery.\u003cbr\u003eAdditionally, the focus platform is sensitive down to EV -6 for working in genuinely low-light conditions with accurate AF functions.\u003cbr\u003e\u003ch4\u003eCanon Log Gamma and UHD 4K Video recording workflow\u003c\/h4\u003e\u003cbr\u003eDeveloped for multimedia image-maker, the EOS R allows UHD 4K (3840 x 2160) definition capture at up to 30 fps at 480 Mb\/s, along with Full HD 1080p shooting at 60 fps and HD 720p at 120 fps for slow movement playback.\u003cbr\u003eWhen capture in-camera, 4K footage has 4:2:2 sampling and 8-little color depth, a 4:2:2 10-bit clean feed in ITU-R CT.2020 is possible whenever using an outboard recorder.\u003cbr\u003eIntegrated Canon Log also enables operators to capture flat pictures with an improved dynamic selection of 800%, or 12 stops.\u003cbr\u003eThis function makes it easier to match cameras in post-production as well as offers the most latitude and potential for colour grading.\u003cbr\u003eFor observation, a View Assist function is provided, which emulates a graded look for more accurate observation on the camera's LCD.\u003cbr\u003eAudio can be captured through the on-board stereo microphone or an optional outboard mic can also be used through the 3.5mm mic jack.\u003cbr\u003e\u003ch4\u003eDual Pixel RAW: Guide\u003c\/h4\u003e\u003cbr\u003eFirst introduced with the EOS 5D Mark IV, Dual Pixel RAW enables photographers to capture all the information the sensor's distinct pixel architecture can produce, delivering a preference for small adjustments to be made after the picture is taken.\u003cbr\u003eThese adjustments incorporate focus small tuning that can help you ever-so-slightly refine the focus position to bring out extra details, shift bokeh around for improved framing, and lower the impact of ghosting on your photos.\u003cbr\u003eThis requires the use of Canon's Electronic Photo Professional software.\u003cbr\u003e\u003ch4\u003eBody Construction\u003c\/h4\u003e\u003cbr\u003e\u003cul\u003e \u003cli\u003eIntegrated 3.69m-dot OLED electronic viewfinder has 0.71x magnification and affords a bright and clear means for eye-level viewing.\u003c\/li\u003e \u003cli\u003eRear 3.15\" 2.1m-dot LCD features a swivel design for easier use when working from high, low, and front-facing angles. It is also a touchscreen for intuitive control over shooting, playback, and menu navigation controls.\u003c\/li\u003e \u003cli\u003eCustomizable Multi-Function Bar is located near the viewfinder on the rear of the camera, and can be set to control four functions using right, left, slide, and press movements. It can be used to adjust ISO or white balance, to check focus\/display focus info or AF modes, change to movie shooting modes, use flexible-priority AE, or be customized for other functions.\u003c\/li\u003e \u003cli\u003eTop panel incorporates a dot-matrix LCD, which provides quick access to important camera settings.\u003c\/li\u003e \u003cli\u003eOne SD memory card slot featured, and supports the UHS-II protocol for faster read and write speeds to better support 4K video recording and fast continuous shooting.\u003c\/li\u003e \u003cli\u003eMagnesium alloy body design is lightweight, durable, and features dust- and water-resistant seals for use in a variety of weather conditions.\u003c\/li\u003e \u003cli\u003eBuilt-in Wi-Fi and Bluetooth connectivity enable wireless sharing, control, and image transfer with a compatible smart device via the Canon Camera Connect app, which also supports geotagging your files using your mobile device's location data.\u003c\/li\u003e \u003cli\u003eIncluded LP-E6N rechargeable lithium-ion battery provides approximately 430 shots per charge, and in-camera charging is supported via the PD-E1 USB Power Adapter. This camera is also compatible with the LP-E6 battery, however is not supported for in-camera charging.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\/contact-us\/\"\u003econtact us\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\"\u003eVisit us\u003c\/a\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":45794166243381,"sku":"3075C003","price":6365.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/canon-eos-r-systec-international.jpg?v=1784820170"},{"product_id":"canon-eos-r3-mirrorless-camera-body","title":"Canon EOS R3 Mirrorless Camera Body","description":"Constructed for responsiveness, versatility, and stability, the \u003cstrong\u003eCanon EOS R3\u003c\/strong\u003e brings together the architecture from their mirrorless EOS R configuration with the robustness and performance you'd expect from a flagship DSLR.\u003cbr\u003eRevolving around a new full-frame layered sensor, revised AF performance, and refined body configuration, the EOS R3 is first 3-Range camera since the cinematic phase and plants itself as a fast-shooting, adaptable, and contemporary mirrorless body.\u003cbr\u003eAmong the most significant technologies in the R3 is the 24.1MP layered sensor which affords genuinely fast readout speeds to help lower rolling shutter distortion and benefit fast uninterrupted shooting and video recording.\u003cbr\u003eThis full-frame BSI CMOS imager is additionally benefitted by a revised DIGIC X processing engine, which assists boost the total speed for up to 30 fps uninterrupted shooting with an electronic shutter, 6K 60p raw and 4K 120p footage recording, and smart Dual Pixel CMOS II autofocus with Eye Control AF for straightforward focus position selection.\u003cbr\u003eThe R3 is additionally the first EOS R-series unit to function a built-in vertical handhold, making it an ergonomic selection for long shooting times and for cleanly switching between horizontal and vertical shooting orientations.\u003cbr\u003eThe durable body configuration additionally includes a high-resolution 5.76m-dot OLED EVF and a 3.2\" vari-angle touchscreen LCD, along with dual memory medium slots, wireless and wired interfacing, and an updated Multi-Function Shoe configuration for expanded accessory compatibility.\u003cbr\u003e\u003ch4\u003eDIGIC X Processor and Full-Frame Stacked imaging sensor\u003c\/h4\u003e\u003cbr\u003e\u003ch4\u003e24.1MP BSI Stacked CMOS imaging sensor\u003c\/h4\u003e\u003cbr\u003eA first for EOS cameras, the R3 provides a stacked sensor configuration that promotes impressively fast read-out speeds to substantially lower rolling shutter distortion and permit faster shooting performance.\u003cbr\u003eThis 24.1MP full-frame CMOS chip additionally has a back-illuminated configuration that is more efficient at gathering light, which leads to reduced noise, higher definition, and smoother color rendering, particularly whenever working in low-light situations.\u003cbr\u003e\u003ch4\u003eDIGIC X Processor: Guide\u003c\/h4\u003e\u003cbr\u003ea revised DIGIC X works alongside the new sensor configuration with able processing and the capacity to carry out simultaneous high-speed tasks, such as 30 fps high-speed shooting whereas executing AF and AE readings before every frame.\u003cbr\u003eThe processor additionally helps to realize a broad rating selection from ISO 100-102400, which is expandable to ISO 50-204800, for working in a broad selection of lighting situations.\u003cbr\u003e\u003ch4\u003eElectronic Shutter: Guide\u003c\/h4\u003e\u003cbr\u003eA main benefit of the layered sensor configuration is a highly usable electronic shutter function that is able to shoot progressively at up to 30 fps, for up to 150 raw frames, with virtually no rolling shutter distortion.\u003cbr\u003eWhenever working in manual or shutter-priority settings, the top shutter responsiveness is 1\/64,000 sec and flash sync is even possible with an electronic shutter, up to 1\/180 sec.\u003cbr\u003eThis versatile shutter function is inherently silent, but can be paired with a selection of audible shutter noises to go along with every shutter click to make it easier for people or objects to recognize whenever a photo has been taken.\u003cbr\u003eA manual shutter is additionally available, and supplies a top uninterrupted shooting responsiveness of 12 fps, with a buffer of more than 1000 frames, along with a top flash sync responsiveness of 1\/250 sec.\u003cbr\u003e\u003ch4\u003eDCI\/UHD 4K Video recording workflow and 6K Raw\u003c\/h4\u003e\u003cbr\u003eAdditionally contributing to notable footage performance, the 24MP full-frame sensor provides high-res 6K raw 12-bit onboard capture and uncropped 4K 120p 10-bit capture with Canon Log 3.\u003cbr\u003eBoth 6K and 5.6K capture areas can additionally be employed for oversampled DCI and UHD 4K shooting with improved sharpness, reduced moiré, and lower noise.\u003cbr\u003eHDR-PQ capture is possible, too, for in-camera HDR workflow and outboard capture, via the HDMI port allows a clean 4K feed at up to 60 fps.\u003cbr\u003eAll-I, IPB, and IPB Light compression options are provided, along with the capacity to use Dual Pixel CMOS AF II whenever shooting at up to 6K raw.\u003cbr\u003eUnlimited capture times are possible, too, and the R3 integrates both mic and headphone ports, as well as a micro-HDMI Type-D port for clean feed to an outboard recorder.\u003cbr\u003e\u003ch4\u003evisual Stabilization and Autofocus\u003c\/h4\u003e\u003cbr\u003e\u003ch4\u003eDual Pixel CMOS AF II: Guide\u003c\/h4\u003e\u003cbr\u003eAn improved Dual Pixel CMOS AF II configuration contains 1053 automated AF points, which cover the entire imager area, for faster, more quick, and more accurate focusing performance.\u003cbr\u003eThis upgraded phase-detection focusing arrangement additionally has enhanced subject detection and following, with the capacity to intelligently recognize eyes, faces, heads (such as helmets), animals, and vehicles and following will automatically lock onto these people or objects and maintain well-defined focus across burst acquires.\u003cbr\u003eDual Pixel AF II's low-luminance limit has additionally been improved to concentrate down to an notable -7.5 EV for accurate focusing even in nighttime situations.\u003cbr\u003e\u003ch4\u003eEye operation AF\u003c\/h4\u003e\u003cbr\u003eNew to EOS electronic cameras, Canon is re-introducing Eye Control AF with the R3.\u003cbr\u003eThis widely chosen feature from the cinematic era has currently been refined and tuned to operate in conjunction with Dual Pixel CMOS AF's smart focusing functions.\u003cbr\u003eEye Control AF essentially enables shooters to use their eye to initiate where the concentrate point is simply by looking via the electronic viewfinder, and then the unit will take control through subject following and recognition to maintain the sighted subject in well-defined focus.\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\/contact-us\/\"\u003econtact us\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\"\u003eVisit us\u003c\/a\u003e\u003cbr\u003e ","brand":"Canon","offers":[{"title":"Default Title","offer_id":45794166276149,"sku":"4895C004","price":23275.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/canon-eos-R3-systec-international.jpg?v=1784820171"},{"product_id":"canon-eos-rp-mirrorless-camera-body","title":"Canon EOS RP Mirrorless Camera Body","description":"Impressively small despite having a large full-frame imager, the \u003cstrong\u003eCanon EOS RP\u003c\/strong\u003e includes flexible image-capture functions along with a portable shape factor.\u003cbr\u003eBuilt around a high-resolution 26.2MP full-frame CMOS imager along with a DIGIC 8 picture processing engine, both stills and UHD 4K footage can be recorded through a broad rating range, from ISO 100-40000, to match working in a selection of lighting situations.\u003cbr\u003eContinuous shooting is additionally supported at up to 5 fps for photographing in-motion subjects.\u003cbr\u003eThe sensor additionally facilitates an enhanced Dual Pixel CMOS AF configuration, with 4779 selectable on-sensor phase-detection points for quickly and accurately acquiring concentrate during stills and footage operation.\u003cbr\u003eComplementing the imager and processor, the RP additionally sports a 2.36m-dot OLED electronic viewfinder along with a rear 3.0\" 1.04m-dot vari-angle touchscreen LCD display for easier observation from elevated and low angles.\u003cbr\u003eAdditionally, Wi-Fi and Bluetooth enable for cable-free remote unit control along with direct picture sharing to linked mobile devices.\u003cbr\u003e\u003ch4\u003eCanon RF lens Mount — Canon EOS RP\u003c\/h4\u003e\u003cbr\u003eThe EOS RP incorporates the RF optics mount, which support Canon's range of RF-mount lenses.\u003cbr\u003eThis mount is characterized by the unit's wide 54mm diameter and short 20mm flange-back range, which promotes the ability to configuration lenses that are both faster and more compact than their SLR equivalents.\u003cbr\u003eThe mount additionally incorporates a 12-pin electronic contact arrangement for more refined autofocus and image stabilization capabilities.\u003cbr\u003eThis mount configuration additionally lends full compatibility to existing EF and EF-S-mount lenses through an optional EF-EOS R mount Interface.\u003cbr\u003e\u003ch4\u003eDIGIC 8 visual Processor and 26.2MP Full-Frame CMOS Sensor\u003c\/h4\u003e\u003cbr\u003eA large 26.2MP full-frame CMOS imager is featured and serves as an excellent balance between high-resolution feed, low-light performance, and high-speed functions.\u003cbr\u003eWhenever paired with the DIGIC 8 picture processing engine, the EOS RP has a wide native rating selection from ISO 100-40000 for working in a selection of lighting situations.\u003cbr\u003eAdditionally, uninterrupted shooting up to 5 fps is possible for working with in-motion subjects.\u003cbr\u003e\u003ch4\u003eDual Pixel CMOS AF: Guide — Canon EOS RP\u003c\/h4\u003e\u003cbr\u003eDual Pixel CMOS AF provides level and fast focusing performance in a similar manner to how a camcorder acquires concentrate.\u003cbr\u003eThis platform integrates two separate photodiodes inside each pixel to deliver a broad and dense installation phase-detection gathering priorities across a majority of the picture sensor to lower focus hunting for faster, more immediate control of focus placement.\u003cbr\u003eWhenever working with still imagery, this focusing platform works to acquire concentrate quickly and accurately, making it ideally appropriate to shooting and following moving people or objects so that critical concentrate is attained with every shot.\u003cbr\u003eWhen shooting footage, a Movie Servo AF setting provides smooth and natural focusing whenever changing from distinct subjects or distinct distances inside the scene, as well as the capacity to specify following sensitivity, AF responsiveness, and Face or Eye Following priority.\u003cbr\u003eBenefited by the Touch AF setup, rack concentrate is possible simply by touching priorities inside the scene on the touchscreen in order to change concentrate in an straightforward manner.\u003cbr\u003esubject tracking in movies is additionally heightened due to the Dual Pixel CMOS AF system's capacity to recognize people or objects and maintain focus whenever working inside changing or cluttered scenery.\u003cbr\u003eAdditionally, the focus platform is sensitive down to EV -5 for working in genuinely low-light conditions with accurate AF functions.\u003cbr\u003e\u003ch4\u003eUHD 4K Video Recording Workflow\u003c\/h4\u003e\u003cbr\u003eDeveloped for multimedia image-maker, the EOS RP allows UHD 4K (3840 x 2160) definition capture at up to 23.98 fps at 120 Mb\/s, along with Full HD 1080p and HD 720p at 60 fps for slow movement playback.\u003cbr\u003eWhen capture in-camera, 4K footage has 4:2:0 sampling and 8-little color depth, and 4:2:2 8-bit feed is possible whenever using an outboard recorder.\u003cbr\u003eAudio can be recorded through the on-board stereo microphone or an optional outboard mic can additionally be employed via the 3.5mm mic jack.\u003cbr\u003eAdditionally, 5-axis Dual Sensing it can be used whenever recording footage to electronically lower the appearance of imaging device shake for sharper, smoother capture.\u003cbr\u003e\u003ch4\u003eBody Construction — Canon EOS RP\u003c\/h4\u003e\u003cbr\u003e\u003cul\u003e \u003cli\u003eIntegrated 2.36m-dot OLED electronic viewfinder affords a bright and clear means for eye-level viewing.\u003c\/li\u003e \u003cli\u003eRear 3.0\" 1.04m-dot LCD features a vari-angle design for easier use when working from high, low, and front-facing angles. It is also a touchscreen for intuitive control over shooting, playback, and menu navigation controls.\u003c\/li\u003e \u003cli\u003eBuilt-in Wi-Fi and Bluetooth connectivity enable wireless sharing, control, and image transfer with a compatible smart device via the Canon Camera Connect app, which also supports geotagging your files using your mobile device's location data.\u003c\/li\u003e \u003cli\u003eIn-camera charging over USB is supported for easier on-the-go charging.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\/contact-us\/\"\u003econtact us\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\"\u003eVisit us\u003c\/a\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":45794166308917,"sku":"3380C003","price":3800.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/canon-eos-rp-mirror-less-camera-systec-international.jpg?v=1784820172"},{"product_id":"canon-eos-r5-mirrorless-camera-body","title":"Canon EOS R5 Mirrorless Camera Body","description":"At the center of the specification, for the professional image-maker who requirements definition, speed, and footage functions, the \u003cstrong\u003eCanon EOS R5\u003c\/strong\u003e full-frame mirrorless camera contains a recently developed 45MP CMOS sensor, which provides 8K raw footage capture, 12 fps uninterrupted shooting with a mechanical shutter, and is the first EOS unit to function 5-axis sensor-shift image stabilization.\u003cbr\u003eBeyond just definition, the sensor additionally pairs with the refined DIGIC X picture processing engine to usher in a new generation of Dual Pixel CMOS AF for fast, smooth, and smart focusing performance through 1053 selectable points that cover the entire focus area of see.\u003cbr\u003eThis focusing system has additionally been revised to make use of Deep Learning architecture for improved person or object tracking as well as accurate eye, face, and head-detection for both people and animals.\u003cbr\u003eComplementing the image-capture assets, the R5, whereas sporting a new configuration, additionally feels familiar to EOS 5-series operators.\u003cbr\u003eAn especially high-resolution 0.5\" 5.76m-dot electronic viewfinder delivers a lifelike 120 fps refresh rate whereas the 3.2\" rear touchscreen LCD display sports a vari-angle configuration to handle vlogging requirements as well as benefit working from elevated and low angles.\u003cbr\u003eA top status LCD makes for an straightforward process and the camera additionally incorporates dual memory medium slots—one CFexpress Type B, one SD UHS-II—along with Bluetooth and Wi-Fi cable-free interfacing.\u003cbr\u003e\u003ch4\u003eDIGIC X Processor and 45MP Full-Frame imaging sensor\u003c\/h4\u003e\u003cbr\u003eConstructed around a recently developed 45MP full-frame CMOS imager, the EOS R5 supplies both high-resolution stills and footage output and the fine-tuned DIGIC X picture processor works alongside this with a wealth of responsiveness.\u003cbr\u003eRating from ISO 100-51200, which can be expanded to ISO 102400, works well in a selection of lighting situations while fast uninterrupted shooting up to 12 fps with a mechanical shutter, or silent 20 fps with an electronic shutter, is excellent for working with in-motion subjects.\u003cbr\u003e\u003ch4\u003e4K120 Video recording workflow and 8K30 Raw\u003c\/h4\u003e\u003cbr\u003eBenefitting more than only stills, the 45MP full-frame sensor additionally permits impressively high-resolution DCI 8K 30 fps raw footage capture internally along with 4K capture up to 120 fps in 4:2:2 10-little with Canon Log.\u003cbr\u003eHDR-PQ capture is possible, too, in-camera HDR workflow and outboard capture, via the HDMI port accommodates a clean 4K feed at up to 60 fps.\u003cbr\u003eBoth All-I and IPB compression options are provided, along with the capacity to use Dual Pixel CMOS AF whenever shooting at up to 8K raw.\u003cbr\u003e\u003ch4\u003eHDMI 8K Raw signal feed to Atomos Ninja V+\u003c\/h4\u003e\u003cbr\u003eFirmware update 1.4.0 adds the capacity to feed 8K30, 10-bit footage for ProRes raw capture to the Atomos Ninja V+ recorder over an optional HDMI lead. (Please note, the recorder may become hot.)\u003cbr\u003e\u003ch4\u003eDual Pixel CMOS AF II: Guide — Canon EOS R5\u003c\/h4\u003e\u003cbr\u003ea revised Dual Pixel CMOS AF II incorporates 1053 selectable focusing points, which cover approximately 100% of the picture frame for wide and even production.\u003cbr\u003eThis focusing system provides level and fast focusing performance in a similar manner to how a camcorder acquires concentrate.\u003cbr\u003eThis setup integrates two separate photodiodes inside each pixel to deliver a broad and dense installation of phase-detection gathering priorities across a majority of the picture sensor to lower focus hunting for faster, more immediate control of focus placement.\u003cbr\u003eWhenever working with still imagery, this focusing platform works to acquire concentrate quickly and accurately, making it ideally appropriate to shooting and following moving people or objects so that critical concentrate is attained with every shot.\u003cbr\u003eWhen shooting footage, a Movie Servo AF setting provides smooth and natural focusing whenever changing from distinct subjects or distinct distances inside the scene, as well as the capacity to specify following sensitivity, AF responsiveness, and Face Following priority.\u003cbr\u003eBenefited by the Touch AF platform, rack concentrate is possible simply by touching priorities inside the scene on the touchscreen in order to change concentrate in an straightforward manner.\u003cbr\u003esubject tracking in movies is additionally heightened due to the Dual Pixel CMOS AF system's capacity to recognize people or objects and maintain focus whenever working inside changing or cluttered scenery.\u003cbr\u003esubject tracking has additionally been benefitted via the use of Deep Learning architecture, which assists to gradually refine the focusing system's capacity to quickly and accurately recognize both people and animal people or objects.\u003cbr\u003eThis technology also accommodates the more refined eye, face, and assembly recognition functions, for both people and animals, that are appropriate for portraiture uses.\u003cbr\u003e\u003ch4\u003eimaging sensor-Shift visual Stabilizer\u003c\/h4\u003e\u003cbr\u003eA first for EOS cameras, the R5 integrates five-axis sensor-shift picture stabilization that compensates for up to an notable eight stops of body shake for genuinely effective compensation of body shake to match handheld shooting with slower shutter speeds.\u003cbr\u003eThis stabilization configuration additionally works in concert with lens-based optical picture stabilization for both native RF lenses and adapted EF lenses.\u003cbr\u003e\u003ch4\u003eWireless Connectivity and Body Construction\u003c\/h4\u003e\u003cbr\u003e\u003cul\u003e \u003cli\u003eHigh-resolution 5.67m-dot 0.5\" electronic viewfinder provides a bright and detailed means for eye-level viewing and the quick 120 fps refresh rate offers natural motion rendering for a more realistic viewfinder experience.\u003c\/li\u003e \u003cli\u003eRear 3.2\" 2.1m-dot LCD touchscreen features a vari-angle design that benefits front-facing recording, such as for vlogging needs, as well as working from high and low shooting angles.\u003c\/li\u003e \u003cli\u003eTop status LCD can be used to quickly review camera and shooting settings.\u003c\/li\u003e \u003cli\u003eCFexpress Type B and SD UHS-II memory card slots are featured for flexible storage needs; the CFexpress slot is ideal for 8K video and high-speed, high-resolution burst shooting needs while the SD card slot retains a familiar form factor for wide compatibility.\u003c\/li\u003e \u003cli\u003eBoth a 3.5mm headphone and a 3.5mm external microphone port are featured for improved audio monitoring and recording capabilities.\u003c\/li\u003e \u003cli\u003eRefined body design incorporates four distinct control dials across the body for intuitive tactile control and a joystick controller is used on the back of the camera for fast and intuitive focus point selection and menu navigation.\u003c\/li\u003e \u003cli\u003eDurable, weather-sealed body design is built to handle tough working conditions and inclement weather.\u003c\/li\u003e \u003cli\u003eBoth 5 GHz and 2.4 GHz Wi-Fi bands are available for fast file transferring to a mobile device and Bluetooth is also available to provide constant device connection via the Canon Camera Connect app.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\/contact-us\/\"\u003econtact us\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\"\u003eVisit us\u003c\/a\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":45794166374453,"sku":"4147C005","price":15191.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/canon-eos-r5-systec-international.jpg?v=1784820173"},{"product_id":"canon-eos-r6-mirrorless-camera-body","title":"Canon EOS R6 Mirrorless Camera Body","description":"Delivering incredible performance at speeds up to 12 fps, the \u003cstrong\u003eEOS R6\u003c\/strong\u003e unit from \u003cstrong\u003eCanon\u003c\/strong\u003e can acquisition the split-second details between a subject's motion.\u003cbr\u003eThat speed suits action photography involving athletes, wildlife, or moving vehicles.\u003cbr\u003eThe selectable electronic (silent) shutter setting can capture pictures at up to 20 fps, which is valuable for wildlife photographers and photojournalists.\u003cbr\u003e\u003ch4\u003eDIGIC X Processor and 20MP Full-Frame imaging sensor\u003c\/h4\u003e\u003cbr\u003eConstructed around a revised 20MP full-frame CMOS imager, the EOS R6 supplies modest definition to complement a more manageable process, particularly when the final destination is the web or a small-format print feed.\u003cbr\u003eThis imager is paired with a fine-tuned DIGIC X picture processor, which permits impressive stills and footage functions, along with rating from ISO 100-102400, which can be expanded up to ISO 204800.\u003cbr\u003e\u003ch4\u003eFull HD 120 Video recording workflow and 4K60\u003c\/h4\u003e\u003cbr\u003eBeyond stills, the 20MP sensor additionally affords UHD 4K footage capture at up to 60 fps, along with Full HD at 120 fps for slow-motion playback.\u003cbr\u003eBoth formats can be captured internally at 4:2:2 10-little and both Canon Log and HDR-PQ are supported for increased control over colour rendering, and to match high dynamic range feed.\u003cbr\u003eAdditionally, Dual Pixel CMOS AF is supported for all capture settings and outboard capture, via the HDMI port, permits clean 4K feed to an optional outboard recorded.\u003cbr\u003e\u003ch4\u003eDual Pixel CMOS AF II: Guide — Canon EOS R6\u003c\/h4\u003e\u003cbr\u003ea revised Dual Pixel CMOS AF II incorporates 1053 selectable focusing points, which cover approximately 100% of the picture frame for wide and even production.\u003cbr\u003eThis focusing system provides level and fast focusing performance in a similar manner to how a camcorder acquires concentrate.\u003cbr\u003eThe arrangement integrates two separate photodiodes inside each pixel to deliver a broad and dense installation of phase-detection gathering priorities across a majority of the picture sensor to lower focus hunting for faster, more immediate control of focus placement.\u003cbr\u003eWhenever working with still imagery, this focusing configuration works to acquire concentrate quickly and accurately, making it ideally appropriate to shooting and following moving people or objects so that critical concentrate is attained with every shot.\u003cbr\u003eWhen shooting footage, the Movie Servo AF setting supplies smooth and natural focusing whenever changing from distinct subjects or distinct distances inside the scene, as well as the capacity to specify following sensitivity, AF responsiveness, and Face Following priority.\u003cbr\u003eBenefited by the Touch AF configuration, rack concentrate is possible simply by touching priorities inside the scene on the touchscreen in order to change concentrate in an straightforward manner.\u003cbr\u003esubject tracking in movies is additionally heightened due to the Dual Pixel CMOS AF system's capacity to recognize people or objects and maintain focus whenever working inside changing or cluttered scenery.\u003cbr\u003esubject tracking has additionally been benefitted via the use of Deep Learning architecture, which assists to gradually refine the focusing system's capacity to quickly and accurately recognize both people and animal people or objects.\u003cbr\u003eThis technology also accommodates the more refined eye, face, and assembly recognition functions, for both people and animals.\u003cbr\u003e\u003ch4\u003eimaging sensor-Shift visual Stabilizer — Canon EOS R6\u003c\/h4\u003e\u003cbr\u003eA first for EOS cameras, the R6 includes five-axis sensor-shift picture stabilization that compensates for up to an notable eight stops of unit shake for genuinely effective compensation to match handheld shooting with slower shutter speeds.\u003cbr\u003eThis stabilization platform additionally works in concert with lens-based optical picture stabilization for both native RF lenses and adapted EF lenses.\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\/contact-us\/\"\u003econtact us\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\"\u003eVisit us\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e ","brand":"Canon","offers":[{"title":"Default Title","offer_id":45794166407221,"sku":"4082C003","price":8550.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/canon-eos-46-systec-international.jpg?v=1784820174"},{"product_id":"canon-eos-5d-mark-iv-body-with-canon-log","title":"Canon EOS 5D Mark IV Body with Canon Log","description":"Continuing on in their legacy of capable workhorse cameras, \u003cstrong\u003eCanon\u003c\/strong\u003e has released the \u003cstrong\u003e5D Mark IV DSLR\u003c\/strong\u003e which is an outstanding still photography option and an able 4K-capable footage machine.\u003cbr\u003eThis multimedia maven provides a recently developed 30.4MP full-frame CMOS imager paired with the DIGIC 6+ picture processor in order to equilibrium fine detail and definition with low-light performance and rating.\u003cbr\u003eIt is able to work inside a native selection of ISO 100-32000, which can then be expanded to an notable ISO 50-102400, for well-defined, low-noise pictures in a range of situations.\u003cbr\u003eAlong with these improvements to picture quality, operators will enjoy a performance boost across the board with an enhanced AF platform, built-in Wi-Fi, NFC, and GPS, and much more.\u003cbr\u003eIn order to produce detailed pictures quickly and effectively the 5D Mark IV leverages the power of the DIGIC 6+ picture processor, which can accommodate up to 7 frames per second during uninterrupted shooting.\u003cbr\u003eIt additionally uses a 150,000-pixel RGB+IR metering imager to evaluate the scene and people or objects for accurate exposures under a selection of distinct lighting situations.\u003cbr\u003eAn improved 61-position Elevated Density Reticular AF furthers the camera's responsiveness by following and locking onto people or objects quickly and accurately for tack well-defined photos.\u003cbr\u003eA new AF area choose button is now provided as well for near immediate availability to this setting.\u003cbr\u003eFootage benefits from the asset of Dual Pixel CMOS AF and Movie Servo AF to smoothly rack concentrate during a attempt.\u003cbr\u003eShooters can even make use of the 3.2\" 1.62m-dot touchscreen LCD to simply tap to refine the focus point.\u003cbr\u003eFurthermore, currently that the body has DCI 4K (4096 x 2160) footage capture at up to 30 fps, operators can snag 8.8MP stills from the footage for an even faster acquisition option.\u003cbr\u003eTied into the Dual Pixel imager architecture is a brand new function for Canon: Dual Pixel RAW, which supports fine tuning of certain picture parameters, comprising bokeh shift and concentrate micro adjustment, after the picture is taken.\u003cbr\u003eThe chassis has been additional refined for comfort and ease of availability, as well as durability and conditions resistance.\u003cbr\u003eThe Canon N3 off-site port has been relocated to the front of the capture device body and they deliver added both GPS and Wi-Fi with NFC to make this version a connected camera.\u003cbr\u003e\u003ch4\u003eDIGIC 6+ visual Processor and 30.4MP Full-Frame CMOS Sensor\u003c\/h4\u003e\u003cbr\u003eIn range with previous members of the main 5D range, the Mark IV attempts to equilibrium high definition with low-light performance with a recently developed 30.4MP full-frame CMOS sensor.\u003cbr\u003eThis delivers a beneficial increase in overall definition without reducing on rating.\u003cbr\u003eAdditionally, thanks to the DIGIC 6+ picture processing engine it is paired with, it provides impressive performance inside a native selection of ISO 100-32000, which can be expanded to ISO 50-102400.\u003cbr\u003eAdaptability is principal with the 5D, as it requirements to be able to tackle landscapes and wedding work with equal ease.\u003cbr\u003eby through a 150,000-pixel RGB+IR metering imager shooters will be able to more comfortably rely on the body to capture difficult scenes.\u003cbr\u003eThis sensor additionally has face recognition as well as flicker recognition which can maintain proper light levels in less-than-ideal lighting situations.\u003cbr\u003eAlong with this, the device supplies an improved uninterrupted shooting rate of 7 fps, making it a great option for productions and action.\u003cbr\u003e\u003ch4\u003ePractical Notes: Dual Pixel CMOS AF Systems and High Density Reticular AF\u003c\/h4\u003e\u003cbr\u003eHelping ensure your subject is tack well-defined, the 5D Mark IV integrates an enhanced Elevated Density Reticular AF system, which provides 61 phase-detect points, with all points sensitive to f\/8 and 41 of which are cross-type.\u003cbr\u003eThe center position continues working down to -3 EV for working in extremely dim lighting.\u003cbr\u003eCompared to previous versions, this imager has expanded vertical production of 24% on the peripherals and 8% in the center in order to better track and locate people or objects in the shot.\u003cbr\u003eIn addition to enhanced tracking and focusing whereas using the optical finder for stills, Live See and footage can currently use Dual Pixel CMOS AF on the actual image-capture sensor.\u003cbr\u003eThis provides about 80% production of phase-detection autofocus for faster and more accurate focusing in these settings.\u003cbr\u003eIt is ideal for footage as operators will enjoy more fluid rack focusing eliminating the downsides normally encountered with contrast-based systems.\u003cbr\u003eAdditionally, this works well with the touchscreen functions, enabling shooters to just tap to refine focus.\u003cbr\u003e\u003ch4\u003eDCI 4K Video Recording Workflow\u003c\/h4\u003e\u003cbr\u003eDeveloped for both professional stills shooting and footage capture, the 5D Mark IV accommodates DCI 4K (4096 x 2160) definition capture at up to 30 fps at 500 Mbps, along with Full HD 1080p shooting at 60 fps and HD 720p at 120 fps for slow movement playback.\u003cbr\u003eWhen capture in-camera, 4K footage has 4:2:2 sampling and 8-bit color separation, whereas Full HD 1080p footage has 4:2:0 sampling.\u003cbr\u003eUncompressed Full HD 1080p footage can additionally be saved through HDMI to an optional outboard recorder with 4:2:2 color sampling.\u003cbr\u003e4K footage is recorded through a central 4096 x 2160 region of the imager at a 1.74x crop in order to capture footage with an excellent 1:1 pixel sampling ratio, whereas Full HD capture makes use of the entire full shot.\u003cbr\u003eAudio can be recorded through the on-board stereo microphone or an optional outboard mic can also be used through the 3.5mm mic jack.\u003cbr\u003eReal time audio observation is possible, too, through the 3.5mm headphone jack.\u003cbr\u003eThe 4K footage recording additionally avails the capacity to make 8.8MP still shot grabs during playback on the rear touchscreen and save them as one pictures.\u003cbr\u003e\u003ch4\u003eDual Pixel RAW: Guide — Canon EOS 5D\u003c\/h4\u003e\u003cbr\u003eFirst implemented here on the 5D Mark IV, Dual Pixel RAW enables photographers to capture all the information the sensor's distinct pixel architecture can produce, delivering a preference for small adjustments to be made after the picture is taken.\u003cbr\u003eThese adjustments incorporate focus small tuning that can help you ever-so-slightly refine the focus position to bring out extra details, shift bokeh around for improved framing, and lower the impact of ghosting on your photos.\u003cbr\u003eThis requires the use of Canon's Electronic Photo Professional 4.5 software.\u003cbr\u003e\u003ch4\u003eBody Construction — Canon EOS 5D\u003c\/h4\u003e\u003cbr\u003e\u003cul\u003e \u003cli\u003eA large 3.2\" 1.62m-dot Clear View II LCD monitor is available and features an anti-reflective design for bright, vivid image playback and live view shooting, and its touchscreen interface can be used for intuitive touch-to-focus control and adjusting settings in the menus.\u003c\/li\u003e \u003cli\u003eA dedicated AF mode selection button located beneath the rear joystick offers another avenue for accessing settings, allowing for fast, intuitive access to commonly changed options.\u003c\/li\u003e \u003cli\u003eDual CompactFlash and SD memory card slots allow you to extend your file saving capabilities by permitting overflow recording or in-camera file type separation while shooting.\u003c\/li\u003e \u003cli\u003eAn Intelligent Viewfinder II uses a pentaprism design and offers a bright means for viewing. When using the viewfinder, AF points are highlighted in red for greater visibility in low-light conditions, and the finder can also be configured to display a range of other shooting aids, such as an electronic level, grid, flicker detection, white balance, metering mode, AF information, and other settings.\u003c\/li\u003e \u003cli\u003eA Mirror Vibration Control System helps to minimize mechanical vibrations in order to better ensure sharpness during long exposures or fast continuous shooting bursts.\u003c\/li\u003e \u003cli\u003eA robust magnesium alloy body design is both dust- and weather-sealed to permit working in harsh environments.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\/contact-us\/\"\u003econtact us\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\"\u003eVisit us\u003c\/a\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":45794166439989,"sku":"1483C087","price":9500.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/canon-eos-5d-mark-iv-systec-international.jpg?v=1784820175"},{"product_id":"panasonic-lumix-gh6-mirrorless-camera-body-only","title":"Panasonic Lumix GH6 Mirrorless Camera (Body Only)","description":"\u003ch3\u003e\n\u003cb\u003eLumix GH6 Mirrorless Camera From Panasonic: Guide\u003c\/b\u003e\n\u003c\/h3\u003e\u003cbr\u003ePanasonic Lumix GH6 Dubai Hybrid 4k mirrorless body featuring new 25.2-megapixel Live MOS imager, 4:2:2 10-bit C4K\/4K 60p\/50p footage.\u003cbr\u003eThe Camera has an unlimited capture time best Mirrorless body Dubai from Panasonic Dubai \u0026amp; Panasonic UAE Panasonic.*Under the guaranteed working environment. Whenever using a battery.\u003cbr\u003eThe capture time depends on the rating of the battery and the capture media.\u003cbr\u003e\u003ch3\u003e\n\u003cb\u003eLumix GH6 Direct recording production flow to USB-SSD.\u003c\/b\u003e\n\u003c\/h3\u003e\u003cbr\u003eWith the firmware version 2.2, capture and playback is supported through an outboard SSD through USB.\u003cbr\u003eIn asset, the ability to capture Apple ProRes 422 HQ (highest 1.9Gbps) and 4:2:2 10-little All-Intra directly to SSDs, which bring together portability and elevated capacity has improved efficiency in files backup and post-processing.?high-frame-rate footage exceeding 60.00p cannot be captured to an outboard SSD.\u003cbr\u003eIt is not possible to capture footage and photo on the SD medium or CFexpress medium simultaneously whereas recording it on the outboard SSD.?Use an outboard SSD no more than 2 TB in size that is compatible with USB Type-C.\u003cbr\u003eWe recommend through an outboard SSD whose operation has been confirmed by Panasonic.\u003cbr\u003eNote beforehand that this is not a guarantee of operation on all devices.?Current information on the outboard SSDs will be provided at the following support site at the identical time as firmware release:\u003cbr\u003eContact us at shape more information.\u003cbr\u003e \u003cbr\u003e\u003ch3 class=\"contents-block__subtitle subtitle-1\"\u003eA LUMIX first: Apple ProRes codec video signal\u003c\/h3\u003e\u003cbr\u003e\u003cdiv class=\"contents-block__body\"\u003e\n\u003cp class=\"contents-block__body__body typ-body-1\"\u003eIn this camera's design, Through a CFexpress Type B medium (MOV, 5.7K, 5728x3024, 29.97p\/25.00p\/24.00p), you can internally capture ProRes 422 HQ and ProRes 422 codec videos, the professional industry standard, which produce high picture quality at low compression. This materially lowers the load on the computer during post-production and enables NLE (non-linear editing) eliminating transcoding, streamlining your process from start to finish.Firmware version 2.0 accommodates 59.94p\/50.00p at C4K (4096x2160) and FHD (1920x1080).\u003c\/p\u003eit's on sale at \u003ch3 class=\"contents-block__subtitle subtitle-1\"\u003eRAW video signal Data signal feed\u003c\/h3\u003e\n\u003cdiv class=\"contents-block__body\"\u003e\n\u003cp class=\"contents-block__body__body typ-body-1\"\u003eThe firmware update* permits the feed of highest 5.7K 59.94p (5728x3024, 17:9), C4K 119.88p (4096x2160, 17:9), Anamorphic 5.8K 29.97p (5760x4320, 4:3) and Anamorphic 4.4K (4352x3264, 4:3) 12-little RAW footage data over HDMI to be captured as Apple ProRes RAW on ATOMOS NINJA V and NINJA V+ devices**.\u003c\/p\u003eits provided in Dubai at \u003cp class=\"contents-block__body__note typ-body-2\"\u003e*Please update the firmware to version 2.0 or later. **ATOMOS HDMI focus area display\/recorder \"Ninja V+\" (AtomOS 10.77 or better)\/\"Ninja V\" (AtomOS 10.77 or better)?Selectable capture setting Compatible operation requires the appropriate Atomos Ninja V or Ninja V+ firmware; consult Atomos for the matching release or ATOMOS Ninja V.?Capture of some capture qualities is not provided with the \"Ninja V“.?Software that handles Apple ProRes RAW is required to edit RAW footage captured with ATOMOS Ninja V+ or ATOMOS Ninja V. Apply the LUT (Look up table) provided on the following customer allows site to make the same colour grading as V-Log\/V-Gamut\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003ch3 class=\"contents-block__title heading-2\"\u003e5.7K 10-bit 60p\/50p recording production flow\u003c\/h3\u003e\u003cbr\u003e\u003cdiv class=\"contents-block__body\"\u003e\n\u003cp class=\"contents-block__body__body typ-body-1\"\u003eWith 5.7K (5728x3024) 4:2:0 10-little 60p\/50p (17:9) and 5.8K (5760x4320) 30p\/25p\/24p 4:2:0 10-little anamorphic (4:3) settings, the LUMIX GH6 provides higher definition and higher little rates than ever before, and produces the latest in high picture quality, adaptability, and expressive selection needed for cinematic, TV, and all types of footage production.\u003c\/p\u003e\n\u003cbr\u003e\u003ch3 class=\"contents-block__title heading-2\"\u003ePanasonic Lumix GH6 hs Unlimited 4:2:2 10-bit C4K\/4K 60p\/50p Video Recording Workflow time\u003c\/h3\u003e\n\u003cdiv class=\"contents-block__body\"\u003e\n\u003cp class=\"contents-block__body__body typ-body-1\"\u003eThe first LUMIX to supply 4:2:2 10-bit C4K\/4K 60p\/50p onboard recording, the GH6 produces unlimited capture time* whenever used at the recommended working temperature**. Excellent for small workflow teams and in challenging situations where mobility and high-quality are a must. Additionally enables simultaneous onboard recording and outboard recording through HDMI output.\u003c\/p\u003e\n\u003cp class=\"contents-block__body__note typ-body-2\"\u003e*Under the guaranteed working environment. Whenever using a battery. The capture time depends on the rating of the battery and the capture media.**-10–40?.?Corresponding to 4K (4096×2160) as defined by Electronic Cinema Initiatives (DCI).?CFexpress medium or a SD memory card with Footage Responsiveness Class 90 is required.\u003c\/p\u003eget it today from \u003cbr\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"contents-block__title heading-2\"\u003e7.5-stop Dual I.S. 2 (visual Stabilizer)\u003c\/h3\u003e\n\u003cdiv class=\"contents-block__body\"\u003e\n\u003cp class=\"contents-block__body__body typ-body-1\"\u003e5-axis Dual I.S. 2 (Image Stabilizer) brings together control of the Chassis I.S. And Lens O.I.S. To supply 7.5 stops’ worth of correction.\u003c\/p\u003e\n\u003cbr\u003e\u003ch3 class=\"contents-block__title heading-2\"\u003ePanasonic Lumix GH6 HFR\/VFR 10-bit recording production flow\u003c\/h3\u003e\n\u003cdiv class=\"contents-block__body\"\u003e\n\u003cp class=\"contents-block__body__body typ-body-1\"\u003eHigh-resolution slow-motion capture, recently gaining popularity in footage production, is now made possible through C4K\/4K 10-little 120p\/100p HFR (high-frame-rate) footage capture with audio. The LUMIX GH6 additionally provides a diverse group of 10-bit ALL-Intra capture settings for premium editing buy it from, so you can shoot FHD 240p\/200p HFR and FHD 240fps VFR (variable shot rate) footage. With VFR you can capture up to 12.5x super slow-motion footage (FHD 10-bit 24p\/300fps).\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"contents-block__title heading-2\"\u003ePanasonic Lumix GH6 has New Venus Engine: Guide\u003c\/h3\u003e\n\u003cdiv class=\"contents-block__body\"\u003e\n\u003cp class=\"contents-block__body__body typ-body-1\"\u003eThe new Venus Engine produces approximately twice the computation power as before, enabling high-speed computation of the new sensor's higher pixel counts and higher-resolution, higher-bit-rate footage. Picture quality performance is additionally greatly improved. New Smart Detail Processing provides higher definition, and new 2D and high-performance 3D Noise Reduction (for videos) balance noise reduction. The result is lifelike, 3D-like pictures with minimal noise even at elevated sensitivity. High-precision Dual 3D Colour Control achieves improved colour reproduction (luminance, saturation, and colour tone), resulting in more faithful and richer colour expression.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"contents-block__title heading-2\"\u003ePanasonic Lumix GH6 has New 25.2MP imaging sensor\u003c\/h3\u003e\n\u003cdiv class=\"contents-block__body\"\u003e\n\u003cp class=\"contents-block__body__body typ-body-1\"\u003eThe LUMIX GH6 contains the first Micro Four Thirds™ setup standard 25.2-megapixel Live MOS sensor. With no low-pass filter, its configuration permits both more pixels and higher definition, for ultra-realistic detail. its higher readout speed produces C4K\/4K 120p footage capture and 75-frames-per-second burst shooting through the electronic shutter while additionally reducing rolling shutter distortion.\u003c\/p\u003e \u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e[caption id=\"\" match=\"aligncenter\" width=\"338\"]\u003cimg title=\"Panasonic Lumix GH6, Mirrorless Camera, \" src=\"https:\/\/www.panasonic.com\/content\/dam\/pim\/uk\/en\/DC\/DC-GH6\/DC-GH6M\/ast-1682805.jpg.pub.thumb.644.644.jpg\" alt=\"RAW Video Data Output Panasonic Lumix GH6, Mirrorless Camera, \" width=\"338\" height=\"338\"\u003e Panasonic Dubai Panasonic Panasonic GH6 Dubai Panasonic Dubai Panasonic LUMIX GH6 Dubai Panasonic UAE 4k mirrorless unit Panasonic GH6 Dubai Mirrorless Unit Dubai Panasonic UAE Mirrorless body[\/caption]\u003cbr\u003ebuy it today from \u003ca href=\"https:\/\/bsn.com.pk\" target=\"_blank\" rel=\"noopener\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003evisit \u003ca href=\"https:\/\/bsn.com.pk\" target=\"_blank\" rel=\"noopener\"\u003e\u003c\/a\u003e\u003cbr\u003e ","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":45794192130101,"sku":"DC-GH6BODY","price":6562.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/gh6.webp?v=1784821975"},{"product_id":"panasonic-lumix-s1h-mirrorless-camera","title":"Panasonic Lumix S1H Mirrorless Camera","description":"Across its imaging platform, Panasonic Lumix S1H V-Log\/V-Gamut with 14+ stops of dynamic selection, 3:2 6K\/24p full-frame acquisition, 10-bit Cinematic production 4K\/4K 60p\/50p capture, and unlimited capture time. The LUMIX S1H is the new full-frame mirrorless body that produces cinema-quality footage.\u003cbr\u003e\u003ch3\u003e24.2MP Full-frame Sensor: Dual Native ISO\u003c\/h3\u003e\u003cbr\u003eThe 24.2-megapixel full-frame CMOS imager of the LUMIX S1H contains Dual Native ISO architecture, leveraging a dual-base ISO setting to minimize noise and maximize picture quality from low to elevated rating. Whenever professional-level low-light shooting is required, the LUMIX S1H is prepared for action.\u003cbr\u003e\u003ch3 class=\"contents-block__title heading-2\"\u003ePanasonic Lumix S1H has a Wide Range of recording production flow Formats\u003c\/h3\u003e\u003cbr\u003e\u003cdiv class=\"contents-block__body\"\u003e\u003cdiv class=\"contents-block__body__body typ-body-1\"\u003eWith its full range of capture settings, the LUMIX S1H has every industry covered, from cinematic production to TV broadcast work. In asset to C4K\/4K 60p\/50p* 4:2:0 10-little and C4K\/4K 30p\/25p\/24p 4:2:2 10-little, the camera delivers 6K\/24p 4:2:0 10-little in 3:2 and 5.9K 30p\/25p\/24p 4:2:0 10-little in 16:9. Anamorphic setting in 4K is additionally available.\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\n\u003ch3 class=\"contents-block__title heading-2\"\u003e4:2:2 10-bit Internal Rec \/ HDMI signal feed\u003c\/h3\u003e\n\u003cdiv class=\"contents-block__body\"\u003e\u003cdiv class=\"contents-block__body__body typ-body-1\"\u003eBuilt around an incredibly rich colour profile, C4K\/4K 30p\/25p\/24p 4:2:2 10-little footage is recordable in-camera. In the 10-little setting, 4:2:2 10-bit HDMI feed is supported along with simultaneous outboard drive \/ SD card capture. Leveraging the expressive power of a full-frame unit takes 4K footage to exciting new places.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\n\u003ch3 class=\"contents-block__title heading-2\"\u003ePanasonic Lumix S1H gives RAW video signal Data signal feed for production Film Creation\u003c\/h3\u003eThe firmware update permits the feed of highest 29.97p 5.9K (5888x3312, 16:9) \/ 59.94p 4K (4128x2176, 17:9) and Anamorphic 3.5K (3536x2656, 4:3) 12-little RAW footage files over HDMI to save it as Apple ProRes RAW on the AtomosNinja V 4K HDR monitor-recorder.The BlackmagicRAW can additionally be recorded on Footage Assist 12G HDR.\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003ch3 class=\"contents-block__title heading-2\"\u003ePractical Notes: V-Gamut “VariCam Look” and 14+ stops of V-Log\u003c\/h3\u003e\u003cbr\u003e\u003cdiv class=\"contents-block__body\"\u003e\u003cdiv class=\"contents-block__body__body typ-body-1\"\u003eV-Log and V-Gamut come preinstalled. With 14+ stops of dynamic selection and a wide colour wavelength, performance rivals that of a VariCam professional cinematic production unit.\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\u003cimg class=\"aligncenter\" title=\"Panasonic Lumix S1H\" src=\"https:\/\/www.panasonic.com\/content\/dam\/pim\/mi\/en\/DC\/DC-S1H\/DC-S1HGA\/ast-1277803.jpg.pub.thumb.644.644.jpg\" alt=\"RAW Video Data Output for Professional Film Creation\" width=\"325\" height=\"325\"\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\n\u003cdiv class=\"contents-block__body\"\u003e\n\u003cbr\u003ebuy it today from \u003ca href=\"https:\/\/bsn.com.pk\" target=\"_blank\" rel=\"noopener\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003evisit \u003ca href=\"https:\/\/bsn.com.pk\" target=\"_blank\" rel=\"noopener\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":45794192162869,"sku":"DC-S1HBODY","price":14680.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Panasonic-S1h-01.jpg?v=1784821976"},{"product_id":"arri-alexa-35-live-standard-system-xr","title":"ARRI ALEXA 35 Live Standard System (XR)","description":"\u003carticle class=\"content_nffexWQFRT\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cimg class=\"writersImage_xWkRVkH5Ow\" data-selenium=\"bioProfileImage\"\u003eCamera Support and Production Tools for Live Workflows\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"scroll-margin-top: 268px;\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eDesigned for live video, the \u003cb\u003eALEXA 35 Live Standard System\u003c\/b\u003e from ARRI combines exceptional imaging, flexible creative-look management, and essential camera-support hardware. The package contains an ALEXA 35 XTREME (XR) camera, LPS-1 FCA-1 Fiber Camera Adapter, FBS-1 Fiber Base Station, Multicam Support Set 2, and an FCA camera-to-Ethernet cable. Working together, these components bring the ALEXA XTREME's high image quality and frame rates reaching 660 fps into a complete live-production platform.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"media_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\n\u003cdiv class=\"videoContainer_pdnKDph4rT\" data-selenium=\"videoIframe\"\u003e\n\u003cdiv class=\"container_Nvv9thaUIK\" data-selenium=\"videoPlayerYouTube\"\u003e\n\u003cdiv class=\"aspectRatioWrapper_Nvv9thaUIK\"\u003e\u003ciframe class=\"iframe_Nvv9thaUIK\" title=\"ALEXA 35 Live - Multicam System: ARRI Look. Seamless Integration. (subtitles EN, ES, FR, KO, PT, ZH)\" width=\"100%\" height=\"100%\" src=\"https:\/\/www.youtube.com\/embed\/tJ2_QtibLdE?autoplay=0\u0026amp;start=0\u0026amp;rel=0\u0026amp;enablejsapi=1\u0026amp;origin=https%3A%2F%2Fwww.bhphotovideo.com\u0026amp;widgetid=1\u0026amp;forigin=https%3A%2F%2Fwww.bhphotovideo.com%2Fc%2Fproduct%2F1949960-REG%2Farri_k0_0056176_alexa_35_live.html\u0026amp;aoriginsup=1\u0026amp;gporigin=https%3A%2F%2Fwww.google.com%2F\u0026amp;vf=1\" id=\"widget2\" data-gtm-yt-inspected-6=\"true\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eCinematic HDR Imaging\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eA Super 35-format 4K sensor gives the ALEXA 35 Live XTREME system ARRI's distinctive cinematic rendering and supports the growing use of shallow depth of field in live programming. Its 17-stop dynamic range exceeds that of any other camera on the market, preserving strong results in difficult lighting for both SDR and HDR delivery.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eA Wide Selection of Creative Looks\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eARRI's integrated Look Library contains 87 cinematic presets, each offered at three color intensities and selectable with one button. This range accommodates a broad variety of capture situations. Purpose-built Multicam looks also supply efficient starting points for common live scenarios, including studio shows, concerts, and ski racing.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eUncompressed 4K over Fiber\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe supplied LPS-1 Live Production System combines a Fiber Camera Adapter with a Fiber Base Station. A hybrid fiber connection can carry power and uncompressed 4K video simultaneously across runs reaching 1.2 miles, while tactical fiber supports distances as long as 6.2 miles. Additional fiber and Ethernet tunnels increase versatility by accommodating extra control, audio, or video signals.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eMulticam Support Set 2\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eA TOP-1 top plate, LPH-2 top handle, and Touchdown baseplate system make up Multicam Support Set 2, allowing rapid changes between tripod operation and handheld shooting. The LPH-2 Live Production Handle incorporates a NATO rail for attaching displays such as the LPM-1.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\n\u003cdiv class=\"lazyload-placeholder\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eFCA-1 Fiber Camera Adapter\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eA sturdy, self-aligning mechanical interface lets the FCA-1 Fiber Camera Adapter join the camera quickly and form one cohesive, easily managed unit. It offers familiar connections, intuitive operation, and a single FCA-to-Ethernet cable connection.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eOptional License-Based Expansion\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eAdd capabilities to the Base set through extra licenses, purchased temporarily or permanently whenever production requirements change.\u003c\/li\u003e\n\u003cli\u003eTemporary activation periods include 7 days, 30 days, or one year.\u003cbr\u003eNOTE: Upgrades are sold exclusively through the ARRI License Shop website. Available options cover ARRIRAW, 660 fps high-speed recording, Open Gate\/Anamorphic capture, Pre-Record, and ARRI Looks and Textures.\u003c\/li\u003e\n\u003cli\u003eA Premium License groups all five options listed above.\u003cbr\u003eNOTE: The bundle costs the same as purchasing the upgrades separately, so individual capabilities may instead be added as needed for improved affordability.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eFBS-1 Fiber Base Station\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eMultiple feeds can be output concurrently by the included Fiber Base Station, such as UHD 4K together with 1080p or 1080i HD. Its feature set includes a broadcast-grade down-converter, redundant power, 2-channel intercom, and professional audio inputs and outputs. Forward-looking SMPTE 2110 IP support is joined by a redundant SMPTE 2022-7 network with seamless protection switching for maximum dependability. Through its copper conductors, an SMPTE 311 hybrid fiber cable delivers as much as 400W to the camera and accessories while also carrying uncompressed 4K video.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eUpgradable Capture at up to 660 fps\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eReaching frame rates of 660 fps, the ALEXA 35 XTREME can remove the expense and logistical burden of carrying a second high-speed camera body. Its redesigned primary processor adds memory and performance, supporting capture at up to 330 fps with the complete 17-stop dynamic range or as fast as 660 fps within an 11-stop range.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\n\u003cdiv class=\"lazyload-placeholder\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eDesigned for Live Multicamera Integration\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eCommon shading controls required by live production are built into the ALEXA 35 Live XTREME system, bringing ARRI's established image quality into multicamera environments. Beyond these familiar tools, additional creative controls can rapidly give a project a distinctive new visual treatment.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eNext-Generation ARRICORE Codec\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eARRICORE is a new RGB codec that lowers data rates to improve affordability while retaining excellent picture quality. Sensitivity, white balance, and tint are not permanently embedded, leaving more adjustment latitude for post. Its behavior remains aligned with established ALEXA 35 codecs, simplifying both set and finishing workflows. Familiar ARRI Textures, metadata, MXF wrappers, and audio behavior are retained, along with compatibility across most third-party applications. User feedback will guide further refinement of this ARRICORE beta release.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eLower Energy Requirements\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eCompared with the ALEXA 35, the 24V ALEXA 35 XTREME reduces power use by 10%. It operates from the included ARRI B-mount battery adapter and separately sold batteries. A single B-mount system can supply both 12 and 24V accessories, avoiding the size and weight associated with carrying two battery platforms. Compatible 26V batteries may also be connected through third-party adapters from Anton Bauer, Hawk-Woods, or CORE SWX. Seven additional accessory power connections are available through the included PDM-1 Power Distribution Module.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eComprehensive Creative Operation\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eNumerous established remote-control panels work with the ALEXA 35 Live XTREME system. ARRI recommends the separately sold Skaarhoj RCP, which pairs traditional RCP ergonomics with a powerful interface that can be customized completely. This design helps operators take full advantage of the camera's imaging performance while accessing broader creative control.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"lazyload-wrapper\"\u003e\n\u003cdiv class=\"lazyload-placeholder\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePurpose-Designed Multicam Hardware\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eDifferent ALEXA 35 Live XTREME packages address varying customer requirements, and owners of an ALEXA 35 can add Multicam extension sets when entering live production. Central to these packages are specialized ARRI accessories that adapt the system for different multicamera and live-shooting methods. Separately sold options include the Touchdown Baseplate system, LPH-1 Live Production Handle, LLA-1 Large Lens Adapter, TLM-1 Tally Light Module, MYS-1L Monitor Yoke Support, and a family of SAM Stabilizer Adapter Mounts.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBroad Lens Compatibility\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eAn included LBUS PL mount and PL adapter provide access to a broad selection of cinema-style lenses.\u003c\/li\u003e\n\u003cli\u003eSeparately available mount adapters expand compatibility to numerous contemporary and vintage spherical, anamorphic, Super 35, and large-format optics.\u003c\/li\u003e\n\u003cli\u003eAll widely used metadata standards are supported by the ALEXA 35 XTREME, and an optional plug-in enables real-time metadata streaming.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eMultiple Operational Interfaces\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eSeveral carefully designed interfaces place configuration and control where operators need them, simplifying setup of the ALEXA 35 Live XTREME Multicam System. Both the Fiber Camera Adapter and Fiber Base Station incorporate a display and jog wheel for checking status and making immediate changes without unnecessary delay. ARRI Webremote supplies complete camera operation, while a dedicated Multicam web interface configures the Fiber Camera Adapter and Fiber Base Station, including diagnostics, software upgrades, and signal routing. For the separately sold Skaarhoj RCP, the Skaarhoj Reactor web interface handles full control, updating, and configuration.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e","brand":"Arri","offers":[{"title":"Default Title","offer_id":45819298054197,"sku":"K0.0056176","price":424672.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1770896522_1949960.webp?v=1785250378"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/collections\/Digital_Camera.jpg?v=1784043133","url":"https:\/\/bsn.com.pk\/collections\/digital-camera.oembed?page=3","provider":"Broadcast Systems Network","version":"1.0","type":"link"}