{"title":"Blackmagic Design","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eBlackmagic Design is an Australian manufacturer of digital cinema, broadcast, and post-production technology used by filmmakers, broadcasters, production companies, and content creators worldwide.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIts product range covers URSA and PYXIS cinema cameras, studio and broadcast cameras, ATEM live production switchers, Videohub routers, HyperDeck recorders, DeckLink and UltraStudio capture devices, Video Assist monitor-recorders, and DaVinci Resolve software and control panels.\u003c\/p\u003e","products":[{"product_id":"blackmagic-design-ursa-cine-immersive-100g-camera","title":"Blackmagic Design URSA Cine Immersive 100G Camera","description":"\u003cp data-start=\"207\" data-end=\"676\" class=\"PDq2pG_selectionAnchorContainer\"\u003eFor professional deployment, the \u003cstrong data-start=\"211\" data-end=\"264\"\u003eBlackmagic Design URSA Cine Immersive 100G Camera\u003c\/strong\u003e is purpose-built for next-generation immersive filmmaking, delivering stunning 180° stereoscopic 8K footage with dual large-format 58.7MP sensors. Developed to support Apple Immersive Footage, this professional cinema camera brings together reliable picture quality, high frame rate capture, and enhanced interfacing to meet the demands of virtual reality, cinematic storytelling, and live production processes.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"678\" data-end=\"1173\"\u003eWith 16 stops of dynamic range, Blackmagic RAW capture, and support for up to 90 fps in 8K, the URSA Cine Immersive captures outstanding detail, natural colors, and smooth motion across a broad variety of shooting environments. Its built-in 5-inch HDR touchscreen, built-in ND filters, high-speed 100GbE interfacing, and versatile professional interfaces make it an ideal choice for production studios, broadcasters, and content creators looking to build immersive experiences.\u003c\/p\u003e\n\u003cp data-start=\"1175\" data-end=\"1417\"\u003eWhether you're producing VR content, immersive documentaries, cinematic experiences, or live productions, the URSA Cine Immersive makes available the performance, reliability, and process flexibility professionals expect from Blackmagic Configuration.\u003c\/p\u003e\n\u003cp data-start=\"1419\" data-end=\"1603\"\u003eFor extra professional cinema hardware, browse our \u003ca href=\"https:\/\/bsn.com.pk\/collections\/camcorders-digital-cameras\"\u003eCinema Cameras, Professional Video Cameras\u003c\/a\u003e, and \u003ca href=\"https:\/\/bsn.com.pk\/collections\/blackmagic-design\"\u003eBlackmagic Design collections\u003c\/a\u003e to build a complete production setup.\u003c\/p\u003e\n\u003ch2 data-section-id=\"1r8frcv\" data-start=\"1610\" data-end=\"1639\"\u003eFrequently Asked Questions\u003c\/h2\u003e\n\u003ch3 data-section-id=\"9mku8k\" data-start=\"1641\" data-end=\"1716\"\u003eWhat is the Blackmagic Design URSA Cine Immersive 100G Camera used for?\u003c\/h3\u003e\n\u003cp data-start=\"1717\" data-end=\"1862\"\u003eThe camera is developed for professional immersive filmmaking, VR content production, cinematic storytelling, and Apple Immersive Footage workflows.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1pad1nz\" data-start=\"1864\" data-end=\"1918\"\u003eDoes the URSA Cine Immersive support 8K recording?\u003c\/h3\u003e\n\u003cp data-start=\"1919\" data-end=\"2019\"\u003eIt records immersive 8160 × 7200 (8K) Blackmagic RAW footage at frame rates up to 90 fps.\u003c\/p\u003e\n\u003ch3 data-section-id=\"129dwnu\" data-start=\"2021\" data-end=\"2072\"\u003eDoes this camera support Apple Immersive Video?\u003c\/h3\u003e\n\u003cp data-start=\"2073\" data-end=\"2197\"\u003eThe URSA Cine Immersive is specifically developed to capture content for Apple Immersive Footage production workflows.\u003c\/p\u003e\n\u003ch3 data-section-id=\"b884m4\" data-start=\"2199\" data-end=\"2246\"\u003eIs the camera suitable for live production?\u003c\/h3\u003e\n\u003cp data-start=\"2247\" data-end=\"2404\"\u003eIts 100GbE Ethernet interfacing, 12G-SDI feeds, and professional I\/O make it well suited for high-end live production and broadcast settings.\u003c\/p\u003e\n\u003ch3 data-section-id=\"ddbzjl\" data-start=\"2406\" data-end=\"2491\"\u003eWhere can I buy the Blackmagic Design URSA Cine Immersive 100G Camera in the UAE?\u003c\/h3\u003e\n\u003cp data-start=\"2492\" data-end=\"2692\"\u003eYou can purchase the Blackmagic Configuration URSA Cine Immersive 100G Camera from, an authorized supplier of professional broadcast, cinema, and production hardware in the UAE.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788239331381,"sku":"CINEURSAAF24DS\/IMB1","price":113325.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/BG-1.jpg?v=1784640560"},{"product_id":"blackmagic-design-cable-micro-bnc-to-bnc-male-700mm","title":"Blackmagic Design Cable - Micro BNC to BNC Male 700mm","description":"\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cb\u003eMicro BNC to BNC Male Cable\u003c\/b\u003e\u003cspan\u003e is developed for the Footage Assist 5\" 3G and 12G \u003c\/span\u003e\u003cb\u003eBlackmagic Design\u003c\/b\u003e\u003cspan\u003e monitors and connects through its BNC male end for compatible operation.\u003c\/span\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788342943797,"sku":"CABLE-MICRO\/BNCML","price":180.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/blackmagic_design_cable_micro_bncml_micro_bnc_to_bnc_1610388326_1612661_2.jpg?v=1784643042"},{"product_id":"blackmagic-design-micro-bnc-to-bnc-female-cable-700mm","title":"Blackmagic Design Micro BNC to BNC Female Cable 700mm","description":"\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cb\u003eMicro BNC to BNC Female Cable\u003c\/b\u003e\u003cspan\u003e is developed for the Footage Assist 5\" 3G and 12G \u003c\/span\u003e\u003cb\u003eBlackmagic Design\u003c\/b\u003e\u003cspan\u003e monitors and connects through its BNC female end for compatible operation.\u003c\/span\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788342976565,"sku":"CABLE-MICRO\/BNCFM","price":166.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/FEamleblackmagic_design_cable_micro_bncfm_micro_bnc_to_bnc_1610387426_1612660.jpg?v=1784643043"},{"product_id":"blackmagic-design-decklink-8k-pro-g2-capture-card","title":"Blackmagic Design DeckLink 8K Pro G2 Capture Card","description":"\u003ch1\u003eA Closer Look at Blackmagic Design 8K Pro G2\u003c\/h1\u003e\n\n\u003cp\u003eFrom the sensor onward, \nThe DeckLink 8K Pro G2 from Blackmagic Configuration is an 8K-capable PCIe capture and playback card that incorporates four bidirectional 12G-SDI, one HDMI 2.1 source, and one HDMI 2.1 output. The versatile card allows all SD, HD, UHD, 4K, and 8K standards, making it an ideal 8K PCIe capture and playback option developed for feature film production.\n\u003c\/p\u003e\n\n\u003cp\u003e\nWhenever employing the free DeckLink SDK, you can configure up to four footage streams in any direction, format, or frame rate up to DCI 4K60, enabling true multi-channel capture and playback.\n\u003c\/p\u003e\n\n\u003cp\u003e\nThe DeckLink 8K Pro G2 accommodates 8- and 10-bit YUV 4:2:2 as well as 10- and 12-bit RGB 4:4:4 with full Rec. 2020 color. The card makes possible working at up to 120 fps in HD and 4K, and up to 60 fps in 8K. The four 12G-SDI links additionally support up to 64 channels of embedded audio.\n\u003c\/p\u003e\n\n\u003cp\u003e\nIt is compatible with 8- and 16-lane PCI Express slots on macOS, Windows, and Linux systems and requires 2 PCI slots plus link to computer power supply. The DeckLink 8K Pro G2 is ideal for the next generation of high-resolution, high frame rate, and high dynamic range processes.\n\u003c\/p\u003e\n\n\u003ch3\u003eCompatible: Various Software Applications\u003c\/h3\u003e\n\n\u003cp\u003e\nincluding: DaVinci Resolve, Fusion, Final Cut Pro, Adobe Premiere Pro, Avid Media Composer, Adobe After Effects, Avid Pro Tools, Steinberg Cubase, Autodesk Flame, Adobe Photoshop, Steinberg Nuendo, Open Broadcaster Software Studio, vMix, The Foundry Nuke, Grass Valley Edius X, Sony Catalyst Production Suite, Tools On Air Just: Play \u0026amp; Live \u0026amp; In, Softron MovieRecorder \u0026amp; MReplay, Adobe Flash Media Live Encoder, Telestream Wirecast, Resolume Arena, Vegas Creative Software Vegas Pro \u0026amp; Vegas Edit, Corel VideoStudio Pro, CyberLink PowerDirector, VidblasterX Studio \u0026amp; Broadcast, CasparCG Server, Magicsoft CG, Xsplit Broadcaster, DevTek Easy Media Suite, Metus Ingest, Boinx Software MimoLive, Cinegy Capture Pro, Renewed Vision ProPresenter, Ventuz Director, Class X Liveboard \u0026amp; Coral CG, Glookast Capturer, Nautilus Studio NEMO3D, Derivative TouchDesigner, Assimilate Scratch \u0026amp; Live Assist, Burst Footage WebClip2Go \u0026amp; [REC]Marker, NewBlue Title Live \u0026amp; Titler Pro, SGO Mistika, and Zoom.\n\u003c\/p\u003e\n\n\u003cp\u003e\n\u003cstrong\u003ePlease note:\u003c\/strong\u003e These are third-party uses and support may vary. Check with your software vendor to verify compatibility.\n\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788343009333,"sku":"BDLKHCPRO8K12GG2","price":3088.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/blackmagic_design_bdlkhcpro8k12gg2_decklink_8k_pro_g2_1716975630_1831934.jpg?v=1784643045"},{"product_id":"blackmagic-design-videohub-20x20-12g-zero-latency-video-router","title":"Blackmagic Design Videohub 20x20 12G Zero-Latency Video Router","description":"\u003ch2\u003eBlackmagic construction Videohub 20x20 12G Zero-Latency video signal Router\u003c\/h2\u003e\u003cbr\u003eFrom an imaging perspective, support a mix of several video formats through the Videohub 20x20 12G Zero-Latency Footage Router from Blackmagic Design. This advanced router delivers 20 12G-SDI sources and 20 12G-SDI feeds for routing any combination of SD, HD, UHD 4K, and DCI 4K footage. The Videohub 20x20 12G centralizes all your SDI cables in one hub, enabling you to connect any footage input to any footage feed, or a single footage input to several video feeds while eliminating clusters of cables and the need for complex diagrams. This versatile unit can be used with several HyperDeck recorders for redundant mastering, to route footage to several streaming processors for all your broadcast platforms, or to add extra sources to an ATEM switcher.\u003cbr\u003e\u003ch3\u003e12G-SDI Multi-Rate Connections: Guide\u003c\/h3\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eMulti-rate 12G-SDI connections enable you to route up to 20 different video standards at the same time.\u003c\/li\u003e    \u003cli\u003eSupports up to DCI 4K60 video resolutions.\u003c\/li\u003e    \u003cli\u003eProvides 4:2:2 8 or 10-bit color routing in any standard.\u003c\/li\u003e    \u003cli\u003eWorks with 4:4:4 12-bit SDI up to DCI 4K30 for feature films.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eSDI Reclocking: Guide\u003c\/h3\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eReclocking on every 12G-SDI input regenerates the signal, providing the maximum video quality.\u003c\/li\u003e    \u003cli\u003eReduces or eliminates signal loss and jitter when using longer cables.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eFront Panel operation\u003c\/h3\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eA sleek front panel offers multiple control options.\u003c\/li\u003e    \u003cli\u003eButtons include assignable shortcuts, and In, Out, Clear, and Take buttons.\u003c\/li\u003e    \u003cli\u003eThe machined metal spin knob provides precise control using an electronic clutch.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eOptional Hardware operation Panels\u003c\/h3\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eCan be used with optional hardware panels for easier control when components are spaced out in large facilities.\u003c\/li\u003e    \u003cli\u003eCompatible with both the Videohub Master Control Pro and the Videohub Smart Control Pro.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eadaptable operation\u003c\/h3\u003e\u003cbr\u003eThe Mac and Windows-compatible Videohub Software Control delivers easy-to-use touchscreen router control.\u003cbr\u003e\u003ch3\u003eBuilt-In LCD: Guide\u003c\/h3\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eView your live input before routing the signal on the built-in 2.2\" LCD screen.\u003c\/li\u003e    \u003cli\u003eBottom labels enable you to scroll through your sources in alphabetical order.\u003c\/li\u003e    \u003cli\u003eEliminates the need to add an external SDI monitor to your setup.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eSDK and Setup Utility\u003c\/h3\u003e\u003cbr\u003eUse the Videohub Setup software to get started or the SDK to add protocol support for broadcast automation systems.\u003cbr\u003e\u003ch3\u003eMultiple Language compatibility\u003c\/h3\u003e\u003cbr\u003eCustomized support is available in:\u003cbr\u003e\u003cul\u003e    \u003cli\u003eEnglish, Chinese, Japanese, Korean\u003c\/li\u003e    \u003cli\u003eSpanish, German, French, Russian\u003c\/li\u003e    \u003cli\u003eItalian, Portuguese, Turkish, Polish, Ukrainian\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788650766389,"sku":"VHUBSMAS12G02020","price":9785.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1681464339_1761831.webp?v=1784649417"},{"product_id":"blackmagic-design-pyxis-monitor-kit","title":"Blackmagic Design PYXIS MonitorKit","description":"\u003ch3\u003eA Closer Look at Blackmagic Design PYXIS Monitor\u003c\/h3\u003e\u003cbr\u003eIn this camera's design, the PYXIS Monitor Kit from Blackmagic Configuration is a versatile, high-brightness monitor option compatible with the Blackmagic PYXIS and URSA Cine cameras. It performs much more than just an outboard display; it additionally functions as a powerful camera extension with a touchscreen interface, allowing operators to control all camera integrates. With several mounting points, the monitor can be easily attached to the camera as a large viewfinder or mounted on a rig for improved focusing and framing. Featuring a 5\" LCD touchscreen, the PYXIS Monitor is ideal for use as a viewfinder for more accurate focusing and framing. This kit comes with a clip-on sunshade, fixed and swivel mounts, a dovetail shoe with mounting screws, and a USB-C viewfinder cable that connects to your camera.\u003cbr\u003eConstructed from durable machined metal, the PYXIS Monitor is constructed for professional applications. The versatile monitor can be employed as an assist station, allowing your crew to easily monitor shots from any position on the set, even whenever bright sunlight surrounds your area, as the monitor's 5\" LCD touchscreen incorporates 1500 cd\/m² brightness that maintains clear visibility. The removable sunshade provides added protection and convenience. A bright tally light is visible from a distance during capture, and the monitor incorporates three customizable buttons for quick access to attributes like zebra, focus assist, and false color, developed for easy tactile navigation.\u003cbr\u003eA single USB-C cable that transmits footage, power, and camera control connects the monitor to your camera, while locking screws at both ends maintain a secure connection. The HDR touchscreen enables operators to control all camera functions directly from the monitor, such as access to Blackmagic PYXIS menus, settings, metadata, and digital slate information. Custom 3D LUTs can additionally be loaded for enhanced cinematic workflows. Designed for adaptable mounting, the Blackmagic PYXIS Monitor accommodates industry-standard 1\/4\"-20 mounting and works seamlessly with Blackmagic PYXIS cameras outfitted with accessories like rails and cages. The single USB connection enables off-camera mounting on other accessories, such as cranes or gimbals, facilitating full observation and camera control even whenever the camera is not inside reach.\u003cbr\u003eNOTE: The PYXIS Monitor is additionally compatible with the Blackmagic Micro Studio Camera 4K G2 camera whenever through firmware version 9.6 and above.\u003cbr\u003eItems IncludedBlackmagic Configuration PYXIS Monitor KitClip-On SunshadeMonitor Swivel MountMonitor Fixed Mount \u0026amp; Set of ScrewsMonitor Dovetail Shoe \u0026amp; Set of ScrewsUSB-C Viewfinder CableLimited 1-Year Manufacturer WarrantyAdditional ResourcesNo extra resources available\u003cbr\u003e ","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788650799157,"sku":"CINEURSABB\/AMKIT","price":1859.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1726154138_1853125.webp?v=1784649418"},{"product_id":"blackmagic-design-atem-micro-camera-panel","title":"Blackmagic Design ATEM Micro Camera Panel","description":"\u003cdiv class=\"title_L6kDdYKxLS\"\u003e\n\u003cp class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"overviewProductTitle\"\u003eIn practical monitoring terms, Blackmagic Configuration ATEM Micro Camera Panel OverviewControl up to eight URSA Mini Pro, URSA Broadcast, or Blackmagic Studio cameras with the ATEM Micro Camera Panel from Blackmagic Configuration. This space-efficient cousin of the ATEM Camera Control panel provides eight assignable NKK camera choose buttons, red\/green on\/off air button illumination, a 3-axis joystick, and several controls for iris control, preview, gain, filters, shutter, white balance, and more. The panel operates on a built-in battery and charges via USB-C. It connects to a computer to use ATEM Software Control via USB-C and can additionally connect wirelessly via Bluetooth for a fully mobile experience.\u003c\/p\u003e\n\u003cbr\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"overviewProductTitle\"\u003eoperation up to Eight Cameras\u003c\/h3\u003e\n\u003cp class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"overviewProductTitle\"\u003eA live production needs consistent color from every camera so cuts and transitions retain the same visual balance. The ATEM Micro Camera Panel enables you to choose between up to eight cameras in one panel. Whenever used with a larger number of cameras, it's very quick to change which camera you control on each CCU channel. It provides a full set of traditional CCU controls, so you always get a detailed indication of the camera state.\u003c\/p\u003e\n\u003cbr\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"overviewProductTitle\"\u003eCamera Controls and Scene\u003c\/h3\u003e\n\u003cp class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"overviewProductTitle\"\u003eThe top section on each camera control has settings for changing camera settings, plus it lets you save and recall scene presets. Getting remote access to important camera settings is vital whenever working in conditions where the light can change during your job, such as daylight. With these settings, you can quickly refine cameras based on changes in the scene. Controls in this section incorporate master gain, ND filters, white balance, shutter speed, and more.\u003c\/p\u003e\n\u003cbr\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"overviewProductTitle\"\u003ePedestal Controls and Gain\u003c\/h3\u003e\n\u003cp class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"overviewProductTitle\"\u003eThe center section contains independent RGB controls for adjusting the camera color for the white and black parts of the picture. These red, green, and blue controls for adjusting blacks and whites mean you can accurately match several cameras, which is vital for cutting seamlessly without color shifts. One trick experienced camera control crews use is to refine only the red and blue channels, so you can add and remove red and blue tint without getting too far away from accurate color.\u003c\/p\u003e\n\u003cbr\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"overviewProductTitle\"\u003eIris Controls and Lens\u003c\/h3\u003e\n\u003cp class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"overviewProductTitle\"\u003eThe main control for working the cameras is the high-quality professional joystick to precisely refine the iris whenever moved up and down and the master black whenever the knob is rotated. This is the same type of control used on broadcast camera control units, so you get a true professional operator interface. There's additionally a call button for communicating with the camera operator, along with a panel lock button and indicators for the network, power, and cable link to the camera.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788650831925,"sku":"SWPANELCCU1","price":2484.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/SWPANELCCU1.webp?v=1784649419"},{"product_id":"blackmagic-design-pyxis-12k-cinema-camera-canon-ef","title":"Blackmagic Design PYXIS 12K Cinema Camera (Canon EF)","description":"\u003ch2\u003eA Closer Look at Blackmagic Design PYXIS 12K\u003c\/h2\u003e\u003cbr\u003e\u003ch3\u003eEasy-to-Rig 12K Full-Frame Camera: Guide\u003c\/h3\u003e\u003cbr\u003eFor professional deployment, the Blackmagic Configuration PYXIS 12K Cinema Box Camera brings together a full-frame 12K RGBW sensor that captures rich colors and accurate skin tones with the space-efficient, versatile configuration of the PYXIS 6K camera. It provides an ARRI PL lens mount, a 36 x 24mm sensor, a wide 16-stop dynamic range, and customizable side plates.\u003cbr\u003e\u003ch3\u003eLarge-Format Digital Film Sensor: Guide\u003c\/h3\u003e\u003cbr\u003eThe PYXIS 12K's massive 24 x 36mm full-frame RGBW sensor boasts a native 12,288 x 8040 definition, letting you create shallow depth of field or use anamorphic lenses without cropping for a truly cinematic look. A 16-stop dynamic range with dual-native ISO up to 25,600 maintains low-noise imagery in all lighting conditions.\u003cbr\u003e\u003ch3\u003eadaptable Film Formats\u003c\/h3\u003e\u003cbr\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. You can additionally work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super 35-sized window to create an instant close-up version of your open-gate shot.\u003cbr\u003e\u003ch3\u003eFrame Rates and Multiple Resolutions\u003c\/h3\u003e\u003cbr\u003eShoot in standard footage resolutions and frame rates from HD to 12K through the PYXIS 12K with the ability to capture in 12K, 8K, or 4K at the full sensor size. Available resolutions incorporate up to 40 fps at 12,288 x 8040 3:2 open gate, 60 fps at 12,288 x 5112 2.4:1, and 112 fps at 8192 x 3408 8K. There's even a HFR (high framerate) button for quickly switching to your rate without having to access the menu.\u003cbr\u003e\u003ch3\u003eDual-Native ISO and HDR Imagery\u003c\/h3\u003e\u003cbr\u003eThe wide 16-stop dynamic range preserves more detail in both the lightest and darkest areas of your picture. Set the exposure for an indoor scene while retaining details in the bright outdoor light coming via a window. Optimized for ISO 800, the PYXIS 12K provides ISOs of 200 to 3200 and a highest ISO 25,600, minimizing grain and noise in your pictures while maintaining the full dynamic range of the sensor.\u003cbr\u003e\u003ch3\u003ePro Grip and Optional Pro Handle\u003c\/h3\u003e\u003cbr\u003eUse the new Pro Handle and\/or Pro Grip to transform your PYXIS 12K into an ENG-style camera for fast, run-and-gun capture. The Pro Handle incorporates an OLED, daylight-visible HD viewfinder, a zoom rocker with capture run\/stop, and a stereo microphone. The Pro Grip also delivers a zoom rocker with run\/stop plus a handgrip for secure handheld capture.\u003cbr\u003e\u003ch3\u003eCustomizable Rigging: Guide\u003c\/h3\u003e\u003cbr\u003eCrafted from lightweight yet robust aerospace-grade aluminum, the easy-to-rig PYXIS 12K incorporates several 1\/4\"-20 and 3\/8\"-16 threads for mounting it on a gimbal, crane, or drone. It additionally has a range of side plates developed for attaching handgrips, SSD recorders, microphones, and more. It incorporates a side plate with one 3\/8\"-16 and two 1\/4\"-20 threads and a SSD plate with an optional rosette plate with extra threads available separately.\u003cbr\u003e\u003ch3\u003eOnboard Controls and LCD Monitor\u003c\/h3\u003e\u003cbr\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. This full HD-resolution, HDR-compatible screen lets you frame and focus without requiring an extra external unit. A highest brightness of 1500 cd\/m² maintains visibility even in bright sunlit conditions. On-screen overlays show status and capture parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.Onboard controls enable you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your process to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003cbr\u003e\u003ch3\u003ePost-Production-Friendly Formats: Guide\u003c\/h3\u003e\u003cbr\u003eThe PYXIS 12K records in Blackmagic RAW, preserving detail, exposure, and color control during post-production. It can additionally capture H.264 proxy files in real time for easy sharing. Blackmagic RAW works with Apple Metal, CUDA, and OpenCL, and its media files work on all working systems.\u003cbr\u003e\u003ch3\u003eMultiple recording production flow Options\u003c\/h3\u003e\u003cbr\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port enable you to capture directly to outboard flash media disks or SSDs. The high speed of CFexpress cards lets you capture a hour plus in 6K on a single 256GB card.\u003cbr\u003e\u003ch3\u003eLive Syncing to Blackmagic Cloud: Guide\u003c\/h3\u003e\u003cbr\u003eNews and live event content creators will appreciate the ability to shoot and edit in near real-time through Blackmagic Cloud and the PYXIS 12K's proxy files.Operators anywhere in the world can upload proxy footage and have their editors start working on scenes almost instantly.\u003cbr\u003e\u003ch3\u003eBuilt-In Streaming: Guide\u003c\/h3\u003e\u003cbr\u003eLive stream directly from the PYXIS 12K on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS 12K for live event production. To share content internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003cbr\u003e\u003ch3\u003eExpansive connections\u003c\/h3\u003e\u003cbr\u003eThe front of the PYXIS 12K boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio source with +48V Phantom power for microphone integration.The back of the PYXIS 12K has a headphone observation jack and an extra 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to capture devices or mobile data. A 12G-SDI feed integrates a secondary monitor.\u003cbr\u003e\u003ch3\u003eA Reference\/Timecode input port syncs your sources.: Guide\u003c\/h3\u003e\u003cbr\u003eUse the fast RJ45 10 GbE Ethernet port supporting up to 10GBase-T to upload footage to Blackmagic Cloud or control the camera from a distance.\u003cbr\u003ePower the PYXIS 12K through the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003cbr\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788650864693,"sku":"CINECAMCPYXN12LFEF","price":20958.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Blackmagic-Design-PYXIS-12K-Cinema-Camera_67392dc2-3b10-4150-8d9d-b5a089848d0d.webp?v=1784649420"},{"product_id":"blackmagic-design-pyxis-12k-cinema-camera-leica-l","title":"Blackmagic Design PYXIS 12K Cinema Camera (Leica L)","description":"\u003ch2\u003eA Closer Look at Blackmagic Design PYXIS 12K — Blackmagic Design PYXIS\u003c\/h2\u003e\u003cbr\u003e\u003ch3\u003eEasy-to-Rig 12K Full-Frame Camera: Guide — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eFor this model, the Blackmagic Configuration PYXIS 12K Cinema Box Camera brings together a full-frame 12K RGBW sensor that captures rich colors and accurate skin tones with the space-efficient, versatile configuration of the PYXIS 6K camera. It integrates an ARRI PL lens mount, a 36 x 24mm sensor, a wide 16-stop dynamic range, and customizable side plates.\u003cbr\u003e\u003ch3\u003eLarge-Format Digital Film Sensor: Guide — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eThe PYXIS 12K's massive 24 x 36mm full-frame RGBW sensor boasts a native 12,288 x 8040 definition, letting you create shallow depth of field or use anamorphic lenses without cropping for a truly cinematic look. A 16-stop dynamic range with dual-native ISO up to 25,600 maintains low-noise imagery in all lighting conditions.\u003cbr\u003e\u003ch3\u003eadaptable Film Formats — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. You can additionally work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super 35-sized window to create an instant close-up version of your open-gate shot.\u003cbr\u003e\u003ch3\u003eFrame Rates and Multiple Resolutions — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eShoot in standard footage resolutions and frame rates from HD to 12K through the PYXIS 12K with the ability to capture in 12K, 8K, or 4K at the full sensor size. Available resolutions incorporate up to 40 fps at 12,288 x 8040 3:2 open gate, 60 fps at 12,288 x 5112 2.4:1, and 112 fps at 8192 x 3408 8K. There's even a HFR (high framerate) button for quickly switching to your rate without having to access the menu.\u003cbr\u003e\u003ch3\u003eDual-Native ISO and HDR Imagery — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eThe wide 16-stop dynamic range preserves more detail in both the lightest and darkest areas of your picture. Set the exposure for an indoor scene while retaining details in the bright outdoor light coming via a window. Optimized for ISO 800, the PYXIS 12K includes ISOs of 200 to 3200 and a highest ISO 25,600, minimizing grain and noise in your pictures while maintaining the full dynamic range of the sensor.\u003cbr\u003e\u003ch3\u003ePro Grip and Optional Pro Handle — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eUse the new Pro Handle and\/or Pro Grip to transform your PYXIS 12K into an ENG-style camera for fast, run-and-gun capture. The Pro Handle contains an OLED, daylight-visible HD viewfinder, a zoom rocker with capture run\/stop, and a stereo microphone. The Pro Grip also offers a zoom rocker with run\/stop plus a handgrip for secure handheld capture.\u003cbr\u003e\u003ch3\u003eCustomizable Rigging: Guide — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eCrafted from lightweight yet robust aerospace-grade aluminum, the easy-to-rig PYXIS 12K contains several 1\/4\"-20 and 3\/8\"-16 threads for mounting it on a gimbal, crane, or drone. It additionally has a range of side plates developed for attaching handgrips, SSD recorders, microphones, and more. It incorporates a side plate with one 3\/8\"-16 and two 1\/4\"-20 threads and a SSD plate with an optional rosette plate with extra threads available separately.\u003cbr\u003e\u003ch3\u003eOnboard Controls and LCD Monitor — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. This full HD-resolution, HDR-compatible screen lets you frame and focus without requiring an extra external unit. A highest brightness of 1500 cd\/m² maintains visibility even in bright sunlit conditions. On-screen overlays show status and capture parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.Onboard controls enable you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your process to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003cbr\u003e\u003ch3\u003ePost-Production-Friendly Formats: Guide — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eThe PYXIS 12K records in Blackmagic RAW, preserving detail, exposure, and color control during post-production. It can additionally capture H.264 proxy files in real time for easy sharing. Blackmagic RAW works with Apple Metal, CUDA, and OpenCL, and its media files work on all working systems.\u003cbr\u003e\u003ch3\u003eMultiple recording production flow Options — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port enable you to capture directly to outboard flash media disks or SSDs. The high speed of CFexpress cards lets you capture a hour plus in 6K on a single 256GB card.\u003cbr\u003e\u003ch3\u003eLive Syncing to Blackmagic Cloud: Guide — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eNews and live event content creators will appreciate the ability to shoot and edit in near real-time through Blackmagic Cloud and the PYXIS 12K's proxy files.Operators anywhere in the world can upload proxy footage and have their editors start working on scenes almost instantly.\u003cbr\u003e\u003ch3\u003eBuilt-In Streaming: Guide — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eLive stream directly from the PYXIS 12K on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS 12K for live event production. To share content internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003cbr\u003e\u003ch3\u003eExpansive connections — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eThe front of the PYXIS 12K boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio source with +48V Phantom power for microphone integration.The back of the PYXIS 12K has a headphone observation jack and an extra 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to capture devices or mobile data. A 12G-SDI feed integrates a secondary monitor.\u003cbr\u003e\u003ch3\u003eA Reference\/Timecode input port syncs your sources.: Guide — Blackmagic Design PYXIS\u003c\/h3\u003e\u003cbr\u003eUse the fast RJ45 10 GbE Ethernet port supporting up to 10GBase-T to upload footage to Blackmagic Cloud or control the camera from a distance.\u003cbr\u003ePower the PYXIS 12K through the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003cbr\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788650897461,"sku":"CINECAMCPYXN12LFL","price":20973.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Pyxis-12k-Leica-L.webp?v=1784649421"},{"product_id":"blackmagic-design-streaming-encoder-4k","title":"Blackmagic Design Streaming Encoder 4K","description":"\u003cdiv class=\"title_L6kDdYKxLS\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"overviewProductTitle\"\u003eA Closer Look at Blackmagic Design Streaming Encoder 4K\u003c\/h2\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"overviewContent_L6kDdYKxLS\"\u003e\u003carticle class=\"content_L6kDdYKxLS\"\u003e\u003cdiv class=\"overviewVideosContainer_L6kDdYKxLS\"\u003e\u003cdiv data-selenium=\"overviewVideos\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"productDescription_UbV5SNP5Eo\" data-selenium=\"overviewLongDescription\"\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eWhen image acquisition begins, the powerful, self-contained \u003cstrong\u003eBlackmagic Design Streaming Encoder 4K\u003c\/strong\u003e streams H.264 or H.265 via SRT or RTMP with direct streaming support for a broad variety of compatible services and software, which include Facebook, Twitch, YouTube, Twitter, Restream.IO, Vimeo, BoxCast, Castr, AfreecaTV, Bilibili, DouYu, Weibo, Zoom, Skype, Microsoft Teams, QuickTime Player, FaceTime, OBS Studio, Open Broadcaster, VLC, Wirecast Play, and Wowza Streaming Engine. Operators may stream via the built-in RJ45 Ethernet port with support for 10\/100\/1000BASE-T or connect via USB-C to tether to high-speed 5G and 4G phones.\u003cbr\u003eThe encoder is equipped with 12G-SDI interfacing, supporting resolutions up to DCI 4K60 via a SDI source and a SDI loop feed. The unit additionally incorporates SDI and HDMI monitor feeds. Footage, audio, status, and menu settings may be monitored via the built-in 2.2\" LCD screen. There is additionally an option to connect the device as a webcam to a computer via its rear-panel USB-C port. The front panel contains six buttons and a spin knob for tactile control, and the unit may be powered via its rear 100-240 VAC and 12 VDC 4-pin XLR ports.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/article\u003e\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788651159605,"sku":"BDLKWEB\/D\/SED4K","price":2815.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Blackmagic-Design-Streaming-Encoder-4K.jpg?v=1784649425"},{"product_id":"blackmagic-design-camera-prodock","title":"Blackmagic Design Camera ProDock","description":"\u003cdiv class=\"title_L6kDdYKxLS\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"overviewProductTitle\"\u003eA Closer Look at Blackmagic Design Prodock\u003c\/h2\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"overviewContent_L6kDdYKxLS\"\u003e\u003carticle class=\"content_L6kDdYKxLS\"\u003e\u003cdiv class=\"productDescription_UbV5SNP5Eo\" data-selenium=\"overviewLongDescription\"\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eWhen image acquisition begins, Leverage the power of the iPhone and incorporate it inside a professional production by through the \u003cb\u003eCamera ProDock\u003c\/b\u003e from \u003cb\u003eBlackmagic Design\u003c\/b\u003e. Connect the ProDock to your iPhone 17 Pro or Pro Max via the attached USB-C cable. This gives the iPhone access to the ProDocks assortment of interfaces. You have BNC genlock and timecode links for keeping shots in sync, three USB-C ports for lens\/camera control accessories or storage, a HDMI feed for observation, and two 3.5mm ports for a microphone or headphones. The ProDock also allows the BlackMagic Camera app on the iPhone, which includes high-end capabilities, such as ProRes RAW shooting and genlock.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eAdditional Details: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e    \u003cli\u003eSynchronize cameras and LED walls for flick-free production with your iPhone\u003c\/li\u003e    \u003cli\u003eUse timecode data to sync shots during editing, such as with DaVinci Resolve\u003c\/li\u003e    \u003cli\u003e1\/4\"-20 pin lock mounting points on top and bottom for attaching to your rig\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/article\u003e\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788651192373,"sku":"CINTDOCKPRO","price":1280.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1757513798_1920347.jpg?v=1784649426"},{"product_id":"blackmagic-design-pcie-cable-kit-for-ultrastudio-4k-extreme","title":"Blackmagic Design PCIe Cable Kit for UltraStudio 4K Extreme","description":"\u003ch1\u003eBlackmagic construction PCIe Cable Kit for UltraStudio 4K Extreme\u003c\/h1\u003e\u003cbr\u003eBlackmagic Configuration PCIe Cable Kit for UltraStudio 4K Extreme by.\u003cbr\u003eThe kit incorporates a high-speed Gen 3 PCI express plug-in card and cable, and produces higher data transfer speeds than Thunderbolt. The PCIe adapter card needs to be installed in your computer's PCIe slot and the cable connects your UltraStudio 4K Extreme's PCIe port to the PCIe port at the back of your computer.\u003cbr\u003eFind out more about Blackmagic Configuration by clicking \u003ca href=\"https:\/\/www.blackmagicdesign.com\/ae\"\u003ehere.\u003c\/a\u003e\u003cbr\u003eEnhanced Media is BLACKMAGIC DESIGN authorized reseller. Contact Enhanced Media Dubai for Blackmagic Configuration PCIe Cable Kit for UltraStudio 4K Extreme\u003cbr\u003eYou can additionally visit \u003ca href=\"https:\/\/bsn.com.pk\"\u003ehere\u003c\/a\u003e for more information.\u003cbr\u003e[caption id=\"\" align=\"alignnone\" width=\"1440\"]\u003cimg src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/blackmagiccloudpod\/landing\/hero\/hero-xl.jpg?_v=1648611595\" alt=\"Blackmagic Design PCIe Cable Kit for UltraStudio 4K Extreme \" width=\"1440\" height=\"925\"\u003e Blackmagic Configuration PCIe Cable Kit for UltraStudio 4K Extreme [\/caption]","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788652109877,"sku":"BDLKULSR4KEXTSPK","price":1064.0,"currency_code":"AED","in_stock":true}]},{"product_id":"blackmagic-design-ursa-cine-12k-lf-camera-body-only-canon-ef","title":"Blackmagic Design URSA Cine 12K LF Camera (Body Only, Canon EF)","description":"In this camera's design, \u003cdiv class=\"title_L6kDdYKxLS\"\u003e\n\u003ch2\u003eA Closer Look at Blackmagic Design URSA Cine 12K EF Mount\u003c\/h2\u003eCapture the heart of your story with a true cinematic look and feel through the redesigned URSA Cine 12K LF Camera from Blackmagic Configuration. This body-only URSA Cine 12K version sports a cinematic 12K full-frame 36 x 24mm sensor with an advertised 16 stops of dynamic range and Blackmagic RAW capture up to 12K 3:2 open gate. The versatile camera provides Wi-Fi and SRT live streaming, built-in ND filters, LEMO and Fischer standard control\/power links, and high-speed networking for cloud storage and M.2 SSD media. It comes with a locking EF mount, and all other accessories are optional.\u003ch3\u003eCinematic Large-Format Sensor: Guide\u003c\/h3\u003eThe URSA Cine camera provides a revolutionary new sensor developed for incredible quality pictures at all resolutions from 4K to a massive 12K. The larger sensor builds on the technology of URSA Mini Pro 12K with larger photo-sites leading to 16 stops of dynamic range. The unique RGBW architecture makes available equal amounts of red, green, and blue pixels. This means it is optimized to produce incredibly rich colors at all resolutions and deliver the ultimate picture quality and flexibility. You can now capture more detail with a wider dynamic range than ever before. Plus, in-sensor scaling means you can capture at all resolutions without cropping.\u003ch3\u003eHigh-End Body construction\u003c\/h3\u003eThe URSA Cine is developed to meet the demands of any high-end production. The evenly weighted camera body is constructed with a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin to help you move quickly on set. Soft-touch backlit buttons make controls easy to see in all conditions. Shot review and camera settings are available on a folding 5\" touchscreen. Across the body, a separate assist station provides another 5\" LCD together with complete camera controls. Standard LEMO and Fischer connectors let you control the camera from a distance while delivering power for lens motors and other accessories. You additionally get 12G-SDI out, 10G Ethernet, USB-C, XLR audio, and more.\u003ch3\u003eNumerous Formats: Guide\u003c\/h3\u003eThe large-format sensor in URSA Cine makes available the ultimate in flexibility for aspect ratios, lenses, and delivery formats. The full-frame sensor area gives you a stunning 3:2 open gate picture, which lets you reframe your shots in post-production. Or you can use the large sensor area to shoot anamorphic and produce in a range of aspect ratios with 1.3, 1.5, 1.6, 1.66, 1.8, and 2x de-squeeze factors. Plus, you can shoot in 4K, 8K, or 12K through the entire sensor without cropping, retaining the full field of view of your lenses. There are even 9K Super 35 4-perf, 3-perf, and 2-perf settings for full compatibility with classic cinema lenses. All this lets you create distinctive content in the highest quality.\u003ch3\u003eInterchangeable optics Mounts\u003c\/h3\u003eDifferent projects require distinct lenses, which is why URSA Cine provides an interchangeable lens mount. This version incorporates a locking EF mount, and you can quickly switch between PL, LPL, and Hasselblad mounts. URSA Cine consequently supports an exceptionally broad professional lens selection, including EF glass, PL and LPL cinema optics, and large-format Hasselblad photographic lenses. Imagine through modern high-speed lenses for well-defined, precise pictures on one shoot and then shooting a period drama with vintage photographic lenses next. Plus, each mount has contact pins to read lens metadata for observation and for use in post-production. With URSA Cine, you have the freedom to choose the lens you need for any kind of work.\u003ch3\u003eCamera Control and Monitoring\u003c\/h3\u003eThe URSA Cine lets crews work faster on set with several monitoring options. The fold-out monitor has a large 5\" HDR touchscreen on one side and an outboard color status LCD on the other. You can even rotate the screen and fold it back into the camera. On the right side of the camera, there's a dedicated assist station with a second 5\" HDR touchscreen that enables the crew to work around the camera without needing outboard monitors. Plus, with a 1500 cd\/m² display and removable sunshade, it's always visible, even in bright sunlight. On-screen overlays show status and capture parameters, histogram, frame guides, and more. There's even a dedicated focus puller's setting to help you get perfect focus.\u003ch3\u003eIndustry-Standard Connections: Guide\u003c\/h3\u003eThe wide range of industry-standard links on URSA Cine makes it perfect for high-end cinema production. The 7-pin LEMO and 3-pin Fischer connectors at the front deliver capture start\/stop and 24V power and so are ideal for onboard accessories such as focus motors. Camera power is provided by a standard 24V 8-pin LEMO link, plus there's an extra 2-pin LEMO 12V link at the rear for lower voltage accessories. All this means you can power accessories straight from the camera without messy outboard cabling. There are additionally two independent 12G-SDI feeds for observation on two distinct monitors with distinct overlays, plus 10G Ethernet for Blackmagic Cloud media syncing.\u003ch3\u003eBlackmagic RAW acquisition\u003c\/h3\u003eBlackmagic RAW is a revolutionary format developed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information, and custom LUTs to maintain consistency of picture on set and via post-production. Constant quality options lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bit rate encoding options are developed to give you the best possible pictures with predictable and consistent file sizes. The URSA Cine records to the optional Blackmagic Media Module 8TB, allowing you to capture over four hours of Blackmagic RAW in 12K or a massive 20 hours in 4K.\u003ch3\u003eGeneration 5 Color Science: Guide\u003c\/h3\u003eBlackmagic Generation 5 Color Science integrates a new film curve developed to make full use of the massive amount of color data from the new URSA Cine sensor.\u003cbr\u003eThis produces even better color response for more pleasing skin tones, and better rendering of highly saturated colors such as neon signs and car taillights in high contrast scenes. Generation 5 Color Science informs complex Blackmagic RAW picture processing, with color and dynamic range data from the sensor preserved via metadata for use in post-production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Color Science lets you take advantage of the new film curve even with your existing work.\u003ch3\u003eBuilt-In Optical Low-Pass Filter: Guide\u003c\/h3\u003eThe high frequencies of synthetic materials like fabrics or the LED matrix in footage walls can cause problems for ultrasharp modern lenses and high-resolution sensors, creating interference patterns. Through an optical low-pass filter minimizes that interference, which results in a reduction of moire and aliasing. The URSA Cine incorporates a high-performance, optical low-pass filter that is precisely matched to the sensor. The OLPF additionally incorporates updated IR filtering that enhances far red color response that, whenever combined with Blackmagic RAW processing for the URSA Cine, preserves color and critical picture detail for new levels of picture fidelity.\u003ch3\u003eBuilt-In Color-Balanced ND Filters: Guide\u003c\/h3\u003eThe URSA Cine provides high-quality ND filters that let you quickly lower the amount of light entering the camera. Developed to match the colorimetry and color science of the camera, the 2-, 4- and 6-stop filters deliver you with extra latitude even under harsh lighting. The IR filters have been developed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the pictures from which many ND filters can suffer. URSA Cine ND filters are true optical filters with a precision mechanism that quickly moves them into place whenever the ND filter dial is turned. Filter settings can even be displayed as either a ND number, stop reduction, or fraction on the LCD.\u003ch3\u003eHigh-Resolution, High Frame Rate acquisition\u003c\/h3\u003eThe URSA Cine is several cameras in one, shooting standard resolutions and frame rates in 4K, 8K, Super 35 9K, and even insanely detailed 12K. You can shoot 100 fps in 12K 12,288 x 6480 17:9 or 120 fps in 12K 2.4:1 widescreen. For higher frame rates, you can shoot 144 fps at 8192 x 5360, 180 fps at 8192 x 3408, and even capture 8K 2.4:1 widescreen at an incredible 224 fps at 8192 x 3408. The camera has adaptable frame rate and definition options, and it captures incredible motion rendering with smoother edges in 8K and 4K, even at lower frame rates. Plus, with a massive 100MP per frame at up to 80 fps in Blackmagic RAW, you can capture perfect stills and motion shots at the same time.\u003ch3\u003eHigh-operation Internal recording production flow Media\u003c\/h3\u003eURSA Cine is the first digital film camera with ultrafast high function Cloud Store technology constructed in. Blackmagic Media Module is fast and durable and incorporates a massive 8TB of storage. It's like a Cloud Store Mini constructed into your camera. At maximum frame rates and resolutions, the fast storage supports hours of capture and exposes files directly over 10G Ethernet. For existing media, the optional Blackmagic Media Module CF supplies two CFexpress slots. The module can be easily removed from the camera and loaded into a Blackmagic Media Dock for transferring media to a network or Blackmagic Cloud for instant global collaboration.\u003ch3\u003eFast Media Offloading: Guide\u003c\/h3\u003eThe optional Blackmagic Media Dock accelerates your post-production process by making it faster and simpler to start editing and color correction. Mount up to three Blackmagic Media Modules for high-speed access to media from several URSA Cine cameras all at the same time. The four high-speed 10G Ethernet ports enable up to four separate edit workstations to connect directly, and it is extremely fast, even whenever a lot of operators are connected at the same time. Plus, the USB-C connection allows Ethernet so you can transfer media through a simple USB-C cable connected to your computer. There is additionally a HDMI feed that lets you see the status of your media in real time on a TV or monitor.\u003ch3\u003eDeliver Clips Directly into DaVinci Resolve Bins: Guide\u003c\/h3\u003eURSA Cine accommodates creating a small H.264 proxy file in addition to the camera's original media whenever recording. This means the small proxy file can upload to Blackmagic Cloud in seconds, so your media is provided back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible. Any editor working anywhere in the world will get the shots. If you have several cameras, then the new multisource feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post-production processes.\u003ch3\u003eConnect to Mobile Data, High-Speed Wi-Fi, or Ethernet: Guide\u003c\/h3\u003eWhen live streaming or uploading to Blackmagic Cloud, you can connect and use an Apple or Android phone to get a link to the internet via mobile data. Simply connect the phone to the USB-C port, and URSA Cine will configure for mobile data. Plus, it works with the latest high-speed 5G phones, as well as 4G. You can additionally connect via high-speed Wi-Fi or wired Ethernet through the 10G Ethernet port. With live streaming constructed into the camera, you get the option you need for clients and post-production to monitor shoots from anywhere in the world. That's a truly global post-production option that works with Blackmagic Cloud to create amazing teams of creative people all working together.\u003ch3\u003eLive Stream Directly to Your Client: Guide\u003c\/h3\u003eNow you can live stream from film sets. The URSA Cine contains a constructed hardware streaming engine that allows RTMP and SRT streaming to major platforms or directly to clients. Simply connect to the internet via Ethernet, high-speed Wi-Fi, or even connect a 4G or 5G phone for mobile data. As the streaming is constructed into the camera, you can see the stream status and data rate in the viewfinder and the LCD. If you want to create a wireless link back to the footage village or the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is a H.264 decoder that converts the footage stream back to video. Now everyone can keep an eye on the shoot, live, while it's happening.\u003ch3\u003eHigh-Resolution Viewfinder: Guide\u003c\/h3\u003eThe URSA Cine allows the optional Blackmagic URSA Cine EVF to make outdoor and handheld shooting accurate and easy. You get a built-in high-quality 1920 x 1080 color OLED display with a built-in proximity sensor and a 4-element glass diopter for incredible accuracy with a wide focus adjustment. A built-in digital focus chart maintains you get the perfect viewfinder focus setup. You can additionally view critical status information, such as frame guides. The URSA Cine EVF is easy to connect as it simply mounts to the included viewfinder bracket and connects to the camera through a single USB-C cable. The viewfinder can be positioned in several ways and comes with two distinct types of eyecups.\u003ch3\u003ePower and Industry-Standard Batteries\u003c\/h3\u003eThe URSA Cine incorporates an 8-pin LEMO power connector at the back of the camera that works with 24V and 12V power supplies. That means it's easy to use the camera with existing power supplies, batteries, and accessories. The front of included with the camera are extra LEMO and Fischer connectors for powering lens motors and other accessories. The URSA Cine comes with a massive 250W power supply and B-mount battery plate, so you can use an extensive selection of high-voltage batteries from manufacturers such as IDX, Blueshape, Core SWX, BEBOB, and more. You can additionally add the optional Blackmagic URSA Cine V-lock Battery Plate or Blackmagic URSA Cine Gold Battery Plate to use legacy V-mount and Gold mount batteries.\u003ch3\u003ePowered by Blackmagic OS: Guide\u003c\/h3\u003eWith enhanced Blackmagic OS, you get an intuitive and user-friendly camera working system based on the latest technology. Blackmagic OS is a true modern working system where all camera provides run independently for smoother control, plus the camera powers on virtually instantly. URSA Cine incorporates the same controls and menus as other Blackmagic Configuration cameras, so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to refine settings, add metadata, and view capture status. You additionally get full control over enhanced camera attributes such as on-screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings, and more.\u003ch3\u003eDigital Slate for Fast Metadata Entry: Guide\u003c\/h3\u003eThe URSA Cine contains a digital slate, so you can quickly add metadata to any shot. Simply swipe left or right on the built-in touchscreen to bring up the digital slate. If you start and stop capture, the slate can automatically increment the take numbers, so you don't have to enter them manually for each shot. You can additionally set your reel numbers to increment automatically each time you format a card. Lens metadata is automatically populated, or it can be entered manually, along with production-specific information, technical information, and more. All of the metadata is saved with the files for use in post-production whenever editing and color correcting with software such as DaVinci Resolve.\u003ch3\u003eWireless Bluetooth Camera operation\u003c\/h3\u003eIf you're positioning the camera on the end of a jib or gimbal, you can get full control via Bluetooth from up to 30' away. You can download the Blackmagic Camera Control app for your iPad or use third-party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There's even a free developer SDK with sample code provided from the Blackmagic Configuration developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to capture at the same time.\u003ch3\u003eLocalized in 13 Popular Languages: Guide\u003c\/h3\u003eThe URSA Cine is developed to be used worldwide and accommodates 13 different languages. Whenever setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese, or Korean. It's easy to switch to another language, so you can share your camera with other crew whenever traveling to locations worldwide. Whenever you switch languages, all on-screen overlays, setup menus, and observation information will be displayed in the chosen language.\u003ch3\u003eIncludes DaVinci Resolve Studio: Guide\u003c\/h3\u003eThe URSA Cine incorporates a full version of DaVinci Resolve Studio. You get the world's most enhanced solution that brings together professional editing, color correction, audio post, and visual effects, all in one software tool. DaVinci Resolve is used to finish more Hollywood feature films than any other option, so you'll get the best possible post-production tools to edit native footage from your camera and retain every bit of quality. Whether you're working on major Hollywood feature films, episodic television, music videos, commercials, or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless process for native editing, color correction, effects, audio, and delivery.\u003cbr\u003e\n\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788701524021,"sku":"CINEURSAA12KLFBODY","price":30342.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Ursa-Cine-12k.webp?v=1784651221"},{"product_id":"blackmagic-design-ursa-cine-17k-65-body-only","title":"Blackmagic Design URSA Cine 17K 65 (Body Only)","description":"\u003ch2\u003eA Closer Look at Blackmagic Design URSA Cine 17K PL Mount\u003c\/h2\u003e\u003cbr\u003eBeginning with its core design, Get ready for big and bold cinema with the Blackmagic Configuration URSA Cine 17K 65 digital cinema camera. This 17K cinema camera supplies a brand-new large-format 65mm RGBW sensor with 17,520 x 8040 definition and numerous improvements over the URSA Cine 12K. Interchangeable lens mounts, built-in OLPF, 8TB storage, built-in live streaming, Generation 5 color science, and integration with the Blackmagic Cloud and the Blackmagic cinema ecosystem.\u003cbr\u003e\u003ch3\u003eQuick capabilities\u003c\/h3\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eCinematic ultralarge format 2.2:1 aspect sensor with a massive 16 stops of dynamic range\u003c\/li\u003e    \u003cli\u003eLightweight camera body with industry-standard connections\u003c\/li\u003e    \u003cli\u003eBlackmagic RAW for real-time 17K editing\u003c\/li\u003e    \u003cli\u003eGeneration 5 Color Science with new film curve\u003c\/li\u003e    \u003cli\u003eInterchangeable lens mount with PL (included), LPL, EF, and HC options\u003c\/li\u003e    \u003cli\u003eBuilt-in OLPF for reduced moire and aliasing\u003c\/li\u003e    \u003cli\u003eIncludes Blackmagic Media Module 8TB for recording\u003c\/li\u003e    \u003cli\u003eCompatible with the Blackmagic Media Dock\u003c\/li\u003e    \u003cli\u003eHigh-speed Wi-Fi, 10G Ethernet, or mobile data for network connections\u003c\/li\u003e    \u003cli\u003eBuilt-in RTMP and SRT live streaming\u003c\/li\u003e    \u003cli\u003eOptional Blackmagic URSA Cine EVF\u003c\/li\u003e    \u003cli\u003eIncludes DaVinci Resolve Studio for post-production\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eNew 17K Sensor: Guide\u003c\/h3\u003e\u003cbr\u003eThe new URSA Cine 17K 65 camera integrates a new 65mm sensor developed for high-quality pictures at all resolutions from 4K to a massive 17K. The larger sensor builds on URSA Mini Pro 12K technology with 16 stops of dynamic range. The RGBW architecture supplies equal amounts of red, green, and blue pixels to produce rich colors at all resolutions.\u003cbr\u003e\u003ch3\u003emedia handling Options\u003c\/h3\u003e\u003cbr\u003eBlackmagic Media Dock accelerates post-production process by making it faster and simpler to start editing and color correction. You can mount up to three Blackmagic Media Modules for high-speed access to media from several URSA Cine cameras, all at the same time.\u003cbr\u003eThe URSA Cine 17K records to the included Blackmagic Media Module 8TB, allowing customers to capture over four hours of Blackmagic RAW in 17K through the full 65mm sensor aperture or up to 20 hours in 4K. You can additionally use the optional Blackmagic Media Module CF, which has dual CFexpress slots.\u003cbr\u003e\u003ch3\u003eBuilt-In Cloud media handling\u003c\/h3\u003e\u003cbr\u003eThe URSA Cine 17K contains built-in ultrafast Cloud Store technology, allowing customers to capture at the highest resolutions and frame rates for hours and access their files directly over high-speed 10G Ethernet. The unit provides support for creating a small H.264 proxy file in addition to the camera's original media for upload to Blackmagic Cloud in seconds, so their media is provided back at the studio in real time.\u003cbr\u003e\u003ch3\u003eoptics Options\u003c\/h3\u003e\u003cbr\u003eThe lens mount is user-interchangeable between PL, LPL, EF, and Hasselblad mounts. A PL lens mount comes preinstalled on the camera body. Each mount has contact pins to read lens metadata for observation and post-production.\u003cbr\u003e\u003ch3\u003eBuilt-In OLPF: Guide\u003c\/h3\u003e\u003cbr\u003eThe camera contains a high-performance, optical low-pass filter that is precisely matched to the sensor. The OLPF additionally incorporates updated IR filtering that enhances far red color response, which, whenever combined with Blackmagic RAW processing for the URSA Cine 17K, preserves color and critical picture detail for new levels of picture fidelity.\u003cbr\u003e\u003ch3\u003eBlackmagic Raw acquisition — Blackmagic Design URSA\u003c\/h3\u003e\u003cbr\u003eBlackmagic RAW is a format developed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information, and custom LUTs to maintain consistency of picture on set and via post-production. URSA Cine records to the included Blackmagic Media Module 8TB, allowing you to capture over 4 hours of Blackmagic RAW in 12K or 20 hours in 4K.\u003cbr\u003e\u003ch3\u003eMonitoring Options: Guide\u003c\/h3\u003e\u003cbr\u003eThere is a large foldout 5\" HDR touchscreen monitor on one side and an outboard color status LCD on the other. There is additionally a second 5\" HDR touchscreen, allowing the crew to work around the camera without needing outboard monitors. There's even a dedicated focus puller setting to help customers get perfect focus. The URSA Cine 17K accommodates the optional Blackmagic URSA Cine EVF to make outdoor and handheld shooting accurate and easy.\u003cbr\u003eAccessory and Control Ports\u003cbr\u003eThe 7-pin LEMO and 3-pin Fischer connectors on the front of the camera deliver capture start\/stop and 24V power and are ideal for onboard accessories such as focus motors.\u003cbr\u003eWireless Bluetooth Control\u003cbr\u003eIf you're positioning the camera on the end of a jib or gimbal, you can get full control from up to 30' away through Bluetooth. The Blackmagic Camera Control app for iPad or third-party apps such as Bluetooth+ or tRigger can control the camera from your iOS and Android devices. A free developer SDK with sample code is additionally provided from the Blackmagic Configuration developer website, so you can create your own remote camera control and digital slate solutions.\u003cbr\u003e\u003ch3\u003ePost-Production production flows\u003c\/h3\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eThere are three main post-production workflows that the URSA Cine 17K supports:\u003c\/li\u003e    \u003cli\u003eYou can record to the internal Blackmagic Media Module.\u003c\/li\u003e    \u003cli\u003eIf you're offline, you can browse media and manually select which clips you want to upload later.\u003c\/li\u003e    \u003cli\u003eLive Sync your DaVinci Resolve project with Blackmagic Cloud. As the camera is recording, the media will continuously upload and sync to all DaVinci users on that project.\u003c\/li\u003e    \u003cli\u003eStreaming Options\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eYou can live stream directly from the camera through its hardware streaming engine, which accommodates RTMP and SRT streaming to major platforms or directly to clients. Simply connect to the internet via Ethernet, high-speed Wi-Fi, or even connect a 4G or 5G link for mobile data.\u003cbr\u003e\u003ch3\u003eAmple powering\u003c\/h3\u003e\u003cbr\u003eAn 8-pin LEMO connector on the back of the camera is compatible with 24V and 12V power supplies, so you can use new or existing ways to power your camera. A 250W power supply and a B-mount battery plate are provided as separate options, so customers can use a diverse group of high-voltage batteries from manufacturers such as IDX, Blueshape, Core SWX, BEBOB, and more. There's additionally an extra 12V 2-pin LEMO feed on the rear of the camera to power lower-voltage accessories.\u003cbr\u003e\u003ch3\u003eVersatile Body construction\u003c\/h3\u003e\u003cbr\u003eThe evenly weighted camera body is constructed with a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin to help customers move quickly on set.\u003cbr\u003e\u003ch3\u003eLocalized in 13 Languages: Guide\u003c\/h3\u003e\u003cbr\u003eWhenever setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese, or Korean. It's easy to switch to another language, and it will display that language on all on-screen overlays, setup menus, and observation information in the chosen language.","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788701589557,"sku":"CINEURSAA17K65BODY","price":74870.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Ursa-Cine-17K-65.webp?v=1784651223"},{"product_id":"blackmagic-design-media-module-cf","title":"Blackmagic Design Media Module CF","description":"\u003cdiv class=\"title_L6kDdYKxLS\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"overviewProductTitle\"\u003eA Closer Look at Blackmagic Design CINEURSABMMODCF\u003c\/h2\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"overviewContent_L6kDdYKxLS\"\u003e\u003carticle class=\"content_L6kDdYKxLS\"\u003e\u003cdiv class=\"overviewVideosContainer_L6kDdYKxLS\"\u003e\u003cdiv data-selenium=\"overviewVideos\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"productDescription_UbV5SNP5Eo\" data-selenium=\"overviewLongDescription\"\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eFor the stated surveillance role, Capture, store, and transfer high-resolution footage media from your URSA Cine 12K or 17K camera to post-production with this \u003cb\u003eMedia Module CF\u003c\/b\u003e from \u003cb\u003eBlackmagic Design\u003c\/b\u003e. The module integrates dual CFexpress media slots and installs quickly and easily into your camera's media bay.\u003cbr\u003eMedia Module CF allows capture 4K, 8K, and even 9K footage, as well as Blackmagic RAW and H.264 proxy files at high data storage rates. Separately provided CFexpress cards can be formatted in the camera and utilize Blackmagic media format.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/article\u003e\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788701622325,"sku":"CINEURSABMMODCF","price":1196.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Blackmagic-Design-Media-Module-CF.jpg?v=1784651223"},{"product_id":"blackmagic-design-fairlight-desktop-console-usb-control-surface","title":"Blackmagic Design Fairlight Desktop Console USB Control Surface","description":"\u003cdiv class=\"title_L6kDdYKxLS\"\u003e\n\u003cdiv class=\"container_DIOhDI0XlF\"\u003e\u003cdiv class=\"fader_JbpWgX7qme\"\u003e\n\u003cdiv class=\"title_L6kDdYKxLS\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"overviewProductTitle\"\u003eA Closer Look at Blackmagic Design DV\/RESF\/EDTAUSMIN\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv class=\"overviewContent_L6kDdYKxLS\"\u003e\n\u003carticle class=\"content_L6kDdYKxLS\"\u003e\u003cdiv class=\"productDescription_UbV5SNP5Eo\" data-selenium=\"overviewLongDescription\"\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eWith its space-efficient form and pro-level incorporates, the \u003cb\u003eBlackmagic Design Fairlight Desktop Console\u003c\/b\u003e provides independent mixers and small postproduction studios a space-saving, purpose-built USB control surface for maximizing process efficiency with DaVinci Resolve's Fairlight page.\u003cbr\u003eThe Fairlight Desktop Console delivers 12 powerful channel strips, each with a touch-sensitive, motorized 100mm fader, an assignable multifunction pan knob (additionally touch-sensitive), a high-resolution color LCD screen, solo and mute buttons, and a multifunction choose button. Use them as traditional per-channel console controls or switch to Focus setting to utilize the knobs and choose buttons of all channels to refine the parameters or plug-ins of a single track.\u003cbr\u003eA precision search dial joins logically arranged navigation and transport controls, making project movement fast and comfortable during capture automation or zooming in on a specific location. The Fairlight Desktop Console additionally functions as an adaptable monitoring surface whose purpose-built keys select sources, dim or mute speakers, alternate speaker and headphone listening, and operate talkback.\u003cbr\u003eThe Fairlight Desktop Console connects to your computer via a USB Type-C link (cable included) and boasts a HDMI feed for visually observation all console activity.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eProfessional and Compact\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Fairlight Desktop Console uses the same high-quality faders as the full-size modular consoles. The sculpted faders are smooth and deliver the perfect amount of resistance for making subtle adjustments. The precision-engineered encoder knobs maintain quiet operation over a long service life. Console keys carry a one-million-press rating, while separate LCDs show every channel's track information. The high-quality search dial is extremely responsive and is much faster than a mouse. Long sessions are cushioned by a soft front bumper. Flush custom-desk installation is supported, and the integrated supply eliminates an external power brick. A USB Type-C port delivers easy interfacing with your computer system.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eChannel Strips: Guide\u003c\/h3\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eThe Fairlight Desktop Console contains 12 channel strips that can be used in a variety of ways for mixing audio. Level adjustment on every channel strip uses a motorized fader, accompanied by solo, mute, and parameter keys, a multifunction panning encoder, plus a LCD that shows you information about the channel or track on which you are working.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eAny strip may be assigned to any project track, with each channel strip capable of operating one track independently. You can additionally use a single strip to control several tracks in a group, or you can use the channel strips to control buses. This gives you the speed and flexibility you need for total control over your capture and mixing sessions.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eChannel Status Displays: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThere are independent high-resolution LCD screens located above each of the 12 fader strips. These displays incorporate track name, number, and color, along with panning status, channel level meters, automation state, bus routing, and more.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eMultifunction Pan Knob: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe multifunction pan knob can be used for panning or can be assigned to control other Fairlight parameters. Hold Control and tap to reset, or hold Shift for refined control. As it's a rotary encoder, it won't introduce signal noise like worn mechanical knobs.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eChannel-Strip operation\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eAll 12 fader strips provide individual mute and solo keys, enabling rapid track isolation or temporary deactivation. Multifunction choose buttons can be used to load track parameters and activate automation and plug-in controls.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eMotorized Faders: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e12 belt-driven 100mm motorized faders supply precision volume control for adjusting levels. The bank control buttons let you switch between fader sets to control distinct channels. Faders can even be assigned to refine send and capture levels.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eTransport Controls and Navigation\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eLarge multitrack projects under tight deadlines leave little time for repeated timeline scrolling via the timeline or hunting for a clip. The Fairlight Desktop Console helps you work faster since it incorporates transport keys plus a precision jog\/shuttle wheel. These controls rapidly navigate the timeline, move among clips, scrub, start or stop playback, and jump to selected positions. Logical control grouping keeps one hand in place while the operator reaches any timeline position within seconds. The search dial can additionally be used for timeline zooming, clip levels, and more.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eTask-Based operation\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eControl function selector buttons let you assign the buttons and knobs on the panel for distinct purposes. You can quickly choose between master and channel controls, panning, plug-in control, EQ, dynamics, and more. By default, the console works in strip setting, giving you one channel strip per track. Focus setting lets you assign all of the choose buttons and knobs on the console to work on the parameters or plug-ins for a single track. That means you can refine the EQ, dynamics, or any other plug-in parameter for a track through all of the choose buttons and knobs on the console. For example, you can refine several frequency ranges in the EQ at the same time, which is impossible to do with a mouse.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003erecording production flow Automation\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eFairlight's powerful automation lets you capture parameter changes you make over time. For example, you can capture level changes as you move the faders on the console. Fader adjustments are saved and can be edited later. Fairlight lets you automate anything from simple level changes to complex plug-in, EQ, and dynamics changes. Live adjustments can therefore be created and stored from the console. Touch sensitivity activates a fader or knob as soon as it is contacted, allowing the console to identify the intended parameter before the control is moved. Six automation buttons permit and disable automation, set capture method, and set which automation curves appear in the timeline tracks.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eMonitoring operation\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Fairlight page has incredibly adaptable observation, so you can preview your sound from a variety of distinct speaker sets. Monitoring can move among headphones, nearfield speakers, primary stereo monitors, and complete immersive 3D surround arrays.The observation From the Fairlight Desktop Console, operators can rapidly change sources, adjust booth and studio levels, and manage talkback when the computer has a Fairlight Audio Interface. You additionally get a level knob along with buttons for dimming and muting your speakers, allowing you to instantly cut or lower the sound, so you can have a conversation in your studio or suite.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eExternal HDMI Monitoring: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eFor direct visual feedback, you can add a HDMI display to the Fairlight Desktop Console. The arrangement permits you to see an extensive graphical display of everything happening on the console. You'll be able to see channel strip information, levels, equalization, dynamics processing, plug-in interfaces, and more. That means you don't have to open pop-up windows on top of your timeline.For example, whenever you refine EQ settings, its interface will be displayed on the screen as you turn the knob. The screen automatically switches to show you buses, in-line channel-strip controls, or single-channel controls whenever in focus mode. There's no configuration needed, simply plug in a HDMI monitor and start working.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/article\u003e\u003caside class=\"rightNavbar_L6kDdYKxLS\"\u003e\u003cdiv\u003e\u003cdiv class=\"included__cXkStmX9s\"\u003e\n\u003ch4 class=\"heading__cXkStmX9s\" data-selenium=\"includesInTheBoxTitle\"\u003eItems Included: Guide\u003c\/h4\u003e\n\u003cul class=\"list__cXkStmX9s\" data-selenium=\"includesInTheBoxList\"\u003e    \u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003eBlackmagic Design Fairlight Desktop Console USB Control Surface\u003c\/li\u003e    \u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003eUSB Type-C Cable (4.9')\u003c\/li\u003e    \u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003eLimited 1-Year Warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003ch4 class=\"heading_l1og7_1gbL\" data-selenium=\"notInTheBoxTitle\"\u003eNot Included: Guide\u003c\/h4\u003e\n\u003cul class=\"list_l1og7_1gbL\" data-selenium=\"notInTheBoxList\"\u003e    \u003cli class=\"listItem_l1og7_1gbL\"\u003e\n\u003cdiv class=\"inlineBlockContainer_vdcc3khjwI\"\u003e\u003cdiv class=\"warning_uox0cyiy_a\"\u003e\u003cdiv class=\"text_vdcc3khjwI warning_vdcc3khjwI\" data-selenium=\"notInTheBox\"\u003eEssential\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003ca class=\"link_l1og7_1gbL\" title=\"Not included.\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/1604867-REG\/blackmagic_design_dv_resf_edtausmin_fairlight_desktop_console.html\/accessories\/96149\"\u003ePower Accessories\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"container_DIOhDI0XlF container_FqdOTeJKku\"\u003e\u003cdiv class=\"container_Fe8UV0PWC3\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788701655093,"sku":"DV\/RESF\/EDTAUSMIN","price":12862.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Blackmagic-Design-Fairlight-Desktop-Console-USB-Control-Surface.webp?v=1784651225"},{"product_id":"blackmagic-design-fairlight-desktop-audio-editor","title":"Blackmagic Design Fairlight Desktop Audio Editor","description":"\u003cdiv class=\"title_L6kDdYKxLS\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"overviewProductTitle\"\u003eA Closer Look at Blackmagic Design DV\/RESF\/EDTDSKTOP\u003c\/h2\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"overviewContent_L6kDdYKxLS\"\u003e\u003carticle class=\"content_L6kDdYKxLS\"\u003e\u003cdiv class=\"productDescription_UbV5SNP5Eo\" data-selenium=\"overviewLongDescription\"\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eIn this camera's design, Leave the mouse alone and step up to accurate, high-speed editing for DaVinci Resolve 17 systems with the \u003cb\u003eBlackmagic Design Fairlight Desktop Audio Editor\u003c\/b\u003e, a standalone control panel that connects via Ethernet directly to your host computer. Developed Drawing on more than two decades of professional audio-engineering experience, every Fairlight Desktop Audio Editor element is designed for efficient, fluid operation.\u003cbr\u003eA high-resolution 12\" LCD responds to the task by selecting one of five layouts while you perform distinct tasks, letting you work naturally and see relevant information immediately. Speed of operation is additional improved through a precision search dial, transport section, number pad, programmable macro keys, and touch-responsive control knobs. Additionally, the Fairlight Desktop Audio Editor incorporates a task-responsive custom keyboard whose self-labeling picture keys place nearly every Fairlight-page function within the editor's reach.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eIntegrated LCD: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Fairlight Desktop Audio Editor incorporates a large 12\" high-resolution LCD with soft buttons and knobs. It's an interactive audio editing dashboard with five distinct layouts, giving you a full graphical interface for EQ, dynamics, plug-ins, and other tasks. For each activity, the display switches automatically to the relevant controls, tools, and information. This lets you work quickly since work can continue without reaching for a mouse or shifting attention to the computer monitor. For example, whenever adjusting an EQ, you'll see the parametric equalizer curve on the display. You can use the knobs to refine the gain in distinct frequency ranges and see instant feedback as the curve changes.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eEQ Layout: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eComplete adjustment of the four-band parametric equalizer is available in the clip EQ view for the chosen clip. This gives you all the same EQ controls that are provided in the Inspector in DaVinci Resolve, along with clip-EQ preset options.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eStandard Mixing: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe standard mixing layout displays information for the currently chosen track. This incorporates level, pan, meters, the 6-band parametric track EQ, dynamics, and more. The soft buttons and knobs give you quick access to common controls.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePlug-Ins: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThis layout displays controls for the first plug-in on the chosen track. Across three screen pages, operators can bypass or reset a plug-in, load and store presets, and assign plug-in parameters to any of six rotary controls.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eAux Sends: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe aux view presents panning and send levels for as many as 24 auxiliary channels simultaneously. The soft buttons along the top of the screen let you permit distinct aux channels for the active tracks.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eMonitor Mode: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe observation mode layout supplies a visual readout of fixed and dim settings together with studio, loudness, and control-room metering. It additionally displays a graphical representation of the speaker configuration for your listening setting.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eCustom Function Keyboard: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe custom keyboard incorporates clearly legible keys that relabel themselves across task-specific views, covering almost the complete Fairlight feature set. The pictures on the keys change based on the task you're performing, so you can work quickly.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eProgrammable Macro Keys: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eMacro keys can be used to store reusable keystroke sequences, accelerating operation through automation of repetitive work. There are 14 dedicated macro keys along with a setting for displaying 30 macros on the keyboard.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eTransport operation\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eNavigation keys and the Search dial let you quickly move around the timeline, capture, search, playback at variable speeds, set locators to jump to a new position, and more. They can additionally be used to zoom, refine levels, shape fades, and trim edits.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eEasy connections\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe 10\/100\/1000 Base-T Ethernet port enables simple integration with your DaVinci Resolve 17 system. Additionally, a USB Type-C port is provided for software configuration (via Fairlight Studio and Console setup utility) and software updates.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eConvenient Software Upgrades: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Fairlight Desktop Audio Editor utilizes an onboard software upgrade function via an updater use.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eInternal powering Supply\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eEquipped with an onboard supply, the Fairlight Desktop Audio Editor avoids a bulky, unattractive external power adapter.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/article\u003e\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788701687861,"sku":"DV\/RESF\/EDTDSKTOP","price":18875.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1564503133_1401681.webp?v=1784651226"},{"product_id":"blackmagic-design-ultimatte-smart-remote-4","title":"Blackmagic Design Ultimatte Smart Remote 4","description":"\u003cdiv class=\"title_L6kDdYKxLS\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"overviewProductTitle\"\u003eA Closer Look at Blackmagic Design Ultimatte 4\u003c\/h2\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"overviewContent_L6kDdYKxLS\"\u003e\u003carticle class=\"content_L6kDdYKxLS\"\u003e\u003cdiv class=\"productDescription_UbV5SNP5Eo\" data-selenium=\"overviewLongDescription\"\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eAt the center of the specification, Use Ethernet to operate as many as eight Ultimatte units from the \u003cb\u003eBlackmagic Design Ultimatte Smart Remote 4\u003c\/b\u003e. The large screen, configurable stand, organized buttons, and independent display-brightness adjustment support comfortable operation. Every menu exposes Monitor Out Views, keeping essential operations immediately accessible.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"descriptionAsTitle_UbV5SNP5Eo\"\u003e\u003cul\u003e    \u003cli class=\"js-injected-html text_UbV5SNP5Eo\"\u003eCapacitive touchscreen LCD screen\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"descriptionAsTitle_UbV5SNP5Eo\"\u003e\u003cul\u003e    \u003cli class=\"js-injected-html text_UbV5SNP5Eo\"\u003eEight optical encoder knobs and unit selection buttons\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"descriptionAsTitle_UbV5SNP5Eo\"\u003e\u003cul\u003e    \u003cli class=\"js-injected-html text_UbV5SNP5Eo\"\u003eOn Line and On Air indicators for each unit\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"descriptionAsTitle_UbV5SNP5Eo\"\u003e\u003cul\u003e    \u003cli class=\"js-injected-html text_UbV5SNP5Eo\"\u003eFive quick-save and quick-load buttons\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/article\u003e\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788701753397,"sku":"ULTMSMTREM4","price":9896.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Blackmagic-Design-Ultimatte-Smart-Remote-4.webp?v=1784651227"},{"product_id":"blackmagic-design-hyperdeck-extreme-rack-kit","title":"Blackmagic Design HyperDeck Extreme Rack Kit","description":"\u003cdiv class=\"title_L6kDdYKxLS\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"overviewProductTitle\"\u003eA Closer Look at Blackmagic Design HYPERD\/RSTEXRMK\u003c\/h2\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"overviewContent_L6kDdYKxLS\"\u003e\u003carticle class=\"content_L6kDdYKxLS\"\u003e\u003cdiv class=\"productDescription_UbV5SNP5Eo\" data-selenium=\"overviewLongDescription\"\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eFrom an imaging perspective, the \u003cb\u003eHyperDeck Extreme Rack Kit\u003c\/b\u003e from \u003cb\u003eBlackmagic Design\u003c\/b\u003e enables you to install the HyperDeck Extreme 8K HDR with the HyperDeck Extreme Control side by side in a rack or console. Alternatively, the kit accommodates a side-by-side pair of either unit.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/article\u003e\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788701786165,"sku":"HYPERD\/RSTEXRMK","price":791.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Blackmagic-Design-HyperDeck-Extreme-Rack-Kit.webp?v=1784651228"},{"product_id":"blackmagic-design-decklink-ip-100g","title":"Blackmagic Design DeckLink IP 100G","description":"\u003cdiv class=\"title_L6kDdYKxLS\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"overviewProductTitle\"\u003eA Closer Look at Blackmagic Design DeckLink IP 100G\u003c\/h2\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"overviewContent_L6kDdYKxLS\"\u003e\u003carticle class=\"content_L6kDdYKxLS\"\u003e\u003cdiv class=\"productDescription_UbV5SNP5Eo\" data-selenium=\"overviewLongDescription\"\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eIn practical monitoring terms, the \u003cb\u003eBlackmagic Design DeckLink IP 100G\u003c\/b\u003e is a powerful PCIe Generation 4 capture and playback card engineered for professional broadcast settings through SMPTE 2110 IP network systems. Developed to meet the evolving demands of modern live and post-production processes, compatibility includes up to eight simultaneous UHD footage channels via dual 100G Ethernet QSFP28 ports, enabling full redundancy. Direct GPU-memory transfers through GPU Direct RDMA keep latency exceptionally low for live compositing, AI workloads, and real-time graphics rendering. Constructed for diverse broadcast infrastructures, the card is compatible across macOS, Windows, and Linux systems while maintaining universal compatibility with all major footage software, which include DaVinci Resolve, Adobe Premiere Pro, Avid Media Composer, and more.\u003cbr\u003eBeyond performance, the DeckLink IP 100G emphasizes flexibility and security. The unit provides support for a wide array of footage formats, both compressed and uncompressed, up to DCI 4K120 with 10-bit 4:4:4 color. Built-in support for SMPTE 2110 standards permits full transport of uncompressed footage, ancillary data and audio across managed IP networks, synchronized through PTP (Precision Time Protocol). By isolating transfers, it also functions as a hardware firewall for footage transfers to frame buffers, offering protection from rogue software and unauthorized network access. Whether for multichannel broadcast servers, virtual production stages, or GPU-accelerated AI pipelines, the DeckLink IP 100G is engineered to produce uncompromising footage capture and playback with ultrafast performance.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eenhanced construction\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e    \u003cli\u003eDual 100 Gb\/s QSFP28 Ethernet ports for full redundancy\u003c\/li\u003e    \u003cli\u003ePCI Express 8-lane Generation 4, compatible with 8- and 16-lane PCI Express slots\u003c\/li\u003e    \u003cli\u003e6-pin auxiliary power connector for stable high-speed operation\u003c\/li\u003e    \u003cli\u003eBuilt-in active cooling for thermal management under heavy load\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eFormats and Video Standards\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e    \u003cli\u003eUp to eight simultaneous channels of HD, UHD 4K, and DCI 4K up to 120 fps\u003c\/li\u003e    \u003cli\u003eSupports SD (PAL and NTSC), 720p, 1080p, DCI 2K, UHD 4K, and DCI 4K standards\u003c\/li\u003e    \u003cli\u003eStatic HDR metadata support with HLG and PQ characteristics\u003c\/li\u003e    \u003cli\u003e8-, 10-, and 12-bit color in RGB 4:4:4; 8- and 10-bit color in YUV 4:2:2\u003c\/li\u003e    \u003cli\u003eRec. 601, Rec. 709, and Rec. 2020 color spaces\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eOS Compatibility and Software\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e    \u003cli\u003eWorks with DaVinci Resolve, Final Cut Pro, Adobe Premiere Pro, AVID Media Composer, and more\u003c\/li\u003e    \u003cli\u003eCompatible with macOS, Windows, and Linux\u003c\/li\u003e    \u003cli\u003eIncludes Media Express, DaVinci Resolve, Disk Speed Test, Livekey, and Blackmagic Desktop Video Utility software\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eNetwork Protocols and Broadcast\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e    \u003cli\u003eSMPTE 2110-20 (video), 2110-21 (timing), 2110-30 (audio), 2110-40 (ancillary data)\u003c\/li\u003e    \u003cli\u003eSMPTE 2022-7 stream redundancy\u003c\/li\u003e    \u003cli\u003eNMOS IS-04 and IS-05 compliant for discovery and connection management\u003c\/li\u003e    \u003cli\u003ePTP (Precision Time Protocol) IEEE 1588-2008 for frame-accurate sync\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/article\u003e\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788701818933,"sku":"BDLKIPHIP\/100G","price":5943.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Blackmagic-Design-DeckLink-IP-100G.webp?v=1784651229"},{"product_id":"blackmagic-design-decklink-ip-hd-3g-sdi","title":"Blackmagic Design DeckLink IP HD 3G-SDI","description":"\u003cdiv class=\"container_DIOhDI0XlF\"\u003e\u003cdiv class=\"fader_JbpWgX7qme\"\u003e\n\u003cdiv class=\"title_L6kDdYKxLS\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"overviewProductTitle\"\u003eA Closer Look at Blackmagic Design DeckLink IP HD 3G-SDI\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv class=\"overviewContent_L6kDdYKxLS\"\u003e\n\u003carticle class=\"content_L6kDdYKxLS\"\u003e\u003cdiv class=\"productDescription_UbV5SNP5Eo\" data-selenium=\"overviewLongDescription\"\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eWithin its operating design, Capture and play back HD footage directly into 2110 IP-based broadcast systems with the \u003cstrong\u003eDeckLink IP HD 3G-SDI\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e. This versatile PCIe card can capture and play back 10-bit uncompressed footage at resolutions up to 1080p60 with two source and two feed channels of footage over a single RJ45 10G Ethernet connector and two source and two feed channels over two bi-directional 3G-SDI ports with embedded audio. The Decklink IP allows all popular video software such as DaVinci Resolve, Avid Media Composer, Final Cut Pro, Adobe Premiere, and more, with full compatibility with the latest Mac, Windows, and Linux working systems.\u003cbr\u003eThis PCIe 4-lane, generation 2 card handles a very vast range of codecs, including AVC-Intra, AVCHD, Canon XF MPEG2, Digital SLR, DV-NTSC, DV-PAL, DVCPRO50, DVCPROHD, DPX, HDV, HEVC, XDCAM EX, XDCAM HD, XDCAM HD422, DNxHR, DNxHD, Apple ProRes 4444, Apple ProRes 422 HQ, Apple ProRes 422, Apple ProRes LT, Apple ProRes 422 Proxy, and Uncompressed 8-bit 4:2:2, 10-bit 4:2:2, and 10-bit 4:4:4.\u003cbr\u003eOther supported uses incorporate: Fusion, Adobe After Effects, Avid Pro Tools, Steinberg Cubase and Nuendo, Adobe Photoshop, Foundry Nuke, Grass Valley Edius, Sony Catalyst Production Suite, Adobe Flash Media Live Encoder, Telestream Wirecast, Livestream Producer, Resolume Arena, Magix Vegas Pro and Movie Edit Pro Premium, Corel VideoStudio Pro, CyberLink PowerDirector, Vidblaster X\/Studio\/Broadcast, Uniplay One\/CG, CasparCG Server, Magicsoft CG, Xsplit Broadcaster, Imagine Communications Velocity \u0026amp; InfoCaster, DevTek Easy Media Suite, Metus Ingest, Boinx Software MimoLive, Cinegy Capture Pro, vMix Live, Renewed Vision ProPresenter, Ventuz Director, Class X Liveboard ,Coral CG, Glookast Capturer, Open Broadcaster Software Studio, Nautilus NEMO3D, Burst Footage WebClip2Go, and Autodesk Flam.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eIdeal acquisition \u0026amp; media playback for 2110 IP Broadcast Systems\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe DeckLink IP HD 3G-SDI conforms to the SMPTE ST2110 standard for IP footage, which specifies the transport, synchronization, and description of footage, audio, and ancillary data over managed IP networks for broadcast. It additionally keeps footage sources in sync through a common PTP clock.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBuilt-In video signal Firewall\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Ethernet port is isolated from anything other than footage and audio. Footage and audio are transferred to on board DeckLink frame buffers where footage playback is managed and then converted to 2110 IP footage channels, making it virtually impossible for rogue software or hackers to access the 2110 IP network directly.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eHigh Speed 4-Lane PCIe Connection: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe high speed 4-lane PCIe interface delivers a link to the host computer that is fast enough to handle several HD footage channels, as well as simultaneous capture and playback on each of the channels. With PCIe, you get very low latency combined with highly accurate time synchronization to the software that is capturing or playing footage.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eHD Formats up to 1080p60 and Supports All SD\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe DeckLink IP HD 3G-SDI is multi rate and allows all SD and HD formats. In standard definition, the card handles both 525i59.94 and 625i50 standards. In high definition, it accommodates all 720p footage standards up to 720p60, all 1080 interlaced standards up to 1080i60, and all 1080p standards up to 1080p60.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eTrue 10-Bit Broadcast video signal Quality\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eCapture and play back popular footage formats such as Apple ProRes, DNxHD, or even uncompressed 10-bit, which is the most commonly used television standard as colors can be represented with four times the precision of 8-bit footage. This maintains the sharpest green screen keying, seamless VFX compositions, and superior color correction.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eNMOS Protocol for Building a Virtual Router: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eNMOS interface specifications enable all 2110 IP footage devices to operate together as a large virtual router. Videohub Smart Control can route sources to destinations on 2110 IP networks since it can act as a NMOS controller. The NMOS interface specification describes how SMPTE 2110 devices are discovered and controlled on IP networks. This card accommodates IS-04 for discovery and registration of IP footage devices and IS-05 for link management between IP footage devices. This means you can make links between sources and destinations just like a traditional SDI router, but all inside the Ethernet network.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBuild Custom Broadcast Automation Servers: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe DeckLink IP HD 3G-SDI can be easily combined inside your custom broadcast automation systems. There are many automation tools provided and on the Mac platform, you can use Tools On Air just: Broadcast Suite, Softron OnTheAir, MovieRecorder, and OnTheAir CG. On the Windows platform, you get compatibility with VidblasterX, Studio and Broadcast, Uniplay, and Playbox AirBox. These powerful software tools help to manage all types of broadcast automation tasks, and they are proven solutions that are currently running thousands of television stations worldwide.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBuild Streaming Servers for Global Broadcasting: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBuild streaming workstations that let you live stream to millions of global viewers online. On the Mac, you get streaming solutions such as Open Broadcaster, Wirecast, Livestream Producer, and more. Whenever streaming on Windows, you get compatibility with Open Broadcaster, Xsplit Broadcaster, Wirecast, and Livestream Producer. This card permits you to take any 2110 IP feed and convert it into live streams to as many online platforms as you need, and with the ATEM Streaming Bridge, you can even link up remote broadcast networks.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eMedia Express Software Included: Guide\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBlackmagic Media Express is included, and it permits you to capture and play back in uncompressed YUV 4:2:2 QuickTime, AVI, DPX, ProRes, DVCPRO, and MJPEG file formats, making it an ideal option for capturing footage from old broadcast decks for archiving. Since the speeds of flash based storage media can vary a lot between brands, this DeckLink card additionally incorporates Blackmagic Disk Speed Test. This means you can check the speed of media disks, with the results displayed in frames per second at several television standards.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eDevelop Custom Solutions: the DeckLink SDK\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe enhanced developer SDK for Mac, Windows, and Linux can be downloaded free of charge, making it easy to develop your own custom solutions for in-house use or to sell to other broadcasters. The SDK supplies low level control of hardware whenever you need flexibility, as well as high level interfaces, which are a lot easier to use whenever you need to perform more common tasks, and it establishes a solid foundation for developing commercial quality broadcast solutions.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/article\u003e\u003caside class=\"rightNavbar_L6kDdYKxLS\"\u003e\u003cdiv\u003e\u003cdiv class=\"included__cXkStmX9s\"\u003e\n\u003ch4 class=\"heading__cXkStmX9s\" data-selenium=\"includesInTheBoxTitle\"\u003eItems Included: Guide — Blackmagic Design DeckLink\u003c\/h4\u003e\n\u003cul class=\"list__cXkStmX9s\" data-selenium=\"includesInTheBoxList\"\u003e    \u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003eBlackmagic Design DeckLink IP HD 3G-SDI\u003c\/li\u003e    \u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003eWelcome Wallet with QR Code\u003c\/li\u003e    \u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003eLimited 3-Year Manufacturer Warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"container_DIOhDI0XlF container_FqdOTeJKku\"\u003e\u003cdiv class=\"container_Fe8UV0PWC3\"\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788701884469,"sku":"BDLKIPFIP\/SDI\/HD","price":1579.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Blackmagic-Design-DeckLink-IP-HD-3G-SDI.webp?v=1784651230"},{"product_id":"blackmagic-design-decklink-ip-hd-optical","title":"Blackmagic Design DeckLink IP HD Optical","description":"In its primary imaging role, \u003cdiv class=\"container_DIOhDI0XlF\"\u003e\u003cdiv class=\"fader_JbpWgX7qme\"\u003e\n\u003cdiv class=\"title_L6kDdYKxLS\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"overviewProductTitle\"\u003eA Closer Look at Blackmagic Design DeckLink IP HD Optical\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv class=\"overviewContent_L6kDdYKxLS\"\u003e\n\u003carticle class=\"content_L6kDdYKxLS\"\u003e\u003cdiv class=\"overviewVideosContainer_L6kDdYKxLS\"\u003e\u003cdiv data-selenium=\"overviewVideos\"\u003eCapture and play back HD footage directly into 2110 IP-based broadcast systems with the \u003cstrong\u003eDeckLink IP HD Optical\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e. This versatile PCIe card can capture and play back 10-bit uncompressed footage at resolutions up to 1080p60 with two source and two feed channels of footage over a single 10G optical fiber SFP+ port with embedded audio. The Decklink IP handles all popular footage software including DaVinci Resolve, Avid Media Composer, Final Cut Pro, Adobe Premiere, and more, with full compatibility with the latest Mac, Windows, and Linux working systems.\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"productDescription_UbV5SNP5Eo\" data-selenium=\"overviewLongDescription\"\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eThis PCIe 4-lane, generation 2 card allows a very vast range of codecs, such as AVC-Intra, AVCHD, Canon XF MPEG2, Digital SLR, DV-NTSC, DV-PAL, DVCPRO50, DVCPROHD, DPX, HDV, HEVC, XDCAM EX, XDCAM HD, XDCAM HD422, DNxHR, DNxHD, Apple ProRes 4444, Apple ProRes 422 HQ, Apple ProRes 422, Apple ProRes LT, Apple ProRes 422 Proxy, and Uncompressed 8-bit 4:2:2, 10-bit 4:2:2, and 10-bit 4:4:4.\u003cbr\u003eOther supported uses incorporate: Fusion, Adobe After Effects, Avid Pro Tools, Steinberg Cubase and Nuendo, Adobe Photoshop, Foundry Nuke, Grass Valley Edius, Sony Catalyst Production Suite, Adobe Flash Media Live Encoder, Telestream Wirecast, Livestream Producer, Resolume Arena, Magix Vegas Pro and Movie Edit Pro Premium, Corel VideoStudio Pro, CyberLink PowerDirector, Vidblaster X\/Studio\/Broadcast, Uniplay One\/CG, CasparCG Server, Magicsoft CG, Xsplit Broadcaster, Imagine Communications Velocity \u0026amp; InfoCaster, DevTek Easy Media Suite, Metus Ingest, Boinx Software MimoLive, Cinegy Capture Pro, vMix Live, Renewed Vision ProPresenter, Ventuz Director, Class X Liveboard ,Coral CG, Glookast Capturer, Open Broadcaster Software Studio, Nautilus NEMO3D, Burst Footage WebClip2Go, and Autodesk Flam.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eIdeal acquisition \u0026amp; media playback for 2110 IP Broadcast Systems — Blackmagic Design DeckLink\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe DeckLink IP HD Optical conforms to the SMPTE ST2110 standard for IP footage, which specifies the transport, synchronization, and description of footage, audio, and ancillary data over managed IP networks for broadcast. It additionally keeps footage sources in sync through a common PTP clock.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBuilt-In video signal Firewall — Blackmagic Design DeckLink\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Ethernet port is isolated from anything other than footage and audio. Footage and audio are transferred to on board DeckLink frame buffers where footage playback is managed and then converted to 2110 IP footage channels, making it virtually impossible for rogue software or hackers to access the 2110 IP network directly.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eHigh Speed 4-Lane PCIe Connection: Guide — Blackmagic Design DeckLink\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe high speed 4-lane PCIe interface supplies a link to the host computer that is fast enough to handle several HD footage channels, as well as simultaneous capture and playback on each of the channels. With PCIe, you get very low latency combined with highly accurate time synchronization to the software that is capturing or playing footage.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eHD Formats up to 1080p60 and Supports All SD — Blackmagic Design DeckLink\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe DeckLink IP HD Optical is multi rate and accommodates all SD and HD formats. In standard definition, the card handles both 525i59.94 and 625i50 standards. In high definition, compatibility includes all 720p footage standards up to 720p60, all 1080 interlaced standards up to 1080i60, and all 1080p standards up to 1080p60.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eTrue 10-Bit Broadcast video signal Quality — Blackmagic Design DeckLink\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eCapture and play back popular footage formats such as Apple ProRes, DNxHD, or even uncompressed 10-bit, which is the most commonly used television standard as colors can be represented with four times the precision of 8-bit footage. This maintains the sharpest green screen keying, seamless VFX compositions, and superior color correction.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eNMOS Protocol for Building a Virtual Router: Guide — Blackmagic Design DeckLink\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eNMOS interface specifications enable all 2110 IP footage devices to operate together as a large virtual router. Videohub Smart Control can route sources to destinations on 2110 IP networks since it can act as a NMOS controller. The NMOS interface specification describes how SMPTE 2110 devices are discovered and controlled on IP networks. This card handles IS-04 for discovery and registration of IP footage devices and IS-05 for link management between IP footage devices. This means you can make links between sources and destinations just like a traditional SDI router, but all inside the Ethernet network.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBuild Custom Broadcast Automation Servers: Guide — Blackmagic Design DeckLink\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe DeckLink IP HD Optical can be easily combined inside your custom broadcast automation systems. There are many automation tools provided and on the Mac platform, you can use Tools On Air just: Broadcast Suite, Softron OnTheAir, MovieRecorder, and OnTheAir CG. On the Windows platform, you get compatibility with VidblasterX, Studio and Broadcast, Uniplay, and Playbox AirBox. These powerful software tools help to manage all types of broadcast automation tasks, and they are proven solutions that are currently running thousands of television stations worldwide.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBuild Streaming Servers for Global Broadcasting: Guide — Blackmagic Design DeckLink\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBuild streaming workstations that let you live stream to millions of global viewers online. On the Mac, you get streaming solutions such as Open Broadcaster, Wirecast, Livestream Producer, and more. Whenever streaming on Windows, you get compatibility with Open Broadcaster, Xsplit Broadcaster, Wirecast, and Livestream Producer. This card makes possible you to take any 2110 IP feed and convert it into live streams to as many online platforms as you need, and with the ATEM Streaming Bridge, you can even link up remote broadcast networks.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eMedia Express Software Included: Guide — Blackmagic Design DeckLink\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBlackmagic Media Express is included, and it permits you to capture and play back in uncompressed YUV 4:2:2 QuickTime, AVI, DPX, ProRes, DVCPRO, and MJPEG file formats, making it an ideal option for capturing footage from old broadcast decks for archiving. Since the speeds of flash based storage media can vary a lot between brands, this DeckLink card additionally incorporates Blackmagic Disk Speed Test. This means you can check the speed of media disks, with the results displayed in frames per second at numerous television standards.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eDevelop Custom Solutions: the DeckLink SDK — Blackmagic Design DeckLink\u003c\/h3\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe enhanced developer SDK for Mac, Windows, and Linux can be downloaded free of charge, making it easy to develop your own custom solutions for in-house use or to sell to other broadcasters. The SDK offers low level control of hardware whenever you need flexibility, as well as high level interfaces, which are a lot easier to use whenever you need to perform more common tasks, and it establishes a solid foundation for developing commercial quality broadcast solutions.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/article\u003e\u003caside class=\"rightNavbar_L6kDdYKxLS\"\u003e\u003cdiv\u003e\u003cdiv class=\"included__cXkStmX9s\"\u003e\n\u003ch4 class=\"heading__cXkStmX9s\" data-selenium=\"includesInTheBoxTitle\"\u003eItems Included: Guide — Blackmagic Design DeckLink 12\u003c\/h4\u003e\n\u003cul class=\"list__cXkStmX9s\" data-selenium=\"includesInTheBoxList\"\u003e    \u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003eBlackmagic Design DeckLink IP HD Optical\u003c\/li\u003e    \u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e10GBASE-LR Optical Fiber SFP+ Module and Cage\u003c\/li\u003e    \u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003eLow Profile Slot Bracket\u003c\/li\u003e    \u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003eWelcome Wallet with QR Code\u003c\/li\u003e    \u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003eLimited 3-Year Manufacturer Warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/aside\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"container_DIOhDI0XlF container_FqdOTeJKku\"\u003e\u003cdiv class=\"container_Fe8UV0PWC3\"\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788701917237,"sku":"BDLKIPDIP\/OPT\/HD","price":1490.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Blackmagic-Design-DeckLink-IP-HD-Optical.webp?v=1784651231"},{"product_id":"blackmagic-design-12g-sfp-optical-module-adapter","title":"Blackmagic Design 12G SFP Optical Module Adapter","description":"\u003cdiv class=\"title_L6kDdYKxLS\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"overviewProductTitle\"\u003eA Closer Look at Blackmagic Design ADPT-12GBI\/OPT\u003c\/h2\u003e\u003c\/div\u003e\u003cbr\u003eFrom the sensor onward, \u003cdiv class=\"overviewContent_L6kDdYKxLS\"\u003e\u003carticle class=\"content_L6kDdYKxLS\"\u003e\u003cdiv class=\"overviewVideosContainer_L6kDdYKxLS\"\u003e\u003cdiv data-selenium=\"overviewVideos\"\u003eExtend your ATEM Switcher controller farther away whenever through the Studio Camera 4K with this \u003cb\u003e12G SFP Optical Module Adapter\u003c\/b\u003e from \u003cb\u003eBlackmagic Design\u003c\/b\u003e. Add this SFP module to your ATEM Switcher and\/or one to your Studio 4K camera, and you can extend and control your 12G-SDI 4K video signal over fiber optic cable up to 28 miles from each other. The optional ATEM Studio Converter is required for setup, and to add talkback function, the ATEM Talkback converter is required. Whenever both the SDI and fiber adapter feeds are connected, the first connected device will be active.\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eIntegration Support — Blackmagic Design 12G\u003c\/h3\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBlackmagic Configuration ATEM Switcher\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBlackmagic Configuration Studio CameraBlackmagic Configuration ATEM Studio ConverterBlackmagic Configuration ATEM Talkback Converter 4K\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/article\u003e\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788702146613,"sku":"ADPT-12GBI\/OPT","price":1270.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1547804122_1447935.webp?v=1784651234"},{"product_id":"blackmagic-design-din-1-0-2-3-to-bnc-female-adapter-cable-7-9","title":"Blackmagic Design DIN 1.0\/2.3 to BNC Female Adapter Cable (7.9\")","description":"\u003cdiv class=\"title_L6kDdYKxLS\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"overviewProductTitle\"\u003eA Closer Look at Blackmagic Design CABLE-DIN\/BNCFEMALE\u003c\/h2\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"overviewContent_L6kDdYKxLS\"\u003e\u003carticle class=\"content_L6kDdYKxLS\"\u003e\u003cdiv class=\"productDescription_UbV5SNP5Eo\" data-selenium=\"overviewLongDescription\"\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eWhen image acquisition begins, this 7.9\" \u003cb\u003eCable\u003c\/b\u003e from \u003cb\u003eBlackmagic Design\u003c\/b\u003e integrates opposing DIN 1.0\/2.3 and female BNC terminations. It links DIN 1.0\/2.3-equipped hardware to another device through a standard BNC cable.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/article\u003e\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45788702179381,"sku":"CABLE-DIN\/BNCFEMALE","price":70.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/blackmagic_design_bmd_cable_din_bncfemale_din_to_bnc_female_1495019296_1330606.webp?v=1784651236"},{"product_id":"blackmagic-design-atem-mini-extreme-iso-g2","title":"Blackmagic Design ATEM Mini Extreme ISO G2","description":"\u003ch2\u003eA Closer Look at Blackmagic Design ATEM Mini Extreme G2\u003c\/h2\u003e\u003cbr\u003eFor day-to-day surveillance, the ATEM Mini Extreme ISO G2 Switcher from Blackmagic Configuration is an updated 8-source live workflow switcher for live streaming with a built-in control panel and enhanced broadcast integrates. In addition to live streaming through RTMP protocols, you can additionally feed your program as if it were a webcam over USB. New attributes incorporate a totally redesigned keyboard with several knob manages, large NKK red\/green source choose keys, a hardware fader, a CFexpress slot as well as Thunderbolt port for capture, and a more functional control layout.\u003cbr\u003e\u003ch3\u003eUpdated operation connection panel\u003c\/h3\u003e\u003cbr\u003eSupplied on the ATEM Extreme ISO G2 are large source choose buttons for audio mixing, capture, and broadcasting control, as well as feed selection keys that let you change the footage feed between cameras, program, as well as multiview. A new hardware fader makes possible additional tactile management. On the rear panel, there are HDMI links for cameras or computers, XLR as well as MADI audio sources, USB for webcam out, Thunderbolt for capture\/playback, and four HDMI feeds for program\/preview footage.\u003cbr\u003eYou can feed using the Ethernet link to your installation or use the USB-C feed to are fitted with your switched show recognized as a webcam source by virtually any footage software such as Focal adjustment, Microsoft Teams, Skype, Open Broadcaster, XSplit Broadcaster, as well as others.\u003cbr\u003e\u003ch3\u003eM\/E Switcher: Guide\u003c\/h3\u003e\u003cbr\u003eSwitch, attach effects, colour grade, as well as key in real time through the management surface's keys or the software management panel. CCU functions are provided for controlling Blackmagic Soundstage and URSA Mini\/Broadcast\/Micro Soundstage cameras from the switcher. The ATEM Mini Extreme ISO G2 accommodates up to nine layers, alongside four upstream as well as two downstream keyers, up to four chroma keyers, up to four linear keyers, two DVE alongside borders as well as drop shadow, five pattern generators, as well as two color generators. Developed for live broadcasting or webcam, the Mini Extreme ISO G2 carries four HDMI feeds to feed monitors and accommodates up to 16-display multiview.\u003cbr\u003e\u003ch3\u003eISO Output: Guide\u003c\/h3\u003e\u003cbr\u003eThe switcher's ISO label means you can individually capture each of the eight source videos as a MP4, as well as the program feed through one of the USB-C ports. The switcher without manual intervention generates a DaVinci Resolve job file so you can clean it up as well as help changes later. This versatile switcher's eight separate HDMI sources accept all widely chosen HD feeds up to 1080p60. Each source has discrete shot rate and format converters, and compatibility includes re-syncing for smooth switching between a selection of pro as well as consumer cameras, game consoles, as well as computer feeds.\u003cbr\u003e\u003ch3\u003eThunderbolt for Live Replay: Guide\u003c\/h3\u003e\u003cbr\u003eAlongside Thunderbolt on the ATEM Mini Extreme ISO G2 version, you get fill as well as key playback, acquisition, Ethernet availability to the CFexpress medium, and trickle power, all alongside a single computer link. This means you can operation DaVinci Resolve as a full live-action replay arrangement.DaVinci Resolve can show a live footage source of the switcher, and whenever you push the Position of Interest (POI) control, DaVinci will selector to playing all 8 ISO files so you can choose cameras as well as run replays. You can then preroll as well as sequence several cameras in the identical replay.\u003cbr\u003e\u003ch3\u003eStream Live: Guide\u003c\/h3\u003e\u003cbr\u003eThe switcher is well suited for interview work as you can connect several cameras for close-ups of the host or interviewee, as well as wide pictures of the room. Plus, ATEM Mini is so small the operator can even selector in small soundstages.\u003cbr\u003eThe ATEM Mini ISO G2 carries a built-in hardware broadcasting engine for live broadcasting via the Ethernet link without the requirement for a computer. That means you can live stream to YouTube, Facebook, as well as Twitch alongside high fidelity without dropped frames as well as with simpler settings. Just choose the broadcasting service as well as enter the broadcasting key.\u003cbr\u003e\u003ch3\u003e5G Phone Support and 4G\u003c\/h3\u003e\u003cbr\u003eIf you're doing live workflow on location, ATEM Mini Extreme versions support connecting an Apple or Android phone to the USB port to operation mobile data. It's additionally a great backup for the main Ethernet link, so you don't drop your stream if your hardwired link gets interrupted. The switcher will without manual intervention switch to through the phone as the primary link, and the USB port will additionally power your phone so the battery won't drain.\u003cbr\u003e\u003ch3\u003eMedia Pool: Guide\u003c\/h3\u003e\u003cbr\u003eThe Extreme ISO G2 permits you to edit your live event as they can capture multiple video streams, which include clean feeds of all sources and program, all at the identical time. Media pool pictures used are additionally saved with the footage files. The footage files incorporate metadata tags such as synced timecode as well as capture device numbers. Imagine re-editing your show alongside new colour grades, effects, as well as graphics. Even the audio sources are all captured, so you can professionally remix your audio.\u003cbr\u003e\u003ch3\u003eIntegration Support\u003c\/h3\u003e\u003cbr\u003eIt is additionally compatible alongside the ATEM 1 M\/E Enhanced Panel, as well as the ATEM Broadcasting Bridge as well as the ATEM Capture device Management Panel. The ATEM Mini Extreme ISO G2 is configurable through Blackmagic's Videohub Hardware Panel Configuration usefulness to route sources to destinations through Videohub Smart Management Pro as well as Videohub Master Management Pro.\u003cbr\u003e\u003ch3\u003erecording production flow\u003c\/h3\u003e\u003cbr\u003eThe switcher also allows direct capture of your broadcasting files to USB flash disks or CFexpress cards. That means you get very long capture times in the same H.264 footage files alongside AAC audio that you streamed, so you can straight upload to online footage sites such as YouTube or Vimeo.Capture to several disks is additionally supported through a USB hub or Blackmagic MultiDock, so whenever a disk fills, capture can continue to a second disk for nonstop capture. Capture settings as well as disk selection are location up in ATEM Software Management, and there's a capture status see in the built-in multiview. You can even from a distance trigger capture on connected Blackmagic Pocket Cinematic production Cameras.\u003cbr\u003e\u003ch3\u003eSoftware Integration: Guide\u003c\/h3\u003e\u003cbr\u003eThe Mini Extreme ISO saves a DaVinci Resolve job file, so alongside a single click, you can open your live workflow as a footage edit. All cuts, dissolves, as well as media pool graphics will be loaded, allowing you to tweak as well as edit your live production through the captured input footage. If you captured the capture device originals as Blackmagic Raw imaging device files, you can relink those as well as take advantage of DaVinci Resolve's colour correction abilities.\u003cbr\u003eThe switcher is additionally compatible alongside the ATEM Software Management app to availability full audio mixing alongside effects, load still frames, save the switcher state as a XML file, and even do enhanced macro programming. If you requirement clip playback, you can even management HyperDeck disk recorders through Ethernet.\u003cbr\u003e\u003ch3\u003evideo signal Effects\u003c\/h3\u003e\u003cbr\u003eOne of the assists of ATEM Mini is the pro-level production value that is possible through the range of built-in footage effects. The cut button maintains an instant cut whenever switching between sources. The auto control is a commercial term employed on large broadcast switchers to permit footage effect transitions. There are duration keys for footage effects allowing 0.5-, 1-, 1.5-, as well as 2-second settings. You can additionally choose the type of effect you require, which include mix, which does a level transition between sources, as well as dip, which fades through a colour during the transition. Or operation fun DVE effects that move the picture off-screen whenever transitioning between sources.\u003cbr\u003e\u003ch3\u003esound capabilities\u003c\/h3\u003e\u003cbr\u003eAlongside two independent XLR audio sources, you can connect desktop as well as lapel mics, or you can connect a music subject to generate introduction music after the live stream commences but before the program starts. Alongside two extra stereo audio sources, you can maintain a host as well as guest both have lapel microphones whenever doing interviews. All audio sources to the ATEM Mini incorporate buttons on the panel to refine the audio level and permit sources into the audio mixer.\u003cbr\u003eIt integrates a Fairlight audio mixer alongside all HDMI sources, and both microphone sources are connected to the audio mixer, so you can mix live from all audio sources. It additionally adds a headphone feed.\u003cbr\u003e\u003ch3\u003eFormat signal conversion\u003c\/h3\u003e\u003cbr\u003eEach of the HDMI sources integrates its own purpose-built standards converter. That means ATEM Mini will without manual intervention convert 1080p, 1080i, as well as 720p sources to the switcher footage standard. By default, the switcher will location its footage format automatically; however, you can additionally set the switcher to any footage standard.\u003cbr\u003eThe HDMI feeds are a true \"aux\" feed, so you can clean-switch every HDMI source to the feed. You can even \"direct\" switch source 1 to the HDMI feed for low-latency eSport workflows. Plus, ATEM Mini Extreme versions support two low-latency immediate loops. The HDMI feed can screen a full multiview that lets you see all sources, program, preview, as well as streaming status on a single display.","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790035968053,"sku":"SWATEMMINICEXTISOG2","price":7930.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Blackmagic-Design-ATEM-Mini-Extreme-ISO-G2.webp?v=1784709472"},{"product_id":"blackmagic-design-pyxis-12k-cinema-camera-arri-pl","title":"Blackmagic Design PYXIS 12K Cinema Camera (ARRI PL)","description":"\u003ch2\u003eA Closer Look at Blackmagic Design PYXIS 12K\u003c\/h2\u003e\u003cbr\u003e\u003ch3\u003eEasy-to-Rig 12K Full-Frame Camera: Guide\u003c\/h3\u003e\u003cbr\u003eIn this camera's design, the Blackmagic Configuration PYXIS 12K Cinema Box Camera brings together a full-frame 12K RGBW imager that acquires rich colors as well as accurate skin tones with the space-efficient, versatile configuration of the PYXIS 6K unit. It provides an ARRI PL optics mount, a 36 x 24mm imager, a wide 16-stop dynamic selection, as well as customizable side plates.\u003cbr\u003e\u003ch3\u003eLarge-Format Digital Film Sensor: Guide\u003c\/h3\u003e\u003cbr\u003eThe PYXIS 12K's massive 24 x 36mm full-frame RGBW imager boasts a native 12,288 x 8040 definition, letting you produce shallow separation of focus area or operation anamorphic lenses eliminating cropping for a genuinely cinematic look. A 16-stop dynamic selection with dual-native ISO up to 25,600 maintains low-noise imagery in all lighting situations.\u003cbr\u003e\u003ch3\u003eadaptable Film Formats\u003c\/h3\u003e\u003cbr\u003eWork in a selection of cinematic formats as well as aspect ratios eliminating sacrificing fidelity, thanks to the large imager. You can additionally work in true 6:5 anamorphic eliminating needing to crop for widescreen cinematics. Operation a Super 35-sized window to produce an immediate close-up version of your open-gate attempt.\u003cbr\u003e\u003ch3\u003eFrame Rates and Multiple Resolutions\u003c\/h3\u003e\u003cbr\u003eShoot in standard footage resolutions as well as shot rates from HD to 12K through the PYXIS 12K alongside the capacity to acquisition in 12K, 8K, or 4K at the full imager size. Available resolutions incorporate up to 40 fps at 12,288 x 8040 3:2 open gate, 60 fps at 12,288 x 5112 2.4:1, as well as 112 fps at 8192 x 3408 8K. There's even a HFR (elevated framerate) control for quickly switching to your rate eliminating having to availability the menu.\u003cbr\u003e\u003ch3\u003eDual-Native ISO and HDR Imagery\u003c\/h3\u003e\u003cbr\u003eThe wide 16-stop dynamic selection preserves more detail in both the lightest as well as darkest areas of your picture. Set the light levels for an interior scene whereas retaining details in the bright outdoor light coming via a window. Optimized for ISO 800, the PYXIS 12K provides ISOs of 200 to 3200 and a highest ISO 25,600, reducing grain and noise in your pictures while maintaining the full dynamic selection of the imager.\u003cbr\u003e\u003ch3\u003ePro Grip and Optional Pro Handle\u003c\/h3\u003e\u003cbr\u003eUse the new Pro Handle as well as\/or Pro Grip to transform your PYXIS 12K into an ENG-style unit for fast, run-and-gun acquisition. The Pro Handle incorporates an OLED, daylight-visible HD viewfinder, a focal adjustment rocker with capture run\/stop, as well as a stereo microphone. The Pro Grip additionally delivers a focal adjustment rocker alongside run\/stop plus a handgrip for secure handheld acquisition.\u003cbr\u003e\u003ch3\u003eCustomizable Rigging: Guide\u003c\/h3\u003e\u003cbr\u003eCrafted from low-weight yet sturdy aerospace-grade aluminum, the easy-to-rig PYXIS 12K incorporates several 1\/4\"-20 and 3\/8\"-16 threads for installation it on a gimbal, crane, or drone. It additionally has a selection of side plates developed for attaching handgrips, SSD recorders, mics, and more. It incorporates a side plate alongside one 3\/8\"-16 and two 1\/4\"-20 threads and a SSD plate alongside an optional rosette plate with extra threads available separately.\u003cbr\u003e\u003ch3\u003eOnboard Controls and LCD Monitor\u003c\/h3\u003e\u003cbr\u003eOperation the built-in 4\" LCD touchscreen to display and inspection your pictures on location. This full HD-resolution, HDR-compatible display lets you shot and focus without requiring an extra external unit. A highest brightness of 1500 cd\/m² maintains visibility even in bright sunlit situations. On-screen overlays show status and capture parameters, histograms, levels, shot guides, as well as 3D LUTS, among other utilities.Onboard controls enable you to toggle functions such as ISO, white equilibrium, and shutter alongside ease. A scroll wheel makes quick adjustments, as well as three customizable function keys can tailor your process to your preference. The manages can be locked to avoid accidental depressing during shooting.\u003cbr\u003e\u003ch3\u003ePost-Production-Friendly Formats: Guide\u003c\/h3\u003e\u003cbr\u003eThe PYXIS 12K records in Blackmagic RAW, preserving detail, light levels, and colour control during post-production. It can additionally capture H.264 proxy files in real time for simple sharing. Blackmagic RAW works alongside Apple Metal, CUDA, as well as OpenCL, as well as its media files operate on all working systems.\u003cbr\u003e\u003ch3\u003eMultiple recording production flow Options\u003c\/h3\u003e\u003cbr\u003eTwo built-in CFExpress Type-B medium slots as well as a USB-C expansion port enable you to capture directly to outboard flash media disks or SSDs. The elevated speed of CFexpress cards lets you acquisition a hour plus in 6K on a single 256GB medium.\u003cbr\u003e\u003ch3\u003eLive Syncing to Blackmagic Cloud: Guide\u003c\/h3\u003e\u003cbr\u003eNews as well as live event material creators will appreciate the capacity to shoot as well as edit in near real-time through Blackmagic Cloud as well as the PYXIS 12K's proxy files.Operators anywhere in the world can upload proxy footage as well as have their editors start shooting on scenes almost instantly.\u003cbr\u003e\u003ch3\u003eBuilt-In Streaming: Guide\u003c\/h3\u003e\u003cbr\u003eLive stream straight from the PYXIS 12K on location to a secondary on-location via SRT as well as RTMP protocols. Compatible platforms such as YouTube, Facebook, as well as X can support feeds from the PYXIS 12K for live event workflow. To share material internally, operation an ATEM Broadcasting Bridge for a cable-free link rear to the soundstage.\u003cbr\u003e\u003ch3\u003eExpansive connections\u003c\/h3\u003e\u003cbr\u003eThe front of the PYXIS 12K boasts a USB-C port for the Blackmagic URSA Cine EVF as well as a mini 3-pin XLR analog audio source alongside +48V Phantom power for microphone incorporation.The rear of the PYXIS 12K incorporates a headphone observation jack and an extra 3.5mm microphone source. Operation the USB-C port at the rear of the imaging device to connect to capture devices or mobile files. A 12G-SDI feed integrates a secondary monitor.\u003cbr\u003e\u003ch3\u003eA Reference\/Timecode input port syncs your sources.: Guide\u003c\/h3\u003e\u003cbr\u003eOperation the fast RJ45 10 GbE Ethernet port supporting up to 10GBase-T to upload footage to Blackmagic Cloud or management the camera from a distance.\u003cbr\u003ePower the PYXIS 12K through the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003cbr\u003eDownload the Blackmagic Capture device Control app for cable-free Bluetooth management from up to 30' away.","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790036000821,"sku":"CINECAMCPYXO12LFPL","price":20958.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Blackmagic-Design-PYXIS-12K-Cinema-Camera.webp?v=1784709473"},{"product_id":"blackmagic-design-pyxis-monitor","title":"Blackmagic Design PYXIS Monitor","description":"\u003ch2\u003eA Closer Look at Blackmagic Design PYXIS Monitor\u003c\/h2\u003e\u003cbr\u003eConsidering the complete platform, the PYXIS Monitor from Blackmagic Configuration is a versatile, high-brightness monitor developed specifically for the Blackmagic PYXIS camera. Performing as much more than just an outboard display, it functions as a powerful camera extension with a touchscreen interface, allowing operators to control all camera contains. With several mounting points, the monitor can be easily attached to the camera as a large viewfinder or mounted on a rig for improved focusing and framing. Featuring a 5\" LCD touchscreen, the PYXIS Monitor is ideal for use as a viewfinder for more accurate focusing and framing. A clip-on sunshade is included to facilitate viewing in daylight or other bright light conditions.\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/11\/Blackmagic-Design-PYXIS-Monitor-1.webp\"\u003e\u003cimg class=\" wp-image-14332 alignright\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/11\/Blackmagic-Design-PYXIS-Monitor-1.webp\" alt=\"Blackmagic Design PYXIS Monitor \" width=\"303\" height=\"303\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003ch3\u003eBuilt of Blackmagic Pyxis Monitor: Guide\u003c\/h3\u003e\u003cbr\u003eConstructed from durable machined metal, the Blackmagic PYXIS Monitor is constructed for professional uses, complementing the configuration of both the Blackmagic PYXIS and Blackmagic URSA Cine cameras. The versatile monitor can be employed as an assist station, allowing your crew to easily monitor shots from any position on the set, even whenever bright sunlight surrounds your area, as the monitor's 5\" LCD touchscreen integrates 1500 cd\/m² brightness that maintains detailed visibility and with the removable sunshade offering added protection and convenience. A bright tally light is visible from a distance during capture, and the monitor incorporates three customizable buttons for quick access to functions like zebra, focus assist, and false color, developed for easy tactile navigation.\u003cbr\u003e\u003ch3\u003eOther Features and Ports\u003c\/h3\u003e\u003cbr\u003eA single USB-C cable that transmits footage, power, and camera control connects the monitor to your camera while locking screws at both ends maintain a secure link. The HDR touchscreen permits operators to control all camera functions directly from the monitor, which include access to Blackmagic PYXIS menus, settings, metadata, and digital slate information. Custom 3D LUTs can additionally be loaded for enhanced cinematic workflows. Designed for adaptable mounting, the Blackmagic PYXIS Monitor handles industry-standard 1\/4\"-20 mounting and works seamlessly with Blackmagic PYXIS cameras outfitted with accessories like rails and cages. The single USB link makes possible off-camera mounting on other accessories, such as cranes or gimbals, facilitating full observation and camera control even whenever the camera is not inside reach.\u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790100062261,"sku":"CINEURSABB\/AM","price":1248.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/Blackmagic-Design-PYXIS-Monitor.webp?v=1784711481"},{"product_id":"blackmagic-design-3g-sfp-optical-module","title":"Blackmagic Design 3G SFP Optical Module","description":"\u003ch2\u003eA Closer Look at Blackmagic Design ADPT-3GBI\/OPT\u003c\/h2\u003e\u003cbr\u003eBeginning with its core design, Add a LC fiber optic link to your Blackmagic Studio Camera, Teranex Converter, ATEM hardware, or any other professional device that allows SFP cages with this Blackmagic Configuration 3G SFP Optical Module. 3G data rates support SD and HD resolutions, and the fiber optic communication makes possible long-distance transmission without quality loss.","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790104223797,"sku":"ADPT-3GBI\/OPT","price":438.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1442418487_654839.webp?v=1784711516"},{"product_id":"blackmagic-design-davinci-resolve-studio-activation-card","title":"Blackmagic Design DaVinci Resolve Studio (Activation Card)","description":"\u003ch3\u003eA Closer Look at Blackmagic Design Davinci Resolve Studio\u003c\/h3\u003e\u003cbr\u003eLooking first at image acquisition, Blackmagic Configuration DaVinci Resolve Studio is a editing environment suited to everything from individual productions through feature work and visual effects. The Color page integrates new HDR grading tools, an AI-based magic mask for targeted grading, and a color warper. Fairlight makes available a faster process with updated mouse and keyboard edit selection tools. Fairlight adds a redesigned audio engine and bus architecture for real-time editing across 2,000 tracks.\u003cbr\u003eThe Cut tab supplies Smart Reframe for social media among other new functions. The Edit page has many improvements to process and now makes possible independent proxy files created either inside the application or by outside third-party tools. Fusion delivers new capabilities such as custom vector shapes. Additionally, compositions created in Fusion can now be used through the Cut and Edit pages as effects, titles, or transitions.\u003cbr\u003eDaVinci Resolve provides a diverse editing experience by combining distinct editors in one platform, across distinct tabs at the bottom of the interface. Between these distinct tabs, you get full-featured enhanced solutions for footage editing, color correction, visual effects, motion graphics, and audio post-production. DaVinci Resolve is additionally constructed to work fast and efficiently and to handle large projects with collaboration. You can work with up to 8K footage and a wide variety of formats. Toolsets are provided for enhanced HDR editing, 3D stereoscopic processes, social media content, and much more.\u003cbr\u003eYour order delivers you with an activation card by mail. The card supplies an activation code that installs and operates the application on two computers.\u003cbr\u003e\u003ch3\u003eFeature Highlights — Blackmagic Design DaVinci\u003cimg class=\"alignright\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_1993489.jpg\" alt=\"DaVinci Resolve Studio\" width=\"750\" height=\"422\"\u003e\n\u003c\/h3\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eBlackmagic Cloud to host and manage cloud-based project libraries.\u003c\/li\u003e    \u003cli\u003eCollaborate securely over the internet using Blackmagic ID.\u003c\/li\u003e    \u003cli\u003eSupport for intelligent path mapping to relink files automatically.\u003c\/li\u003e    \u003cli\u003eVastly improved project library performance for network workflows.\u003c\/li\u003e    \u003cli\u003eImproved project performance, especially when working on large projects.\u003c\/li\u003e    \u003cli\u003eNew Proxy Generator app for auto-creating proxies within watch folders.\u003c\/li\u003e    \u003cli\u003eAbility to choose between prioritizing proxies or camera originals.\u003c\/li\u003e    \u003cli\u003eProxy files in subfolders are automatically assigned in the media pool.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eEdit and Media\u003c\/h3\u003e\u003cbr\u003eStabilize Blackmagic Pocket Camera clips with camera gyro metadata.\u003cbr\u003e\u003ch4\u003eNew subtitle improvements, including:: Guide\u003c\/h4\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eSupport for timed text TTML, XML, and embedded MXF\/IMF subtitles.\u003c\/li\u003e    \u003cli\u003eAbility to view and import subtitles from media storage.\u003c\/li\u003e    \u003cli\u003eSupport for relinking subtitle clips from the media pool.\u003c\/li\u003e    \u003cli\u003eSubtitle region support with multiple simultaneous captions per track.\u003c\/li\u003e    \u003cli\u003eSet individual presets and text positions, and intuitively edit between regions.\u003c\/li\u003e    \u003cli\u003eAdd, rename, and manage regions from the timeline context menu.\u003c\/li\u003e    \u003cli\u003eAbility to export TTML subtitles from the track header context menu.\u003c\/li\u003e    \u003cli\u003eAbility to import, export, and embed multiple subtitle tracks as TTML.\u003c\/li\u003e    \u003cli\u003eSupport for reversing shape, iris, and wipe transitions on the edit page.\u003c\/li\u003e    \u003cli\u003eSupport for showing up to 25 simultaneous multicamera angles on the viewer.\u003c\/li\u003e    \u003cli\u003eEdit Index now shows clip duration.\u003c\/li\u003e    \u003cli\u003eAbility to navigate keyframes outside trimmed clip extents.\u003c\/li\u003e    \u003cli\u003eAbility to navigate retime keyframes using hotkeys.\u003c\/li\u003e    \u003cli\u003eSmart bin filter for disabled timelines.\u003c\/li\u003e    \u003cli\u003eRender in place and open in Fusion actions can be assigned shortcuts.\u003c\/li\u003e    \u003cli\u003eReset Fusion composition now works on multiple clip selections.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eColor: Guide\u003c\/h3\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eNew object mask capability in Magic Mask.\u003c\/li\u003e    \u003cli\u003eAdjustment clips and Fusion generators can bypass color management.\u003c\/li\u003e    \u003cli\u003eSupport for syncing clip groups in remote grading sessions.\u003c\/li\u003e    \u003cli\u003eAbility to trigger bidirectional tracking from advanced and mini panels.\u003c\/li\u003e    \u003cli\u003eSupport for matte finesse and 3D qualifier in advanced and mini panels.\u003c\/li\u003e    \u003cli\u003eDolby Vision highlight clipping support in advanced panels.\u003c\/li\u003e    \u003cli\u003eSupport for bypassing color outputs from advanced panels.\u003c\/li\u003e    \u003cli\u003eAdd key mixers with auto-connected key outs from advanced panels.\u003c\/li\u003e    \u003cli\u003eSupport for bidirectional tracking in advanced panels.\u003c\/li\u003e    \u003cli\u003eSupport for fast review playback mode in advanced panels.\u003c\/li\u003e    \u003cli\u003eACES support for Blackmagic Gen 5 camera formats.\u003c\/li\u003e    \u003cli\u003eSupport for the HDR Vivid standard.\u003c\/li\u003e    \u003cli\u003eReference gamut compression is enabled by default in ACES 1.3.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eResolve FX: Guide\u003c\/h3\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eNew Resolve FX Depth Map to generate 3D depth-based keys in Studio.\u003c\/li\u003e    \u003cli\u003eNew Resolve FX Fast Noise.\u003c\/li\u003e    \u003cli\u003eNew Resolve FX Despill.\u003c\/li\u003e    \u003cli\u003eNew Resolve FX Surface Tracker for tracking warped surfaces in Studio.\u003c\/li\u003e    \u003cli\u003eImproved Resolve FX Beauty with new ultra mode.\u003c\/li\u003e    \u003cli\u003eImproved edge strength and filter controls in Resolve FX Edge Detection.\u003c\/li\u003e    \u003cli\u003eOption to composite from a second input in Resolve FX Transform.\u003c\/li\u003e    \u003cli\u003eNew bokeh preset for Resolve FX Lens Reflections.\u003c\/li\u003e    \u003cli\u003eGreen-purple control for Resolve FX Chromatic Aberration.\u003c\/li\u003e    \u003cli\u003eSizing awareness option in Resolve FX lens flare and radial and zoom blurs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eFairlight: Guide\u003c\/h3\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eAbility to convert fixed bus projects to FlexBus in project settings.\u003c\/li\u003e    \u003cli\u003eAbility to freely order tracks and buses in the mixer via the track index.\u003c\/li\u003e    \u003cli\u003eAbility to nudge custom millisecond or sub-frame intervals in the timeline.\u003c\/li\u003e    \u003cli\u003eImproved quality for time-stretched audio.\u003c\/li\u003e    \u003cli\u003eImproved Dolby Atmos immersive mixing, including binaural monitoring.\u003c\/li\u003e    \u003cli\u003eNative support for Dolby Atmos production for Linux and Apple silicon.\u003c\/li\u003e    \u003cli\u003eIndependent controls to enable automation and expose parameters.\u003c\/li\u003e    \u003cli\u003eImproved behavior of automated tracks under VCA control.\u003c\/li\u003e    \u003cli\u003eImproved meters with configurable decay, peak hold, and display modes.\u003c\/li\u003e    \u003cli\u003eAbility to ctrl-alt click to remove gain and elastic wave keyframes.\u003c\/li\u003e    \u003cli\u003eAbility to double-click a clip in the timeline to rename.\u003c\/li\u003e    \u003cli\u003eAbility to set record clip name prefix at a per-track level.\u003c\/li\u003e    \u003cli\u003eSupport for renaming underlying tracks when renaming a linked group.\u003c\/li\u003e    \u003cli\u003eEqualizers with improved Q controls and mouse wheel inputs.\u003c\/li\u003e    \u003cli\u003eDynamics with enhanced metering, gain display, and enable controls.\u003c\/li\u003e    \u003cli\u003eDynamics with improved dry mix, soft knee, and metering in FlexBus.\u003c\/li\u003e    \u003cli\u003eImproved plug-in management with replace and copy settings in the mixer.\u003c\/li\u003e    \u003cli\u003eNew built-in presets for equalizers and dynamics.\u003c\/li\u003e    \u003cli\u003eHold shift and double-click clips to extend the edit selection range.\u003c\/li\u003e    \u003cli\u003eSupport for applying audio gain on range selection.\u003c\/li\u003e    \u003cli\u003eImproved waveform display accuracy under crossfades.\u003c\/li\u003e    \u003cli\u003eOrigination time metadata is now persisted when bouncing mix to track.\u003c\/li\u003e    \u003cli\u003eOption to trim from unity on the Fairlight Desktop Console.\u003c\/li\u003e    \u003cli\u003eSupport for VCA and bus spill on the Fairlight Desktop Console.\u003c\/li\u003e    \u003cli\u003eSupport for using the Fairlight Desktop Console on Linux systems.\u003c\/li\u003e    \u003cli\u003eStudio monitoring support for FlexBus on consoles.\u003c\/li\u003e    \u003cli\u003eFairlight console option to mute speakers on timeline load.\u003c\/li\u003e    \u003cli\u003eSupport for chasing timecode via Fairlight audio interfaces.\u003c\/li\u003e    \u003cli\u003eSupport for user views in the Fairlight Desktop Console.\u003c\/li\u003e    \u003cli\u003eImproved mapping for audio effects on the Audio Editor panel.\u003c\/li\u003e    \u003cli\u003eAbility to use alt + solo to invoke solo safe in the Audio Editor panel.\u003c\/li\u003e    \u003cli\u003eSupport for a new clear mutes action in the timeline menu.\u003c\/li\u003e    \u003cli\u003eEnabling track mixer controls brings a window to focus if already open.\u003c\/li\u003e    \u003cli\u003eGrid and list modes are persisted for patch, bus, and VCA assign.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eFusion: Guide\u003c\/h3\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eMulti-button mode selection in the inspector for multiple tools.\u003c\/li\u003e    \u003cli\u003eSupport for all modern and future Python 3 versions for scripting.\u003c\/li\u003e    \u003cli\u003eSupport for live previews when using the Text+ color picker.\u003c\/li\u003e    \u003cli\u003eMultiple new composition blend modes.\u003c\/li\u003e    \u003cli\u003eNew expression animated Custom Poly modifier for masks and strokes.\u003c\/li\u003e    \u003cli\u003eFaster GPU-accelerated paint tool with smoother strokes.\u003c\/li\u003e    \u003cli\u003eFaster duplicate tool with additional blur, glow, and size controls.\u003c\/li\u003e    \u003cli\u003eImproved fade-on and text ripple title performance.\u003c\/li\u003e    \u003cli\u003eImproved performance for night vision, glitch, TV, and other effects.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eMinimum System Requirements for Windows: Guide\u003c\/h3\u003e\u003cbr\u003eWindows 10 Creators Update\u003cbr\u003e16GB of system memory, 32GB whenever using Fusion\u003cbr\u003eBlackmagic Configuration Desktop Video 10.4.1 or later\u003cbr\u003eBuilt-in GPU or discrete GPU with at least 2GB of VRAM\u003cbr\u003eGPU that accommodates OpenCL 1.2 or CUDA 11\u003cbr\u003eA GPU driver version appropriate for the installed NVIDIA, AMD, or Intel hardware\u003cbr\u003e\u003ch3\u003eMinimum System Requirements for Linux: Guide\u003c\/h3\u003e\u003cbr\u003eCentOS 7.3\u003cbr\u003e32GB of system memory\u003cbr\u003eBlackmagic Configuration Desktop Footage 10.4.1 or later\u003cbr\u003eDiscrete GPU with at least 2GB of VRAM\u003cbr\u003eGPU that accommodates OpenCL 1.2 or CUDA 11\u003cbr\u003eNVIDIA\/AMD Driver version–as required by your GPU\u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790125555765,"sku":"DV\/RESSTUD","price":1160.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1508177128_1366318.webp?v=1784713766"},{"product_id":"blackmagic-design-smartview-4k-g3-15-6-dci-4k-broadcast-monitor-with-smpte-2110","title":"Blackmagic Design SmartView 4K G3 15.6\" DCI 4K Broadcast Monitor with SMPTE 2110","description":"\u003ch1\u003eBlackmagic Smartview 4K G3: Guide\u003c\/h1\u003e\u003cbr\u003eBeginning with its core design, the Blackmagic SmartView 4K G3 stands out as a professional-grade 15.6\" TFT LCD monitor, boasting built-in optical and copper SMPTE?2110 IP footage links, facilitating direct integration with IP-based broadcast systems. Sporting a native definition of 3840 x 2160, it additional extends its versatility with two multi-rate 12G-SDI sources, maintaining seamless connectivity with numerous professional video equipment. These sources seamlessly transition between SD, HD, and 4K formats, supporting up to DCI 4K60, while its lightweight machined aluminum chassis and UHD 4K LCD screen maintain durability and reliable picture quality. On-screen overlays such as focus peaking, framing guides, and safe areas enhance usability, while built-in 3D LUTs supply flexibility for creative grading, log film gamma conversion, and custom HDR profiles.\u003cbr\u003e\u003ch2\u003e\n\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/05\/1712932521_1823522.webp\"\u003e\u003cimg class=\"size-medium wp-image-12368 alignright\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/05\/1712932521_1823522-300x300.webp\" alt=\"Blackmagic Smartview 4K G3\" width=\"300\" height=\"300\"\u003e\u003c\/a\u003eAdaptable Monitoring Solution: Guide\u003c\/h2\u003e\u003cbr\u003eThe BLackmagic SmartView 4K G3 caters to diverse observation needs, supporting both 12G-SDI and SMPTE 2110 IP footage resolutions up to UHD 4K60, making it a preferred choice for broadcast uses. Its extensive feature set, including focus peaking, zoom, aspect ratio markers, and tally, renders it indispensable for live productions. Moreover, its lightweight yet robust 6 RU aluminum construction maintains portability and durability, making it appropriate for fly packs and on-location usage.\u003cbr\u003e\u003ch2\u003eEnhanced 3D LUT Monitoring through Blackmagic Smartview 4K G3: Guide\u003c\/h2\u003e\u003cbr\u003eBid farewell to the lackluster appearance of SDI sources encoded with log film gamma or HDR profiles—the SmartView 4K G3 incorporates 3D LUT support. This enables operators to remap SDI or 2110 source color spaces onto the SmartView 4K G3 screen or apply creative looks effortlessly. With the ability to upload 3D LUTs through the SmartView utility and export DaVinci Resolve color grades as custom 3D LUTs, operators can build an extensive library of captivating looks without incurring extra costs.\u003cbr\u003e\u003ch2\u003eBlackmagic Smartview 4K G3 compatibility for Multiple Resolutions\u003c\/h2\u003e\u003cbr\u003eEquipped with high-performance 12G-SDI and 10G Ethernet-based 2110 IP sources, all of which are multi-rate, the SmartView 4K G3 seamlessly allows varying resolutions, from lower-resolution SD for archival purposes to HD for broadcast and 2K UHD for feature film uses. Furthermore, it adheres to UHD footage standards across both its 12G-SDI and 10G Ethernet-based 2110 IP footage inputs, supporting future-proof compatibility with evolving television standards via convenient software updates.\u003cbr\u003e\u003ch2\u003eCustomizable Markers and Front Panel Controls\u003c\/h2\u003e\u003cbr\u003eEquipped with an extensive array of front panel observation functionalities, the SmartView 4K G provides convenient access to several controls. Among these are a source selector button, facilitating seamless switching between the two 12G-SDI footage sources and the 2110 IP footage input. Extra controls encompass brightness adjustment, horizontal and vertical display settings, blue-only setting, zoom operation, focus peaking, 3D LUT selection, and the ability to overlay up to four customizable on-screen markers.\u003cbr\u003e\u003ch2\u003eBlackmagic Smartview 4K G3 offers NMOS Protocol for Virtual signal routing\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic SmartView 4K G3 is engineered to support the NMOS interface specifications, enabling seamless integration and operation of all your 2110 IP footage devices as part of a cohesive virtual routing system. Additionally, it delivers compatibility with Videohub Smart Control, empowering routing of sources to destinations inside 2110 IP networks by functioning as a NMOS controller. The NMOS interface specification delineates the discovery and control mechanisms for SMPTE 2110 devices across IP networks. Leveraging IS-04 for device discovery and registration, and IS-05 for link management, the SmartView 4K G3 facilitates seamless establishment of links between sources and destinations akin to traditional SDI routing.\u003cbr\u003e\u003ch2\u003eWindows and Remote Control Software for macOS\u003c\/h2\u003e\u003cbr\u003eSimplified management and configuration of the Blackmagic SmartView 4K G3 can be achieved through the free SmartView utility software, provided for both macOS and Windows platforms. This intuitive software permits users to refine settings and perform software updates conveniently. Moreover, operators can customize monitor names for easy identification inside larger systems and toggle between 3G-SDI level A and level B formatting. To bolster security measures against unauthorized network access, Ethernet operation is initially disabled but can be activated whenever connecting via USB.\u003cbr\u003e\u003ch2\u003eDirect Integration: SMPTE 2110 IP Networks\u003c\/h2\u003e\u003cbr\u003eThe SmartView 4K seamlessly integrates with SMPTE?2110 standard-compliant IP footage systems, offering both optical fiber and copper 10G Ethernet links. This function empowers operators to construct cutting-edge IP footage setups effortlessly. SMPTE?2110 defines the transmission, synchronization, and metadata of footage, audio, and ancillary data over IP networks for broadcasting purposes. It encompasses support for uncompressed footage under SMPTE?2110-20, the Blackmagic IP codec for high frame rate Ultra HD, SMPTE?2110-21 for traffic shaping\/timing, SMPTE?2110-30 for audio, and SMPTE?2110-40 for ancillary data support. Moreover, the SmartView 4K enables the chosen video source to be routed via the 10G Ethernet SMPTE?2110 IP link with broad multicast support to several destinations.\u003cbr\u003e\u003ch2\u003eTally Border Functionality: Guide\u003c\/h2\u003e\u003cbr\u003eEquipped with support for the Blackmagic SDI Tally Protocol, the SmartView 4K G3 integrates an illuminated colored border surrounding the picture, with red indicating \"on-air\" and green indicating \"preview\". This standard tally protocol is utilized across all ATEM live production switchers, simplifying interfacing by enabling the monitor to receive both the picture and tally information via a single BNC cable connected to the switcher's SDI feeds. This maintains seamless communication between the director and camera crews, with tally information relayed back to the SmartView 4K via the SDI footage feed during live switching operations.\u003cbr\u003e\u003ch2\u003eCustomized distance-based Solutions for Blackmagic Smartview 4K G3\u003c\/h2\u003e\u003cbr\u003eThe Videohub platform incorporates a robust remote control protocol, facilitating the creation of tailored remote control solutions for seamless integration of the SmartView 4K G3 into broadcast systems. Featuring a user-friendly, text-based protocol, it is easily understandable and can be experimented with through a Telnet client. This flexibility enables the development of custom control solutions across numerous computer platforms and embedded hardware such as Raspberry Pi and Arduino. The protocol grants full control over LCD settings including brightness, contrast, saturation, tally, source selection, and 3D LUT activation. Exploring the protocol is straightforward; operators can log in through a Telnet app and refer to the diverse documentation provided in the SmartView 4K manual to test each command effectively.\u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790138335285,"sku":"HDL-SMTV4K12G3","price":5281.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1712932521_1823522.webp?v=1784715086"},{"product_id":"blackmagic-design-2110-ip-presentation-converter","title":"Blackmagic Design 2110 IP Presentation Converter","description":"\u003ch2\u003eBlackmagic 2110 IP Presentation Converter: Guide\u003c\/h2\u003e\u003cbr\u003eAs configured for this product, Leverage SMPTE 2110 IP footage technology for media exhibitions with the Blackmagic 2110 IP Presentation Converter. Specifically engineered for speaker podiums, this converter facilitates microphone links and speaker feeds, while enabling seamless footage transmission to projectors via a computer or laptop via USB-C connectivity. The rapid 10G footage feed can be harnessed to transmit footage across Blackmagic's array of 2110 IP devices.\u003cbr\u003eThis converter handles footage resolutions of up to DCI 4K60 and incorporates 12G-SDI and HDMI source\/feed interfaces for projector connections. Audio functions encompass embedded audio across all sources and feeds, balanced 3-pin XLR mic\/line sources, a balanced 3-pin XLR feed for PA speakers, and a 1\/4\" headphone feed. Phantom power is provided for the mic sources, and the unit additionally serves as a power source for laptops via its 45W interface.\u003cbr\u003e\u003ch3\u003e\n\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/05\/1712933152_IMG_2231869.webp\"\u003e\u003cimg class=\"size-medium wp-image-12392 alignright\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/05\/1712933152_IMG_2231869-300x300.webp\" alt=\"Blackmagic 2110 IP Presentation Converter\" width=\"300\" height=\"300\"\u003e\u003c\/a\u003eQuick capabilities\u003c\/h3\u003e\u003cbr\u003e\u003cul\u003e \u003cli\u003eTailored for podium environments accommodating speaker presentations\u003c\/li\u003e \u003cli\u003eFacilitates connections between switchers, computers, projectors, microphones, and PA systems\u003c\/li\u003e \u003cli\u003eOffers HDMI and USB-C inputs for video transmission, with the added capability of powering a laptop through the 45W USB-C connection\u003c\/li\u003e \u003cli\u003eAn HDMI output for projectors can seamlessly switch between video input or the 2110 IP return feed\u003c\/li\u003e \u003cli\u003eIncludes XLR mic inputs and XLR audio output for PA speakers\u003c\/li\u003e \u003cli\u003eThe RJ-45 10G Ethernet video connection can power the entire converter via PoE, even while charging a USB-connected computer.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch2\u003eSMPTE-2110 IP Presentation Converter video signal Standard\u003c\/h2\u003e\u003cbr\u003eBlackmagic's 2110 IP devices adhere to the SMPTE ST-2110 standard for IP footage, outlining the transportation, synchronization, and delineation of 10-bit footage, audio, and ancillary data across managed IP networks for broadcasting purposes. They possess the function to synchronize SDI sources to a common PTP clock, or outboard hardware can synchronize with the reference feed derived from the PTP clock. Supporting SMPTE-2110-20 uncompressed footage, SMPTE-2110-21 traffic shaping\/timing, SMPTE-2110-30 audio, and SMPTE-2110-40 for ancillary data, Blackmagic's 2110 IP devices facilitate multicast, an efficient method of disseminating footage, audio, and data from a single source to several destinations.\u003cbr\u003e\u003ch2\u003e10G Ethernet: Guide\u003c\/h2\u003e\u003cbr\u003eBlackmagic offers the 2110 IP Presentation Converter with RJ45 ports for standard Cat 6 copper runs or SFP cages for modular network links developed for optical fiber modules and cables. Utilizing simple Cat 6 copper cables supports the establishment of SMPTE-2110 systems at significantly reduced costs. Both the cabling and compatible 10GbE switching hardware are readily provided. Existing 10GbE building cabling can often be reused, reducing the need for new infrastructure. Additionally, copper cables can remotely power devices like converters and cameras. Optical fiber Ethernet versions are additionally provided, offering a cost-effective alternative to 25G or 40G Ethernet at 10G speeds. Furthermore, compatibility with 3G-, 6G-, or 12G-SDI modules is supported.\u003cbr\u003e\u003ch2\u003eEasy deployment\u003c\/h2\u003e\u003cbr\u003eSMPTE 2110 systems commonly require specialist IT support to maintain the smooth operation of footage systems, Blackmagic's 2110 IP converters provide an alternative through direct point-to-point links. Complex network switching is therefore unnecessary, while the installation retains the advantages of SMPTE 2110 IP footage through simple Ethernet cables, remote power functions, and bidirectional footage transmission. This setup closely resembles an SDI workflow, permitting the link of cameras to rack converters to facilitate camera control, program footage transmission, power delivery, and tally functions over a single cable. Alternatively, HDMI converters can be connected to rack converters for remote monitor interfacing.\u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790138433589,"sku":"CONVNVIPH\/PRESC","price":3529.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1712933123_1823515.webp?v=1784715091"},{"product_id":"blackmagic-design-ursa-cine-evf-extension","title":"Blackmagic Design URSA Cine EVF Extension","description":"\u003ch1\u003eBlackmagic URSA Cine EVF Extension: Guide\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/05\/1714671913_1823593.jpg\"\u003e\u003cimg class=\"size-medium wp-image-12398 alignright\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/05\/1714671913_1823593-300x300.jpg\" alt=\"Blackmagic URSA Cine EVF Extension\" width=\"300\" height=\"300\"\u003e\u003c\/a\u003e\n\u003c\/h1\u003e\u003cbr\u003eLooking first at image acquisition, Expand the distance between your URSA Cine EVF and camera through the Blackmagic URSA Cine EVF Extension. Engineered specifically for URSA Cine and PYXIS 6K cameras, this extension seamlessly integrates with the EVF rod assembly, affixing securely onto the URSA Cine Handle.\u003cbr\u003eWith this extension, you can reposition the EVF even additional from the camera, preserving optimal viewing angles. The extension incorporates sliding operation for precise adjustments and enables rotation of your EVF as needed. Moreover, it boasts compatibility with standard viewfinder allows, enhancing versatility and usability.\u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790138531893,"sku":"CINEURSAB\/EVFEXT","price":792.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1714671913_1823593.jpg?v=1784715093"},{"product_id":"blackmagic-design-ethernet-switch-360p","title":"Blackmagic Design Ethernet Switch 360P","description":"\u003ch1 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"productTitle\"\u003eBlackmagic Ethernet Switch 360P: Guide\u003c\/h1\u003e\u003cbr\u003eConsidering the complete platform, Tailored for the needs of the film and television sector, Blackmagic Configuration introduces the Blackmagic Ethernet Switch 360P, delivering strong performance coupled with minimal latency. The switch combines high-speed 10GbE ports with two faster QSFP interfaces that accept copper connections or optical modules. The front panel contains a built-in panel, facilitating effortless setup of 2110 IP multicasting via familiar footage routing protocols, eliminating the necessity for a dedicated team of IT specialists.\u003cbr\u003eA router-like front panel groups the controls, display, buttons, and adjustment wheel, while network connections occupy the rear of the fully featured switch. Supporting SMPTE 2110 footage standards, it provides sixteen 10 GigE RJ45 ports and two 100 GigE RJ45 ports located at the back, facilitating streamlined cable management. Perfect for intricate configurations, the Ethernet Switch 360P is an ideal choice for fly-pack setups and space-efficient broadcast trucks. Furthermore, each port's monitor feed displays a speed graph, while the front screen dynamically showcases alphabetical labels for connected 2110 devices, preserving swift identification.\u003cbr\u003e\u003ch2\u003eConstruct 2110 IP Infrastructures and Foster Collaboration\u003c\/h2\u003e\u003cbr\u003e\u003cul\u003e \u003cli\u003eUtilize the Ethernet Switch 360P to establish compact 2110 IP setups suitable for fly-pack kits or compact broadcast vehicles.\u003c\/li\u003e \u003cli\u003eForge a comprehensive ISO recording and replay solution by leveraging the 10GbE ports, DaVinci Resolve workstations, and establishing connectivity to a Blackmagic Cloud Store Max via one of the 100GbE ports.\u003c\/li\u003e \u003cli\u003eEffortlessly manage your video equipment remotely through the rear-panel Ethernet connections.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch2\u003eBlackmagic Ethernet Switch 360P Offers Swift Ethernet connections\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/05\/1712933152_IMG_2231860.webp\"\u003e\u003cimg class=\"size-medium wp-image-12434 alignright\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/05\/1712933152_IMG_2231860-300x300.webp\" alt=\"Blackmagic Ethernet Switch 360P\" width=\"300\" height=\"300\"\u003e\u003c\/a\u003e\n\u003c\/h2\u003e\u003cbr\u003e\u003cul\u003e \u003cli\u003eSixteen autonomous 10GbE ports featuring RJ45 connectors offer straightforward cable management with ample space for cable disconnection. These ports serve multiple purposes, from constructing expansive HyperDeck ISO recorder arrays to linking numerous DaVinci Resolve workstations for editors and colorists.\u003c\/li\u003e \u003cli\u003eTwo autonomous 100GbE ports deliver unparalleled speed and can be utilized to form loops between multiple Ethernet Switch 360P units, serving as a robust 100GbE backbone. For extensive ISO recording\/replay systems, establish a direct connection between a Blackmagic Cloud Store Max and the 100GbE interface.\u003c\/li\u003e \u003cli\u003eOpt for short copper cables or longer optical fiber QSFP modules to extend the reach of multiple switches across considerable distances.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch2\u003evideo signal Router operation Panel\u003c\/h2\u003e\u003cbr\u003eThe Ethernet Switch 360P uses a router-style control panel to create isolated IP systems without requiring an IT specialist to configure multicast routing. Sporting the same user-friendly interface found on Blackmagic Videohub routers, this panel incorporates a precision-engineered metal spin knob, a vibrant color LCD, and intuitive shortcut buttons. Navigating via IP footage sources is as simple as scrolling and pressing the take button to establish links, with the Blackmagic Ethernet Switch 360P seamlessly configuring all multicast settings in the background, sparing operators from the complexities of IT configurations. With each new 2110 IP device automatically detected upon link, this switch epitomizes true plug-and-play operation.\u003cbr\u003e\u003ch2\u003eBlackmagic Ethernet Switch 360P Offers Visual Monitoring via HDMI Output: Guide\u003c\/h2\u003e\u003cbr\u003eIn the realm of broadcast, preemptive awareness is paramount to preempting potential issues. The Blackmagic Ethernet Switch 360P is equipped with an HDMI feed that provides a diverse visual representation of each Ethernet connection's status. Connect any HDMI-enabled TV or computer monitor to access real-time updates on link speed and current data transfer rates. Moreover, live data graphs for each port deliver invaluable insights into data rates compared to port capacity over time. These graphical representations prove particularly useful whenever managing several capture streams to storage, enabling swift identification of bandwidth constraints or data interruptions. Furthermore, the monitor feed displays customizable switch and connected 2110 IP device names, enhancing overall observation efficiency.\u003cbr\u003e\u003cdiv class=\"element-aKxrL et_column et_product-block mob-full-width mob-full-width-children justify-content-start\" data-key=\"element-aKxrL\" data-width=\"100\" data-start=\"0\"\u003e\u003cdiv class=\"woocommerce-tabs et-clearfix et_element wc-tabs-wrapper type-folders horizontal loaded\" data-title=\"Tabs\"\u003e\u003cdiv id=\"tab-description\" class=\"woocommerce-Tabs-panel woocommerce-Tabs-panel--description panel entry-content wc-tab\" role=\"tabpanel\" aria-labelledby=\"tab-title-description\"\u003e\n\u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"element-a8Rd9 et_column et_product-block mob-full-width mob-full-width-children justify-content-start\" data-key=\"element-a8Rd9\" data-width=\"100\" data-start=\"0\"\u003e\u003cdiv class=\"related-products-wrapper products-hover-only-icons\"\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790138630197,"sku":"DWCSWA\/MODC360P","price":11736.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1712932521_1823524.webp?v=1784715095"},{"product_id":"blackmagic-design-audio-monitor-12g-g3-1-ru","title":"Blackmagic Design Audio Monitor 12G G3 (1 RU)","description":"\u003ch1 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"productTitle\"\u003eBlackmagic sound Monitor 12G G3\u003c\/h1\u003e\u003cbr\u003eOn the capture side, Keep tabs on your audio with the Blackmagic Audio Monitor 12G G3, a 1 RU option engineered by Blackmagic Configuration. Boasting a dual-subwoofer configuration complemented by wide-range speakers and Class-D amplifiers, this audio monitor produces premium sound quality. The upgraded G3 variant introduces support for the latest SMPTE 2110 source, enhancing its compatibility with broadcast systems. Equipped with a 12G-SDI source, balanced XLR analog audio source, balanced AES\/EBU digital source, and HiFi audio sources, alongside an HDMI 2.0 feed, this monitor ensures broad interfacing options. On the front panel, multicolored audio level meters and a built-in LCD facilitate seamless observation of footage sources.\u003cbr\u003e\u003ch2\u003eVersatile Monitoring Solutions: Guide\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/05\/1712932258_IMG_2231856.webp\"\u003e\u003cimg class=\"size-medium wp-image-12445 alignright\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/05\/1712932258_IMG_2231856-300x300.webp\" alt=\"Blackmagic Audio Monitor 12G G3 \" width=\"300\" height=\"300\"\u003e\u003c\/a\u003e\n\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic Audio Monitor 12G G3 finds its place in broadcast racks, audio decks, footage servers, and live broadcasts. Its intuitive configuration permits easy switching between stereo pairs of the 12G-SDI source, making it well suited to monitoring multiple language tracks. Space-efficient in size, it fits perfectly in portable flyaway kits, broadcast trucks, and editing and audio post-production facilities where space is at a premium.\u003cbr\u003e\u003ch2\u003eRobust Sound operation\u003c\/h2\u003e\u003cbr\u003eFeaturing a dual-subwoofer configuration, this monitor produces a broad and balanced frequency response, helping ensure clarity in both high and low frequencies. Its robust feed makes it appropriate for noisy settings, such as broadcast hardware rooms with considerable cooling fan noise.\u003cbr\u003e\u003ch2\u003eAccurate Metering: Guide\u003c\/h2\u003e\u003cbr\u003eThe front panel is adorned with two large and bright audio level meters, each equipped with multicolored RGB LEDs. Operators can choose between VU or PPM metering scales, with options for EBU or BBC meters. The extensive meter segments cover a wide dynamic range, from -20 to +18 dB, depending on the chosen scale. Moreover, standard loudness metering options, including K-weighted and relative to full scale (LKFS), facilitate normalization for broadcast TV and footage delivery. The bright meters maintain clear visibility in multiple lighting conditions, and the supplied adhesive labels allow customization of meter standards.\u003cbr\u003e\u003ch2\u003ePrecision Metal Construction of Blackmagic sound Monitor 12G G3\u003c\/h2\u003e\u003cbr\u003eCrafted with precision machined metal, this configuration boasts reliable durability. The robust chassis not only maintains structural integrity but additionally minimizes unwanted noise and vibrations, resulting in superior sound quality. The front panel is equipped with practical features including audio level meters, an LCD footage monitor, and a headphone\/speaker volume control knob. Navigation via audio pairs, left\/right solo, mute, and source selection is facilitated by a built-in illuminated keypad. Additionally, for private observation, a built-in headphone socket is conveniently provided.\u003cbr\u003e\u003ch2\u003eCutting-Edge 12G-SDI Technology Installed in Blackmagic sound Monitor 12G G3\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic Audio Monitor 12G is compatible with an extensive selection of SD, HD, and Ultra HD footage resolutions. Its 12G-SDI source and HDMI 2.0 feed support high-resolution Ultra HD observation, supporting optimal visual fidelity. Leveraging 12G-SDI technology permits seamless operation at resolutions and frame rates of up to 2160p at 60 fps, all transmitted over a single cable. With HDMI 4K interfacing, operators can effortlessly connect to Ultra HD TVs and projectors, while the 12G-SDI source allows observation of any of the 16 audio channels.\u003cbr\u003e\u003ch2\u003eSMPTE 2110 Network Integration: Guide\u003c\/h2\u003e\u003cbr\u003eFeaturing an SMPTE 2110-compliant network link, this audio monitor seamlessly integrates with 2110 IP footage systems. Adhering to 2110 standards for IP footage, it maintains efficient transport, synchronization, and description of footage, audio, and ancillary data for broadcast uses. Supporting a range of 2110 specifications such as uncompressed footage (2110-20), Blackmagic IP compressed UHD codec, traffic shaping\/timing (2110-21), audio (2110-20), and ancillary data (2110-40), the monitor offers versatile operation. Moreover, with NMOS interface support, connected 2110 IP footage devices can effectively function as a large virtual router, enhancing overall system efficiency and scalability.\u003cbr\u003e\u003ch2\u003eVideo Connectivity and Audio\u003c\/h2\u003e\u003cbr\u003eOffering a diverse array of audio and footage interfacing options, the Blackmagic Audio Monitor 12G G3 presents analog XLR audio, digital AES\/EBU audio, and HiFi audio sources. Swift selection between sources is facilitated by the conveniently located source button on the front panel. Both the 12G-SDI footage input and HDMI 2.0 footage feed support embedded audio, enabling seamless integration with high-resolution footage technologies.\u003cbr\u003e\u003ch2\u003eMonitoring Capabilities of Blackmagic sound Monitor 12G G3\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic Audio Monitor 12G G3 serves as a versatile tool for converting from SDI to HDMI, catering to observation needs on large-screen televisions or footage projectors. With automated format switching between SD, HD, and Ultra HD, observation becomes hassle-free. The HDMI output handles high-resolution Ultra HD observation, requiring just a single HDMI cable for interfacing.\u003cbr\u003e\u003ch4\u003esound Input Specifications:\u003c\/h4\u003e\u003cbr\u003e\u003cul\u003e \u003cli\u003eAES\/EBU audio inputs facilitate two channels of balanced 110-ohm AES\/EBU via XLR.\u003c\/li\u003e \u003cli\u003eSDI audio inputs support 16 channels of embedded audio across SD, HD, and Ultra HD 4K formats.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch4\u003esound Output Specifications:\u003c\/h4\u003e\u003cbr\u003e\u003cul\u003e \u003cli\u003eSDI audio outputs support 16 channels of embedded audio loop out.\u003c\/li\u003e \u003cli\u003eHDMI audio outputs accommodate eight channels of embedded audio across SD, HD, and 4K resolutions.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cdiv class=\"element-aKxrL et_column et_product-block mob-full-width mob-full-width-children justify-content-start\" data-key=\"element-aKxrL\" data-width=\"100\" data-start=\"0\"\u003e\u003cdiv class=\"woocommerce-tabs et-clearfix et_element wc-tabs-wrapper type-folders horizontal loaded\" data-title=\"Tabs\"\u003e\u003cdiv id=\"tab-description\" class=\"woocommerce-Tabs-panel woocommerce-Tabs-panel--description panel entry-content wc-tab\" role=\"tabpanel\" aria-labelledby=\"tab-title-description\"\u003e\n\u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"element-a8Rd9 et_column et_product-block mob-full-width mob-full-width-children justify-content-start\" data-key=\"element-a8Rd9\" data-width=\"100\" data-start=\"0\"\u003e\u003cdiv class=\"related-products-wrapper products-hover-only-icons\"\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790138728501,"sku":"HDL-AUDMON1RU12GG3","price":5428.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1712931933_1823523.webp?v=1784715099"},{"product_id":"blackmagic-design-lens-mount-for-ursa-cine-pl","title":"Blackmagic Design Lens Mount for URSA Cine (PL)","description":"\u003ch1 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"productTitle\"\u003eBlackmagic optics Mount for URSA Cine (PL)\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/05\/1713205834_1823665.webp\"\u003e\u003cimg class=\"size-medium wp-image-12627 alignright\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/05\/1713205834_1823665-300x300.webp\" alt=\"Blackmagic Lens Mount for URSA Cine (PL)\" width=\"300\" height=\"300\"\u003e\u003c\/a\u003e\n\u003c\/h1\u003e\u003cbr\u003eConsidering the complete platform, Blackmagic Lens Mount for Ursa Cine (PL) permits to utilize your premium cinema lenses on the URSA Cine camera through the PL Lens Mount provided by Blackmagic Configuration. Engineered for effortless integration with the URSA Cine camera, this space-efficient and interchangeable adapter permits the smooth attachment of PL lenses to your camera system. Equipped with contact pins, this adapter maintains the accurate reading and capture of lens metadata for enhanced operation.\u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790139023413,"sku":"CINEURSABMNTPL","price":1822.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1713205834_1823665.webp?v=1784715111"},{"product_id":"blackmagic-design-lens-mount-for-ursa-cine-lpl","title":"Blackmagic Design Lens Mount for URSA Cine (LPL)","description":"\u003ch1 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"productTitle\"\u003eBlackmagic optics Mount for URSA Cine (LPL)\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/05\/1713206428_1823664.webp\"\u003e\u003cimg class=\"size-medium wp-image-12630 alignright\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/05\/1713206428_1823664-300x300.webp\" alt=\"Blackmagic Lens Mount for URSA Cine (LPL)\" width=\"300\" height=\"300\"\u003e\u003c\/a\u003e\n\u003c\/h1\u003e\u003cbr\u003eFor this model, Utilize your premium cinema lenses on the URSA Cine camera through the LPL Lens Mount provided by Blackmagic Configuration. Engineered for effortless integration with the URSA Cine camera, this space-efficient and interchangeable adapter permits the smooth attachment of LPL lenses to your camera system. Equipped with contact pins, this adapter maintains the accurate reading and capture of lens metadata for enhanced operation.\u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790139056181,"sku":"CINEURSABMNTLPL","price":1969.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1713206428_1823664.webp?v=1784715112"},{"product_id":"blackmagic-design-19mm-baseplate-for-ursa-cine-12k","title":"Blackmagic Design 19mm Baseplate for URSA Cine 12K","description":"\u003ch1\u003eBlackmagic 19mm Baseplate for URSA Cine 12K: Guide\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/05\/1712935537_1823591.webp\"\u003e\u003cimg class=\"size-medium wp-image-12634 alignright\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/05\/1712935537_1823591-300x300.webp\" alt=\"Blackmagic 19mm Baseplate for URSA Cine 12K\" width=\"300\" height=\"300\"\u003e\u003c\/a\u003e\n\u003c\/h1\u003e\u003cbr\u003eIn practical monitoring terms, Secure your URSA Cine 12K camera onto a tripod or shoulder rig through this Blackmagic \u003cb\u003e19mm Baseplate\u003c\/b\u003e for URSA Cine 12K. The baseplate provides mounting points for optional 19mm studio rods and 15mm LWS rods, with standard side rosettes ready for handles or extension arms. The bottom of the plate provides a shoulder pad and numerous rig mounting possibilities.\u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790139088949,"sku":"CINEURSAC\/BASEPLT19","price":2595.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1712935537_1823591.webp?v=1784715113"},{"product_id":"blackmagic-design-lens-mount-for-ursa-cine-ef","title":"Blackmagic Design Lens Mount for URSA Cine (EF)","description":"\u003ch1 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"productTitle\"\u003eBlackmagic optics Mount for URSA Cine (EF)\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/05\/1713205834_1823662-1.webp\"\u003e\u003cimg class=\"alignright wp-image-12643 size-medium\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/05\/1713205834_1823662-1-300x300.webp\" alt=\"Blackmagic Lens Mount for URSA Cine (EF)\" width=\"300\" height=\"300\"\u003e\u003c\/a\u003e\n\u003c\/h1\u003e\u003cbr\u003eWhen image acquisition begins, Fit professional EF cinema glass to an URSA Cine body with Blackmagic's interchangeable EF lens mount. Developed to easily integrate with the URSA Cine camera, this space-efficient, interchangeable adapter facilitates the seamless employment of EF lenses with your camera.\u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790139121717,"sku":"CINEURSABMNTEF","price":1049.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1713205834_1823662-1.webp?v=1784715114"},{"product_id":"blackmagic-design-media-dock-for-ursa-cine-12k","title":"Blackmagic Design Media Dock for URSA Cine 12K","description":"\u003ch1 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"productTitle\"\u003eBlackmagic Media Dock for URSA Cine 12K: Guide\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/05\/1712934029_1823582.webp\"\u003e\u003cimg class=\"size-medium wp-image-12648 alignright\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/05\/1712934029_1823582-300x300.webp\" alt=\"Blackmagic Media Dock for URSA Cine 12K\" width=\"300\" height=\"300\"\u003e\u003c\/a\u003e\n\u003c\/h1\u003e\u003cbr\u003eIn its primary imaging role, Immediately commence editing your URSA Cine 12K camera footage post-shoot with Blackmagic Media Dock for Ursa Cine 12K. This dock accommodates three Media Modules at its front, preserving swift access to media from multiple cameras. With four 10G Ethernet ports, it permits interfacing across four workstations to accelerate editorial and grading, while hot-swappable media modules avoid shutdowns.\u003cbr\u003eEffortlessly transfer media to your computer via the USB-C connector, while an HDMI feed supplies real-time observation of media status on a display. Compatible with cloud syncing services like Blackmagic Cloud, Dropbox, and Google Drive, the Media Dock integrates color LEDs indicating drive status—green for mounted and idle, red for busy writing. Key Attributes include accelerating post-production processes, hot-swappable Media Modules, high-speed 10G Ethernet ports, USB-C interfacing supporting Ethernet, real-time media status display via HDMI feed, and redundant power function.\u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790139154485,"sku":"DWCLDB\/DOCNMD03","price":8372.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1712934029_1823582.webp?v=1784715115"},{"product_id":"blackmagic-design-2110-ip-converter-8x12g-sfp","title":"Blackmagic Design 2110 IP Converter 8x12G SFP","description":"\u003ch1 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle1_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" data-selenium=\"productTitle\"\u003eBlackmagic 2110 IP Converter 8x12G SFP: Guide\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/05\/1712932829_1823518.webp\"\u003e\u003cimg class=\"size-medium wp-image-12661 alignright\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/05\/1712932829_1823518-300x300.webp\" alt=\"Blackmagic 2110 IP Converter 8x12G SFP\" width=\"300\" height=\"300\"\u003e\u003c\/a\u003e\n\u003c\/h1\u003e\u003cbr\u003eAt the center of the specification, Elevate your 12G-SDI broadcast hardware to meet SMPTE-2110 standards with Blackmagic's 8x12G SFP converter for 2110 IP networks. This converter supplies eight bidirectional 12G-SDI footage conversion links and provides eight SMPTE 2110 SFP fiber connections for long-distance interfacing across extensive distances. Its space-efficient 1 RU configuration mounts in conventional studio racks while it incorporates a 12G-SDI return source for added versatility.\u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790139220021,"sku":"CONVNVIPC8\/12GSFP","price":10595.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1712932829_1823518.webp?v=1784715117"},{"product_id":"blackmagic-ursa-cine-12k-camera-pl-mount","title":"Blackmagic URSA Cine 12K LF Camera (PL Mount)","description":"\u003ch1\u003eBlackmagic Ursa Cine 12K guide | DUBAI | UAE \u003c\/h1\u003e\n\u003cp\u003eFor this model, \u003cbr\u003eAchieve an authentic cinematic experience with the revamped Blackmagic URSA Cine 12K Camera. The updated version boasts a stunning 12K full-frame 36 x 24mm sensor, promising a true cinematic look and feel. With an advertised dynamic range of 16 stops and the ability to capture Blackmagic raw footage up to 12K 3:2 open gate, this camera offers notable quality. Additionally, it provides Wi-Fi and SRT live streaming functions, built-in ND filters, LEMO and Fischer standard control\/power links, high-speed networking for cloud storage and M.2 SSD media, and comes with a standard PL mount as default.\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/body-lg-.webp\"\u003e\u003cimg class=\"wp-image-11883 size-large alignleft\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/body-lg--1024x506.webp\" alt=\"Blackmagic Ursa Cine 12K Ursa Cine 12K Ursa Cine\" width=\"1024\" height=\"506\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003ePurpose-Built Camera Body of Blackmagic Ursa Cine 12K for production Productions\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003eCrafted for the demands of professional productions, the Blackmagic Ursa Cine 12K integrates a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin. Its backlit soft-touch buttons maintain effortless operation in any lighting condition. Efficient on-set work is facilitated with several monitoring options, including a fold-out monitor with a 5” HDR touchscreen and an outboard color status LCD. A dedicated assist station provides a second 5” HDR touchscreen, enabling crew members to operate around the camera without outboard monitors. Rugged industry-standard links, such as 7-pin Lemo and 3-pin Fischer, along with 10G Ethernet, maintain seamless integration into high-end cinema production processes.\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eInterchangeable Lens Mounts on Blackmagic Ursa Cine 12K and Large Format Sensor\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003eThe large format sensor of the Blackmagic Ursa Cine 12K includes unmatched flexibility in aspect ratios, lens choices, and delivery formats. From open gate for post-production reframing to anamorphic for a range of aspect ratios, users attains cinematic excellence effortlessly. Interchangeable lens mounts, comprising PL, LPL, EF, and Hasselblad, cater to diverse shooting needs, preserving compatibility with a wide array of professional lenses.\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eOptical Low Pass Filter and High Resolution Monitoring, Camera Control\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003ePowered by Blackmagic RAW, the Ursa Cine 12K captures and preserves sensor data quality, supporting picture consistency from set to post-production. With constant quality and constant bitrate encoding options, operators can tailor compression to match scene detail while maintaining predictable file sizes. The incorporation of an optical low pass filter minimizes interference and enhances color accuracy, preserving critical picture detail for unparalleled picture capture.\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eRefined Color-Balanced ND Filters of Blackmagic Ursa Cine 12K: Guide\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003eThe Ursa Cine 12K comes equipped with enhanced ND filters, enabling swift adjustment of incoming light levels. These filters are meticulously calibrated to harmonize with the camera's colorimetry and color science, helping ensure adaptability in challenging lighting scenarios. Unlike typical ND filters, the IR filters built-in into the Ursa Cine 12K are engineered to uniformly filter both optical and IR wavelengths, eradicating IR contamination. With a precision mechanism, operators can effortlessly engage the ND filters through the dial, with settings conveniently displayed on the LCD screen.\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eExpanded Full Frame Capture: Enhanced Frame Rates\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003eThe Blackmagic Ursa Cine 12K provides a diverse group of definition and frame rate options, supporting standard resolutions and frame rates in 4K, 8K, Super 35 9K, and up to an exceptionally detailed 12K. Capture functions incorporate 100 fps in 12K 17:9 aspect ratio or 120 fps in 12K 2.4:1 widescreen format.\u003cbr\u003eFor even higher frame rates, operators can attain 144 fps in 8192 x 5360 definition or 180 fps in 8192 x 3408 definition. The camera produces fluid motion rendering with enhanced sharpness in 8K and 4K resolutions, even at lower frame rates. With an impressive 100 megapixels per frame at 80 fps in Blackmagic RAW format, the Ursa Cine 12K permits simultaneous capture of strong stills and motion shots.\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eCutting-Edge Internal Media media handling Solutions for Blackmagic Ursa Cine 12K\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003eThe Ursa Cine 12K introduces innovative Cloud Store technology inside the camera, offering lightning-fast and high-capacity capture functions. The Blackmagic Media Module boasts robustness and incorporates a generous 8TB storage capacity, functioning similar to a space-efficient Cloud Store Mini built-in directly into the camera. This high-speed storage option enables capture at the highest resolutions and frame rates for extended durations, with seamless file access via high-speed 10G Ethernet interfacing. Alternatively, operators can utilize their existing media with the optional Blackmagic Media Module CF, featuring dual CFexpress slots. The module can be easily detached for media transfer to a network or Blackmagic Cloud, facilitating effortless global collaboration.\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eRecord Stunning High-Definition Footage Using the Complete 12K Open Gate Sensor: Guide\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003eThe Blackmagic Ursa Cine 12K boasts a definition of 12,288 x 8040 @ 24fps. Blackmagic RAW provides the flexibility of constant quality and constant bitrate encoding, allowing you to prioritize picture quality or file size based on your production requirements.\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eBatteries and Compatible With Standard Industry Power Sources\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003eFeaturing an 8-pin Lemo power connector at the rear, the Ursa Cine 12K is compatible with both 24V and 12V power supplies, seamlessly integrating with existing power setups, batteries, and accessories. Additionally, the camera's front hosts extra Lemo and Fischer connectors for powering accessories like lens motors. The Ursa Cine 12K package incorporates a sturdy 250W power supply and B Mount battery plate, enabling the use of numerous high voltage batteries from leading manufacturers such as IDX, Blueshape, Core SWX, and BEBOB. Furthermore, optional Blackmagic Ursa Cine 12K VLock Battery Plate or Blackmagic Ursa Cine 12K Gold Battery Plate can be added for compatibility with legacy V-Mount and Gold Mount batteries.\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eManage Blackmagic Ursa Cine 12K Wirelessly via Bluetooth: Guide\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003eFor convenient wireless camera control, the Ursa Cine 12K provides Bluetooth interfacing, enabling full control from up to 30 feet away. Operators can utilize the Blackmagic Camera Control app on their iPad or opt for third-party apps like Bluetooth+ or tRigger on both iOS and Android devices. Moreover, Blackmagic Design offers a free developer SDK with sample code on their website, empowering operators to create custom remote camera control and digital slate solutions. Consider the potential of developing an app capable of synchronizing timecode and triggering all cameras to capture simultaneously. With limitless possibilities, the Ursa Cine 12K paves the way for innovative filmmaking techniques.\u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e\u003cbr\u003eRead blog: \u003ca href=\"https:\/\/bsn.com.pk\/introducing-the-latest-blackmagic-ursa-cine-12k\/\"\u003ehttps:\/\/bsn.com.pk\/introducing-the-latest-blackmagic-ursa-cine-12k\/\u003c\/a\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790188863541,"sku":"BMD-CINEURSAA12KLF","price":62726.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1712933427_1823587.webp?v=1784716517"},{"product_id":"blackmagic-design-ursa-cine-12k-camera-with-evf-top-handle-kit-pl-mount","title":"Blackmagic Design URSA Cine 12K Camera with EVF Top Handle Kit (PL Mount)","description":"\u003ch1\u003eBlackmagic URSA Cine 12K Camera: EVF Top Handle Kit, latest Innovation in Digital Film Cameras!\u003c\/h1\u003e\u003cbr\u003eIn its primary imaging role, the Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit heralds a revolutionary advancement in digital film technology. It pioneers high-speed networking for on-set media sync and boasts fast, high-capacity storage functions. Featuring a cutting-edge large format RGBW 36 x 24mm sensor and versatile lens mount options—such as PL, LPL, EF, and Hasselblad. The Ursa Cine 12K supplies unmatched dynamic range and adaptability. Furthermore, its WiFi operation with SRT streaming permits remote client viewing. On the other hand industry-standard Lemo and Fischer links maintain compatibility with premium cinema production setups.\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/hero-xl-2.webp\"\u003e\u003cimg class=\"alignleft wp-image-11879 size-large\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/hero-xl-2-1024x512.webp\" alt=\"Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit\" width=\"1024\" height=\"512\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003ch2\u003eCinematic Large Format Sensor of Blackmagic URSA Cine 12K Camera: EVF Top Handle Kit\u003c\/h2\u003e\u003cbr\u003eThe Ursa Cine 12K showcases an innovative sensor configuration promising excellent picture quality across resolutions from 4K to an impressive 12K. Leveraging technology from the URSA Mini Pro 12K. The larger sensor integrates larger photo sites, delivering an extraordinary 16 stops of dynamic range. With a unique RGBW architecture, characterized by equal proportions of red, green, and blue pixels. It optimizes color reproduction and picture quality, offering richer colors and enhanced flexibility. In-sensor scaling permits capturing more detail and wider dynamic range without cropping, maintaining superior picture fidelity across all resolutions.\u003cbr\u003e\u003ch2\u003eTailored Camera Body for production Productions\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit brings together an evenly weighted magnesium alloy chassis with a lightweight carbon fiber polycarbonate composite skin for durability and portability. Backlit soft-touch buttons maintain effortless operation in any lighting condition, while the 5” fold-out touchscreen and dedicated assist station deliver convenient access to camera settings and controls. Standard connectors, comprising Lemo and Fischer, facilitate remote camera operation and power supply for accessories, complemented by 12G-SDI out, 10G Ethernet, USB-C, XLR audio, and more.\u003cbr\u003e\u003ch2\u003e\u003c\/h2\u003e\u003cbr\u003e\u003ch2\u003e\u003c\/h2\u003e\u003cbr\u003e\u003ch2\u003eUnmatched Flexibility: Large Format Sensor\u003c\/h2\u003e\u003cbr\u003eThe large format sensor of the Ursa Cine 12K supplies unparalleled flexibility in aspect ratios, lens choices, and delivery formats. Whether capturing in open gate for post-production reframing or shooting anamorphic for multiple aspect ratios—comprising 1.3, 1.5, 1.6, 1.66, 1.8, and 2x de-squeeze factors—operators is able to reach cinematic excellence effortlessly. Additionally, shooting in 4K, 8K, or 12K without cropping maintains compatibility with a diverse group of lenses, including classic cinema lenses in 9K Super 35 4-perf, 3-perf, and 2-perf settings, facilitating the creation of distinctive content in the highest quality possible.\u003cbr\u003e\u003ch2\u003eInterchangeable optics Mounts\u003c\/h2\u003e\u003cbr\u003eFor versatile shooting needs, the Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit provides interchangeable lens mounts, enabling swift switching between PL, LPL, EF, and Hasselblad mounts. This versatility accommodates PL or LPL cinema lenses, EF or large format Hasselblad photographic lenses, helping ensure compatibility with a wide array of professional lenses. Each mount provides contact pins to read lens metadata for observation and post-production use, granting the freedom to choose the ideal lens for any project.\u003cbr\u003e\u003ch2\u003eCamera Control and High-Resolution Monitoring\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit facilitates efficient on-set work with several monitoring options. Its fold-out monitor contains a generous 5\" HDR touchscreen on one side and an outboard color status LCD on the other. The screen can be rotated and folded back into the camera for convenience. Additionally, a dedicated assist station on the camera's right side integrates a second 5\" HDR touchscreen, enabling crew members to operate around the camera without requiring outboard monitors. With a 1500 nit display and removable sunshade, visibility is ensured even in bright sunlight. On-screen overlays display status and capture parameters, histogram, frame guides, and more, such as a dedicated focus puller's setting for achieving perfect focus.\u003cbr\u003e\u003ch2\u003eRugged Industry Standard Connections of Blackmagic URSA Cine 12K Camera: EVF Top Handle Kit\u003c\/h2\u003e\u003cbr\u003eWith an extensive selection of industry-standard links, the Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit is tailored for high-end cinema production. 7-pin Lemo and 3-pin Fischer connectors at the front deliver capture start\/stop and 24V power, ideal for onboard accessories like focus motors. Camera power is supplied via a standard 24V 8-pin Lemo link, complemented by an extra 2-pin Lemo 12V link at the rear for lower voltage accessories. This setup permits powering accessories directly from the camera, eliminating messy outboard cabling. Additionally, two independent 12G-SDI feeds allow observation on two distinct monitors with distinct overlays, and 10G Ethernet facilitates Blackmagic Cloud media syncing.\u003cbr\u003e\u003ch2\u003eIntegrated Optical Low Pass Filter (OLPF): Guide\u003c\/h2\u003e\u003cbr\u003eIn an age where modern lenses and high-resolution sensors grapple with interference patterns arising from synthetic materials such as fabrics or LED matrices, the Ursa Cine 12K stands as a bastion of clarity. Integrating a precisely tailored optical low pass filter (OLPF), the camera minimizes interference, effectively mitigating moiré and aliasing. Augmented by updated IR filtering, the Ursa Cine 12K enhances far-red color response, thereby preserving color accuracy and vital picture detail whenever coupled with Blackmagic RAW processing.\u003cbr\u003e\u003ch2\u003eSeamless Integration of Color Balanced ND Filters: Guide\u003c\/h2\u003e\u003cbr\u003eEquipped with premium ND filters, the Ursa Cine 12K boasts swift light level adjustment functions. These filters, meticulously calibrated to harmonize with the camera's colorimetry and color science, produce unrivaled flexibility even in the most challenging lighting conditions. Unlike conventional ND filters, the IR filters in the Ursa Cine 12K uniformly filter both optical and IR wavelengths, effectively eliminating IR contamination. Featuring a precision mechanism, the ND filters can be swiftly engaged via the dial, with settings prominently displayed on the LCD for operator convenience.\u003cbr\u003e\u003ch2\u003eFull Frame Capture: Enhanced Frame Rates of Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit epitomizes versatility, offering an extensive array of definition and frame rate options. From standard resolutions to an incredibly detailed 12K, the camera produces an unparalleled visual feast. Capture options incorporate 100 fps in 12K 17:9 or 120 fps in 12K 2.4:1 widescreen, additional extending to 144 fps in 8192 x 5360 or 180 fps in 8192 x 3408. Preserving smooth motion rendering with sharper edges, the Ursa Cine 12K excels in 8K and 4K, even at lower frame rates. With up to 100 megapixels per frame at 80 fps in Blackmagic RAW, the camera seamlessly bridges the realms of impeccable stills and motion shots.\u003cbr\u003e\u003ch2\u003eHigh-Performance Internal Media Storage of Blackmagic URSA Cine 12K Camera: EVF Top Handle Kit\u003c\/h2\u003e\u003cbr\u003eThe Ursa Cine 12K revolutionizes onboard media storage with its innovative Cloud Store technology. Encased inside the durable Blackmagic Media Module, this groundbreaking option includes ultra-fast and high-capacity capture functions, akin to a Cloud Store Mini embedded inside the camera. Boasting a generous 8TB storage capacity, the module facilitates capture at the highest resolutions and frame rates for extended durations. Delivering direct file access via high-speed 10G Ethernet, the Blackmagic Media Module maintains seamless global collaboration. Alternatively, operators can opt for the Blackmagic Media Module CF, featuring dual CFexpress slots, and easily transfer media for network or Blackmagic Cloud integration.\u003cbr\u003e\u003ch2\u003eCaptivating High-Resolution Footage: the Full 12K Open Gate Sensor\u003c\/h2\u003e\u003cbr\u003eThe Ursa Cine 12K empowers creators to explore uncharted visual territories with its breathtaking 12,288 x 8040 definition at 24fps. Blackmagic RAW bestows the creative freedom to prioritize picture quality or file size, aligning with diverse production requirements.\u003cbr\u003e\u003ch2\u003eStay Connected Anywhere: Versatile Connectivity Options\u003c\/h2\u003e\u003cbr\u003eWith the Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit, geographic barriers dissolve as creators seamlessly connect to the world. Whether live streaming or uploading to Blackmagic Cloud, the camera's USB-C port facilitates internet access via Apple or Android phones, supporting both 5G and 4G networks. Alternatively, high-speed WiFi or wired Ethernet interfacing via the 10G Ethernet port maintains uninterrupted access. With built-in live streaming functions, the Ursa Cine 12K fosters global collaboration and enhances post-production processes.\u003cbr\u003e\u003ch2\u003ePower Sources and Compatible With Standard Industry Batteries\u003c\/h2\u003e\u003cbr\u003eThe Ursa Cine 12K adapts effortlessly to existing power setups, offering an 8-pin Lemo power connector compatible with 24V and 12V power supplies. Front-end Lemo and Fischer connectors cater to powering accessories like lens motors, delivering unparalleled versatility. The package incorporates a robust 250W power supply and B Mount battery plate, supporting high voltage batteries from leading manufacturers such as IDX, Blueshape, Core SWX, and BEBOB. Moreover, optional Blackmagic Ursa Cine 12K VLock Battery Plate or Blackmagic Ursa Cine 12K Gold Battery Plate expand compatibility with legacy V-Mount and Gold Mount batteries.\u003cbr\u003e\u003ch2\u003eBlackmagic URSA Cine 12K Camera: EVF Top Handle Kit Effortless Wireless Camera Control with Bluetooth\u003c\/h2\u003e\u003cbr\u003eFor seamless wireless camera control, the Ursa Cine 12K provides Bluetooth interfacing, enabling full control from up to 30 feet away. Whether utilizing the Blackmagic Camera Control app on an iPad or third-party apps like Bluetooth+ or tRigger on iOS and Android devices, operators can wield complete command. Furthermore, Blackmagic Design offers a free developer SDK with sample code, empowering operators to craft custom remote camera control and digital slate solutions. Envision the possibilities of synchronizing timecode and triggering simultaneous capture across several cameras—an innovation enabled by the limitless potential of the Ursa Cine 12K.\u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e\u003cbr\u003eRead blog: \u003ca href=\"https:\/\/bsn.com.pk\/introducing-the-latest-blackmagic-ursa-cine-12k\/\"\u003ehttps:\/\/bsn.com.pk\/introducing-the-latest-blackmagic-ursa-cine-12k\/\u003c\/a\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790188929077,"sku":"CINEURSAA12KLF\/EVF","price":67988.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1712934125_IMG_2231873_78b4d70a-8ac4-4d5f-a51d-c869a83f3027.webp?v=1784716518"},{"product_id":"blackmagic-design-pyxis-6k-cinema-box-camera-arri-pl","title":"Blackmagic Design PYXIS 6K Cinema Box Camera (ARRI PL)","description":"For professional deployment, the Blackmagic PYXIS 6K Cinema Box Camera (ARRI PL) leverages the digital film advancements of the Blackmagic D\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/hero-xl.webp\"\u003e\u003cimg class=\"size-medium wp-image-11912 alignright\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/hero-xl-300x148.webp\" alt=\"Blackmagic PYXIS 6k\" width=\"300\" height=\"148\"\u003e\u003c\/a\u003eesign Cinema Camera 6K, transforming it into a box-style cinema camera featuring a lockable ARRI PL lens mount and customizable side plates. Its full-frame 6K sensor captures vibrant colors, accurate skin tones, and an impressive 13-stop dynamic range across its expanded 36 x 24mm sensor. You can capture both Blackmagic RAW and H.265 proxy files to the cloud or stream directly to your preferred social media platform through Ethernet or mobile 4G\/5G technology. With the PYXIS, you can shoot up to 6K Open Gate 3:2 footage at 36 fps or 6K Anamorphic 6:5 footage at 60 fps, among other selectable resolutions.\u003cbr\u003e\u003ch2\u003eCrafted for Ultimate Customization!: Guide\u003c\/h2\u003e\u003cbr\u003ePYXIS boasts a space-efficient frame meticulously crafted from aerospace-grade aluminum through precision CNC machining techniques. This maintains it remains lightweight yet exceptionally durable. Versatility is at your fingertips as you seamlessly affix it to numerous camera setups such as cranes, gimbals, or drones. Beyond its array of 1\/4? And 3\/8? Thread mounts on the body's top and bottom, Blackmagic PYXIS introduces an assortment of side plates, amplifying your capacity to attach peripherals like handles, microphones, or SSDs.\u003cbr\u003e \u003cbr\u003e\u003ch2\u003eExpansive Cinematic Digital Film Sensor!: Guide\u003c\/h2\u003e\u003cbr\u003eBlackmagic PYXIS showcases an expansive full-frame sensor boasting a native definition of 6048 x 4032. This exceeds the dimensions of a Super 35 sensor nearly threefold, granting you the freedom to capture footage with a shallow depth of field or utilize anamorphic lenses without cropping, thus achieving an authentic cinematic aesthetic. Irrespective of\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/sensor-xl.webp\"\u003e\u003cimg class=\"size-medium wp-image-11913 alignright\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/sensor-xl-300x123.webp\" alt=\"Blackmagic PYXIS 6k\" width=\"300\" height=\"123\"\u003e\u003c\/a\u003e shooting conditions, its 13 stops of dynamic range, coupled with dual native ISO up to 25,600, maintain impeccable low-noise pictures. Moreover, you can attain frame rates of up to 36 fps at full sensor definition or 120 fps in windowed setting. Leveraging this notable sensor alongside Blackmagic's renowned color science empowers you with professional-grade image-capture technology akin to high-end digital cinema cameras.\u003cbr\u003e\u003ch2\u003eFull-Fledged Frame Flexibility of Blackmagic PYXIS 6K: Guide\u003c\/h2\u003e\u003cbr\u003eThe considerable full-frame sensor in Blackmagic PYXIS includes versatility across numerous film formats and aspect ratios without compromising on quality. Harnessing the full expanse of the sensor yields a distinct open gate 3:2 picture, facilitating post-production reframing. Furthermore, the sensor's ample size permits authentic 6:5 anamorphic shooting sans cropping, yielding cinematic widescreen pictures with enhanced detail and definition. Additionally, you can utilize the classic Super 35-sized window on the sensor to swiftly generate a 'close-up' variant of your shot that seamlessly integrates with open gate footage.\u003cbr\u003e\u003ch2\u003eCapture Stunning High Dynamic Range (HDR) Images: Blackmagic PYXIS 6k\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic PYXIS boasts an impressive 13-stop dynamic range, helping ensure it preserves intricate details in both the brightest and darkest areas of a picture, surpassing the functions of standard footage cameras. This feature permits you to refine exposure for indoor settings, such as a café, while still maintaining the vividness of bright outdoor light streaming via a window. Additionally, the camera provides a broader spectrum of colors compared to the conventional DCI-P3 colorspace commonly utilized in feature films.\u003cbr\u003e\u003ch2\u003eExceptional Low-Light Performance: Dual Gain ISO\u003c\/h2\u003e\u003cbr\u003eEquipped with dual native ISO functions of up to 25,600, the Blackmagic PYXIS is developed to minimize grain or noise in pictures, while retaining the sensor's full dynamic range. Its primary native ISO of 400 is well-suited for scenes illuminated by on-set lighting, while the secondary high base ISO of 3200 excels in dimly lit settings.\u003cbr\u003e\u003ch2\u003eFrame Rates and Versatile Resolutions\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic PYXIS accommodates a broad variety of resolutions and frame rates, ranging from HD to DCI 4K and even 6K. It is capable of capturing stills at an impressive 24.6 megapixels. At its highest functions, the camera can shoot up to 36 fps at 6048 x 4032 in 3:2 open gate format, or 60 fps at 6048 x 2520 in 2.4:1 aspect ratio, as well as 60 fps at 4096 x 2160 in 4K DCI. For higher frame rates, sensor windowing enables shooting up to 100 fps at 2112 x 1184 in Super 16 format. Furthermore, the device is compatible with true anamorphic 6:5 shooting at significantly higher resolutions compared to other cameras, reaching 4.8K at 24 fps with a definition of 4832 x 4032. Additionally, it can shoot at 120 fps in 1080HD definition.\u003cbr\u003e\u003ch2\u003eLarge 4? LCD Monitor of Blackmagic PYXIS 6K: Guide\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic PYXIS comes equipped with a spacious 4-inch LCD monitor, offering high definition and HDR functions, ideal for monitoring and reviewing shots during production. With its 1500 nits of brightness, this HDR touchscreen maintains detailed visibility, even in bright sunlight conditions. On-screen overlays deliver vital information such as status, capture parameters, histograms, levels, and frame guides. Additionally, the display enables the quick use of 3D LUTs to achieve desired colors and looks.\u003cbr\u003e\u003ch2\u003eAll operation at your Fingertips\u003c\/h2\u003e\u003cbr\u003eAll essential controls are conveniently placed inside reach on the Blackmagic PYXIS, offering both touchscreen and physical controls for functions like ISO, white balance, and shutter speed. A scroll wheel facilitates swift adjustments to settings, while three customizable function buttons streamline access to frequently used commands. Capture and still buttons are positioned intuitively, along with function keys for capabilities like high frame rate, focus, zoom, and false color. Furthermore, controls can be locked to prevent accidental changes during critical moments or whenever the camera is out of reach.\u003cbr\u003e\u003ch2\u003eSide Plates for adaptable Mounting Options!\u003c\/h2\u003e\u003cbr\u003eFor versatile mounting options, the Blackmagic PYXIS incorporates a standard plate crafted from aircraft-grade aluminum, featuring two 1\/4-inch and one 3\/8-inch thread mounts for attaching microphones, brackets, or other accessories. Alternatively, operators can utilize the included SSD plate, delivering a secure attachment point for a USB-C drive for capture or a mobile phone for live streaming. For even more flexibility, the optional Rosette Plate includes five 1\/4-inch and four 3\/8-inch thread mounts, along with a rosette mounting point for handgrips or extension arms.\u003cbr\u003e\u003ch2\u003eacquisition footage of Blackmagic PYXIS 6K directly onto CFexpress cards or external disks!\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic PYXIS 6k comes equipped with two built-in CFexpress card recorders, along with a USB-C expansion port for direct capture onto outboard flash media disks or a SSD. CFexpress media is ideal for capturing full-resolution, 12-bit Blackmagic RAW files. Moreover, with dual CFexpress slots, continuous capture is possible as you can seamlessly swap out full cards without interrupting the process!\u003cbr\u003e\u003ch2\u003eUtilize 5G or 4G smartphones for mobile data connections of Blackmagic PYXIS 6k\u003c\/h2\u003e\u003cbr\u003eWhenever transferring files to Blackmagic Cloud, leverage the interfacing of an Apple or Android phone via mobile data. Simply link the phone to the USB-C port, and the Blackmagic PYXIS 6k will automatically configure for mobile data usage. It's compatible with the latest high-speed 5G phones, as well as 4G versions! Alternatively, wired Ethernet link via the camera's Ethernet port is additionally available. As a result, this permits real-time media transfer during shooting, allowing post-production teams worldwide to commence work immediately!\u003cbr\u003e\u003ch2\u003eProfessionally connect: various video output options!\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic PYXIS 6k provides a diverse array of links for audio, observation, power, and more. Featuring a 12G-SDI feed with HDR and Ultra HD support, the camera facilitates observation on set. You can connect a SDI display for real-time picture observation, complete with overlays displaying crucial information and camera status. SDI permits longer cable runs compared to HDMI, making it easier to reach monitors positioned farther away on set.\u003cbr\u003e\u003ch2\u003eProfessional Audio Inputs of Blackmagic PYXIS 6k and Built-in Microphones\u003c\/h2\u003e\u003cbr\u003eBlackmagic PYXIS 6k comes equipped with a mini XLR source delivering 48 volts of phantom power, it facilitates the link of lapel mics and booms. Additionally, the built-in mics boast a remarkably low noise floor, are resistant to shock and wind, and excel at capturing high-quality sound, making them ideal for capture guide tracks on location. Furthermore, the camera integrates a 3.5mm audio source for video camera microphones, a built-in speaker for playback, and a 3.5mm headphone jack. These audio interfacing options permit the capture of separate audio tracks through microphones without requiring an outboard mixer.\u003cbr\u003e\u003ch2\u003eLoad Custom 3D LUTs to Recreate Film Looks!: Guide\u003c\/h2\u003e\u003cbr\u003eBlackmagic PYXIS 6K enables operators to load custom 3D LUTs to replicate cinematic looks. However, 3D LUTs supply an option by applying a desired \"look\" to the monitor, delivering a preview of how the final pictures will appear during editing. These LUTs can be applied temporarily for observation purposes or recorded directly into Blackmagic RAW files for post-production use. The camera is compatible with industry-standard 17 and 33 point 3D LUT files, as well as built-in LUTs like Extended Footage, Film to Footage, and Film to Rec.2020.\u003cbr\u003e\u003ch2\u003eEthernet Control and USB-C for External Disks\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic PYXIS 6K incorporates a USB-C Expansion Port for outboard accessories, working at speeds of up to 5 Gb\/s. The arrangement permits operators to connect peripherals such as flash drives and high-capacity SSDs for extended capture times. Additionally, the camera provides a built-in Ethernet port for convenient network control via secure and user-friendly REST APIs. Operators can even transfer files from the camera over the network, offering enhanced flexibility and convenience.\u003cbr\u003e\u003ch2\u003eRTMP Live Streaming and Introducing Built-In SRT\u003c\/h2\u003e\u003cbr\u003eExperience live streaming straight from your film sets! The Blackmagic PYXIS 6k comes equipped with a built-in hardware streaming engine that fully handles RTMP and SRT streaming to several platforms including YouTube, Facebook, and more! For internet interfacing, you have two convenient options: connect via Ethernet for stable access or utilize a 4G or 5G phone to tap into mobile data on the go!\u003cbr\u003e\u003ch2\u003eEffortless Wireless Bluetooth Camera distance-based operation\u003c\/h2\u003e\u003cbr\u003eWhenever your camera is positioned in challenging or hard-to-reach spots, take control effortlessly with Bluetooth from distances of up to 30 feet away. Whether you prefer the Blackmagic Camera Control app on your iPad or third-party apps like Bluetooth+ or tRigger on your iOS and Android devices, full control is at your fingertips. Additionally, explore the possibilities with a free developer SDK featuring sample code provided from the Blackmagic Design developer website, empowering you to customize your own remote camera control and digital slate solutions!\u003cbr\u003e\u003ch2\u003eFlexible Power Options: Battery or 12V DC\u003c\/h2\u003e\u003cbr\u003ePower up with ease through high-capacity BP-U series batteries with the Blackmagic PYXIS 6k. With the maximum-capacity BP-U series battery, enjoy shooting for over 3 hours on a single charge! And for continuous power supply during shoots, simply connect to DC power through the locking connector, preserving uninterrupted filming, especially whenever your camera is mounted or positioned on a jib. Additionally, the package incorporates a set of international socket adapters for versatile use worldwide.\u003cbr\u003e ","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790189027381,"sku":"BMD-CINECAMCPYXH60LFPL","price":13230.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1712934125_IMG_2231888.webp?v=1784716519"},{"product_id":"blackmagic-design-pyxis-6k-cinema-box-camera-leica-l","title":"Blackmagic Design PYXIS 6K Cinema Box Camera (Leica L)","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\" data-end=\"746\" data-start=\"283\"\u003eIn this camera's design, the \u003cstrong data-end=\"345\" data-start=\"287\"\u003eBlackmagic Design PYXIS 6K Cinema Box Camera (Leica L)\u003c\/strong\u003e is a powerful full-frame digital cinema camera engineered for creators, broadcasters, and production professionals seeking outstanding picture quality in a space-efficient, modular configuration. Equipped with a \u003cstrong data-end=\"560\" data-start=\"543\"\u003eLeica L-Mount\u003c\/strong\u003e, the unit supplies compatibility with a growing range of premium L-Mount lenses, giving creators increased flexibility for cinematic productions, documentaries, commercials, and studio processes.\u003cspan class=\"PDq2pG_selectionAnchor\" aria-hidden=\"true\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"1182\" data-start=\"748\"\u003eConstructed around a 6048 × 4032 full-frame sensor, the PYXIS 6K captures stunning cinematic footage with rich color reproduction, natural skin tones, and an impressive 13-stop dynamic range. Combined with Blackmagic Design's enhanced color science and Blackmagic RAW capture, it offers reliable flexibility during editing and color grading while preserving notable picture detail across challenging lighting conditions.\u003c\/p\u003e\n\u003cp data-end=\"1556\" data-start=\"1184\"\u003eDeveloped for modern production settings, the PYXIS integrates a lightweight CNC-machined aerospace-grade aluminum body with several mounting points, making it ideal for handheld rigs, gimbals, drones, cranes, virtual production, and multi-camera studio setups. Its modular architecture enables creators to customize the camera for virtually any production requirement.\u003c\/p\u003e\n\u003cp data-end=\"1927\" data-start=\"1558\"\u003eThe camera additionally streamlines collaborative processes by simultaneously capture Blackmagic RAW and H.264 proxy files for faster editing and cloud-based collaboration. Built-in Ethernet, USB-C expansion, Bluetooth control, and live streaming functions simplify remote production, media transfer, and real-time content delivery for professional filmmaking teams.\u003c\/p\u003e\n\u003cp data-end=\"2199\" data-start=\"1929\"\u003eWhether you're producing feature films, documentaries, branded content, live broadcasts, or cinematic online productions, the Blackmagic Design PYXIS 6K Leica L produces the performance, versatility, and process efficiency required by today's professional creators.\u003c\/p\u003e\n\u003cp data-end=\"2396\" data-start=\"2201\"\u003eExplore our collections of \u003ca href=\"https:\/\/bsn.com.pk\/collections\/blackmagic-design\"\u003eBlackmagic Design Cameras, Cinema Cameras, and Professional Footage Production Hardware\u003c\/a\u003e to build a complete production option for your filmmaking projects.\u003c\/p\u003e\n\u003ch2 data-end=\"2432\" data-start=\"2403\" data-section-id=\"1r8frcv\"\u003eFrequently Asked Questions: Guide\u003c\/h2\u003e\n\u003ch3 data-end=\"2494\" data-start=\"2434\" data-section-id=\"1oz0jvk\"\u003eWhat is the Blackmagic Design PYXIS 6K Leica L used for? — Product Guide\u003c\/h3\u003e\n\u003cp data-end=\"2655\" data-start=\"2495\"\u003eThe PYXIS 6K Leica L is developed for professional filmmaking, commercial production, documentaries, live events, virtual production, and broadcast uses.\u003c\/p\u003e\n\u003ch3 data-end=\"2697\" data-start=\"2657\" data-section-id=\"p49rz1\"\u003eWhat optics mount does this model use?\u003c\/h3\u003e\n\u003cp data-end=\"2838\" data-start=\"2698\"\u003eThis version integrates the Leica L-Mount, delivering compatibility with numerous Leica, Sigma, Panasonic, and other L-Mount lenses.\u003c\/p\u003e\n\u003ch3 data-end=\"2906\" data-start=\"2840\" data-section-id=\"1y6iuel\"\u003eDoes the Blackmagic PYXIS 6K compatibility Blackmagic RAW recording production flow?\u003c\/h3\u003e\n\u003cp data-end=\"3038\" data-start=\"2907\"\u003eThe camera records in Blackmagic RAW while additionally generating H.264 proxy files for faster editing and cloud-based processes.\u003c\/p\u003e\n\u003ch3 data-end=\"3088\" data-start=\"3040\" data-section-id=\"377uy4\"\u003eIs the PYXIS 6K suitable for live streaming?: Guide\u003c\/h3\u003e\n\u003cp data-end=\"3249\" data-start=\"3089\"\u003eSupport extends to professional live streaming via Ethernet or mobile data through compatible 4G\/5G devices, making it ideal for remote productions and live events.\u003c\/p\u003e\n\u003ch3 data-end=\"3321\" data-start=\"3251\" data-section-id=\"1a3mzt1\"\u003eWhere can I buy the Blackmagic Design PYXIS 6K Leica L in the UAE? — Product Guide\u003c\/h3\u003e\n\u003cp data-end=\"3529\" data-start=\"3322\"\u003eYou can purchase the Blackmagic Design PYXIS 6K Cinema Box Camera (Leica L) from, a trusted supplier of professional cinema, broadcast, and footage production hardware in the UAE.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790189092917,"sku":"CINECAMCPYXA60LFL","price":12472.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1712934125_IMG_2231888_a7740a45-34ff-4947-bdf0-089fc0210567.webp?v=1784716521"},{"product_id":"blackmagic-design-pyxis-6k-cinema-box-camera-canon-ef","title":"Blackmagic Design PYXIS 6K Cinema Box Camera (Canon EF)","description":"\u003cp data-start=\"283\" data-end=\"760\" class=\"PDq2pG_selectionAnchorContainer\"\u003eIn practical monitoring terms, the \u003cstrong data-start=\"287\" data-end=\"346\"\u003eBlackmagic Design PYXIS 6K Cinema Box Camera (Canon EF)\u003c\/strong\u003e is a professional full-frame digital cinema camera developed for creators, broadcasters, and content creators who demand reliable image quality and adaptable production processes. Featuring a Canon EF lens mount and a 6048 × 4032 full-frame sensor, the PYXIS captures cinematic footage with stunning detail, natural color reproduction, and a wide 13-stop dynamic range for increased creative control.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"762\" data-end=\"1196\"\u003eConstructed around Blackmagic Design's latest digital film technology, the PYXIS produces outstanding performance across commercials, documentaries, live productions, narrative filmmaking, and virtual production settings. Its compact box-style design offers extensive mounting options, making it easy to integrate into drones, gimbals, rigs, vehicles, or studio setups while maintaining a lightweight and highly customizable process.\u003c\/p\u003e\n\u003cp data-start=\"1198\" data-end=\"1604\"\u003eThe camera records in Blackmagic RAW for highest post-production flexibility while simultaneously generating H.264 proxy files for faster editing and cloud collaboration. Built-in Ethernet interfacing, USB-C expansion, Bluetooth control, and support for live streaming simplify remote production processes, making the PYXIS equally suited for on-location shoots and professional studio settings.\u003c\/p\u003e\n\u003cp data-start=\"1606\" data-end=\"2022\"\u003eA bright 4-inch HDR touchscreen, dual CFexpress Type B card slots, professional audio sources, and several connectivity options deliver everything needed for modern cinema production. Whether you're shooting feature films, corporate videos, commercials, documentaries, or high-end online content, the Blackmagic Design PYXIS 6K produces professional performance in a space-efficient and versatile cinema camera platform.\u003c\/p\u003e\n\u003cp data-start=\"2024\" data-end=\"2215\"\u003eExplore our collection of \u003ca href=\"https:\/\/bsn.com.pk\/collections\/blackmagic-design\"\u003eBlackmagic Design cameras, Cinema Cameras, and Professional Footage Production Hardware\u003c\/a\u003e to build a complete filmmaking option for your production needs.\u003c\/p\u003e\n\u003ch2 data-section-id=\"1r8frcv\" data-start=\"2222\" data-end=\"2251\"\u003eFrequently Asked Questions: Guide — Blackmagic Design PYXIS — Product Guide\u003c\/h2\u003e\n\u003ch3 data-section-id=\"1n8nn3\" data-start=\"2253\" data-end=\"2323\"\u003eWhat is the Blackmagic Design PYXIS 6K Cinema Box Camera used for? — Product Guide\u003c\/h3\u003e\n\u003cp data-start=\"2324\" data-end=\"2470\"\u003eThe PYXIS 6K is developed for professional filmmaking, commercials, documentaries, live production, virtual production, and broadcast uses.\u003c\/p\u003e\n\u003ch3 data-section-id=\"11hrnvn\" data-start=\"2472\" data-end=\"2530\"\u003eDoes the Blackmagic PYXIS 6K have a full-frame sensor?: Guide\u003c\/h3\u003e\n\u003cp data-start=\"2531\" data-end=\"2692\"\u003eIt incorporates a 6048 × 4032 full-frame picture sensor that produces cinematic picture quality with shallow depth of field and excellent low-light performance.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1hbozu\" data-start=\"2694\" data-end=\"2735\"\u003eWhich optics mount does this model use?\u003c\/h3\u003e\n\u003cp data-start=\"2736\" data-end=\"2847\"\u003eThis version comes with a Canon EF lens mount, allowing compatibility with numerous Canon EF lenses.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1yoc1zm\" data-start=\"2849\" data-end=\"2895\"\u003eCan the PYXIS 6K record in Blackmagic RAW?: Guide\u003c\/h3\u003e\n\u003cp data-start=\"2896\" data-end=\"3028\"\u003eThe camera records in Blackmagic RAW while additionally creating H.264 proxy files for efficient editing and cloud-based processes.\u003c\/p\u003e\n\u003ch3 data-section-id=\"2vk1xm\" data-start=\"3030\" data-end=\"3110\"\u003eWhere can I buy the Blackmagic Design PYXIS 6K Cinema Box Camera in the UAE? — Product Guide\u003c\/h3\u003e\n\u003cp data-start=\"3111\" data-end=\"3313\"\u003eYou can purchase the Blackmagic Design PYXIS 6K Cinema Box Camera (Canon EF) from, a trusted supplier of professional cinema, broadcast, and production hardware in the UAE.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790189518901,"sku":"CINECAMCPYXD60LFEF","price":12435.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1712933734_1823585.webp?v=1784716529"},{"product_id":"blackmagic-design-davinci-resolve-micro-color-panel","title":"Blackmagic Design DaVinci Resolve Micro Color Panel","description":"\u003ch1\u003eBlackmagic Design DaVinci Resolve Micro Color Panel — Product Guide\u003c\/h1\u003e\u003cbr\u003eFor this model, Designed for use with Apple iPad Pro, Blackmagic's DaVinci Resolve Micro Color Panel Configuration produces professional-grade color control with an intuitive interface tailored for beginners. Enhancing the color accuracy and process speed of DaVinci Resolve Studio software, this panel contains three high-resolution trackballs, 12 control knobs, and numerous buttons that give direct access to contrast plus Y lift, gamma, and gain.\u003cbr\u003eWith controls strategically positioned akin to enhanced versions, operators can reshape, resize, position, and feather power windows while also scaling the picture. Its compact chassis holds an iPad Pro as the software screen and offers interfacing options including Bluetooth or USB-C to your iPad or personal computer. Working on onboard battery or USB-C power, it provides versatility and convenience for seamless color grading experiences.\u003cbr\u003e\u003ch2\u003ePrecise Controlled Track Balls of DaVinci Resolve Micro Color Panel and Professional\u003c\/h2\u003e\u003cbr\u003eThe trackballs permit color adjustment inside a picture based on lift, gamma, and gain tonal ranges. Unlike working with a mouse and keyboard, you can manipulate several trackballs concurrently to produce distinctive effects. Smooth rings surrounding the trackballs set master levels and shape overall contrast. Keys positioned above each trackball allow you to reset color or level adjustments individually, or both simultaneously. Three more controls across the upper edge of the DaVinci Resolve Mini and Micro Color Panels permit switching between primary and log wheel settings, activating offset, temperature, and tint controls, and toggling the full-screen viewer feed. A fourth master-gain trackball on the DaVinci Resolve Enhanced Panel adjusts the picture globally.\u003cbr\u003e\u003ch2\u003ePrimary Adjustment Controls on DaVinci Resolve Micro Color Panel\u003c\/h2\u003e\u003cbr\u003ePrimary controls shape overall picture luminance and color balance via a range of tools that target specific tonal and hue variations. Frequently used image adjustments are placed together for fast creation of vivid results, which suits photographers, designers, and colorists working against deadlines. Twelve primary-correction dials on the DaVinci Resolve Micro and Mini panels provide rapid control of picture temperature, tint, hue, saturation, contrast, shadows, highlights, color boost, midtone detail, and other parameters. Pressing any dial resets that parameter immediately, making alternative looks easy to test!\u003cbr\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/gain-image-xl.webp\"\u003e\u003cimg class=\"alignnone size-full wp-image-11993\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/gain-image-xl.webp\" alt=\"DaVinci Resolve Micro Color Panel \" width=\"1000\" height=\"262\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\n\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eLuminance operation in DaVinci Resolve Micro Color Panel\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e \u003cli\u003eY Lift control: Adjust the contrast of the image in the darker areas, specifically in the Y (luminance) channel only. This adjustment allows changing the black point without changing saturation.\u003c\/li\u003e \u003cli\u003eY Gamma control: Adjust the contrast of the image in the mid-tone areas, specifically in the Y (luminance) channel only. This control helps add depth and extra vibrancy to shots.\u003c\/li\u003e \u003cli\u003eY Gain control: Adjust the contrast of the image in the highlight areas, specifically in the Y (luminance) channel only. This adjustment allows you to change the highlights without changing saturation.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eContrast operation in DaVinci Resolve Micro Color Panel\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e \u003cli\u003eContrast Control: Increase contrast to make the blacks darker and the whites brighter, or decrease contrast to do the opposite.\u003c\/li\u003e \u003cli\u003ePivot: Change the center of tonality about which dark and bright parts of the image are stretched or narrowed during a contrast adjustment.\u003c\/li\u003e \u003cli\u003eMid-Tone Detail: Affect the contrast of regions of the image with high edge detail to increase or decrease the perception of image sharpness and definition. Often used for softening facial features, making it popular for beauty shots.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eDetail operation in DaVinci Resolve Micro Color Panel\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e \u003cli\u003eColor Boost Control: Raise the saturation in regions of the image with low saturation while leaving properly saturated areas alone. Also known as a vibrance operation, this is useful for adding color without oversaturating the image.\u003c\/li\u003e \u003cli\u003eShadow Control: Selectively lighten or darken shadow detail without affecting your image's mid-tones.\u003c\/li\u003e \u003cli\u003eHighlight Control: Enable retrieving blown-out highlight detail in high dynamic range media by lowering this parameter. This allows you to achieve a smooth blend between the retrieved highlights and unadjusted mid-tones for a natural-looking image.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eSaturation operation in DaVinci Resolve Micro Color Panel\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e \u003cli\u003eIncreases or decreases overall image saturation. You can turn your color image into a grayscale image with this control.\u003c\/li\u003e \u003cli\u003eHue Control: Rotate all hues of the image around 360° of the color wheel. The default setting is 50, which retains the original distribution of hues.\u003c\/li\u003e \u003cli\u003eLuminance Mix Control: Control the balance between the YRGB adjustments and Y-only adjustments made using the Y channel lift, gamma, and gain controls.\u003c\/li\u003e\n\u003c\/ul\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790189551669,"sku":"DV\/RES\/AAAPNLMIC\/EN","price":2094.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1712934943_IMG_2231906.webp?v=1784716530"},{"product_id":"blackmagic-design-atem-1-m-e-constellation-uhd-4k-live-production-switcher","title":"Blackmagic Design ATEM 1 M\/E Constellation UHD 4K Live Production Switcher","description":"At the center of the specification, the ATEM 1 M\/E Constellation UHD 4K Live Production Switcher enhances its predecessor's switcher configuration by incorporating UHD 4K functions and 12G-SDI ports. Tailored for robust live event UHD 4K switching, this unit accommodates 10 individual 12G-SDI sources compatible with 12G\/3G\/HD-SDI signals, feeding them to six 12G-SDI feeds or webcam USB-C feed. Additionally, the switcher provides a Multiview feed with up to 16 routable windows, showcasing sources, keyed footage, graphics, stills from the media pool, and the program feed. Each source links to a built-in Fairlight audio mixer that handles up to 28 audio channels.\u003cbr\u003eThe switcher incorporates a reference footage input, and each source is equipped with a frame synchronizer, frame rate converter, and format converter. This operation enables seamless integration of multiple cameras, formats, cameras lacking genlock, and footage source from computer sources. Upstream and downstream keyers and effects are provided, all executed live and in real time without the need for rendering. Control options incorporate the built-in front panel, optional Blackmagic ATEM panels, or downloadable control software.\u003cbr\u003e\u003ch2\u003e\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/IMG_2232157.webp\"\u003e\u003cimg class=\"alignleft wp-image-12002 size-medium\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/IMG_2232157-300x200.webp\" alt=\"ATEM 1 M\/E Constellation\" width=\"300\" height=\"200\"\u003e\u003c\/a\u003e\u003c\/h2\u003e\u003cbr\u003e\u003ch2\u003e\u003c\/h2\u003e\u003cbr\u003e\u003ch2\u003eproduction Transition Effects in ATEM 1 M\/E Constellation\u003c\/h2\u003e\u003cbr\u003eThe ATEM Constellation UHD 4K provides an extensive array of broadcast-quality native transitions such as mix, dip, wipe, and more. These transitions can be tailored in the system control menus, allowing adjustments for border color, width, position, direction, and more. Additionally, the switcher incorporates a robust digital footage effects processor for DVE transitions, enabling dynamic effects like squeezing the current picture offscreen to reveal a new footage underneath or creating graphic wipe transitions. To enhance accuracy, the ATEM Constellation UHD 4K incorporates a preview transition feature, enabling setup of transitions prior to going on air.\u003cbr\u003e\u003ch2\u003e\u003c\/h2\u003e\u003cbr\u003e\u003ch2\u003eIntegrated Digital video signal Effects\u003c\/h2\u003e\u003cbr\u003eEquipped with two independent DVEs, the ATEM Constellation permits repositioning of graphics and creation of picture-in-picture compositions. With real-time support for position, resize, and scale adjustments, operators can attain professional-quality picture-in-picture effects with customizable 3D borders, shadows, and lighting.\u003cbr\u003e\u003ch2\u003eMulti-View Display in ATEM 1 M\/E Constellation: Guide\u003c\/h2\u003e\u003cbr\u003eThe multi-view function can be arranged to display 16, 13, 10, 7, or 4 views, offering observation of program, preview, sources, media players, DSK, and clean feed. Optional labels and audio meters deliver additional observation functions.\u003cbr\u003e\u003ch2\u003e\n\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/IMG_2232161.webp\"\u003e\u003cimg class=\"wp-image-12001 size-medium alignright\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/IMG_2232161-300x200.webp\" alt=\"\" width=\"300\" height=\"200\"\u003e\u003c\/a\u003eproduction Communication System\u003c\/h2\u003e\u003cbr\u003eATEM Constellation is equipped with built-in talkback operation to facilitate seamless collaboration among crew members. Talkback support incorporates a 5-pin XLR headset connector and a rear-mounted RJ12 connector, preserving compatibility with industry-standard talkback systems like ClearCom or RTS. Operators have full control over talkback, including program and engineering loops, sidetone control to monitor the headset microphone, and program mix. Additionally, ATEM Constellation UHD 4K allows SDI talkback, utilizing SDI channels 15 and 16 for bidirectional communication with Blackmagic Design cameras, with the option to utilize channels 13 and 14 for engineering talkback. Moreover, the talkback mic can be built-in into the program audio for voiceovers.\u003cbr\u003e\u003ch2\u003eInternal Media Repository: Guide\u003c\/h2\u003e\u003cbr\u003eThe built-in media pool stores broadcast-quality RGBA graphics and animations for instant playback via two or four media players. These media players are seamlessly built-in as extra source sources on the ATEM Constellation UHD 4K, eliminating the need for extra SDI sources for graphics. The media pool is equipped to hold graphics for use with the media players, with the 1 M\/E version capable of storing 20 stills and 200 frame animations. Media management is simplified via the ATEM Software Control or direct downloading from Photoshop through the ATEM Photoshop plug-in.\u003cbr\u003e\u003ch2\u003eChroma Keying Capabilities of ATEM 1 M\/E Constellation: Guide\u003c\/h2\u003e\u003cbr\u003eThe ATEM chroma keyer boasts a color picker feature for automated generation of key parameters by sampling background colors. Operators can fine-tune edge and flare adjustments with accurate controls, complemented by a foreground color corrector for seamless blending with the background layer. The keyer accommodates pattern and DVE keying uses and offers eight Enhanced Keyers with the 2 M\/E version. Each M\/E row provides four upstream keyers, enabling virtual set construction. Utilizing a keyer per camera enables cohesive compositions over a custom background in a 4-camera virtual set. Additionally, macros can be arranged to switch cameras and load the correct background into the players.\u003cbr\u003e\u003ch2\u003eMulti-Rate 12G-SDI connections of ATEM 1 M\/E Constellation\u003c\/h2\u003e\u003cbr\u003eFeaturing up to 10 multi-rate 12G-SDI links, the ATEM 1 M\/E Constellation UHD 4K includes compatibility with an extensive selection of footage sources. Supporting UHD and HD footage standards, including 720p, 1080i, 1080p, and 2160p formats, operators can seamlessly switch between formats to suit their production requirements. These sources additionally support embedded audio, allowing for audio mixing from the sources. Additionally, program feeds incorporate talkback, tally, and camera control information, facilitating link of switcher feeds back to the camera for program return, control, and talkback functionalities.\u003cbr\u003e\u003ch2\u003eFairlight sound Mixer Integration\u003c\/h2\u003e\u003cbr\u003eAll SDI sources on the Constellation UHD 4K are linked to a built-in Fairlight audio mixer equipped with a 6-band parametric EQ, compressor, limiter, noise gate, and expander. Audio is extracted from the SDI sources and routed to the onboard mixer, supporting up to 156 source channels. The mixer additional accommodates extra inputs for built-in analog sources or talkback microphones for voiceover functions. Audio control is managed via the ATEM Software Control or compatible Mackie panel.\u003cbr\u003e\u003ch2\u003eATEM Software operation Panel\u003c\/h2\u003e\u003cbr\u003eUtilize the ATEM Software Control Panel to efficiently manage your Constellation unit via your personal computer. The software boasts a user-friendly switcher interface and parameter palettes for swift adjustments. Several operators can connect to the switcher via Ethernet, enabling simultaneous collaboration on several aspects of your event. Moreover, the software grants access to camera control, audio mixing, media management, macro programming, and control of HyperDeck disk recorders. Operators can save the switcher's full state as XML files and back up media from the media pool. Compatible with macOS and Windows working systems, the software maintains seamless control and operation.\u003cbr\u003e\u003ch2\u003eOptional operation Panels Compatibility\u003c\/h2\u003e\u003cbr\u003eThe Constellation UHD 4K includes compatibility with three variants of the ATEM Enhanced Panels. These panels are developed with industry-standard M\/E-style layouts and incorporate built-in LCD screens. Featuring high-quality buttons with customizable illumination color, along with a DVE joystick and a T-bar fader, these panels maintain effortless control over your unit. Additionally, operators can configure and activate macros as needed.\u003cbr\u003eEach row of M\/E buttons is equipped with built-in LCDs for dynamic source button labeling. The 1 M\/E version comprises a single M\/E row with 10 source buttons, while the 2 M\/E version boasts 2 M\/E rows with 20 source buttons. For extensive control functions, the expansive 4 M\/E version incorporates four M\/E rows with 40 source buttons per row, accompanied by four independent system control LCD screens.\u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790189682741,"sku":"SWATEMSCN2\/2ME1\/4K","price":7540.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1712932237_1823510.webp?v=1784716531"},{"product_id":"blackmagic-design-atem-2-m-e-constellation-uhd-4k-live-production-switcher","title":"Blackmagic Design ATEM 2 M\/E Constellation UHD 4K Live Production Switcher","description":"When image acquisition begins, the ATEM 2 M\/E Constellation UHD 4K Live Production Switcher enhances its predecessor's setup by incorporating UHD 4K functions and 12G-SDI ports. Tailored for robust live event UHD 4K switching, this unit includes 20 individual 12G-SDI sources compatible with 12G\/3G\/HD-SDI signals, feeding them to 12 12G-SDI feeds or webcam USB-C feed. Additionally, the switcher integrates a multiview feed with up to 16 routable windows, showcasing sources, keyed footage, graphics, stills from the media pool, and the program feed. Each source is linked to a built-in Fairlight audio mixer supporting up to 28 channels of audio.\u003cbr\u003eThe switcher incorporates a reference footage input, and every source is equipped with a frame synchronizer, frame rate converter, and format converter. This therefore permits seamless mixing and matching of cameras and formats, even for cameras lacking genlock, and integration of footage source from computer sources. Upstream and downstream keyers and effects are provided, all executed live and in real time without the need for rendering. Control options incorporate the built-in front panel, optional Blackmagic ATEM panels, or downloadable control software.\u003cbr\u003e\u003ch2\u003e\n\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/IMG_2232157.webp\"\u003e\u003cimg class=\"size-medium wp-image-12002 alignleft\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/IMG_2232157-300x200.webp\" alt=\"ATEM 1 M\/E Constellation ATEM 2 M\/E Constellation\" width=\"300\" height=\"200\"\u003e\u003c\/a\u003eproduction-Grade Transitions of ATEM 2 M\/E Constellation\u003c\/h2\u003e\u003cbr\u003eThe ATEM Constellation UHD 4K boasts an extensive selection of high-quality native transitions, including mix, dip, wipe, and more. All transitions are fully customizable via the system control menus, allowing adjustments for border color, width, position, direction, and numerous other parameters. Additionally, the switcher provides a robust digital footage effects processor for DVE transitions, enabling the current picture to be seamlessly squeezed offscreen to reveal a new footage underneath. The DVE operation additionally facilitates the creation of graphic wipe transitions. To maintain accuracy, the ATEM Constellation UHD 4K supplies a preview transition feature, enabling operators to configure transitions before broadcasting.\u003cbr\u003e\u003ch2\u003e\u003c\/h2\u003e\u003cbr\u003e\u003ch2\u003eIntegrated DVE Functionality of ATEM 2 M\/E Constellation: Guide\u003c\/h2\u003e\u003cbr\u003eEquipped with two independent DVEs, the ATEM Constellation permits operators to reposition graphics and generate picture-in-picture compositions with notable quality. The DVE accommodates real-time adjustments for position, resize, and scale, offering versatility in creating professional picture-in-picture effects with customizable 3D borders, shadows, and lighting. Moreover, DVEs can be leveraged to produce dynamic transitions with squeeze and swoosh effects, enhancing program excitement. Operators can even bring together DVE transitions with custom graphics to craft unique graphic wipe transitions. In the 2 M\/E version, SuperSource processors are included for six DVEs.\u003cbr\u003e\u003ch2\u003eSuperSource: Guide\u003c\/h2\u003e\u003cbr\u003eIncorporated into the ATEM 2 M\/E Constellation version alongside the DVEs in the M\/E rows, the ATEM Constellation UHD 4K incorporates robust SuperSource multilayer processors. These processors incorporate four extra DVE layers and a background layer, presenting themselves as an extra source source to the switcher. Each SuperSource DVE can utilize any switcher footage source, which is then layered over a custom background from the media pool. This feature effectively adds an extra multilayer VFX switcher, ideal for creating picture-in-picture displays for interviews while keeping the main DVEs provided for other tasks.\u003cbr\u003e\u003ch2\u003eATEM 2 M\/E Constellation Multiview Outputs: Guide\u003c\/h2\u003e\u003cbr\u003eOffering configurable options ranging from 16 to 4 up views, the multiview function provides monitoring functions for program, preview, sources, media players, DSK, and clean feed. Optional labels and audio meters enhance usability. The ATEM 2 M\/E Constellation version is equipped with two multiview feeds.\u003cbr\u003e\u003ch2\u003e\n\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/IMG_2232161.webp\"\u003e\u003cimg class=\"size-medium wp-image-12001 alignleft\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/IMG_2232161-300x200.webp\" alt=\"ATEM 2 M\/E Constellation\" width=\"300\" height=\"200\"\u003e\u003c\/a\u003eproduction Broadcast Talkback\u003c\/h2\u003e\u003cbr\u003eThe ATEM Constellation incorporates built-in talkback operation to facilitate seamless communication among crews. Supporting a 5-pin XLR headset connector and a rear-mounted RJ12 connector, talkback interfaces with industry-standard systems like ClearCom or RTS. Operators have extensive talkback control, including program and engineering loops, sidetone control, and program mix. Additionally, SDI talkback through channels 15 and 16 permits two-way communication with Blackmagic Design cameras, while channels 13 and 14 can be utilized for engineering talkback. Moreover, the talkback mic can be mixed into the program audio for voiceovers.\u003cbr\u003e\u003ch2\u003e\u003c\/h2\u003e\u003cbr\u003e\u003ch2\u003e\u003c\/h2\u003e\u003cbr\u003e\u003ch2\u003eInternal Media Pool: Guide\u003c\/h2\u003e\u003cbr\u003eFeaturing a built-in media pool, the switcher stores high-quality RGBA graphics and animations for instant playback by two or four media players. These media players function as extra source sources on the ATEM Constellation UHD 4K, eliminating the need for extra SDI sources for graphics. The media pool holds graphics intended for use with the media players. In the 2 M\/E version, the media pool can accommodate 40 stills and 400 frame animations. Media management is facilitated via the included ATEM Software Control or direct downloads from Photoshop through the ATEM Photoshop plug-in.\u003cbr\u003e\u003ch2\u003eChroma Keyers in ATEM 2 M\/E Constellation: Guide\u003c\/h2\u003e\u003cbr\u003eThe ATEM chroma keyer incorporates a color picker for automated key parameter generation by sampling background colors. Utilize accurate controls for edge and flare adjustments, with an added foreground color corrector to maintain seamless compositions matching the background layer. The keyer is versatile for pattern and DVE keying uses. The 2 M\/E model provides eight Enhanced Keyers.\u003cbr\u003e\u003ch2\u003eMulti-Rate 12G-SDI Connection on ATEM 2 M\/E Constellation: Guide\u003c\/h2\u003e\u003cbr\u003eFeaturing up to 20 multi-rate 12G-SDI links, the ATEM 2 M\/E Constellation UHD 4K accommodates multiple footage sources, supporting UHD and HD footage standards comprising 720p, 1080i, 1080p, and 2160p formats. Easily switch between formats to suit production needs. The sources support embedded audio, allowing for audio mixing from the sources. Program feeds incorporate talkback, tally, and camera control information for seamless integration with cameras.\u003cbr\u003e\u003ch2\u003eFairlight sound Mixer\u003c\/h2\u003e\u003cbr\u003eAll SDI sources on the Constellation UHD 4K connect to a built-in Fairlight audio mixer equipped with a 6-band parametric EQ, compressor, limiter, noise gate, and expander. Audio is extracted from the SDI sources and routed to the onboard mixer, supporting up to 156 source channels. Additional sources are provided for built-in analog sources or talkback microphones for voiceover functions. Audio control is managed via the ATEM Software Control or compatible Mackie panel.\u003cbr\u003e\u003ch2\u003eATEM Software operation Panel — Blackmagic Design ATEM — Product Guide\u003c\/h2\u003e\u003cbr\u003eEmploy the ATEM Software Control Panel to manage your Constellation unit via your personal computer. The software provides a visual switcher interface and parameter palettes for swift adjustments. Several operators can connect to the switcher via Ethernet, allowing concurrent work on distinct aspects of your event. It grants access to camera control, audio mixing, media, macro programming, and HyperDeck disk recorder control. Save the switcher's full state as XML files and back up media from the media pool. The software is compatible with macOS and Windows working systems.\u003cbr\u003e\u003ch2\u003eOptional operation Panels\u003c\/h2\u003e\u003cbr\u003eThe Constellation UHD 4K is compatible with three ATEM Enhanced Panel versions, featuring industry-standard M\/E-style layouts with built-in LCD screens. High-quality buttons with customizable illumination color, a DVE joystick, and a T-bar fader streamline unit control. Macros allows a setting up and triggered effortlessly. All M\/E button rows incorporate built-in LCDs for dynamic source button labeling. The 1 M\/E version comprises a single M\/E row with 10 source buttons, the 2 M\/E version incorporates 2 M\/E rows with 20 source buttons, and the 4 M\/E version boasts four M\/E rows with 40 source buttons per row and four independent system control LCD screens.\u003cbr\u003e \u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790189781045,"sku":"SWATEMSCN2\/2ME2\/4K","price":17550.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1712932237_1823501.webp?v=1784716533"},{"product_id":"blackmagic-design-media-player-10g","title":"Blackmagic Design Media Player 10G","description":"Considering the complete platform, Capture and reproduce broadcast footage on your Thunderbolt computer through the Blackmagic Media Player 10G. This media player provides swift links for seamless playback and editing of large, high-resolution files. With individual 12G-SDI feeds for playback, fill, and key components, along with 12G-SDI sources for capturing, and a rapid 10G Ethernet link to a computer for power (PoE) and media accessibility.\u003cbr\u003e\u003ch2\u003eUtilize DaVinci Resolve for Blackmagic Media Player 10G: Guide\u003c\/h2\u003e\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/IMG_2233694.webp\"\u003e\u003cimg class=\"alignleft wp-image-12038 size-medium\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/IMG_2233694-300x169.webp\" alt=\"Blackmagic media player 10g\" width=\"300\" height=\"169\"\u003e\u003c\/a\u003e\u003cbr\u003eBlackmagic Media Player is tailored for Thunderbolt computers, delivering a broad capture and playback option ideal for live production switchers or extensive broadcast setups. Beyond footage input and feed functionalities, it provides 10G Ethernet interfacing and powers your computer. Dual 12G-SDI feeds support fill and key playback, complemented by 12G-SDI capture, and 10G Ethernet facilitates network storage access and laptop power via a single Thunderbolt link. Additionally, there's a separate Thunderbolt link on the front for hassle-free laptop interfacing. It fully allows Deck Link API features, maintaining seamless compatibility with most footage software.\u003cbr\u003e\u003ch2\u003eNews Editing: Guide\u003c\/h2\u003e\u003cbr\u003eThe DaVinci Resolve 19 cut page introduces innovative media player, editing, and replay functions. It effortlessly handles common footage file formats, enabling playback of files provided by clients. For broadcast graphics, DaVinci Resolve 19 seamlessly plays footage files with an alpha channel, outputting them as 10-bit SDI fill and key signals. The new multi-source viewer simplifies media browsing, automatically displaying matching clips in a multiview format. New \"on air\" controls permit the key feed to activate the downstream keyer in a switcher, streamlining playout automation with a single button press. DaVinci Resolve can even incorporate automated stingers, making it an ideal option for news and replay operations.\u003cbr\u003e\u003ch2\u003eBroadcast construction of Blackmagic Media Player 10G\u003c\/h2\u003e\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/IMG_2233691.webp\"\u003e\u003cimg class=\"size-medium wp-image-12040 alignright\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/IMG_2233691-300x300.webp\" alt=\"Blackmagic media player 10g\" width=\"300\" height=\"300\"\u003e\u003c\/a\u003eBlackmagic Media Player provides a diverse option for broadcast playback, whether placed on a desktop or rack-mounted through a Blackmagic Universal Rack Shelf. The front panel provides an LCD display delivering footage and audio meter status information, including source, footage standard, and the depth of the capture\/playback frame buffer. The audio meter can be toggled between VU and PPM settings. Additionally, there's a headphone socket, speaker, and a speaker permit button. To activate the speaker, simply double press the speaker permit button. Whenever mounted in a control room, the front Thunderbolt link enables convenient link of your computer directly into the front of the rack.\u003cbr\u003e\u003ch2\u003eHigh-Speed Thunderbolt connections of Blackmagic Media Player 10G\u003c\/h2\u003e\u003cbr\u003eBlackmagic Media Player boasts fast Thunderbolt interfacing for footage capture and playback, alongside 10G Ethernet and laptop power transmission via a single cable. Thunderbolt ports are provided on both the front and rear panels, facilitating link to either rack-mounted or laptop computers. Thunderbolt produces ample speed to handle large 4:4:4:4 and 4:2:2:4 files with alpha channels, across all SD, HD, and Ultra HD footage standards up to 2160p60. Leveraging the DeckLink API maintains compatibility with almost all footage software. Moreover, the bidirectional Thunderbolt link permits real-time footage capture, processing, and feed, effectively transforming computers into graphics processing engines.\u003cbr\u003e\u003ch2\u003eReplay\/Monitoring\/Desktop Extension Connections: Guide\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic Media Player includes a plethora of links for observation, extending the desktop, and fast networking, all via a single Thunderbolt link. The program fill and key feeds can be muted to prevent footage from keying on a switcher until the replay begins. Meanwhile, the dedicated 12G-SDI and HDMI observation feeds remain active, allowing you to prepare for the next replay. Additionally, there's balanced audio out for powered speakers. Live source observation of the switcher multiview for replay is facilitated by the 12G-SDI footage in feature. Moreover, the 10G Ethernet offers fast access to shared storage for ISO footage files. An extended desktop is additionally provided for the DaVinci UI, along with USB expansion for a keyboard and mouse.\u003cbr\u003e\u003ch2\u003eKey Outputs and Independent Fill\u003c\/h2\u003e\u003cbr\u003eEquipped with dual 12G-SDI footage feeds, the Blackmagic Media Player can integrate seamlessly with live production switchers, enabling overlay of broadcast graphics with transparency. Internally, there's hardware support for both RGBA and YUVA frame buffers. With RGBA graphics, the Blackmagic Media Player automatically transcodes RGB pixels to 10-bit YUV on the fill feed and the alpha channel to the 10-bit key feed. These two SDI feeds are then connected to a live production switcher for keying over footage, preserving smooth blending of transparent elements in the pictures. This makes the Blackmagic Media Player ideal for broadcast graphics and stingers.\u003cbr\u003e\u003ch2\u003ePlayback and Simultaneous Capture\u003c\/h2\u003e\u003cbr\u003eUtilizing the same Desktop Footage software found in popular DeckLink and UltraStudio capture and playback solutions, the Blackmagic Media Player accommodates simultaneous real-time bidirectional transfer of footage data to and from the computer, with extremely low latency. This function enables capturing picture data into the computer from the SDI source while simultaneously sending picture data from the computer to the SDI feeds. This opens up possibilities for creating innovative solutions where the computer acts as a processing engine. For example, you can use the computer as a keyer or generate broadcast graphics over the live source. Additionally, it supports exciting new AI-based processing overlaid on live footage.\u003cbr\u003e\u003ch2\u003e10G Ethernet port in Blackmagic Media Player 10G: Guide\u003c\/h2\u003e\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/IMG_2233697.webp\"\u003e\u003cimg class=\"size-medium wp-image-12042 alignright\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/IMG_2233697-300x169.webp\" alt=\"Blackmagic media player 10g\" width=\"300\" height=\"169\"\u003e\u003c\/a\u003eThe inclusion of a high-speed 10G Ethernet port in the Blackmagic Media Player permits access to network storage whenever your computer is connected to the Thunderbolt port. This eliminates the need for extra Ethernet adapters, as both footage and network interfacing are provided via a single cable. With 10G Ethernet being ten times faster than regular Ethernet, you benefit from ample speed for handling numerous footage streams, which is especially useful for tasks like replay work. Moreover, the 10G Ethernet port boasts very low latency for swift access times. Additionally, Blackmagic Cloud Stores support 10G Ethernet, allowing for speedy access to shared media and ISO captures, facilitating collaboration among several editors working simultaneously in DaVinci Resolve.\u003cbr\u003e\u003ch2\u003e10-Bit Broadcast video signal Quality of Blackmagic Media Player 10G\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic Media Player is engineered to uphold the highest standards of footage quality. It provides support for capture and playback to popular footage formats like Apple ProRes, DNxHD, or even 10-bit uncompressed, supporting versatility across distinct file formats. Utilizing 10-bit technology is integral, as it supports colors to be represented with four times the precision of 8-bit footage, making it a widely adopted television standard. Opting for 10-bit uncompressed footage ensures that all pictures are an exact pixel-for-pixel replica of the original source, guaranteeing the utmost quality in every aspect. This results in razor-sharp green screen keying, seamless VFX compositions, and superior color correction functions.\u003cbr\u003e\u003ch2\u003eCompatible: Popular Software\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic Media Player provides seamless compatibility with a wide array of popular footage editing software, granting you the flexibility to utilize the tools you're already familiar with and fond of. It's particularly well-suited for broadcast editing and color correction tasks whenever paired with DaVinci Resolve. Because of its simultaneous capture and playback support, you can leverage DaVinci Resolve's live grading feature to capture footage, apply color correction, and feed the result concurrently. The Blackmagic Media Player also works alongside Final Cut Pro, Media Composer, Premiere Pro, and other editing applications, widening creative workflow choices. Additionally, you can craft stunning visual effects through Fusion, After Effects, and Photoshop.\u003cbr\u003e\u003ch2\u003eBlackmagic Media Player 10G interfaces: Tools for Broadcast Graphics\u003c\/h2\u003e\u003cbr\u003e\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/IMG_2233693.webp\"\u003e\u003cimg class=\"size-medium wp-image-12039 alignleft\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/IMG_2233693-300x169.webp\" alt=\"Blackmagic media player 10g\" width=\"300\" height=\"169\"\u003e\u003c\/a\u003eFor creating broadcast graphics and titles, it's essential to employ familiar tools that graphic designers are accustomed to, helping ensure highest creativity without the need for retraining. The Blackmagic Media Player seamlessly interfaces with Fusion, the visual effects software built-in into DaVinci Resolve, as well as Adobe After Effects and Photoshop. Fusion Studio, in particular, stands out as a robust node-based compositing VFX tool, offering both 2D and 3D settings, a vast array of effects, and more. Additionally, Fusion can be accessed free of charge inside DaVinci Resolve. You can utilize the bundled Blackmagic Media Express software to capture and playback footage into files that can be imported into Fusion, After Effects, or Photoshop.\u003cbr\u003e\u003ch2\u003eFormats and Support for Various Resolutions\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic Media Player allows the latest Ultra HD footage standards via its 12G-SDI footage links, making it an ideal option for broadcasters seeking to transition to Ultra HD and 4K processes. Furthermore, the player can be updated via software to accommodate new television standards in the future. Despite featuring 12G-SDI links, they are multi-rate and can handle lower definition SD for archival purposes or HD for broadcast footage applications. Additionally, whenever connected to 3G-SDI sources, you have the flexibility to switch between Level A and B.\u003cbr\u003e\u003ch2\u003eRS-422 for Broadcast Automation operation\u003c\/h2\u003e\u003cbr\u003eSince its inception in the early 1980s, the RS-422 protocol has been the go-to control link for broadcast decks, originally developed by Sony and now widely adopted across broadcast hardware. The Blackmagic Media Player is equipped with a RS-422 deck control source link, enabling remote control of compatible software via broadcast automation systems. This link also handles extra commands for the Enhanced Media Protocol, facilitating the management of disk recorders.\u003cbr\u003e\u003ch2\u003eCustom SDK Solutions: Guide\u003c\/h2\u003e\u003cbr\u003eFor those interested in creating tailored solutions for the Blackmagic Media Player, the Blackmagic Desktop Footage SDK is provided for free download on macOS, Windows, and Linux platforms. This developer SDK simplifies the process of developing custom solutions for in-house use or for commercial sale to other broadcasters. Offering both low-level control of hardware for enhanced flexibility and high-level interfaces for common tasks, the Desktop Footage SDK caters to diverse development needs. With thousands of manufacturers and developers relying on Blackmagic DeckLink cards in their devices, the Desktop Footage SDK supplies a dependable foundation for crafting high-quality broadcast solutions.\u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790190010421,"sku":"BDLKULSTMP010G","price":3882.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1712934029_1823583.webp?v=1784716538"},{"product_id":"blackmagic-design-videohub-120x120-12g-zero-latency-video-router","title":"Blackmagic Design Videohub 120x120 12G Zero-Latency Video Router","description":"Considering the complete platform, Manage diverse footage formats effortlessly with the Blackmagic Videohub 120x120 12G Zero-Latency Footage Router. This cutting-edge router boasts 120 x 12G-SDI sources and 120 x 12G-SDI feeds, enabling seamless routing of SD, HD, UHD 4K, and DCI 4K footage in any combination. By consolidating all SDI cables into one hub, it simplifies interfacing, allowing adaptable routing from any footage input to any feed, or from one source to several feeds, eliminating cable clutter and the need for intricate diagrams. Its versatility extends to pairing with several HyperDeck recorders for redundant mastering, routing footage to a range of streaming processors across broadcast platforms, or expanding sources for an ATEM switcher.\u003cbr\u003e\u003ch2\u003e12G-SDI Multi-Rate Connections of Blackmagic VideoHub 120x120 12G: Guide\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/1712935832_IMG_2231909.webp\"\u003e\u003cimg class=\"alignright wp-image-12067 size-medium\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/1712935832_IMG_2231909-300x300.webp\" alt=\"Blackmagic VideoHub 120x120 12G\" width=\"300\" height=\"300\"\u003e\u003c\/a\u003e\n\u003c\/h2\u003e\u003cbr\u003e\u003cul\u003e \u003cli\u003eUtilize multi-rate 12G-SDI connections to route up to 120 different video standards concurrently.\u003c\/li\u003e \u003cli\u003eSupports resolutions up to DCI 4K60 video.\u003c\/li\u003e \u003cli\u003eEnables 4:2:2 8 or 10-bit color routing in any standard.\u003c\/li\u003e \u003cli\u003eWorks with 4:4:4 12-bit SDI up to DCI 4K30 for cinematic productions.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch2\u003eSDI Reclocking: Guide\u003c\/h2\u003e\u003cbr\u003e\u003cul\u003e \u003cli\u003eReclocking on each 12G-SDI input restores the signal, ensuring optimal video quality.\u003c\/li\u003e \u003cli\u003eMinimizes or eradicates signal loss and jitter, particularly over longer cables prone to signal degradation.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch2\u003eFront-Panel operation of Blackmagic VideoHub 120x120 12G\u003ca href=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/IMG_1989385-1.webp\"\u003e\u003cimg class=\"size-medium wp-image-12072 alignleft\" src=\"https:\/\/bsn.com.pk\/wp-content\/uploads\/2024\/04\/IMG_1989385-1-300x169.webp\" alt=\"Blackmagic VideoHub 120x120 12G\" width=\"300\" height=\"169\"\u003e\u003c\/a\u003e\n\u003c\/h2\u003e\u003cbr\u003e\u003cul\u003e \u003cli\u003eThe sleek front panel offers various control options.\u003c\/li\u003e \u003cli\u003eFeatures assignable shortcuts and buttons for In, Out, Clear, and Take functions.\u003c\/li\u003e \u003cli\u003eEquipped with a precision machined metal spin knob with electronic clutch for accurate control.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch2\u003e\u003c\/h2\u003e\u003cbr\u003e\u003ch2\u003eOptional Hardware operation Panels on Blackmagic VideoHub 120x120 12G\u003c\/h2\u003e\u003cbr\u003e\u003cul\u003e \u003cli\u003eCompatible with optional hardware panels for simplified control, especially in expansive facilities.\u003c\/li\u003e \u003cli\u003eWorks seamlessly with the Videohub Master Control Pro and Videohub Smart Control Pro.\u003c\/li\u003e \u003cli\u003eThe Videohub Master Control Pro resembles the front panel, featuring a spin knob, LCD, and shortcut buttons.\u003c\/li\u003e \u003cli\u003eThe Videohub Smart Control Pro boasts an all-button design, typically programmed to control a single router output per button, facilitating instant router output changes with button presses.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch2\u003eEffortless Router Management: Guide\u003c\/h2\u003e\u003cbr\u003eVideohub Software Control, compatible with macOS, iPad, and Windows, provides intuitive touchscreen router control. With large, easily accessible buttons, this software operates seamlessly on your existing computers used for creative tasks. Customize each button to correspond with a router source or feed, complete with visually identifiable icons.\u003cbr\u003e\u003ch2\u003eSDK Integration and Configuration Tool\u003c\/h2\u003e\u003cbr\u003eInitiate setup with Videohub Setup software or integrate the SDK for protocol support tailored to broadcast automation systems.\u003cbr\u003e\u003ch2\u003eIntegrated Display: Guide\u003c\/h2\u003e\u003cbr\u003e\u003cul\u003e \u003cli\u003ePreview your live input directly on the built-in 5\" LCD screen.\u003c\/li\u003e \u003cli\u003eNavigate through your sources conveniently with bottom labels arranged alphabetically.\u003c\/li\u003e \u003cli\u003eThe inclusion of an internal SDI monitor negates the necessity for an external setup.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":45790190338101,"sku":"VHUBSMAS12G120120","price":54041.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/3290\/3477\/files\/1712935223_1823500.webp?v=1784716543"}],"url":"https:\/\/bsn.com.pk\/collections\/blackmagic-design.oembed?page=5","provider":"Broadcast Systems Network","version":"1.0","type":"link"}